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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D27B71 it is the complementary color #2D848E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D27B71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D27B71 shade: #D77B6C, #E88D7F, #F99F92, #FFB1A5 and #FFC3B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D27B71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D27B71 shade: #D27B71, #C1695E, #B0574B, #9F4538 and #8E3325

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D27B71 shade: #D27A70 and #D27070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D27B71 shade: #D27A70, #D29470, #D2AF70, #D2C970 and #C0D270

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D27B71 shade matches the following richer shades: #D27A70, #E16E60 and #F06151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D27B71 shade: #D27A70, #C2867F, #B3928E, #A49E9D and #95AAAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D27B71 shade: #D2709A, #D27080, #D27970, #D29470 and #D2AE70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D27B71 shade: #B54639, #C85D50, #D27A70, #DC978F and #E6B4AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D27B71 shade: #D27B71, #B4D270 and #708DD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D27B71 shade: #D27B71, #70D279 and #7970D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D27B71 shade: #D27B71, #B4D270, #70C8D2 and #8D70D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D27B71 shade: #D27B71, #97D270, #70C8D2 and #AA70D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 46 / 18

HEX #D27B71

RGB 210 123 113

HSL 6.19, 0.52%, 0.63%

LAB 60.83, 32.72, 20.12

 

Complementary color

CMYK 68 / 7 / 0 / 44

HEX #2D848E

RGB 45 132 142

HSL 186.19, 0.52%, 0.37%

LAB 50.7, -22.1, -12.95

 

CMYK 0 / 43 / 50 / 16

HEX #D77B6C

RGB 215 123 108

HSL 8.41, 0.57%, 0.63%

LAB 61.39, 34.16, 23.82

 

CMYK 0 / 39 / 45 / 9

HEX #E88D7F

RGB 232 141 127

HSL 8, 0.7%, 0.7%

LAB 67.83, 33.04, 22.22

 

CMYK 0 / 36 / 41 / 2

HEX #F99F92

RGB 249 159 146

HSL 7.57, 0.9%, 0.77%

LAB 74.2, 32.01, 20.79

 

CMYK 0 / 31 / 35 / 0

HEX #FFB1A5

RGB 255 177 165

HSL 8, 1%, 0.82%

LAB 79.28, 26.98, 17.62

 

CMYK 0 / 24 / 28 / 0

HEX #FFC3B8

RGB 255 195 184

HSL 9.3, 1%, 0.86%

LAB 83.84, 19.93, 13.83

 

CMYK 0 / 41 / 46 / 18

HEX #D27B71

RGB 210 123 113

HSL 6.19, 0.52%, 0.63%

LAB 60.83, 32.72, 20.12

 

CMYK 0 / 46 / 51 / 24

HEX #C1695E

RGB 193 105 94

HSL 6.67, 0.44%, 0.56%

LAB 54.29, 33.88, 21.83

 

CMYK 0 / 51 / 57 / 31

HEX #B0574B

RGB 176 87 75

HSL 7.13, 0.4%, 0.49%

LAB 47.69, 35.14, 23.8

 

CMYK 0 / 57 / 65 / 38

HEX #9F4538

RGB 159 69 56

HSL 7.57, 0.48%, 0.42%

LAB 41.08, 36.46, 26.14

 

CMYK 0 / 64 / 74 / 44

HEX #8E3325

RGB 142 51 37

HSL 8, 0.59%, 0.35%

LAB 34.5, 37.76, 28.93

 

CMYK 0 / 42 / 47 / 18

HEX #D27A70

RGB 210 122 112

HSL 6.12, 0.52%, 0.63%

LAB 60.6, 33.15, 20.37

 

CMYK 0 / 47 / 47 / 18

HEX #D27070

RGB 210 112 112

HSL 0, 0.52%, 0.63%

LAB 58.47, 38.4, 17.47

 

CMYK 0 / 42 / 47 / 18

HEX #D27A70

RGB 210 122 112

HSL 6.12, 0.52%, 0.63%

LAB 60.6, 33.15, 20.37

 

CMYK 0 / 30 / 47 / 18

HEX #D29470

RGB 210 148 112

HSL 22.04, 0.52%, 0.63%

LAB 66.56, 19.13, 28.32

 

CMYK 0 / 17 / 47 / 18

HEX #D2AF70

RGB 210 175 112

HSL 38.57, 0.52%, 0.63%

LAB 73.24, 4.56, 36.94

 

CMYK 0 / 4 / 47 / 18

HEX #D2C970

RGB 210 201 112

HSL 54.49, 0.52%, 0.63%

LAB 79.98, -9.03, 45.33

 

CMYK 9 / 0 / 47 / 18

HEX #C0D270

RGB 192 210 112

HSL 71.02, 0.52%, 0.63%

LAB 81, -20.73, 46.26

 

CMYK 0 / 42 / 47 / 18

HEX #D27A70

RGB 210 122 112

HSL 6.12, 0.52%, 0.63%

LAB 60.6, 33.15, 20.37

 

CMYK 0 / 51 / 57 / 12

HEX #E16E60

RGB 225 110 96

HSL 6.51, 0.68%, 0.63%

LAB 59.89, 43.59, 28.88

 

CMYK 0 / 60 / 66 / 6

HEX #F06151

RGB 240 97 81

HSL 6.04, 0.84%, 0.63%

LAB 59.59, 54.1, 37.38

 

CMYK 0 / 42 / 47 / 18

HEX #D27A70

RGB 210 122 112

HSL 6.12, 0.52%, 0.63%

LAB 60.6, 33.15, 20.37

 

