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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D27CB5 it is the complementary color #2D834A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D27CB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D27CB5 shade: #D77CB0, #E88EC3, #F9A0D6, #FFB2E9 and #FFC4FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D27CB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D27CB5 shade: #D27CB5, #C16AA2, #B0588F, #9F467C and #8E3469

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D27CB5 shade: #D17AB4, #D17A9C, #D17A85 and #D17A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D27CB5 shade: #D17AB4, #D17ACC, #C07AD1, #A87AD1 and #917AD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D27CB5 shade matches the following richer shades: #D17AB4, #E06CB9, #EE5DBD and #FD4FC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D27CB5 shade: #D17AB4, #C388AF, #B597AB, #A6A5A6 and #98B4A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D27CB5 shade: #C07AD1, #D17ACC, #D17AB4, #D17A9D and #D17A86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D27CB5 shade: #B93F90, #C75BA3, #D17AB4, #DC99C5 and #E7B7D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D27CB5 shade: #D27CB5, #D1A97A and #7AD1CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D27CB5 shade: #D27CB5, #B4D17A and #7AB4D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D27CB5 shade: #D27CB5, #D1A97A, #7AD197 and #7AA3D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D27CB5 shade: #D27CB5, #D1C37A, #7AD197 and #7A89D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 14 / 18

HEX #D27CB5

RGB 210 124 181

HSL 320.23, 0.49%, 0.65%

LAB 62.89, 41.18, -15.74

 

Complementary color

CMYK 66 / 0 / 44 / 49

HEX #2D834A

RGB 45 131 74

HSL 140.23, 0.49%, 0.35%

LAB 48.62, -39.11, 23.44

 

CMYK 0 / 42 / 18 / 16

HEX #D77CB0

RGB 215 124 176

HSL 325.71, 0.53%, 0.66%

LAB 63.34, 42.06, -12.16

 

CMYK 0 / 39 / 16 / 9

HEX #E88EC3

RGB 232 142 195

HSL 324.67, 0.66%, 0.73%

LAB 69.78, 41.28, -12.96

 

CMYK 0 / 36 / 14 / 2

HEX #F9A0D6

RGB 249 160 214

HSL 323.6, 0.88%, 0.8%

LAB 76.15, 40.52, -13.68

 

CMYK 0 / 30 / 9 / 0

HEX #FFB2E9

RGB 255 178 233

HSL 317.14, 1%, 0.85%

LAB 81.28, 36.19, -16.2

 

CMYK 0 / 23 / 1 / 0

HEX #FFC4FC

RGB 255 196 252

HSL 303.05, 1%, 0.88%

LAB 85.89, 30.03, -19.4

 

CMYK 0 / 41 / 14 / 18

HEX #D27CB5

RGB 210 124 181

HSL 320.23, 0.49%, 0.65%

LAB 62.89, 41.18, -15.74

 

CMYK 0 / 45 / 16 / 24

HEX #C16AA2

RGB 193 106 162

HSL 321.38, 0.41%, 0.59%

LAB 56.34, 41.96, -14.95

 

CMYK 0 / 50 / 19 / 31

HEX #B0588F

RGB 176 88 143

HSL 322.5, 0.36%, 0.52%

LAB 49.73, 42.72, -14.02

 

CMYK 0 / 56 / 22 / 38

HEX #9F467C

RGB 159 70 124

HSL 323.6, 0.39%, 0.45%

LAB 43.07, 43.4, -12.89

 

CMYK 0 / 63 / 26 / 44

HEX #8E3469

RGB 142 52 105

HSL 324.67, 0.46%, 0.38%

LAB 36.42, 43.86, -11.43

 

CMYK 0 / 42 / 14 / 18

HEX #D17AB4

RGB 209 122 180

HSL 320, 0.49%, 0.65%

LAB 62.31, 41.74, -16.06

 

CMYK 0 / 42 / 25 / 18

HEX #D17A9C

RGB 209 122 156

HSL 336.55, 0.49%, 0.65%

LAB 61.55, 38.1, -3.5

 

