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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D25E04 it is the complementary color #2DA1FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D25E04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D25E04 shade: #D75E00, #E87012, #F98225, #FF9438 and #FFA64B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D25E04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D25E04 shade: #D25E04, #C14C00, #B03A00, #9F2800 and #8E1600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D25E04 shade: #D25E04, #D22704 and #D20404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D25E04 shade: #D25E04, #D29604, #D2CD04, #9FD204 and #68D204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D25E04 shade matches the following richer shades: #D25E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D25E04 shade: #D25E04, #C16016, #AF6227, #9E6538 and #8D674A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D25E04 shade: #D20419, #D22704, #D25D04, #D29404 and #D2CB04

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D25E04 shade: #813A03, #A94C03, #D25E04, #FA7006 and #FB872E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D25E04 shade: #D25E04, #50D204 and #0B04D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D25E04 shade: #D25E04, #04D25D and #5D04D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D25E04 shade: #D25E04, #50D204, #0479D2 and #8704D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D25E04 shade: #D25E04, #12D204, #0479D2 and #C404D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 98 / 18

HEX #D25E04

RGB 210 94 4

HSL 26.21, 0.96%, 0.42%

LAB 53.72, 42.16, 61.94

 

Complementary color

CMYK 82 / 36 / 0 / 2

HEX #2DA1FB

RGB 45 161 251

HSL 206.21, 0.96%, 0.58%

LAB 64.17, -0.51, -53.55

 

CMYK 0 / 56 / 100 / 16

HEX #D75E00

RGB 215 94 0

HSL 26.23, 1%, 0.42%

LAB 54.5, 44.04, 63.63

 

CMYK 0 / 52 / 92 / 9

HEX #E87012

RGB 232 112 18

HSL 26.36, 0.86%, 0.49%

LAB 60.59, 41.98, 65.22

 

CMYK 0 / 48 / 85 / 2

HEX #F98225

RGB 249 130 37

HSL 26.32, 0.95%, 0.56%

LAB 66.7, 39.99, 65.45

 

CMYK 0 / 42 / 78 / 0

HEX #FF9438

RGB 255 148 56

HSL 27.74, 1%, 0.61%

LAB 71.37, 33.77, 62.81

 

CMYK 0 / 35 / 71 / 0

HEX #FFA64B

RGB 255 166 75

HSL 30.33, 1%, 0.65%

LAB 75.48, 25.24, 58.83

 

CMYK 0 / 55 / 98 / 18

HEX #D25E04

RGB 210 94 4

HSL 26.21, 0.96%, 0.42%

LAB 53.72, 42.16, 61.94

 

CMYK 0 / 61 / 100 / 24

HEX #C14C00

RGB 193 76 0

HSL 23.63, 1%, 0.38%

LAB 47.63, 44.27, 57.92

 

CMYK 0 / 67 / 100 / 31

HEX #B03A00

RGB 176 58 0

HSL 19.77, 1%, 0.35%

LAB 41.62, 46.12, 53.14

 

CMYK 0 / 75 / 100 / 38

HEX #9F2800

RGB 159 40 0

HSL 15.09, 1%, 0.31%

LAB 35.77, 47.4, 48.48

 

CMYK 0 / 85 / 100 / 44

HEX #8E1600

RGB 142 22 0

HSL 9.3, 1%, 0.28%

LAB 30.22, 47.67, 43.26

 

CMYK 0 / 55 / 98 / 18

HEX #D25E04

RGB 210 94 4

HSL 26.21, 0.96%, 0.42%

LAB 53.72, 42.16, 61.94

 

CMYK 0 / 81 / 98 / 18

HEX #D22704

RGB 210 39 4

HSL 10.19, 0.96%, 0.42%

LAB 45.85, 63.39, 57.65

 

CMYK 0 / 98 / 98 / 18

HEX #D20404

RGB 210 4 4

HSL 0, 0.96%, 0.42%

LAB 43.94, 68.87, 56.79

 

CMYK 0 / 55 / 98 / 18

HEX #D25E04

RGB 210 94 4

HSL 26.21, 0.96%, 0.42%

LAB 53.72, 42.16, 61.94

 

CMYK 0 / 29 / 98 / 18

HEX #D29604

RGB 210 150 4

HSL 42.52, 0.96%, 0.42%

LAB 66.15, 12.63, 70.05

 

CMYK 0 / 2 / 98 / 18

HEX #D2CD04

RGB 210 205 4

HSL 58.54, 0.96%, 0.42%

LAB 80.39, -16.11, 80.26

 

CMYK 24 / 0 / 98 / 18

HEX #9FD204

RGB 159 210 4

HSL 74.85, 0.96%, 0.42%

LAB 78.15, -39.55, 76.97

 

CMYK 50 / 0 / 98 / 18

HEX #68D204

RGB 104 210 4

HSL 90.87, 0.96%, 0.42%

LAB 75.48, -58.56, 73.73

 

CMYK 0 / 55 / 98 / 18

HEX #D25E04

RGB 210 94 4

HSL 26.21, 0.96%, 0.42%

LAB 53.72, 42.16, 61.94

 

CMYK 0 / 55 / 98 / 18

HEX #D25E04

RGB 210 94 4

HSL 26.21, 0.96%, 0.42%

LAB 53.72, 42.16, 61.94

 

CMYK 0 / 50 / 89 / 24

HEX #C16016

RGB 193 96 22

HSL 25.96, 0.8%, 0.42%

LAB 51.57, 34.67, 54.86

 

