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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D290B8 it is the complementary color #2D6F47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D290B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D290B8 shade: #D790B3, #E8A2C6, #F9B4D9, #FFC6EC and #FFD8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D290B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D290B8 shade: #D290B8, #C17EA5, #B06C92, #9F5A7F and #8E486C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D290B8 shade: #D18FB7, #D18FA5, #D18F93 and #D18F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D290B8 shade: #D18FB7, #D18FC9, #C88FD1, #B68FD1 and #A48FD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D290B8 shade matches the following richer shades: #D18FB7, #DE82BA, #EB75BC and #F868BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D290B8 shade: #D18FB7, #C49CB4, #B8A8B2, #ABB5AF and #9EC2AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D290B8 shade: #C78FD1, #D18FC9, #D18FB8, #D18FA6 and #D18F94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D290B8 shade: #B95491, #C571A4, #D18FB7, #DDACCA and #E9C9DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D290B8 shade: #D290B8, #D1B58F and #8FD1D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D290B8 shade: #D290B8, #B8D18F and #8FB8D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D290B8 shade: #D290B8, #D1B58F, #8FD1A8 and #8FAAD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D290B8 shade: #D290B8, #D1C98F, #8FD1A8 and #8F96D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 12 / 18

HEX #D290B8

RGB 210 144 184

HSL 323.64, 0.42%, 0.69%

LAB 67.36, 30.98, -10.71

 

Complementary color

CMYK 59 / 0 / 36 / 56

HEX #2D6F47

RGB 45 111 71

HSL 143.64, 0.42%, 0.31%

LAB 41.82, -30.97, 16.15

 

CMYK 0 / 33 / 17 / 16

HEX #D790B3

RGB 215 144 179

HSL 330.42, 0.47%, 0.7%

LAB 67.76, 31.91, -7.25

 

CMYK 0 / 30 / 15 / 9

HEX #E8A2C6

RGB 232 162 198

HSL 329.14, 0.6%, 0.77%

LAB 74.24, 31.19, -7.97

 

CMYK 0 / 28 / 13 / 2

HEX #F9B4D9

RGB 249 180 217

HSL 327.83, 0.85%, 0.84%

LAB 80.62, 30.52, -8.63

 

CMYK 0 / 22 / 7 / 0

HEX #FFC6EC

RGB 255 198 236

HSL 320, 1%, 0.89%

LAB 85.86, 26.2, -10.95

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 0 / 31 / 12 / 18

HEX #D290B8

RGB 210 144 184

HSL 323.64, 0.42%, 0.69%

LAB 67.36, 30.98, -10.71

 

CMYK 0 / 35 / 15 / 24

HEX #C17EA5

RGB 193 126 165

HSL 325.07, 0.35%, 0.63%

LAB 60.76, 31.72, -10.03

 

CMYK 0 / 39 / 17 / 31

HEX #B06C92

RGB 176 108 146

HSL 326.47, 0.3%, 0.56%

LAB 54.06, 32.51, -9.27

 

CMYK 0 / 43 / 20 / 38

HEX #9F5A7F

RGB 159 90 127

HSL 327.83, 0.28%, 0.49%

LAB 47.26, 33.34, -8.4

 

CMYK 0 / 49 / 24 / 44

HEX #8E486C

RGB 142 72 108

HSL 329.14, 0.33%, 0.42%

LAB 40.36, 34.18, -7.37

 

CMYK 0 / 32 / 12 / 18

HEX #D18FB7

RGB 209 143 183

HSL 323.64, 0.42%, 0.69%

LAB 66.99, 31.01, -10.71

 

CMYK 0 / 32 / 21 / 18

HEX #D18FA5

RGB 209 143 165

HSL 340, 0.42%, 0.69%

LAB 66.46, 28.15, -1.39

 

CMYK 0 / 32 / 30 / 18

HEX #D18F93

RGB 209 143 147

HSL 356.36, 0.42%, 0.69%

LAB 65.99, 25.57, 8.06

 