CMYK 0 / 42 / 36 / 18

HEX #D17A85

RGB 209 122 133

HSL 352.41, 0.49%, 0.65%

LAB 60.93, 35.09, 8.81

 

CMYK 0 / 42 / 42 / 18

HEX #D17A7A

RGB 209 122 122

HSL 0, 0.49%, 0.65%

LAB 60.68, 33.82, 14.75

 

CMYK 0 / 42 / 14 / 18

HEX #D17AB4

RGB 209 122 180

HSL 320, 0.49%, 0.65%

LAB 62.31, 41.74, -16.06

 

CMYK 0 / 42 / 2 / 18

HEX #D17ACC

RGB 209 122 204

HSL 303.45, 0.49%, 0.65%

LAB 63.21, 45.83, -28.26

 

CMYK 8 / 42 / 0 / 18

HEX #C07AD1

RGB 192 122 209

HSL 288.28, 0.49%, 0.65%

LAB 61.42, 41.63, -34

 

CMYK 20 / 42 / 0 / 18

HEX #A87AD1

RGB 168 122 209

HSL 271.72, 0.49%, 0.65%

LAB 58.83, 34.51, -38.23

 

CMYK 31 / 42 / 0 / 18

HEX #917AD1

RGB 145 122 209

HSL 255.86, 0.49%, 0.65%

LAB 56.63, 27.93, -41.85

 

CMYK 0 / 42 / 14 / 18

HEX #D17AB4

RGB 209 122 180

HSL 320, 0.49%, 0.65%

LAB 62.31, 41.74, -16.06

 

CMYK 0 / 52 / 17 / 12

HEX #E06CB9

RGB 224 108 185

HSL 320.17, 0.65%, 0.65%

LAB 61.72, 54.3, -19.62

 

CMYK 0 / 61 / 21 / 7

HEX #EE5DBD

RGB 238 93 189

HSL 320.28, 0.81%, 0.65%

LAB 61.38, 65.64, -22.24

 

CMYK 0 / 69 / 23 / 1

HEX #FD4FC2

RGB 253 79 194

HSL 320.34, 0.98%, 0.65%

LAB 61.97, 75.57, -23.98

 

CMYK 0 / 42 / 14 / 18

HEX #D17AB4

RGB 209 122 180

HSL 320, 0.49%, 0.65%

LAB 62.31, 41.74, -16.06

 

CMYK 0 / 30 / 10 / 24

HEX #C388AF

RGB 195 136 175

HSL 320.34, 0.33%, 0.65%

LAB 63.59, 28.62, -11.45

 

CMYK 0 / 17 / 6 / 29

HEX #B597AB

RGB 181 151 171

HSL 320, 0.17%, 0.65%

LAB 65.67, 14.61, -6.25

 

CMYK 0 / 1 / 0 / 35

HEX #A6A5A6

RGB 166 165 166

HSL 300, 0.01%, 0.65%

LAB 67.85, 0.55, -0.4

 

CMYK 16 / 0 / 11 / 29

HEX #98B4A1

RGB 152 180 161

HSL 139.29, 0.16%, 0.65%

LAB 70.8, -13.35, 6.5

 

CMYK 8 / 42 / 0 / 18

HEX #C07AD1

RGB 192 122 209

HSL 288.28, 0.49%, 0.65%

LAB 61.42, 41.63, -34

 

CMYK 0 / 42 / 2 / 18

HEX #D17ACC

RGB 209 122 204

HSL 303.45, 0.49%, 0.65%

LAB 63.21, 45.83, -28.26

 

CMYK 0 / 42 / 14 / 18

HEX #D17AB4

RGB 209 122 180

HSL 320, 0.49%, 0.65%

LAB 62.31, 41.74, -16.06

 

CMYK 0 / 42 / 25 / 18

HEX #D17A9D

RGB 209 122 157

HSL 335.86, 0.49%, 0.65%

LAB 61.58, 38.25, -4.03

 

