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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D270F7 it is the complementary color #2D8F08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D270F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D270F7 shade: #D770F2, #E882FF, #F994FF, #FFA6FF and #FFB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D270F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D270F7 shade: #D270F7, #C15EE4, #B04CD1, #9F3ABE and #8E28AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D270F7 shade: #D16EF7, #F66EF7, #F76ED2, #F76EAE and #F76E89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D270F7 shade: #D16EF7, #AD6EF7, #886EF7 and #6E6EF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D270F7 shade matches the following richer shades: #D16EF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D270F7 shade: #D16EF7, #CC7BEA, #C687DE, #C094D1 and #BBA0C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D270F7 shade: #876EF7, #AC6EF7, #D06EF7, #F46EF7 and #F76ED5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D270F7 shade: #B920F2, #C547F4, #D16EF7, #DE95F9 and #EABCFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D270F7 shade: #D270F7, #F76E7A and #6EF79A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D270F7 shade: #D270F7, #F7D06E and #6EF7D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D270F7 shade: #D270F7, #F76E7A, #95F76E and #6EF7EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D270F7 shade: #D270F7, #F78C6E, #95F76E and #6ED9F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 55 / 0 / 3

HEX #D270F7

RGB 210 112 247

HSL 283.56, 0.89%, 0.7%

LAB 63.35, 59.34, -51.98

 

Complementary color

CMYK 69 / 0 / 94 / 44

HEX #2D8F08

RGB 45 143 8

HSL 103.56, 0.89%, 0.3%

LAB 52.09, -50.19, 53.46

 

CMYK 11 / 54 / 0 / 5

HEX #D770F2

RGB 215 112 242

HSL 287.54, 0.83%, 0.69%

LAB 63.71, 59.63, -48.61

 

CMYK 9 / 49 / 0 / 0

HEX #E882FF

RGB 232 130 255

HSL 288.96, 1%, 0.75%

LAB 69.71, 57.82, -46.15

 

CMYK 2 / 42 / 0 / 0

HEX #F994FF

RGB 249 148 255

HSL 296.64, 1%, 0.79%

LAB 75.16, 53.6, -37.49

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 15 / 55 / 0 / 3

HEX #D270F7

RGB 210 112 247

HSL 283.56, 0.89%, 0.7%

LAB 63.35, 59.34, -51.98

 

CMYK 15 / 59 / 0 / 11

HEX #C15EE4

RGB 193 94 228

HSL 284.33, 0.71%, 0.63%

LAB 57.02, 59.94, -51.59

 

CMYK 16 / 64 / 0 / 18

HEX #B04CD1

RGB 176 76 209

HSL 285.11, 0.59%, 0.56%

LAB 50.69, 60.37, -51.06

 

CMYK 16 / 69 / 0 / 25

HEX #9F3ABE

RGB 159 58 190

HSL 285.91, 0.53%, 0.49%

LAB 44.4, 60.48, -50.29

 

CMYK 17 / 77 / 0 / 33

HEX #8E28AB

RGB 142 40 171

HSL 286.72, 0.62%, 0.41%

LAB 38.21, 60.02, -49.15

 

CMYK 15 / 55 / 0 / 3

HEX #D16EF7

RGB 209 110 247

HSL 283.36, 0.9%, 0.7%

LAB 62.86, 60.06, -52.76

 

CMYK 0 / 55 / 0 / 3

HEX #F66EF7

RGB 246 110 247

HSL 299.56, 0.9%, 0.7%

LAB 67.62, 69.36, -44.93

 

CMYK 0 / 55 / 15 / 3

HEX #F76ED2

RGB 247 110 210

HSL 316.2, 0.9%, 0.7%

LAB 66.2, 63.78, -26.61

 

CMYK 0 / 55 / 30 / 3

HEX #F76EAE

RGB 247 110 174

HSL 331.97, 0.9%, 0.7%

LAB 64.95, 58.9, -8.17

 

CMYK 0 / 55 / 45 / 3

HEX #F76E89

RGB 247 110 137

HSL 348.18, 0.9%, 0.7%

LAB 63.94, 54.83, 11.52

 

CMYK 15 / 55 / 0 / 3

HEX #D16EF7

RGB 209 110 247

HSL 283.36, 0.9%, 0.7%

LAB 62.86, 60.06, -52.76

 

CMYK 30 / 55 / 0 / 3

HEX #AD6EF7

RGB 173 110 247

HSL 267.59, 0.9%, 0.7%

LAB 58.74, 51.26, -59.57

 

CMYK 45 / 55 / 0 / 3

HEX #886EF7

RGB 136 110 247

HSL 251.39, 0.9%, 0.7%

LAB 55.18, 42.91, -65.49

 

CMYK 55 / 55 / 0 / 3

HEX #6E6EF7

RGB 110 110 247

HSL 240, 0.9%, 0.7%

LAB 53.15, 37.76, -68.87

 

CMYK 15 / 55 / 0 / 3

HEX #D16EF7

RGB 209 110 247

HSL 283.36, 0.9%, 0.7%

LAB 62.86, 60.06, -52.76

 

CMYK 15 / 55 / 0 / 3

HEX #D16EF7

RGB 209 110 247

HSL 283.36, 0.9%, 0.7%

LAB 62.86, 60.06, -52.76

 

CMYK 13 / 47 / 0 / 8

HEX #CC7BEA

RGB 204 123 234

HSL 283.78, 0.73%, 0.7%

LAB 64.12, 49.6, -43.63

 

