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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D27CB8 it is the complementary color #2D8347. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D27CB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D27CB8 shade: #D77CB3, #E88EC6, #F9A0D9, #FFB2EC and #FFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D27CB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D27CB8 shade: #D27CB8, #C16AA5, #B05892, #9F467F and #8E346C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D27CB8 shade: #D17AB7, #D17A9F, #D17A88 and #D17A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D27CB8 shade: #D17AB7, #D17ACF, #BD7AD1, #A57AD1 and #8E7AD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D27CB8 shade matches the following richer shades: #D17AB7, #E06CBD, #EE5DC2 and #FD4FC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D27CB8 shade: #D17AB7, #C388B1, #B597AC, #A6A5A6 and #98B4A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D27CB8 shade: #BD7AD1, #D17ACF, #D17AB7, #D17AA0 and #D17A89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D27CB8 shade: #B93F95, #C75BA6, #D17AB7, #DC99C8 and #E7B7D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D27CB8 shade: #D27CB8, #D1A67A and #7AD1C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D27CB8 shade: #D27CB8, #B7D17A and #7AB7D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D27CB8 shade: #D27CB8, #D1A67A, #7AD194 and #7AA6D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D27CB8 shade: #D27CB8, #D1C07A, #7AD194 and #7A8CD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 12 / 18

HEX #D27CB8

RGB 210 124 184

HSL 318.14, 0.49%, 0.65%

LAB 62.99, 41.67, -17.29

 

Complementary color

CMYK 66 / 0 / 46 / 49

HEX #2D8347

RGB 45 131 71

HSL 138.14, 0.49%, 0.35%

LAB 48.57, -39.65, 25.03

 

CMYK 0 / 42 / 17 / 16

HEX #D77CB3

RGB 215 124 179

HSL 323.74, 0.53%, 0.66%

LAB 63.44, 42.52, -13.71

 

CMYK 0 / 39 / 15 / 9

HEX #E88EC6

RGB 232 142 198

HSL 322.67, 0.66%, 0.73%

LAB 69.88, 41.75, -14.48

 

CMYK 0 / 36 / 13 / 2

HEX #F9A0D9

RGB 249 160 217

HSL 321.57, 0.88%, 0.8%

LAB 76.25, 41, -15.17

 

CMYK 0 / 30 / 7 / 0

HEX #FFB2EC

RGB 255 178 236

HSL 314.81, 1%, 0.85%

LAB 81.38, 36.7, -17.67

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 41 / 12 / 18

HEX #D27CB8

RGB 210 124 184

HSL 318.14, 0.49%, 0.65%

LAB 62.99, 41.67, -17.29

 

CMYK 0 / 45 / 15 / 24

HEX #C16AA5

RGB 193 106 165

HSL 319.31, 0.41%, 0.59%

LAB 56.45, 42.44, -16.53

 

CMYK 0 / 50 / 17 / 31

HEX #B05892

RGB 176 88 146

HSL 320.45, 0.36%, 0.52%

LAB 49.84, 43.19, -15.64

 

CMYK 0 / 56 / 20 / 38

HEX #9F467F

RGB 159 70 127

HSL 321.57, 0.39%, 0.45%

LAB 43.19, 43.85, -14.55

 

CMYK 0 / 63 / 24 / 44

HEX #8E346C

RGB 142 52 108

HSL 322.67, 0.46%, 0.38%

LAB 36.54, 44.29, -13.14

 

CMYK 0 / 42 / 12 / 18

HEX #D17AB7

RGB 209 122 183

HSL 317.93, 0.49%, 0.65%

LAB 62.42, 42.23, -17.6

 

CMYK 0 / 42 / 24 / 18

HEX #D17A9F

RGB 209 122 159

HSL 334.48, 0.49%, 0.65%

LAB 61.63, 38.53, -5.09

 

CMYK 0 / 42 / 35 / 18

HEX #D17A88

RGB 209 122 136

HSL 350.34, 0.49%, 0.65%

LAB 61, 35.45, 7.19

 

