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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D25B07 it is the complementary color #2DA4F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D25B07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D25B07 shade: #D75B02, #E86D15, #F97F28, #FF913B and #FFA34E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D25B07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D25B07 shade: #D25B07, #C14900, #B03700, #9F2500 and #8E1300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D25B07 shade: #D55C07, #D52407 and #D50707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D25B07 shade: #D55C07, #D59307, #D5CB07, #A7D507 and #6FD507

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D25B07 shade matches the following richer shades: #D55C07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D25B07 shade: #D55C07, #C35F18, #B1622A, #9F653C and #8E684E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D25B07 shade: #D50722, #D52207, #D55907, #D59007 and #D5C707

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D25B07 shade: #853904, #AD4B05, #D55C07, #F86E0D and #F98635

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D25B07 shade: #D25B07, #59D507 and #0707D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D25B07 shade: #D25B07, #07D559 and #5907D5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D25B07 shade: #D25B07, #59D507, #0782D5 and #8207D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D25B07 shade: #D25B07, #1BD507, #0782D5 and #C007D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 97 / 18

HEX #D25B07

RGB 210 91 7

HSL 24.83, 0.94%, 0.43%

LAB 53.17, 43.65, 60.98

 

Complementary color

CMYK 82 / 34 / 0 / 3

HEX #2DA4F8

RGB 45 164 248

HSL 204.83, 0.94%, 0.57%

LAB 64.87, -3.3, -50.8

 

CMYK 0 / 58 / 99 / 16

HEX #D75B02

RGB 215 91 2

HSL 25.07, 0.98%, 0.43%

LAB 53.96, 45.49, 62.9

 

CMYK 0 / 53 / 91 / 9

HEX #E86D15

RGB 232 109 21

HSL 25.02, 0.83%, 0.5%

LAB 60.02, 43.49, 64.07

 

CMYK 0 / 49 / 84 / 2

HEX #F97F28

RGB 249 127 40

HSL 24.98, 0.95%, 0.57%

LAB 66.11, 41.56, 63.92

 

CMYK 0 / 43 / 77 / 0

HEX #FF913B

RGB 255 145 59

HSL 26.33, 1%, 0.62%

LAB 70.75, 35.42, 60.98

 

CMYK 0 / 36 / 69 / 0

HEX #FFA34E

RGB 255 163 78

HSL 28.81, 1%, 0.65%

LAB 74.83, 26.95, 56.78

 

CMYK 0 / 57 / 97 / 18

HEX #D25B07

RGB 210 91 7

HSL 24.83, 0.94%, 0.43%

LAB 53.17, 43.65, 60.98

 

CMYK 0 / 62 / 100 / 24

HEX #C14900

RGB 193 73 0

HSL 22.69, 1%, 0.38%

LAB 47.11, 45.65, 57.64

 

CMYK 0 / 69 / 100 / 31

HEX #B03700

RGB 176 55 0

HSL 18.75, 1%, 0.35%

LAB 41.16, 47.37, 52.91

 

CMYK 0 / 77 / 100 / 38

HEX #9F2500

RGB 159 37 0

HSL 13.96, 1%, 0.31%

LAB 35.39, 48.46, 48.29

 

CMYK 0 / 87 / 100 / 44

HEX #8E1300

RGB 142 19 0

HSL 8.03, 1%, 0.28%

LAB 29.95, 48.43, 43.06

 

CMYK 0 / 57 / 97 / 16

HEX #D55C07

RGB 213 92 7

HSL 24.76, 0.94%, 0.43%

LAB 53.83, 44.31, 61.63

 

CMYK 0 / 83 / 97 / 16

HEX #D52407

RGB 213 36 7

HSL 8.45, 0.94%, 0.43%

LAB 46.21, 64.99, 57.3

 

CMYK 0 / 97 / 97 / 16

HEX #D50707

RGB 213 7 7

HSL 0, 0.94%, 0.43%

LAB 44.68, 69.37, 56.55

 

CMYK 0 / 57 / 97 / 16

HEX #D55C07

RGB 213 92 7

HSL 24.76, 0.94%, 0.43%

LAB 53.83, 44.31, 61.63

 

CMYK 0 / 31 / 97 / 16

HEX #D59307

RGB 213 147 7

HSL 40.78, 0.94%, 0.43%

LAB 65.77, 15.6, 69.54

 

CMYK 0 / 5 / 97 / 16

HEX #D5CB07

RGB 213 203 7

HSL 57.09, 0.94%, 0.43%

LAB 80.11, -13.79, 79.88

 

