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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D28C36 it is the complementary color #2D73C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D28C36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D28C36 shade: #D78C31, #E89E44, #F9B057, #FFC26A and #FFD47D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D28C36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D28C36 shade: #D28C36, #C17A23, #B06810, #9F5600 and #8E4400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D28C36 shade: #D28D37, #D26337, #D23937 and #D23737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D28C36 shade: #D28D37, #D2B637, #C4D237, #9AD237 and #71D237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D28C36 shade matches the following richer shades: #D28D37, #E68F24 and #F99110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D28C36 shade: #D28D37, #BE8A4B, #AA885F, #968673 and #828487

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D28C36 shade: #D23A37, #D26337, #D28C37, #D2B537 and #C5D237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D28C36 shade: #956122, #B77729, #D28D37, #D9A059 and #E1B37B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D28C36 shade: #D28C36, #5ED237 and #4F37D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D28C36 shade: #D28C36, #37D28C and #8C37D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D28C36 shade: #D28C36, #5ED237, #377DD2 and #AB37D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D28C36 shade: #D28C36, #37D23F, #377DD2 and #D237CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 74 / 18

HEX #D28C36

RGB 210 140 54

HSL 33.08, 0.63%, 0.52%

LAB 63.94, 19.28, 54.49

 

Complementary color

CMYK 78 / 43 / 0 / 21

HEX #2D73C9

RGB 45 115 201

HSL 213.08, 0.63%, 0.48%

LAB 48.31, 8.65, -50.89

 

CMYK 0 / 35 / 77 / 16

HEX #D78C31

RGB 215 140 49

HSL 32.89, 0.67%, 0.52%

LAB 64.5, 21.2, 57.34

 

CMYK 0 / 32 / 71 / 9

HEX #E89E44

RGB 232 158 68

HSL 32.93, 0.78%, 0.59%

LAB 70.89, 19.6, 56.3

 

CMYK 0 / 29 / 65 / 2

HEX #F9B057

RGB 249 176 87

HSL 32.96, 0.93%, 0.66%

LAB 77.21, 18.19, 55.03

 

CMYK 0 / 24 / 58 / 0

HEX #FFC26A

RGB 255 194 106

HSL 35.44, 1%, 0.71%

LAB 82.32, 12.48, 52.05

 

CMYK 0 / 17 / 51 / 0

HEX #FFD47D

RGB 255 212 125

HSL 40.15, 1%, 0.75%

LAB 86.91, 4.67, 48.36

 

CMYK 0 / 33 / 74 / 18

HEX #D28C36

RGB 210 140 54

HSL 33.08, 0.63%, 0.52%

LAB 63.94, 19.28, 54.49

 

CMYK 0 / 37 / 82 / 24

HEX #C17A23

RGB 193 122 35

HSL 33.04, 0.69%, 0.45%

LAB 57.44, 21.03, 55.26

 

CMYK 0 / 41 / 91 / 31

HEX #B06810

RGB 176 104 16

HSL 33, 0.83%, 0.38%

LAB 50.88, 23.05, 55.04

 

CMYK 0 / 46 / 100 / 38

HEX #9F5600

RGB 159 86 0

HSL 32.45, 1%, 0.31%

LAB 44.27, 25.34, 53.17

 

CMYK 0 / 52 / 100 / 44

HEX #8E4400

RGB 142 68 0

HSL 28.73, 1%, 0.28%

LAB 37.64, 27.89, 47.83

 

CMYK 0 / 33 / 74 / 18

HEX #D28D37

RGB 210 141 55

HSL 33.29, 0.63%, 0.52%

LAB 64.18, 18.78, 54.3

 

CMYK 0 / 53 / 74 / 18

HEX #D26337

RGB 210 99 55

HSL 17.03, 0.63%, 0.52%

LAB 54.97, 40.95, 44.75

 