CMYK 0 / 42 / 36 / 18

HEX #D17A86

RGB 209 122 134

HSL 351.72, 0.49%, 0.65%

LAB 60.95, 35.21, 8.27

 

CMYK 0 / 66 / 22 / 27

HEX #B93F90

RGB 185 63 144

HSL 320.16, 0.49%, 0.49%

LAB 46.82, 57.17, -18.93

 

CMYK 0 / 54 / 18 / 22

HEX #C75BA3

RGB 199 91 163

HSL 320, 0.49%, 0.57%

LAB 54.31, 51.54, -18.54

 

CMYK 0 / 42 / 14 / 18

HEX #D17AB4

RGB 209 122 180

HSL 320, 0.49%, 0.65%

LAB 62.31, 41.74, -16.06

 

CMYK 0 / 30 / 10 / 14

HEX #DC99C5

RGB 220 153 197

HSL 320.6, 0.49%, 0.73%

LAB 70.89, 31.73, -12.55

 

CMYK 0 / 21 / 7 / 9

HEX #E7B7D7

RGB 231 183 215

HSL 320, 0.5%, 0.81%

LAB 79.48, 22.45, -9.44

 

CMYK 0 / 41 / 14 / 18

HEX #D27CB5

RGB 210 124 181

HSL 320.23, 0.49%, 0.65%

LAB 62.89, 41.18, -15.74

 

CMYK 0 / 19 / 42 / 18

HEX #D1A97A

RGB 209 169 122

HSL 32.41, 0.49%, 0.65%

LAB 71.78, 8.4, 29.77

 

CMYK 42 / 0 / 2 / 18

HEX #7AD1CC

RGB 122 209 204

HSL 176.55, 0.49%, 0.65%

LAB 78.52, -27.4, -5.76

 

CMYK 0 / 41 / 14 / 18

HEX #D27CB5

RGB 210 124 181

HSL 320.23, 0.49%, 0.65%

LAB 62.89, 41.18, -15.74

 

CMYK 14 / 0 / 42 / 18

HEX #B4D17A

RGB 180 209 122

HSL 80, 0.49%, 0.65%

LAB 80.02, -23.77, 39.93

 

CMYK 42 / 14 / 0 / 18

HEX #7AB4D1

RGB 122 180 209

HSL 200, 0.49%, 0.65%

LAB 70.44, -11.32, -20.58

 

CMYK 0 / 41 / 14 / 18

HEX #D27CB5

RGB 210 124 181

HSL 320.23, 0.49%, 0.65%

LAB 62.89, 41.18, -15.74

 

CMYK 0 / 19 / 42 / 18

HEX #D1A97A

RGB 209 169 122

HSL 32.41, 0.49%, 0.65%

LAB 71.78, 8.4, 29.77

 

CMYK 42 / 0 / 28 / 18

HEX #7AD197

RGB 122 209 151

HSL 140, 0.49%, 0.65%

LAB 77.26, -38.86, 20.75

 

CMYK 42 / 22 / 0 / 18

HEX #7AA3D1

RGB 122 163 209

HSL 211.72, 0.49%, 0.65%

LAB 65.7, -2.04, -27.84

 

CMYK 0 / 41 / 14 / 18

HEX #D27CB5

RGB 210 124 181

HSL 320.23, 0.49%, 0.65%

LAB 62.89, 41.18, -15.74

 

CMYK 0 / 7 / 42 / 18

HEX #D1C37A

RGB 209 195 122

HSL 50.34, 0.49%, 0.65%

LAB 78.46, -5.34, 38.4

 

CMYK 42 / 0 / 28 / 18

HEX #7AD197

RGB 122 209 151

HSL 140, 0.49%, 0.65%

LAB 77.26, -38.86, 20.75

 

CMYK 42 / 34 / 0 / 18

HEX #7A89D1

RGB 122 137 209

HSL 229.66, 0.49%, 0.65%

LAB 58.63, 12.89, -38.82

 

Description

Color code: HEX #D27CB5 | qconv.com Color code: HEX #D27CB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 124 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 124 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 14 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 14% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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