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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D29094 it is the complementary color #2D6F6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D29094. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D29094 shade: #D7908F, #E8A2A2, #F9B4B5, #FFC6C8 and #FFD8DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D29094. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D29094 shade: #D29094, #C17E81, #B06C6E, #9F5A5B and #8E4848

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D29094 shade: #D18F93 and #D18F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D29094 shade: #D18F93, #D18FA5, #D18FB7, #D18FC8 and #C88FD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D29094 shade matches the following richer shades: #D18F93, #DE8288, #EB757C and #F86871

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D29094 shade: #D18F93, #C49C9E, #B8A8A9, #ABB5B4 and #9EC2C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D29094 shade: #D18FB7, #D18FA5, #D18F93, #D19C8F and #D1AE8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D29094 shade: #B9545A, #C57177, #D18F93, #DDACAF and #E9C9CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D29094 shade: #D29094, #C8D18F and #8FAED1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D29094 shade: #D29094, #93D18F and #8F93D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D29094 shade: #D29094, #C8D18F, #8FD1CD and #988FD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D29094 shade: #D29094, #B4D18F, #8FD1CD and #AC8FD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 30 / 18

HEX #D29094

RGB 210 144 148

HSL 356.36, 0.42%, 0.69%

LAB 66.36, 25.54, 8.04

 

Complementary color

CMYK 59 / 0 / 4 / 56

HEX #2D6F6B

RGB 45 111 107

HSL 176.36, 0.42%, 0.31%

LAB 42.75, -21.82, -4.08

 

CMYK 0 / 33 / 33 / 16

HEX #D7908F

RGB 215 144 143

HSL 0.83, 0.47%, 0.7%

LAB 66.81, 26.78, 11.56

 

CMYK 0 / 30 / 30 / 9

HEX #E8A2A2

RGB 232 162 162

HSL 0, 0.6%, 0.77%

LAB 73.29, 25.95, 10.46

 

CMYK 0 / 28 / 27 / 2

HEX #F9B4B5

RGB 249 180 181

HSL 359.13, 0.85%, 0.84%

LAB 79.68, 25.21, 9.45

 

CMYK 0 / 22 / 22 / 0

HEX #FFC6C8

RGB 255 198 200

HSL 357.89, 1%, 0.89%

LAB 84.9, 20.57, 6.82

 

CMYK 0 / 15 / 14 / 0

HEX #FFD8DB

RGB 255 216 219

HSL 355.38, 1%, 0.92%

LAB 89.62, 14.02, 3.57

 

CMYK 0 / 31 / 30 / 18

HEX #D29094

RGB 210 144 148

HSL 356.36, 0.42%, 0.69%

LAB 66.36, 25.54, 8.04

 

CMYK 0 / 35 / 33 / 24

HEX #C17E81

RGB 193 126 129

HSL 357.31, 0.35%, 0.63%

LAB 59.75, 26.39, 9.15

 

CMYK 0 / 39 / 38 / 31

HEX #B06C6E

RGB 176 108 110

HSL 358.24, 0.3%, 0.56%

LAB 53.04, 27.34, 10.4

 

CMYK 0 / 43 / 43 / 38

HEX #9F5A5B

RGB 159 90 91

HSL 359.13, 0.28%, 0.49%

LAB 46.23, 28.38, 11.85

 

CMYK 0 / 49 / 49 / 44

HEX #8E4848

RGB 142 72 72

HSL 0, 0.33%, 0.42%

LAB 39.33, 29.53, 13.58

 

CMYK 0 / 32 / 30 / 18

HEX #D18F93

RGB 209 143 147

HSL 356.36, 0.42%, 0.69%

LAB 65.99, 25.57, 8.06

 

CMYK 0 / 32 / 32 / 18

HEX #D18F8F

RGB 209 143 143

HSL 0, 0.42%, 0.69%

LAB 65.89, 25.04, 10.17

 

CMYK 0 / 32 / 30 / 18

HEX #D18F93

RGB 209 143 147

HSL 356.36, 0.42%, 0.69%

LAB 65.99, 25.57, 8.06

 

CMYK 0 / 32 / 21 / 18

HEX #D18FA5

RGB 209 143 165

HSL 340, 0.42%, 0.69%

LAB 66.46, 28.15, -1.39

 

CMYK 0 / 32 / 12 / 18

HEX #D18FB7

RGB 209 143 183

HSL 323.64, 0.42%, 0.69%

LAB 66.99, 31.01, -10.71

 

CMYK 0 / 32 / 4 / 18

HEX #D18FC8

RGB 209 143 200

HSL 308.18, 0.42%, 0.69%

LAB 67.55, 33.95, -19.36

 

CMYK 4 / 32 / 0 / 18

HEX #C88FD1

RGB 200 143 209

HSL 291.82, 0.42%, 0.69%

LAB 66.92, 32.71, -25.43

 

CMYK 0 / 32 / 30 / 18

HEX #D18F93

RGB 209 143 147

HSL 356.36, 0.42%, 0.69%

LAB 65.99, 25.57, 8.06

 

CMYK 0 / 41 / 39 / 13

HEX #DE8288

RGB 222 130 136

HSL 356.09, 0.58%, 0.69%

LAB 64.38, 36.03, 12.21

 

CMYK 0 / 50 / 47 / 8

HEX #EB757C

RGB 235 117 124

HSL 356.44, 0.75%, 0.69%

LAB 63.21, 46.13, 17.66

 

CMYK 0 / 58 / 54 / 3

HEX #F86871

RGB 248 104 113

HSL 356.25, 0.91%, 0.69%

LAB 62.55, 55.81, 23.36

 

CMYK 0 / 32 / 30 / 18

HEX #D18F93

RGB 209 143 147

HSL 356.36, 0.42%, 0.69%

LAB 65.99, 25.57, 8.06

 