CMYK 0 / 73 / 74 / 18

HEX #D23937

RGB 210 57 55

HSL 0.77, 0.63%, 0.52%

LAB 48.14, 59.1, 37.27

 

CMYK 0 / 74 / 74 / 18

HEX #D23737

RGB 210 55 55

HSL 0, 0.63%, 0.52%

LAB 47.89, 59.79, 36.99

 

CMYK 0 / 33 / 74 / 18

HEX #D28D37

RGB 210 141 55

HSL 33.29, 0.63%, 0.52%

LAB 64.18, 18.78, 54.3

 

CMYK 0 / 13 / 74 / 18

HEX #D2B637

RGB 210 182 55

HSL 49.16, 0.63%, 0.52%

LAB 74.47, -3.16, 64.4

 

CMYK 7 / 0 / 74 / 18

HEX #C4D237

RGB 196 210 55

HSL 65.42, 0.63%, 0.52%

LAB 80.8, -23.24, 70

 

CMYK 27 / 0 / 74 / 18

HEX #9AD237

RGB 154 210 55

HSL 81.68, 0.63%, 0.52%

LAB 78.02, -39.95, 66.37

 

CMYK 46 / 0 / 74 / 18

HEX #71D237

RGB 113 210 55

HSL 97.55, 0.63%, 0.52%

LAB 76, -54.05, 63.71

 

CMYK 0 / 33 / 74 / 18

HEX #D28D37

RGB 210 141 55

HSL 33.29, 0.63%, 0.52%

LAB 64.18, 18.78, 54.3

 

CMYK 0 / 38 / 84 / 10

HEX #E68F24

RGB 230 143 36

HSL 33.09, 0.8%, 0.52%

LAB 66.97, 25.52, 64.98

 

CMYK 0 / 42 / 94 / 2

HEX #F99110

RGB 249 145 16

HSL 33.22, 0.95%, 0.52%

LAB 69.77, 31.98, 73.09

 

CMYK 0 / 33 / 74 / 18

HEX #D28D37

RGB 210 141 55

HSL 33.29, 0.63%, 0.52%

LAB 64.18, 18.78, 54.3

 

CMYK 0 / 27 / 61 / 25

HEX #BE8A4B

RGB 190 138 75

HSL 32.87, 0.47%, 0.52%

LAB 61.34, 13.01, 41.01

 

CMYK 0 / 20 / 44 / 33

HEX #AA885F

RGB 170 136 95

HSL 32.8, 0.31%, 0.52%

LAB 58.96, 7.4, 26.9

 

CMYK 0 / 11 / 23 / 41

HEX #968673

RGB 150 134 115

HSL 32.57, 0.14%, 0.52%

LAB 56.85, 2.87, 12.44

 

CMYK 4 / 2 / 0 / 47

HEX #828487

RGB 130 132 135

HSL 216, 0.02%, 0.52%

LAB 55.07, -0.13, -1.88

 

CMYK 0 / 72 / 74 / 18

HEX #D23A37

RGB 210 58 55

HSL 1.16, 0.63%, 0.52%

LAB 48.26, 58.76, 37.41

 

CMYK 0 / 53 / 74 / 18

HEX #D26337

RGB 210 99 55

HSL 17.03, 0.63%, 0.52%

LAB 54.97, 40.95, 44.75

 

CMYK 0 / 33 / 74 / 18

HEX #D28C37

RGB 210 140 55

HSL 32.9, 0.63%, 0.52%

LAB 63.94, 19.33, 54.06

 

CMYK 0 / 14 / 74 / 18

HEX #D2B537

RGB 210 181 55

HSL 48.77, 0.63%, 0.52%

LAB 74.21, -2.64, 64.15

 

CMYK 6 / 0 / 74 / 18

HEX #C5D237

RGB 197 210 55

HSL 65.03, 0.63%, 0.52%

LAB 80.87, -22.83, 70.1

 