CMYK 11 / 39 / 0 / 13

HEX #C687DE

RGB 198 135 222

HSL 283.45, 0.57%, 0.7%

LAB 65.44, 39.05, -34.95

 

CMYK 8 / 29 / 0 / 18

HEX #C094D1

RGB 192 148 209

HSL 283.28, 0.4%, 0.7%

LAB 67.27, 27.39, -24.96

 

CMYK 5 / 19 / 0 / 23

HEX #BBA0C5

RGB 187 160 197

HSL 283.78, 0.24%, 0.7%

LAB 69.28, 16.66, -15.29

 

CMYK 45 / 55 / 0 / 3

HEX #876EF7

RGB 135 110 247

HSL 250.95, 0.9%, 0.7%

LAB 55.09, 42.69, -65.63

 

CMYK 30 / 55 / 0 / 3

HEX #AC6EF7

RGB 172 110 247

HSL 267.15, 0.9%, 0.7%

LAB 58.64, 51.03, -59.75

 

CMYK 16 / 55 / 0 / 3

HEX #D06EF7

RGB 208 110 247

HSL 282.92, 0.9%, 0.7%

LAB 62.74, 59.81, -52.96

 

CMYK 1 / 55 / 0 / 3

HEX #F46EF7

RGB 244 110 247

HSL 298.69, 0.9%, 0.7%

LAB 67.35, 68.86, -45.37

 

CMYK 0 / 55 / 14 / 3

HEX #F76ED5

RGB 247 110 213

HSL 314.89, 0.9%, 0.7%

LAB 66.31, 64.23, -28.11

 

CMYK 24 / 87 / 0 / 5

HEX #B920F2

RGB 185 32 242

HSL 283.71, 0.89%, 0.54%

LAB 49.2, 82.56, -72.1

 

CMYK 19 / 71 / 0 / 4

HEX #C547F4

RGB 197 71 244

HSL 283.7, 0.89%, 0.62%

LAB 54.98, 73.71, -63.79

 

CMYK 15 / 55 / 0 / 3

HEX #D16EF7

RGB 209 110 247

HSL 283.36, 0.9%, 0.7%

LAB 62.86, 60.06, -52.76

 

CMYK 11 / 40 / 0 / 2

HEX #DE95F9

RGB 222 149 249

HSL 283.8, 0.89%, 0.78%

LAB 72.14, 44.12, -39.17

 

CMYK 7 / 25 / 0 / 2

HEX #EABCFB

RGB 234 188 251

HSL 283.81, 0.89%, 0.86%

LAB 82.07, 27.38, -24.85

 

CMYK 15 / 55 / 0 / 3

HEX #D270F7

RGB 210 112 247

HSL 283.56, 0.89%, 0.7%

LAB 63.35, 59.34, -51.98

 

CMYK 0 / 55 / 51 / 3

HEX #F76E7A

RGB 247 110 122

HSL 354.74, 0.9%, 0.7%

LAB 63.62, 53.47, 19.64

 

CMYK 55 / 0 / 38 / 3

HEX #6EF79A

RGB 110 247 154

HSL 139.27, 0.9%, 0.7%

LAB 88.05, -57.29, 33.69

 

CMYK 15 / 55 / 0 / 3

HEX #D270F7

RGB 210 112 247

HSL 283.56, 0.89%, 0.7%

LAB 63.35, 59.34, -51.98

 

CMYK 0 / 16 / 55 / 3

HEX #F7D06E

RGB 247 208 110

HSL 42.92, 0.9%, 0.7%

LAB 85, 2.27, 53.1

 

CMYK 55 / 0 / 16 / 3

HEX #6EF7D0

RGB 110 247 208

HSL 162.92, 0.9%, 0.7%

LAB 89.11, -46.54, 7.51

 

CMYK 15 / 55 / 0 / 3

HEX #D270F7

RGB 210 112 247

HSL 283.56, 0.89%, 0.7%

LAB 63.35, 59.34, -51.98

 

CMYK 0 / 55 / 51 / 3

HEX #F76E7A

RGB 247 110 122

HSL 354.74, 0.9%, 0.7%

LAB 63.62, 53.47, 19.64

 

CMYK 40 / 0 / 55 / 3

HEX #95F76E

RGB 149 247 110

HSL 102.92, 0.9%, 0.7%

LAB 88.94, -52.86, 56.08

 

CMYK 55 / 0 / 5 / 3

HEX #6EF7EB

RGB 110 247 235

HSL 174.74, 0.9%, 0.7%

LAB 89.78, -40.1, -5.56

 

CMYK 15 / 55 / 0 / 3

HEX #D270F7

RGB 210 112 247

HSL 283.56, 0.89%, 0.7%

LAB 63.35, 59.34, -51.98

 

CMYK 0 / 43 / 55 / 3

HEX #F78C6E

RGB 247 140 110

HSL 13.14, 0.9%, 0.7%

LAB 69.22, 37.76, 33.74

 

CMYK 40 / 0 / 55 / 3

HEX #95F76E

RGB 149 247 110

HSL 102.92, 0.9%, 0.7%

LAB 88.94, -52.86, 56.08

 

CMYK 55 / 12 / 0 / 3

HEX #6ED9F7

RGB 110 217 247

HSL 193.14, 0.9%, 0.7%

LAB 81.65, -22.65, -24.06

 

Description

Color code: HEX #D270F7 | qconv.com Color code: HEX #D270F7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 112 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 112 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 55 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 55% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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