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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D290CDCE it is the complementary color #2D6F32CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D290CDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D290CDCE shade: #D790C8CE, #E8A2DBCE, #F9B4EECE, #FFC6FFCE and #FFD8FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D290CDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D290CDCE shade: #D290CDCE, #C17EBACE, #B06CA7CE, #9F5A94CE and #8E4881CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D290CDCE shade: #D18FCC, #D18FBA, #D18FA8, #D18F96 and #D18F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D290CDCE shade: #D18FCC, #C48FD1, #B28FD1, #A08FD1 and #8F8FD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D290CDCE shade matches the following richer shades: #D18FCC, #DE82D7, #EB75E2 and #F868ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D290CDCE shade: #D18FCC, #C49CC1, #B8A8B6, #ABB5AC and #9EC2A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D290CDCE shade: #B28FD1, #C48FD1, #D18FCD, #D18FBB and #D18FA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D290CDCE shade: #B954B2, #C571BF, #D18FCC, #DDACD9 and #E9C9E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D290CDCE shade: #D290CD, #D1A08F and #8FD1BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D290CDCE shade: #D290CD, #CDD18F and #8FCDD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D290CDCE shade: #D290CD, #D1A08F, #8FD193 and #8FBFD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D290CDCE shade: #D290CD, #D1B48F, #8FD193 and #8FACD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 2 / 14

HEX #D290CDCE

RGBA 210 144 205 0.81

HSLA 304.55, 0.42%, 0.69%, 0.81

LABA 68.06, 34.65, -21.37, 0.81

 

Complementary color

CMYK 48 / 0 / 45 / 46

HEX #2D6F32CE

RGBA 45 111 50 0.81

HSLA 124.55, 0.42%, 0.31%, 0.81

LABA 41.46, -34.75, 27.57, 0.81

 

CMYK 0 / 27 / 6 / 13

HEX #D790C8CE

RGBA 215 144 200 0.81

HSLA 312.68, 0.47%, 0.7%, 0.81

LABA 68.43, 35.4, -17.97, 0.81

 

CMYK 0 / 24 / 5 / 7

HEX #E8A2DBCE

RGBA 232 162 219 0.81

HSLA 311.14, 0.6%, 0.77%, 0.81

LABA 74.89, 34.7, -18.49, 0.81

 

CMYK 0 / 22 / 4 / 2

HEX #F9B4EECE

RGBA 249 180 238 0.81

HSLA 309.57, 0.85%, 0.84%, 0.81

LABA 81.27, 34.04, -18.97, 0.81

 

CMYK 0 / 18 / 0 / 0

HEX #FFC6FFCE

RGBA 255 198 255 0.81

HSLA 300, 1%, 0.89%, 0.81

LABA 86.44, 29.52, -20.16, 0.81

 

CMYK 0 / 12 / 0 / 0

HEX #FFD8FFCE

RGBA 255 216 255 0.81

HSLA 300, 1%, 0.92%, 0.81

LABA 90.59, 20.08, -13.92, 0.81

 

CMYK 0 / 25 / 2 / 14

HEX #D290CDCE

RGBA 210 144 205 0.81

HSLA 304.55, 0.42%, 0.69%, 0.81

LABA 68.06, 34.65, -21.37, 0.81

 

CMYK 0 / 28 / 3 / 20

HEX #C17EBACE

RGBA 193 126 186 0.81

HSLA 306.27, 0.35%, 0.63%, 0.81

LABA 61.49, 35.37, -20.9, 0.81

 

CMYK 0 / 31 / 4 / 25

HEX #B06CA7CE

RGBA 176 108 167 0.81

HSLA 307.94, 0.3%, 0.56%, 0.81

LABA 54.81, 36.13, -20.38, 0.81

 

CMYK 0 / 35 / 6 / 30

HEX #9F5A94CE

RGBA 159 90 148 0.81

HSLA 309.57, 0.28%, 0.49%, 0.81

LABA 48.03, 36.92, -19.79, 0.81

 

CMYK 0 / 40 / 7 / 36

HEX #8E4881CE

RGBA 142 72 129 0.81

HSLA 311.14, 0.33%, 0.42%, 0.81

LABA 41.17, 37.68, -19.08, 0.81

 