CMYK 0 / 42 / 42 / 18

HEX #D17A7A

RGB 209 122 122

HSL 0, 0.49%, 0.65%

LAB 60.68, 33.82, 14.75

 

CMYK 0 / 42 / 12 / 18

HEX #D17AB7

RGB 209 122 183

HSL 317.93, 0.49%, 0.65%

LAB 62.42, 42.23, -17.6

 

CMYK 0 / 42 / 1 / 18

HEX #D17ACF

RGB 209 122 207

HSL 301.38, 0.49%, 0.65%

LAB 63.33, 46.38, -29.76

 

CMYK 10 / 42 / 0 / 18

HEX #BD7AD1

RGB 189 122 209

HSL 286.21, 0.49%, 0.65%

LAB 61.08, 40.73, -34.55

 

CMYK 21 / 42 / 0 / 18

HEX #A57AD1

RGB 165 122 209

HSL 269.66, 0.49%, 0.65%

LAB 58.53, 33.64, -38.73

 

CMYK 32 / 42 / 0 / 18

HEX #8E7AD1

RGB 142 122 209

HSL 253.79, 0.49%, 0.65%

LAB 56.36, 27.1, -42.29

 

CMYK 0 / 42 / 12 / 18

HEX #D17AB7

RGB 209 122 183

HSL 317.93, 0.49%, 0.65%

LAB 62.42, 42.23, -17.6

 

CMYK 0 / 52 / 16 / 12

HEX #E06CBD

RGB 224 108 189

HSL 318.1, 0.65%, 0.65%

LAB 61.87, 54.9, -21.67

 

CMYK 0 / 61 / 18 / 7

HEX #EE5DC2

RGB 238 93 194

HSL 318.21, 0.81%, 0.65%

LAB 61.57, 66.33, -24.8

 

CMYK 0 / 69 / 21 / 1

HEX #FD4FC8

RGB 253 79 200

HSL 318.28, 0.98%, 0.65%

LAB 62.21, 76.33, -27.03

 

CMYK 0 / 42 / 12 / 18

HEX #D17AB7

RGB 209 122 183

HSL 317.93, 0.49%, 0.65%

LAB 62.42, 42.23, -17.6

 

CMYK 0 / 30 / 9 / 24

HEX #C388B1

RGB 195 136 177

HSL 318.31, 0.33%, 0.65%

LAB 63.66, 28.96, -12.48

 

CMYK 0 / 17 / 5 / 29

HEX #B597AC

RGB 181 151 172

HSL 318, 0.17%, 0.65%

LAB 65.7, 14.8, -6.77

 

CMYK 0 / 1 / 0 / 35

HEX #A6A5A6

RGB 166 165 166

HSL 300, 0.01%, 0.65%

LAB 67.85, 0.55, -0.4

 

CMYK 16 / 0 / 11 / 29

HEX #98B4A0

RGB 152 180 160

HSL 137.14, 0.16%, 0.65%

LAB 70.77, -13.54, 7.01

 

CMYK 10 / 42 / 0 / 18

HEX #BD7AD1

RGB 189 122 209

HSL 286.21, 0.49%, 0.65%

LAB 61.08, 40.73, -34.55

 

CMYK 0 / 42 / 1 / 18

HEX #D17ACF

RGB 209 122 207

HSL 301.38, 0.49%, 0.65%

LAB 63.33, 46.38, -29.76

 

CMYK 0 / 42 / 12 / 18

HEX #D17AB7

RGB 209 122 183

HSL 317.93, 0.49%, 0.65%

LAB 62.42, 42.23, -17.6

 

CMYK 0 / 42 / 23 / 18

HEX #D17AA0

RGB 209 122 160

HSL 333.79, 0.49%, 0.65%

LAB 61.66, 38.68, -5.61

 

CMYK 0 / 42 / 34 / 18

HEX #D17A89

RGB 209 122 137

HSL 349.66, 0.49%, 0.65%

LAB 61.03, 35.58, 6.65

 

