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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D283EE it is the complementary color #2D7C11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D283EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D283EE shade: #D783E9, #E895FC, #F9A7FF, #FFB9FF and #FFCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D283EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D283EE shade: #D283EE, #C171DB, #B05FC8, #9F4DB5 and #8E3BA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D283EE shade: #D181EE, #EE81ED, #EE81D0, #EE81B2 and #EE8195

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D283EE shade: #D181EE, #B481EE, #9781EE and #8181EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D283EE shade matches the following richer shades: #D181EE and #D776F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D283EE shade: #D181EE, #CC8DE2, #C698D7, #C1A4CB and #BBB0C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D283EE shade: #9781EE, #B481EE, #D181EE, #EE81EE and #EE81D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D283EE shade: #B739E4, #C45DE9, #D181EE, #DFA6F3 and #ECCAF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D283EE shade: #D283EE, #EE8189 and #81EEA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D283EE shade: #D283EE, #EED181 and #81EED1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D283EE shade: #D283EE, #EE8189, #9EEE81 and #81EEE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D283EE shade: #D283EE, #EE9B81, #9EEE81 and #81D5EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 45 / 0 / 7

HEX #D283EE

RGB 210 131 238

HSL 284.3, 0.76%, 0.72%

LAB 66.6, 47.93, -41.89

 

Complementary color

CMYK 64 / 0 / 86 / 51

HEX #2D7C11

RGB 45 124 17

HSL 104.3, 0.76%, 0.28%

LAB 45.65, -43.11, 45.99

 

CMYK 8 / 44 / 0 / 9

HEX #D783E9

RGB 215 131 233

HSL 289.41, 0.7%, 0.71%

LAB 66.95, 48.36, -38.55

 

CMYK 8 / 41 / 0 / 1

HEX #E895FC

RGB 232 149 252

HSL 288.35, 0.94%, 0.79%

LAB 73.34, 47.62, -38.85

 

CMYK 2 / 35 / 0 / 0

HEX #F9A7FF

RGB 249 167 255

HSL 295.91, 1%, 0.83%

LAB 79.04, 43.88, -31.5

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 12 / 45 / 0 / 7

HEX #D283EE

RGB 210 131 238

HSL 284.3, 0.76%, 0.72%

LAB 66.6, 47.93, -41.89

 

CMYK 12 / 48 / 0 / 14

HEX #C171DB

RGB 193 113 219

HSL 285.28, 0.6%, 0.65%

LAB 60.12, 48.69, -41.63

 

CMYK 12 / 53 / 0 / 22

HEX #B05FC8

RGB 176 95 200

HSL 286.29, 0.49%, 0.58%

LAB 53.58, 49.43, -41.31

 

CMYK 12 / 57 / 0 / 29

HEX #9F4DB5

RGB 159 77 181

HSL 287.31, 0.41%, 0.51%

LAB 46.99, 50.08, -40.89

 

CMYK 12 / 64 / 0 / 36

HEX #8E3BA2

RGB 142 59 162

HSL 288.35, 0.47%, 0.43%

LAB 40.39, 50.53, -40.28

 

CMYK 12 / 46 / 0 / 7

HEX #D181EE

RGB 209 129 238

HSL 284.04, 0.76%, 0.72%

LAB 66.08, 48.69, -42.72

 

CMYK 0 / 46 / 0 / 7

HEX #EE81ED

RGB 238 129 237

HSL 300.55, 0.76%, 0.72%

LAB 69.46, 56.68, -36.63

 

CMYK 0 / 46 / 13 / 7

HEX #EE81D0

RGB 238 129 208

HSL 316.51, 0.76%, 0.72%

LAB 68.34, 51.85, -22.32

 

CMYK 0 / 46 / 25 / 7

HEX #EE81B2

RGB 238 129 178

HSL 333.03, 0.76%, 0.72%

LAB 67.35, 47.44, -7

 

CMYK 0 / 46 / 37 / 7

HEX #EE8195

RGB 238 129 149

HSL 348.99, 0.76%, 0.72%

LAB 66.56, 43.8, 8.22

 

CMYK 12 / 46 / 0 / 7

HEX #D181EE

RGB 209 129 238

HSL 284.04, 0.76%, 0.72%

LAB 66.08, 48.69, -42.72

 

CMYK 24 / 46 / 0 / 7

HEX #B481EE

RGB 180 129 238

HSL 268.07, 0.76%, 0.72%

LAB 62.99, 40.67, -47.79

 

CMYK 37 / 46 / 0 / 7

HEX #9781EE

RGB 151 129 238

HSL 252.11, 0.76%, 0.72%

LAB 60.3, 33.05, -52.23

 

CMYK 46 / 46 / 0 / 7

HEX #8181EE

RGB 129 129 238

HSL 240, 0.76%, 0.72%

LAB 58.55, 27.73, -55.12

 

CMYK 12 / 46 / 0 / 7

HEX #D181EE

RGB 209 129 238

HSL 284.04, 0.76%, 0.72%

LAB 66.08, 48.69, -42.72

 

CMYK 14 / 53 / 0 / 2

HEX #D776F9

RGB 215 118 249

HSL 284.43, 0.92%, 0.72%

LAB 65.16, 58.08, -50.18

 

CMYK 12 / 46 / 0 / 7

HEX #D181EE

RGB 209 129 238

HSL 284.04, 0.76%, 0.72%

LAB 66.08, 48.69, -42.72

 

CMYK 10 / 38 / 0 / 11

HEX #CC8DE2

RGB 204 141 226

HSL 284.47, 0.59%, 0.72%

LAB 67.56, 38.43, -33.83

 