CMYK 0 / 32 / 32 / 18

HEX #D18F8F

RGB 209 143 143

HSL 0, 0.42%, 0.69%

LAB 65.89, 25.04, 10.17

 

CMYK 0 / 32 / 12 / 18

HEX #D18FB7

RGB 209 143 183

HSL 323.64, 0.42%, 0.69%

LAB 66.99, 31.01, -10.71

 

CMYK 0 / 32 / 4 / 18

HEX #D18FC9

RGB 209 143 201

HSL 307.27, 0.42%, 0.69%

LAB 67.59, 34.13, -19.87

 

CMYK 4 / 32 / 0 / 18

HEX #C88FD1

RGB 200 143 209

HSL 291.82, 0.42%, 0.69%

LAB 66.92, 32.71, -25.43

 

CMYK 13 / 32 / 0 / 18

HEX #B68FD1

RGB 182 143 209

HSL 275.45, 0.42%, 0.69%

LAB 65.12, 26.99, -28.36

 

CMYK 22 / 32 / 0 / 18

HEX #A48FD1

RGB 164 143 209

HSL 259.09, 0.42%, 0.69%

LAB 63.46, 21.4, -31.05

 

CMYK 0 / 32 / 12 / 18

HEX #D18FB7

RGB 209 143 183

HSL 323.64, 0.42%, 0.69%

LAB 66.99, 31.01, -10.71

 

CMYK 0 / 41 / 16 / 13

HEX #DE82BA

RGB 222 130 186

HSL 323.48, 0.58%, 0.69%

LAB 65.78, 42.8, -14.06

 

CMYK 0 / 50 / 20 / 8

HEX #EB75BC

RGB 235 117 188

HSL 323.9, 0.75%, 0.69%

LAB 64.97, 53.79, -16.24

 

CMYK 0 / 58 / 23 / 3

HEX #F868BF

RGB 248 104 191

HSL 323.75, 0.91%, 0.69%

LAB 64.66, 64.05, -18.24

 

CMYK 0 / 32 / 12 / 18

HEX #D18FB7

RGB 209 143 183

HSL 323.64, 0.42%, 0.69%

LAB 66.99, 31.01, -10.71

 

CMYK 0 / 20 / 8 / 23

HEX #C49CB4

RGB 196 156 180

HSL 324, 0.25%, 0.69%

LAB 68.61, 18.81, -6.76

 

CMYK 0 / 9 / 3 / 28

HEX #B8A8B2

RGB 184 168 178

HSL 322.5, 0.1%, 0.69%

LAB 70.46, 7.57, -3.05

 

CMYK 6 / 0 / 3 / 29

HEX #ABB5AF

RGB 171 181 175

HSL 144, 0.06%, 0.69%

LAB 72.76, -4.62, 1.84

 

CMYK 19 / 0 / 11 / 24

HEX #9EC2AC

RGB 158 194 172

HSL 143.33, 0.23%, 0.69%

LAB 75.35, -16.44, 7.09

 

CMYK 5 / 32 / 0 / 18

HEX #C78FD1

RGB 199 143 209

HSL 290.91, 0.42%, 0.69%

LAB 66.82, 32.39, -25.6

 

CMYK 0 / 32 / 4 / 18

HEX #D18FC9

RGB 209 143 201

HSL 307.27, 0.42%, 0.69%

LAB 67.59, 34.13, -19.87

 

CMYK 0 / 32 / 12 / 18

HEX #D18FB8

RGB 209 143 184

HSL 322.73, 0.42%, 0.69%

LAB 67.02, 31.18, -11.23

 

CMYK 0 / 32 / 21 / 18

HEX #D18FA6

RGB 209 143 166

HSL 339.09, 0.42%, 0.69%

LAB 66.48, 28.3, -1.91

 

CMYK 0 / 32 / 29 / 18

HEX #D18F94

RGB 209 143 148

HSL 355.45, 0.42%, 0.69%

LAB 66.01, 25.71, 7.53

 