CMYK 0 / 32 / 2 / 18

HEX #D18FCC

RGB 209 143 204

HSL 304.55, 0.42%, 0.69%

LAB 67.69, 34.68, -21.38

 

CMYK 0 / 32 / 11 / 18

HEX #D18FBA

RGB 209 143 186

HSL 320.91, 0.42%, 0.69%

LAB 67.09, 31.51, -12.25

 

CMYK 0 / 32 / 20 / 18

HEX #D18FA8

RGB 209 143 168

HSL 337.27, 0.42%, 0.69%

LAB 66.54, 28.61, -2.96

 

CMYK 0 / 32 / 28 / 18

HEX #D18F96

RGB 209 143 150

HSL 353.64, 0.42%, 0.69%

LAB 66.06, 25.98, 6.47

 

CMYK 0 / 32 / 32 / 18

HEX #D18F8F

RGB 209 143 143

HSL 0, 0.42%, 0.69%

LAB 65.89, 25.04, 10.17

 

CMYK 0 / 32 / 2 / 18

HEX #D18FCC

RGB 209 143 204

HSL 304.55, 0.42%, 0.69%

LAB 67.69, 34.68, -21.38

 

CMYK 6 / 32 / 0 / 18

HEX #C48FD1

RGB 196 143 209

HSL 288.18, 0.42%, 0.69%

LAB 66.51, 31.43, -26.1

 

CMYK 15 / 32 / 0 / 18

HEX #B28FD1

RGB 178 143 209

HSL 271.82, 0.42%, 0.69%

LAB 64.73, 25.73, -28.98

 

CMYK 23 / 32 / 0 / 18

HEX #A08FD1

RGB 160 143 209

HSL 255.45, 0.42%, 0.69%

LAB 63.11, 20.19, -31.62

 

CMYK 32 / 32 / 0 / 18

HEX #8F8FD1

RGB 143 143 209

HSL 240, 0.42%, 0.69%

LAB 61.73, 15.16, -33.87

 

CMYK 0 / 32 / 2 / 18

HEX #D18FCC

RGB 209 143 204

HSL 304.55, 0.42%, 0.69%

LAB 67.69, 34.68, -21.38

 

CMYK 0 / 41 / 3 / 13

HEX #DE82D7

RGB 222 130 215

HSL 304.57, 0.58%, 0.69%

LAB 66.83, 47.62, -28.7

 

CMYK 0 / 50 / 4 / 8

HEX #EB75E2

RGB 235 117 226

HSL 304.58, 0.75%, 0.69%

LAB 66.42, 59.73, -35.31

 

CMYK 0 / 58 / 4 / 3

HEX #F868ED

RGB 248 104 237

HSL 304.58, 0.91%, 0.69%

LAB 66.5, 70.8, -41.16

 

CMYK 0 / 32 / 2 / 18

HEX #D18FCC

RGB 209 143 204

HSL 304.55, 0.42%, 0.69%

LAB 67.69, 34.68, -21.38

 

CMYK 0 / 20 / 2 / 23

HEX #C49CC1

RGB 196 156 193

HSL 304.5, 0.25%, 0.69%

LAB 69.01, 21.17, -13.39

 

CMYK 0 / 9 / 1 / 28

HEX #B8A8B6

RGB 184 168 182

HSL 307.5, 0.1%, 0.69%

LAB 70.58, 8.31, -5.09

 

CMYK 6 / 0 / 5 / 29

HEX #ABB5AC

RGB 171 181 172

HSL 126, 0.06%, 0.69%

LAB 72.68, -5.19, 3.37

 

CMYK 19 / 0 / 17 / 24

HEX #9EC2A1

RGB 158 194 161

HSL 125, 0.23%, 0.69%

LAB 75.09, -18.49, 12.67

 

CMYK 15 / 32 / 0 / 18

HEX #B28FD1

RGB 178 143 209

HSL 271.82, 0.42%, 0.69%

LAB 64.73, 25.73, -28.98

 

CMYK 6 / 32 / 0 / 18

HEX #C48FD1

RGB 196 143 209

HSL 288.18, 0.42%, 0.69%

LAB 66.51, 31.43, -26.1

 

CMYK 0 / 32 / 2 / 18

HEX #D18FCD

RGB 209 143 205

HSL 303.64, 0.42%, 0.69%

LAB 67.73, 34.86, -21.88

 