CMYK 8 / 29 / 0 / 16

HEX #C698D7

RGB 198 152 215

HSL 283.81, 0.44%, 0.72%

LAB 69.02, 28.32, -25.56

 

CMYK 5 / 19 / 0 / 20

HEX #C1A4CB

RGB 193 164 203

HSL 284.62, 0.27%, 0.72%

LAB 71.01, 17.66, -15.95

 

CMYK 3 / 8 / 0 / 25

HEX #BBB0C0

RGB 187 176 192

HSL 281.25, 0.11%, 0.72%

LAB 73.17, 6.88, -6.73

 

CMYK 37 / 46 / 0 / 7

HEX #9781EE

RGB 151 129 238

HSL 252.11, 0.76%, 0.72%

LAB 60.3, 33.05, -52.23

 

CMYK 24 / 46 / 0 / 7

HEX #B481EE

RGB 180 129 238

HSL 268.07, 0.76%, 0.72%

LAB 62.99, 40.67, -47.79

 

CMYK 12 / 46 / 0 / 7

HEX #D181EE

RGB 209 129 238

HSL 284.04, 0.76%, 0.72%

LAB 66.08, 48.69, -42.72

 

CMYK 0 / 46 / 0 / 7

HEX #EE81EE

RGB 238 129 238

HSL 300, 0.76%, 0.72%

LAB 69.51, 56.86, -37.12

 

CMYK 0 / 46 / 12 / 7

HEX #EE81D1

RGB 238 129 209

HSL 315.96, 0.76%, 0.72%

LAB 68.37, 52.01, -22.82

 

CMYK 20 / 75 / 0 / 11

HEX #B739E4

RGB 183 57 228

HSL 284.21, 0.76%, 0.56%

LAB 50.21, 72.98, -62.59

 

CMYK 16 / 60 / 0 / 9

HEX #C45DE9

RGB 196 93 233

HSL 284.14, 0.76%, 0.64%

LAB 57.51, 62.13, -53.6

 

CMYK 12 / 46 / 0 / 7

HEX #D181EE

RGB 209 129 238

HSL 284.04, 0.76%, 0.72%

LAB 66.08, 48.69, -42.72

 

CMYK 8 / 32 / 0 / 5

HEX #DFA6F3

RGB 223 166 243

HSL 284.42, 0.76%, 0.8%

LAB 75.72, 34.16, -30.36

 

CMYK 5 / 19 / 0 / 3

HEX #ECCAF8

RGB 236 202 248

HSL 284.35, 0.77%, 0.88%

LAB 85.43, 19.98, -18.15

 

CMYK 12 / 45 / 0 / 7

HEX #D283EE

RGB 210 131 238

HSL 284.3, 0.76%, 0.72%

LAB 66.6, 47.93, -41.89

 

CMYK 0 / 46 / 42 / 7

HEX #EE8189

RGB 238 129 137

HSL 355.6, 0.76%, 0.72%

LAB 66.28, 42.49, 14.61

 

CMYK 46 / 0 / 30 / 7

HEX #81EEA6

RGB 129 238 166

HSL 140.37, 0.76%, 0.72%

LAB 86.29, -46.9, 25.36

 

CMYK 12 / 45 / 0 / 7

HEX #D283EE

RGB 210 131 238

HSL 284.3, 0.76%, 0.72%

LAB 66.6, 47.93, -41.89

 

CMYK 0 / 12 / 46 / 7

HEX #EED181

RGB 238 209 129

HSL 44.04, 0.76%, 0.72%

LAB 84.67, -0.24, 43.26

 

CMYK 46 / 0 / 12 / 7

HEX #81EED1

RGB 129 238 209

HSL 164.04, 0.76%, 0.72%

LAB 87.2, -38.18, 4.32

 

CMYK 12 / 45 / 0 / 7

HEX #D283EE

RGB 210 131 238

HSL 284.3, 0.76%, 0.72%

LAB 66.6, 47.93, -41.89

 

CMYK 0 / 46 / 42 / 7

HEX #EE8189

RGB 238 129 137

HSL 355.6, 0.76%, 0.72%

LAB 66.28, 42.49, 14.61

 

CMYK 34 / 0 / 46 / 7

HEX #9EEE81

RGB 158 238 129

HSL 104.04, 0.76%, 0.72%

LAB 87, -44.03, 45

 

CMYK 46 / 0 / 3 / 7

HEX #81EEE7

RGB 129 238 231

HSL 176.15, 0.76%, 0.72%

LAB 87.77, -33.03, -6.37

 

CMYK 12 / 45 / 0 / 7

HEX #D283EE

RGB 210 131 238

HSL 284.3, 0.76%, 0.72%

LAB 66.6, 47.93, -41.89

 

CMYK 0 / 35 / 46 / 7

HEX #EE9B81

RGB 238 155 129

HSL 14.31, 0.76%, 0.72%

LAB 71.69, 28.16, 26.45

 

CMYK 34 / 0 / 46 / 7

HEX #9EEE81

RGB 158 238 129

HSL 104.04, 0.76%, 0.72%

LAB 87, -44.03, 45

 

CMYK 46 / 11 / 0 / 7

HEX #81D5EE

RGB 129 213 238

HSL 193.76, 0.76%, 0.72%

LAB 80.98, -19.06, -20.23

 

Description

Color code: HEX #D283EE | qconv.com Color code: HEX #D283EE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 131 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 131 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 45 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 45% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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