CMYK 0 / 20 / 19 / 23

HEX #C49C9E

RGB 196 156 158

HSL 357, 0.25%, 0.69%

LAB 68.01, 15.15, 4.61

 

CMYK 0 / 9 / 8 / 28

HEX #B8A8A9

RGB 184 168 169

HSL 356.25, 0.1%, 0.69%

LAB 70.22, 5.95, 1.57

 

CMYK 6 / 0 / 1 / 29

HEX #ABB5B4

RGB 171 181 180

HSL 174, 0.06%, 0.69%

LAB 72.89, -3.66, -0.7

 

CMYK 19 / 0 / 1 / 24

HEX #9EC2C0

RGB 158 194 192

HSL 176.67, 0.23%, 0.69%

LAB 75.86, -12.39, -2.99

 

CMYK 0 / 32 / 12 / 18

HEX #D18FB7

RGB 209 143 183

HSL 323.64, 0.42%, 0.69%

LAB 66.99, 31.01, -10.71

 

CMYK 0 / 32 / 21 / 18

HEX #D18FA5

RGB 209 143 165

HSL 340, 0.42%, 0.69%

LAB 66.46, 28.15, -1.39

 

CMYK 0 / 32 / 30 / 18

HEX #D18F93

RGB 209 143 147

HSL 356.36, 0.42%, 0.69%

LAB 65.99, 25.57, 8.06

 

CMYK 0 / 25 / 32 / 18

HEX #D19C8F

RGB 209 156 143

HSL 11.82, 0.42%, 0.69%

LAB 68.98, 17.97, 14.52

 

CMYK 0 / 17 / 32 / 18

HEX #D1AE8F

RGB 209 174 143

HSL 28.18, 0.42%, 0.69%

LAB 73.42, 8.22, 20.67

 

CMYK 0 / 55 / 51 / 27

HEX #B9545A

RGB 185 84 90

HSL 356.44, 0.42%, 0.53%

LAB 48.75, 41.36, 16.53

 

CMYK 0 / 43 / 40 / 23

HEX #C57177

RGB 197 113 119

HSL 355.71, 0.42%, 0.61%

LAB 57.09, 33.75, 11.23

 

CMYK 0 / 32 / 30 / 18

HEX #D18F93

RGB 209 143 147

HSL 356.36, 0.42%, 0.69%

LAB 65.99, 25.57, 8.06

 

CMYK 0 / 22 / 21 / 13

HEX #DDACAF

RGB 221 172 175

HSL 356.33, 0.42%, 0.77%

LAB 74.81, 18.34, 5.35

 

CMYK 0 / 14 / 13 / 9

HEX #E9C9CB

RGB 233 201 203

HSL 356.25, 0.42%, 0.85%

LAB 83.66, 11.57, 3.16

 

CMYK 0 / 31 / 30 / 18

HEX #D29094

RGB 210 144 148

HSL 356.36, 0.42%, 0.69%

LAB 66.36, 25.54, 8.04

 

CMYK 4 / 0 / 32 / 18

HEX #C8D18F

RGB 200 209 143

HSL 68.18, 0.42%, 0.69%

LAB 81.76, -13.57, 31.79

 

CMYK 32 / 17 / 0 / 18

HEX #8FAED1

RGB 143 174 209

HSL 211.82, 0.42%, 0.69%

LAB 69.98, -2.33, -21.18

 

CMYK 0 / 31 / 30 / 18

HEX #D29094

RGB 210 144 148

HSL 356.36, 0.42%, 0.69%

LAB 66.36, 25.54, 8.04

 

CMYK 30 / 0 / 32 / 18

HEX #93D18F

RGB 147 209 143

HSL 116.36, 0.42%, 0.69%

LAB 78.34, -32.59, 26.6

 

CMYK 32 / 30 / 0 / 18

HEX #8F93D1

RGB 143 147 209

HSL 236.36, 0.42%, 0.69%

LAB 62.77, 12.86, -32.26

 

CMYK 0 / 31 / 30 / 18

HEX #D29094

RGB 210 144 148

HSL 356.36, 0.42%, 0.69%

LAB 66.36, 25.54, 8.04

 

CMYK 4 / 0 / 32 / 18

HEX #C8D18F

RGB 200 209 143

HSL 68.18, 0.42%, 0.69%

LAB 81.76, -13.57, 31.79

 

CMYK 32 / 0 / 2 / 18

HEX #8FD1CD

RGB 143 209 205

HSL 176.36, 0.42%, 0.69%

LAB 79.53, -21.63, -4.69

 

CMYK 27 / 32 / 0 / 18

HEX #988FD1

RGB 152 143 209

HSL 248.18, 0.42%, 0.69%

LAB 62.44, 17.79, -32.71

 

CMYK 0 / 31 / 30 / 18

HEX #D29094

RGB 210 144 148

HSL 356.36, 0.42%, 0.69%

LAB 66.36, 25.54, 8.04

 

CMYK 14 / 0 / 32 / 18

HEX #B4D18F

RGB 180 209 143

HSL 86.36, 0.42%, 0.69%

LAB 80.34, -21.05, 29.64

 

CMYK 32 / 0 / 2 / 18

HEX #8FD1CD

RGB 143 209 205

HSL 176.36, 0.42%, 0.69%

LAB 79.53, -21.63, -4.69

 

CMYK 18 / 32 / 0 / 18

HEX #AC8FD1

RGB 172 143 209

HSL 266.36, 0.42%, 0.69%

LAB 64.18, 23.86, -29.89

 

Description

Color code: HEX #D29094 | qconv.com Color code: HEX #D29094 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 144 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 144 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 30 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 30% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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