CMYK 0 / 35 / 77 / 42

HEX #956122

RGB 149 97 34

HSL 32.87, 0.63%, 0.36%

LAB 45.71, 15.49, 42.65

 

CMYK 0 / 35 / 78 / 28

HEX #B77729

RGB 183 119 41

HSL 32.96, 0.63%, 0.44%

LAB 55.5, 18.54, 50.62

HEX #B77729

CMYK 0 / 33 / 74 / 18

HEX #D28D37

RGB 210 141 55

HSL 33.29, 0.63%, 0.52%

LAB 64.18, 18.78, 54.3

HEX #D28D37

CMYK 0 / 26 / 59 / 15

HEX #D9A059

RGB 217 160 89

HSL 33.28, 0.63%, 0.6%

LAB 69.91, 13.52, 44.76

HEX #D9A059

CMYK 0 / 20 / 45 / 12

HEX #E1B37B

RGB 225 179 123

HSL 32.94, 0.63%, 0.68%

LAB 75.87, 9.63, 34.87

HEX #E1B37B

CMYK 0 / 33 / 74 / 18

HEX #D28C36

RGB 210 140 54

HSL 33.08, 0.63%, 0.52%

LAB 63.94, 19.28, 54.49

 

CMYK 55 / 0 / 74 / 18

HEX #5ED237

RGB 94 210 55

HSL 104.9, 0.63%, 0.52%

LAB 75.29, -59.43, 62.79

 

CMYK 62 / 74 / 0 / 18

HEX #4F37D2

RGB 79 55 210

HSL 249.29, 0.63%, 0.52%

LAB 36.08, 52.89, -75.86

 

CMYK 0 / 33 / 74 / 18

HEX #D28C36

RGB 210 140 54

HSL 33.08, 0.63%, 0.52%

LAB 63.94, 19.28, 54.49

 

CMYK 74 / 0 / 33 / 18

HEX #37D28C

RGB 55 210 140

HSL 152.9, 0.63%, 0.52%

LAB 75.33, -55.67, 23.55

 

CMYK 33 / 74 / 0 / 18

HEX #8C37D2

RGB 140 55 210

HSL 272.9, 0.63%, 0.52%

LAB 42.7, 62.18, -64.75

 

CMYK 0 / 33 / 74 / 18

HEX #D28C36

RGB 210 140 54

HSL 33.08, 0.63%, 0.52%

LAB 63.94, 19.28, 54.49

 

CMYK 55 / 0 / 74 / 18

HEX #5ED237

RGB 94 210 55

HSL 104.9, 0.63%, 0.52%

LAB 75.29, -59.43, 62.79

 

CMYK 74 / 40 / 0 / 18

HEX #377DD2

RGB 55 125 210

HSL 212.9, 0.63%, 0.52%

LAB 51.99, 7.01, -50.12

 

CMYK 19 / 74 / 0 / 18

HEX #AB37D2

RGB 171 55 210

HSL 284.9, 0.63%, 0.52%

LAB 47.03, 67.96, -57.54

 

CMYK 0 / 33 / 74 / 18

HEX #D28C36

RGB 210 140 54

HSL 33.08, 0.63%, 0.52%

LAB 63.94, 19.28, 54.49

 

CMYK 74 / 0 / 70 / 18

HEX #37D23F

RGB 55 210 63

HSL 123.1, 0.63%, 0.52%

LAB 74.36, -66.91, 58.64

 

CMYK 74 / 40 / 0 / 18

HEX #377DD2

RGB 55 125 210

HSL 212.9, 0.63%, 0.52%

LAB 51.99, 7.01, -50.12

 

CMYK 0 / 74 / 4 / 18

HEX #D237CA

RGB 210 55 202

HSL 303.1, 0.63%, 0.52%

LAB 52.62, 74.52, -43.67

 

Description

Color code: HEX #D28C36 | qconv.com Color code: HEX #D28C36 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 140 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 140 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 74 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 74% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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