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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D261CF it is the complementary color #2D9E30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D261CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D261CF shade: #D761CA, #E873DD, #F985F0, #FF97FF and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D261CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D261CF shade: #D261CF, #C14FBC, #B03DA9, #9F2B96 and #8E1983

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D261CF shade: #D260CF, #D260B0, #D26091, #D26073 and #D26060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D261CF shade: #D260CF, #B660D2, #9860D2, #7960D2 and #6060D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D261CF shade matches the following richer shades: #D260CF, #E34FDF and #F33FEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D261CF shade: #D260CF, #C270BF, #B181B0, #A191A0 and #90A291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D261CF shade: #9760D2, #B660D2, #D260D0, #D260B2 and #D26093

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D261CF shade: #AE31AB, #C940C5, #D260CF, #DB80D9 and #E4A0E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D261CF shade: #D261CF, #D27960 and #60D2A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D261CF shade: #D261CF, #D0D260 and #60D0D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D261CF shade: #D261CF, #D27960, #60D262 and #60B9D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D261CF shade: #D261CF, #D29B60, #60D262 and #6097D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 1 / 18

HEX #D261CF

RGB 210 97 207

HSL 301.59, 0.56%, 0.6%

LAB 58.75, 59, -36.87

 

Complementary color

CMYK 72 / 0 / 70 / 38

HEX #2D9E30

RGB 45 158 48

HSL 121.59, 0.56%, 0.4%

LAB 57.29, -52.86, 46.49

 

CMYK 0 / 55 / 6 / 16

HEX #D761CA

RGB 215 97 202

HSL 306.61, 0.6%, 0.61%

LAB 59.21, 59.51, -33.26

 

CMYK 0 / 50 / 5 / 9

HEX #E873DD

RGB 232 115 221

HSL 305.64, 0.72%, 0.68%

LAB 65.47, 59, -34.05

 

CMYK 0 / 47 / 4 / 2

HEX #F985F0

RGB 249 133 240

HSL 304.66, 0.91%, 0.75%

LAB 71.69, 58.38, -34.71

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 54 / 1 / 18

HEX #D261CF

RGB 210 97 207

HSL 301.59, 0.56%, 0.6%

LAB 58.75, 59, -36.87

 

CMYK 0 / 59 / 3 / 24

HEX #C14FBC

RGB 193 79 188

HSL 302.63, 0.48%, 0.53%

LAB 52.46, 59.36, -36.01

 

CMYK 0 / 65 / 4 / 31

HEX #B03DA9

RGB 176 61 169

HSL 303.65, 0.49%, 0.46%

LAB 46.22, 59.41, -34.89

 

CMYK 0 / 73 / 6 / 38

HEX #9F2B96

RGB 159 43 150

HSL 304.66, 0.57%, 0.4%

LAB 40.08, 58.93, -33.37

 

CMYK 0 / 82 / 8 / 44

HEX #8E1983

RGB 142 25 131

HSL 305.64, 0.7%, 0.33%

LAB 34.16, 57.55, -31.25

 

CMYK 0 / 54 / 1 / 18

HEX #D260CF

RGB 210 96 207

HSL 301.58, 0.56%, 0.6%

LAB 58.58, 59.46, -37.14

 

CMYK 0 / 54 / 16 / 18

HEX #D260B0

RGB 210 96 176

HSL 317.89, 0.56%, 0.6%

LAB 57.27, 54.44, -21.43

 

CMYK 0 / 54 / 31 / 18

HEX #D26091

RGB 210 96 145

HSL 334.21, 0.56%, 0.6%

LAB 56.2, 50.13, -5.01

 

CMYK 0 / 54 / 45 / 18

HEX #D26073

RGB 210 96 115

HSL 350, 0.56%, 0.6%

LAB 55.39, 46.74, 11.45

 

CMYK 0 / 54 / 54 / 18

HEX #D26060

RGB 210 96 96

HSL 0, 0.56%, 0.6%

LAB 54.98, 45.01, 22.03

 

CMYK 0 / 54 / 1 / 18

HEX #D260CF

RGB 210 96 207

HSL 301.58, 0.56%, 0.6%

LAB 58.58, 59.46, -37.14

 

CMYK 13 / 54 / 0 / 18

HEX #B660D2

RGB 182 96 210

HSL 285.26, 0.56%, 0.6%

LAB 55.04, 52.56, -44.67

 

CMYK 28 / 54 / 0 / 18

HEX #9860D2

RGB 152 96 210

HSL 269.47, 0.56%, 0.6%

LAB 51.49, 44.79, -50.52

 

CMYK 42 / 54 / 0 / 18

HEX #7960D2

RGB 121 96 210

HSL 253.16, 0.56%, 0.6%

LAB 48.37, 37.27, -55.7

 

CMYK 54 / 54 / 0 / 18

HEX #6060D2

RGB 96 96 210

HSL 240, 0.56%, 0.6%

LAB 46.32, 31.92, -59.1

 

CMYK 0 / 54 / 1 / 18

HEX #D260CF

RGB 210 96 207

HSL 301.58, 0.56%, 0.6%

LAB 58.58, 59.46, -37.14

 

CMYK 0 / 65 / 2 / 11

HEX #E34FDF

RGB 227 79 223

HSL 301.62, 0.73%, 0.6%

LAB 59.21, 73.44, -45.02

 

CMYK 0 / 74 / 2 / 5

HEX #F33FEE

RGB 243 63 238

HSL 301.67, 0.88%, 0.6%

LAB 60.59, 84.43, -51.08

 

CMYK 0 / 54 / 1 / 18

HEX #D260CF

RGB 210 96 207

HSL 301.58, 0.56%, 0.6%

LAB 58.58, 59.46, -37.14

 