CMYK 0 / 31 / 35 / 24

HEX #C2867F

RGB 194 134 127

HSL 6.27, 0.35%, 0.63%

LAB 61.7, 22.12, 13.06

 

CMYK 0 / 18 / 21 / 30

HEX #B3928E

RGB 179 146 142

HSL 6.49, 0.2%, 0.63%

LAB 63.42, 11.74, 6.78

 

CMYK 0 / 4 / 4 / 36

HEX #A49E9D

RGB 164 158 157

HSL 8.57, 0.04%, 0.63%

LAB 65.58, 1.99, 1.29

 

CMYK 14 / 2 / 0 / 32

HEX #95AAAD

RGB 149 170 173

HSL 187.5, 0.13%, 0.63%

LAB 68.14, -6.63, -4.01

 

CMYK 0 / 47 / 27 / 18

HEX #D2709A

RGB 210 112 154

HSL 334.29, 0.52%, 0.63%

LAB 59.55, 43.37, -5.29

 

CMYK 0 / 47 / 39 / 18

HEX #D27080

RGB 210 112 128

HSL 350.2, 0.52%, 0.63%

LAB 58.83, 40.1, 8.73

 

CMYK 0 / 42 / 47 / 18

HEX #D27970

RGB 210 121 112

HSL 5.51, 0.52%, 0.63%

LAB 60.38, 33.68, 20.08

 

CMYK 0 / 30 / 47 / 18

HEX #D29470

RGB 210 148 112

HSL 22.04, 0.52%, 0.63%

LAB 66.56, 19.13, 28.32

 

CMYK 0 / 17 / 47 / 18

HEX #D2AE70

RGB 210 174 112

HSL 37.96, 0.52%, 0.63%

LAB 72.99, 5.09, 36.62

 

CMYK 0 / 61 / 69 / 29

HEX #B54639

RGB 181 70 57

HSL 6.29, 0.52%, 0.47%

LAB 44.94, 44.25, 31.09

 

CMYK 0 / 54 / 60 / 22

HEX #C85D50

RGB 200 93 80

HSL 6.5, 0.52%, 0.55%

LAB 52.61, 41.6, 27.92

 

CMYK 0 / 42 / 47 / 18

HEX #D27A70

RGB 210 122 112

HSL 6.12, 0.52%, 0.63%

LAB 60.6, 33.15, 20.37

 

CMYK 0 / 31 / 35 / 14

HEX #DC978F

RGB 220 151 143

HSL 6.23, 0.52%, 0.71%

LAB 68.99, 24.91, 14.71

 

CMYK 0 / 22 / 24 / 10

HEX #E6B4AE

RGB 230 180 174

HSL 6.43, 0.53%, 0.79%

LAB 77.59, 17.23, 10

 

CMYK 0 / 41 / 46 / 18

HEX #D27B71

RGB 210 123 113

HSL 6.19, 0.52%, 0.63%

LAB 60.83, 32.72, 20.12

 

CMYK 14 / 0 / 47 / 18

HEX #B4D270

RGB 180 210 112

HSL 78.37, 0.52%, 0.63%

LAB 80.16, -25.38, 45.04

 

CMYK 47 / 33 / 0 / 18

HEX #708DD2

RGB 112 141 210

HSL 222.24, 0.52%, 0.63%

LAB 59.11, 8.3, -38.68

 

CMYK 0 / 41 / 46 / 18

HEX #D27B71

RGB 210 123 113

HSL 6.19, 0.52%, 0.63%

LAB 60.83, 32.72, 20.12

 

CMYK 47 / 0 / 42 / 18

HEX #70D279

RGB 112 210 121

HSL 125.51, 0.52%, 0.63%

LAB 76.63, -47.21, 35.36

 

CMYK 42 / 47 / 0 / 18

HEX #7970D2

RGB 121 112 210

HSL 245.51, 0.52%, 0.63%

LAB 52.18, 27.8, -49.59

 

CMYK 0 / 41 / 46 / 18

HEX #D27B71

RGB 210 123 113

HSL 6.19, 0.52%, 0.63%

LAB 60.83, 32.72, 20.12

 

CMYK 14 / 0 / 47 / 18

HEX #B4D270

RGB 180 210 112

HSL 78.37, 0.52%, 0.63%

LAB 80.16, -25.38, 45.04

 

CMYK 47 / 5 / 0 / 18

HEX #70C8D2

RGB 112 200 210

HSL 186.12, 0.52%, 0.63%

LAB 75.7, -23.83, -13.23

 

CMYK 33 / 47 / 0 / 18

HEX #8D70D2

RGB 141 112 210

HSL 257.76, 0.52%, 0.63%

LAB 53.93, 32.91, -46.71

 

CMYK 0 / 41 / 46 / 18

HEX #D27B71

RGB 210 123 113

HSL 6.19, 0.52%, 0.63%

LAB 60.83, 32.72, 20.12

 

CMYK 28 / 0 / 47 / 18

HEX #97D270

RGB 151 210 112

HSL 96.12, 0.52%, 0.63%

LAB 78.37, -36.07, 42.43

 

CMYK 47 / 5 / 0 / 18

HEX #70C8D2

RGB 112 200 210

HSL 186.12, 0.52%, 0.63%

LAB 75.7, -23.83, -13.23

 

CMYK 19 / 47 / 0 / 18

HEX #AA70D2

RGB 170 112 210

HSL 275.51, 0.52%, 0.63%

LAB 56.87, 40.87, -41.87

 

Description

Color code: HEX #D27B71 | qconv.com Color code: HEX #D27B71 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 123 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 123 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 46 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 46% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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