CMYK 0 / 44 / 78 / 31

HEX #AF6227

RGB 175 98 39

HSL 26.03, 0.64%, 0.42%

LAB 49.49, 26.62, 45.28

 

CMYK 0 / 36 / 65 / 38

HEX #9E6538

RGB 158 101 56

HSL 26.47, 0.48%, 0.42%

LAB 48.09, 18.5, 34.51

 

CMYK 0 / 27 / 48 / 45

HEX #8D674A

RGB 141 103 74

HSL 25.97, 0.31%, 0.42%

LAB 46.79, 11.47, 22.31

 

CMYK 0 / 98 / 88 / 18

HEX #D20419

RGB 210 4 25

HSL 353.88, 0.96%, 0.42%

LAB 44.03, 69.11, 49.17

 

CMYK 0 / 81 / 98 / 18

HEX #D22704

RGB 210 39 4

HSL 10.19, 0.96%, 0.42%

LAB 45.85, 63.39, 57.65

 

CMYK 0 / 56 / 98 / 18

HEX #D25D04

RGB 210 93 4

HSL 25.92, 0.96%, 0.42%

LAB 53.53, 42.65, 61.83

 

CMYK 0 / 30 / 98 / 18

HEX #D29404

RGB 210 148 4

HSL 41.94, 0.96%, 0.42%

LAB 65.66, 13.71, 69.71

 

CMYK 0 / 3 / 98 / 18

HEX #D2CB04

RGB 210 203 4

HSL 57.96, 0.96%, 0.42%

LAB 79.85, -15.11, 79.86

 

CMYK 0 / 55 / 98 / 49

HEX #813A03

RGB 129 58 3

HSL 26.19, 0.95%, 0.26%

LAB 33.35, 27.83, 43

 

CMYK 0 / 55 / 98 / 34

HEX #A94C03

RGB 169 76 3

HSL 26.39, 0.97%, 0.34%

LAB 43.67, 34.97, 52.76

 

CMYK 0 / 55 / 98 / 18

HEX #D25E04

RGB 210 94 4

HSL 26.21, 0.96%, 0.42%

LAB 53.72, 42.16, 61.94

 

CMYK 0 / 55 / 98 / 2

HEX #FA7006

RGB 250 112 6

HSL 26.07, 0.96%, 0.5%

LAB 63.28, 48.69, 70.49

 

CMYK 0 / 46 / 82 / 2

HEX #FB872E

RGB 251 135 46

HSL 26.05, 0.96%, 0.58%

LAB 68.05, 38.49, 63.49

 

CMYK 0 / 55 / 98 / 18

HEX #D25E04

RGB 210 94 4

HSL 26.21, 0.96%, 0.42%

LAB 53.72, 42.16, 61.94

 

CMYK 62 / 0 / 98 / 18

HEX #50D204

RGB 80 210 4

HSL 97.86, 0.96%, 0.42%

LAB 74.7, -64.83, 72.78

 

CMYK 95 / 98 / 0 / 18

HEX #0B04D2

RGB 11 4 210

HSL 242.04, 0.96%, 0.42%

LAB 26.19, 67.68, -92.38

 

CMYK 0 / 55 / 98 / 18

HEX #D25E04

RGB 210 94 4

HSL 26.21, 0.96%, 0.42%

LAB 53.72, 42.16, 61.94

 

CMYK 98 / 0 / 56 / 18

HEX #04D25D

RGB 4 210 93

HSL 145.92, 0.96%, 0.42%

LAB 74.13, -67.83, 45.45

 

CMYK 56 / 98 / 0 / 18

HEX #5D04D2

RGB 93 4 210

HSL 265.92, 0.96%, 0.42%

LAB 31.96, 70.45, -82.62

 

CMYK 0 / 55 / 98 / 18

HEX #D25E04

RGB 210 94 4

HSL 26.21, 0.96%, 0.42%

LAB 53.72, 42.16, 61.94

 

CMYK 62 / 0 / 98 / 18

HEX #50D204

RGB 80 210 4

HSL 97.86, 0.96%, 0.42%

LAB 74.7, -64.83, 72.78

 

CMYK 98 / 42 / 0 / 18

HEX #0479D2

RGB 4 121 210

HSL 205.92, 0.96%, 0.42%

LAB 49.92, 5.72, -53.47

 

CMYK 36 / 98 / 0 / 18

HEX #8704D2

RGB 135 4 210

HSL 278.16, 0.96%, 0.42%

LAB 37.65, 74.21, -73.05

 

CMYK 0 / 55 / 98 / 18

HEX #D25E04

RGB 210 94 4

HSL 26.21, 0.96%, 0.42%

LAB 53.72, 42.16, 61.94

 

CMYK 91 / 0 / 98 / 18

HEX #12D204

RGB 18 210 4

HSL 115.92, 0.96%, 0.42%

LAB 73.69, -73.61, 71.55

 

CMYK 98 / 42 / 0 / 18

HEX #0479D2

RGB 4 121 210

HSL 205.92, 0.96%, 0.42%

LAB 49.92, 5.72, -53.47

 

CMYK 7 / 98 / 0 / 18

HEX #C404D2

RGB 196 4 210

HSL 295.92, 0.96%, 0.42%

LAB 47.59, 82.36, -56.43

 

Description

Color code: HEX #D25E04 | qconv.com Color code: HEX #D25E04 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 94 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 94 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 98 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 98% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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