CMYK 0 / 42 / 2 / 24

HEX #C270BF

RGB 194 112 191

HSL 302.2, 0.4%, 0.6%

LAB 58.81, 44.1, -27.85

 

CMYK 0 / 27 / 1 / 31

HEX #B181B0

RGB 177 129 176

HSL 301.25, 0.24%, 0.6%

LAB 60.05, 26.49, -17.55

 

CMYK 0 / 10 / 1 / 37

HEX #A191A0

RGB 161 145 160

HSL 303.75, 0.08%, 0.6%

LAB 61.97, 8.72, -5.73

 

CMYK 11 / 0 / 10 / 36

HEX #90A291

RGB 144 162 145

HSL 123.33, 0.09%, 0.6%

LAB 64.81, -9.68, 6.7

 

CMYK 28 / 54 / 0 / 18

HEX #9760D2

RGB 151 96 210

HSL 268.95, 0.56%, 0.6%

LAB 51.38, 44.54, -50.7

 

CMYK 13 / 54 / 0 / 18

HEX #B660D2

RGB 182 96 210

HSL 285.26, 0.56%, 0.6%

LAB 55.04, 52.56, -44.67

 

CMYK 0 / 54 / 1 / 18

HEX #D260D0

RGB 210 96 208

HSL 301.05, 0.56%, 0.6%

LAB 58.62, 59.63, -37.64

 

CMYK 0 / 54 / 15 / 18

HEX #D260B2

RGB 210 96 178

HSL 316.84, 0.56%, 0.6%

LAB 57.35, 54.74, -22.46

 

CMYK 0 / 54 / 30 / 18

HEX #D26093

RGB 210 96 147

HSL 333.16, 0.56%, 0.6%

LAB 56.26, 50.38, -6.09

 

CMYK 0 / 72 / 2 / 32

HEX #AE31AB

RGB 174 49 171

HSL 301.44, 0.56%, 0.44%

LAB 44.43, 63.72, -38.93

 

CMYK 0 / 68 / 2 / 21

HEX #C940C5

RGB 201 64 197

HSL 301.75, 0.56%, 0.52%

LAB 51.97, 68.8, -41.91

 

CMYK 0 / 54 / 1 / 18

HEX #D260CF

RGB 210 96 207

HSL 301.58, 0.56%, 0.6%

LAB 58.58, 59.46, -37.14

 

CMYK 0 / 42 / 1 / 14

HEX #DB80D9

RGB 219 128 217

HSL 301.32, 0.56%, 0.68%

LAB 66.14, 48.1, -30.9

 

CMYK 0 / 30 / 1 / 11

HEX #E4A0E2

RGB 228 160 226

HSL 301.76, 0.56%, 0.76%

LAB 74.27, 35.71, -23.3

 

CMYK 0 / 54 / 1 / 18

HEX #D261CF

RGB 210 97 207

HSL 301.59, 0.56%, 0.6%

LAB 58.75, 59, -36.87

 

CMYK 0 / 42 / 54 / 18

HEX #D27960

RGB 210 121 96

HSL 13.16, 0.56%, 0.6%

LAB 60.09, 32.21, 28.72

 

CMYK 54 / 0 / 21 / 18

HEX #60D2A6

RGB 96 210 166

HSL 156.84, 0.56%, 0.6%

LAB 76.88, -42.81, 12.1

 

CMYK 0 / 54 / 1 / 18

HEX #D261CF

RGB 210 97 207

HSL 301.59, 0.56%, 0.6%

LAB 58.75, 59, -36.87

 

CMYK 1 / 0 / 54 / 18

HEX #D0D260

RGB 208 210 96

HSL 61.05, 0.56%, 0.6%

LAB 82.03, -15.78, 55.29

 

CMYK 54 / 1 / 0 / 18

HEX #60D0D2

RGB 96 208 210

HSL 181.05, 0.56%, 0.6%

LAB 77.43, -31.13, -10.7

 

CMYK 0 / 54 / 1 / 18

HEX #D261CF

RGB 210 97 207

HSL 301.59, 0.56%, 0.6%

LAB 58.75, 59, -36.87

 

CMYK 0 / 42 / 54 / 18

HEX #D27960

RGB 210 121 96

HSL 13.16, 0.56%, 0.6%

LAB 60.09, 32.21, 28.72

 

CMYK 54 / 0 / 53 / 18

HEX #60D262

RGB 96 210 98

HSL 121.05, 0.56%, 0.6%

LAB 75.74, -54.71, 45.4

 

CMYK 54 / 12 / 0 / 18

HEX #60B9D2

RGB 96 185 210

HSL 193.16, 0.56%, 0.6%

LAB 70.76, -19.7, -20.75

 

CMYK 0 / 54 / 1 / 18

HEX #D261CF

RGB 210 97 207

HSL 301.59, 0.56%, 0.6%

LAB 58.75, 59, -36.87

 

CMYK 0 / 26 / 54 / 18

HEX #D29B60

RGB 210 155 96

HSL 31.05, 0.56%, 0.6%

LAB 68.01, 13.85, 38.72

 

CMYK 54 / 0 / 53 / 18

HEX #60D262

RGB 96 210 98

HSL 121.05, 0.56%, 0.6%

LAB 75.74, -54.71, 45.4

 

CMYK 54 / 28 / 0 / 18

HEX #6097D2

RGB 96 151 210

HSL 211.05, 0.56%, 0.6%

LAB 61.02, -1.2, -35.75

 

Description

Color code: HEX #D261CF | qconv.com Color code: HEX #D261CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 97 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 97 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 1 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 1% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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