CMYK 0 / 32 / 11 / 18

HEX #D18FBB

RGB 209 143 187

HSL 320, 0.42%, 0.69%

LAB 67.12, 31.68, -12.76

 

CMYK 0 / 32 / 19 / 18

HEX #D18FA9

RGB 209 143 169

HSL 336.36, 0.42%, 0.69%

LAB 66.57, 28.76, -3.48

 

CMYK 0 / 55 / 4 / 27

HEX #B954B2

RGB 185 84 178

HSL 304.16, 0.42%, 0.53%

LAB 51.69, 53.2, -31.5

 

CMYK 0 / 43 / 3 / 23

HEX #C571BF

RGB 197 113 191

HSL 304.29, 0.42%, 0.61%

LAB 59.38, 44.5, -26.93

 

CMYK 0 / 32 / 2 / 18

HEX #D18FCC

RGB 209 143 204

HSL 304.55, 0.42%, 0.69%

LAB 67.69, 34.68, -21.38

 

CMYK 0 / 22 / 2 / 13

HEX #DDACD9

RGB 221 172 217

HSL 304.9, 0.42%, 0.77%

LAB 76, 25.33, -15.84

 

CMYK 0 / 14 / 1 / 9

HEX #E9C9E7

RGB 233 201 231

HSL 303.75, 0.42%, 0.85%

LAB 84.41, 16.36, -10.66

 

CMYK 0 / 31 / 2 / 18

HEX #D290CD

RGB 210 144 205

HSL 304.55, 0.42%, 0.69%

LAB 68.06, 34.65, -21.37

 

CMYK 0 / 23 / 32 / 18

HEX #D1A08F

RGB 209 160 143

HSL 15.45, 0.42%, 0.69%

LAB 69.95, 15.79, 15.88

 

CMYK 32 / 0 / 11 / 18

HEX #8FD1BB

RGB 143 209 187

HSL 160, 0.42%, 0.69%

LAB 79.06, -25.6, 4.26

 

CMYK 0 / 31 / 2 / 18

HEX #D290CD

RGB 210 144 205

HSL 304.55, 0.42%, 0.69%

LAB 68.06, 34.65, -21.37

 

CMYK 2 / 0 / 32 / 18

HEX #CDD18F

RGB 205 209 143

HSL 63.64, 0.42%, 0.69%

LAB 82.14, -11.66, 32.36

 

CMYK 32 / 2 / 0 / 18

HEX #8FCDD1

RGB 143 205 209

HSL 183.64, 0.42%, 0.69%

LAB 78.52, -18.69, -8.33

 

CMYK 0 / 31 / 2 / 18

HEX #D290CD

RGB 210 144 205

HSL 304.55, 0.42%, 0.69%

LAB 68.06, 34.65, -21.37

 

CMYK 0 / 23 / 32 / 18

HEX #D1A08F

RGB 209 160 143

HSL 15.45, 0.42%, 0.69%

LAB 69.95, 15.79, 15.88

 

CMYK 32 / 0 / 30 / 18

HEX #8FD193

RGB 143 209 147

HSL 123.64, 0.42%, 0.69%

LAB 78.2, -33.23, 24.29

 

CMYK 32 / 9 / 0 / 18

HEX #8FBFD1

RGB 143 191 209

HSL 196.36, 0.42%, 0.69%

LAB 74.64, -11.46, -14.13

 

CMYK 0 / 31 / 2 / 18

HEX #D290CD

RGB 210 144 205

HSL 304.55, 0.42%, 0.69%

LAB 68.06, 34.65, -21.37

 

CMYK 0 / 14 / 32 / 18

HEX #D1B48F

RGB 209 180 143

HSL 33.64, 0.42%, 0.69%

LAB 74.94, 5.01, 22.75

 

CMYK 32 / 0 / 30 / 18

HEX #8FD193

RGB 143 209 147

HSL 123.64, 0.42%, 0.69%

LAB 78.2, -33.23, 24.29

 

CMYK 32 / 18 / 0 / 18

HEX #8FACD1

RGB 143 172 209

HSL 213.64, 0.42%, 0.69%

LAB 69.43, -1.23, -22.01

 

Description

Color code: HEX #D290CDCE | qconv.com Color code: HEX #D290CDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 144 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 144 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 2 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 2% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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