CMYK 0 / 55 / 22 / 27

HEX #B95491

RGB 185 84 145

HSL 323.76, 0.42%, 0.53%

LAB 50.33, 47.91, -14.17

 

CMYK 0 / 43 / 17 / 23

HEX #C571A4

RGB 197 113 164

HSL 323.57, 0.42%, 0.61%

LAB 58.38, 39.93, -12.98

 

CMYK 0 / 32 / 12 / 18

HEX #D18FB7

RGB 209 143 183

HSL 323.64, 0.42%, 0.69%

LAB 66.99, 31.01, -10.71

 

CMYK 0 / 22 / 9 / 13

HEX #DDACCA

RGB 221 172 202

HSL 323.27, 0.42%, 0.77%

LAB 75.54, 22.68, -8.35

 

CMYK 0 / 14 / 5 / 9

HEX #E9C9DD

RGB 233 201 221

HSL 322.5, 0.42%, 0.85%

LAB 84.13, 14.59, -5.75

 

CMYK 0 / 31 / 12 / 18

HEX #D290B8

RGB 210 144 184

HSL 323.64, 0.42%, 0.69%

LAB 67.36, 30.98, -10.71

 

CMYK 0 / 13 / 32 / 18

HEX #D1B58F

RGB 209 181 143

HSL 34.55, 0.42%, 0.69%

LAB 75.19, 4.48, 23.1

 

CMYK 32 / 0 / 0 / 18

HEX #8FD1D0

RGB 143 209 208

HSL 179.09, 0.42%, 0.69%

LAB 79.61, -20.94, -6.18

 

CMYK 0 / 31 / 12 / 18

HEX #D290B8

RGB 210 144 184

HSL 323.64, 0.42%, 0.69%

LAB 67.36, 30.98, -10.71

 

CMYK 12 / 0 / 32 / 18

HEX #B8D18F

RGB 184 209 143

HSL 82.73, 0.42%, 0.69%

LAB 80.61, -19.58, 30.05

 

CMYK 32 / 12 / 0 / 18

HEX #8FB8D1

RGB 143 184 209

HSL 202.73, 0.42%, 0.69%

LAB 72.71, -7.75, -17.03

 

CMYK 0 / 31 / 12 / 18

HEX #D290B8

RGB 210 144 184

HSL 323.64, 0.42%, 0.69%

LAB 67.36, 30.98, -10.71

 

CMYK 0 / 13 / 32 / 18

HEX #D1B58F

RGB 209 181 143

HSL 34.55, 0.42%, 0.69%

LAB 75.19, 4.48, 23.1

 

CMYK 32 / 0 / 20 / 18

HEX #8FD1A8

RGB 143 209 168

HSL 142.73, 0.42%, 0.69%

LAB 78.62, -29.44, 13.77

 

CMYK 32 / 19 / 0 / 18

HEX #8FAAD1

RGB 143 170 209

HSL 215.45, 0.42%, 0.69%

LAB 68.89, -0.13, -22.83

 

CMYK 0 / 31 / 12 / 18

HEX #D290B8

RGB 210 144 184

HSL 323.64, 0.42%, 0.69%

LAB 67.36, 30.98, -10.71

 

CMYK 0 / 4 / 32 / 18

HEX #D1C98F

RGB 209 201 143

HSL 52.73, 0.42%, 0.69%

LAB 80.35, -6.02, 30.04

 

CMYK 32 / 0 / 20 / 18

HEX #8FD1A8

RGB 143 209 168

HSL 142.73, 0.42%, 0.69%

LAB 78.62, -29.44, 13.77

 

CMYK 32 / 28 / 0 / 18

HEX #8F96D1

RGB 143 150 209

HSL 233.64, 0.42%, 0.69%

LAB 63.55, 11.13, -31.04

 

Description

Color code: HEX #D290B8 | qconv.com Color code: HEX #D290B8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 144 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 144 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 12 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 12% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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