CMYK 0 / 66 / 19 / 27

HEX #B93F95

RGB 185 63 149

HSL 317.7, 0.49%, 0.49%

LAB 47.03, 57.87, -21.61

 

CMYK 0 / 54 / 17 / 22

HEX #C75BA6

RGB 199 91 166

HSL 318.33, 0.49%, 0.57%

LAB 54.43, 51.99, -20.12

 

CMYK 0 / 42 / 12 / 18

HEX #D17AB7

RGB 209 122 183

HSL 317.93, 0.49%, 0.65%

LAB 62.42, 42.23, -17.6

 

CMYK 0 / 30 / 9 / 14

HEX #DC99C8

RGB 220 153 200

HSL 317.91, 0.49%, 0.73%

LAB 70.99, 32.24, -14.06

 

CMYK 0 / 21 / 6 / 9

HEX #E7B7D8

RGB 231 183 216

HSL 318.75, 0.5%, 0.81%

LAB 79.51, 22.62, -9.94

 

CMYK 0 / 41 / 12 / 18

HEX #D27CB8

RGB 210 124 184

HSL 318.14, 0.49%, 0.65%

LAB 62.99, 41.67, -17.29

 

CMYK 0 / 21 / 42 / 18

HEX #D1A67A

RGB 209 166 122

HSL 30.34, 0.49%, 0.65%

LAB 71.03, 10.02, 28.78

 

CMYK 42 / 0 / 4 / 18

HEX #7AD1C9

RGB 122 209 201

HSL 174.48, 0.49%, 0.65%

LAB 78.44, -28.13, -4.27

 

CMYK 0 / 41 / 12 / 18

HEX #D27CB8

RGB 210 124 184

HSL 318.14, 0.49%, 0.65%

LAB 62.99, 41.67, -17.29

 

CMYK 12 / 0 / 42 / 18

HEX #B7D17A

RGB 183 209 122

HSL 77.93, 0.49%, 0.65%

LAB 80.22, -22.63, 40.23

 

CMYK 42 / 12 / 0 / 18

HEX #7AB7D1

RGB 122 183 209

HSL 197.93, 0.49%, 0.65%

LAB 71.29, -12.92, -19.3

 

CMYK 0 / 41 / 12 / 18

HEX #D27CB8

RGB 210 124 184

HSL 318.14, 0.49%, 0.65%

LAB 62.99, 41.67, -17.29

 

CMYK 0 / 21 / 42 / 18

HEX #D1A67A

RGB 209 166 122

HSL 30.34, 0.49%, 0.65%

LAB 71.03, 10.02, 28.78

 

CMYK 42 / 0 / 29 / 18

HEX #7AD194

RGB 122 209 148

HSL 137.93, 0.49%, 0.65%

LAB 77.21, -39.42, 22.25

 

CMYK 42 / 21 / 0 / 18

HEX #7AA6D1

RGB 122 166 209

HSL 209.66, 0.49%, 0.65%

LAB 66.53, -3.71, -26.56

 

CMYK 0 / 41 / 12 / 18

HEX #D27CB8

RGB 210 124 184

HSL 318.14, 0.49%, 0.65%

LAB 62.99, 41.67, -17.29

 

CMYK 0 / 8 / 42 / 18

HEX #D1C07A

RGB 209 192 122

HSL 48.28, 0.49%, 0.65%

LAB 77.67, -3.79, 37.41

 

CMYK 42 / 0 / 29 / 18

HEX #7AD194

RGB 122 209 148

HSL 137.93, 0.49%, 0.65%

LAB 77.21, -39.42, 22.25

 

CMYK 42 / 33 / 0 / 18

HEX #7A8CD1

RGB 122 140 209

HSL 227.59, 0.49%, 0.65%

LAB 59.43, 11.13, -37.57

 

Description

Color code: HEX #D27CB8 | qconv.com Color code: HEX #D27CB8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 124 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 124 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 12 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 12% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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