CMYK 22 / 0 / 97 / 16

HEX #A7D507

RGB 167 213 7

HSL 73.4, 0.94%, 0.43%

LAB 79.51, -37.71, 77.94

 

CMYK 48 / 0 / 97 / 16

HEX #6FD507

RGB 111 213 7

HSL 89.71, 0.94%, 0.43%

LAB 76.67, -57.54, 74.5

 

CMYK 0 / 57 / 97 / 16

HEX #D55C07

RGB 213 92 7

HSL 24.76, 0.94%, 0.43%

LAB 53.83, 44.31, 61.63

 

CMYK 0 / 57 / 97 / 16

HEX #D55C07

RGB 213 92 7

HSL 24.76, 0.94%, 0.43%

LAB 53.83, 44.31, 61.63

 

CMYK 0 / 51 / 88 / 24

HEX #C35F18

RGB 195 95 24

HSL 24.91, 0.78%, 0.43%

LAB 51.67, 36.04, 54.41

 

CMYK 0 / 45 / 76 / 31

HEX #B1622A

RGB 177 98 42

HSL 24.89, 0.62%, 0.43%

LAB 49.8, 27.59, 44.27

 

CMYK 0 / 36 / 62 / 38

HEX #9F653C

RGB 159 101 60

HSL 24.85, 0.45%, 0.43%

LAB 48.27, 19.23, 32.58

 

CMYK 0 / 27 / 45 / 44

HEX #8E684E

RGB 142 104 78

HSL 24.38, 0.29%, 0.43%

LAB 47.24, 11.77, 20.59

 

CMYK 0 / 97 / 84 / 16

HEX #D50722

RGB 213 7 34

HSL 352.14, 0.94%, 0.43%

LAB 44.82, 69.76, 45.62

 

CMYK 0 / 84 / 97 / 16

HEX #D52207

RGB 213 34 7

HSL 7.86, 0.94%, 0.43%

LAB 46.05, 65.44, 57.22

 

CMYK 0 / 58 / 97 / 16

HEX #D55907

RGB 213 89 7

HSL 23.88, 0.94%, 0.43%

LAB 53.28, 45.73, 61.3

 

CMYK 0 / 32 / 97 / 16

HEX #D59007

RGB 213 144 7

HSL 39.9, 0.94%, 0.43%

LAB 65.05, 17.22, 69.03

 

CMYK 0 / 7 / 97 / 16

HEX #D5C707

RGB 213 199 7

HSL 55.92, 0.94%, 0.43%

LAB 79.05, -11.78, 79.09

 

CMYK 0 / 57 / 97 / 48

HEX #853904

RGB 133 57 4

HSL 24.65, 0.94%, 0.27%

LAB 33.82, 30.09, 43.25

 

CMYK 0 / 57 / 97 / 32

HEX #AD4B05

RGB 173 75 5

HSL 25, 0.94%, 0.35%

LAB 44.13, 37.11, 52.82

 

CMYK 0 / 57 / 97 / 16

HEX #D55C07

RGB 213 92 7

HSL 24.76, 0.94%, 0.43%

LAB 53.83, 44.31, 61.63

 

CMYK 0 / 56 / 95 / 3

HEX #F86E0D

RGB 248 110 13

HSL 24.77, 0.94%, 0.51%

LAB 62.62, 48.95, 68.78

 

CMYK 0 / 46 / 79 / 2

HEX #F98635

RGB 249 134 53

HSL 24.8, 0.94%, 0.59%

LAB 67.61, 38.43, 60.2

 

CMYK 0 / 57 / 97 / 18

HEX #D25B07

RGB 210 91 7

HSL 24.83, 0.94%, 0.43%

LAB 53.17, 43.65, 60.98

 

CMYK 58 / 0 / 97 / 16

HEX #59D507

RGB 89 213 7

HSL 96.12, 0.94%, 0.43%

LAB 75.9, -63.62, 73.56

 

CMYK 97 / 97 / 0 / 16

HEX #0707D5

RGB 7 7 213

HSL 240, 0.94%, 0.43%

LAB 26.74, 67.82, -93.21

 

CMYK 0 / 57 / 97 / 18

HEX #D25B07

RGB 210 91 7

HSL 24.83, 0.94%, 0.43%

LAB 53.17, 43.65, 60.98

 

CMYK 97 / 0 / 58 / 16

HEX #07D559

RGB 7 213 89

HSL 143.88, 0.94%, 0.43%

LAB 75.05, -69.19, 48.38

 

CMYK 58 / 97 / 0 / 16

HEX #5907D5

RGB 89 7 213

HSL 263.88, 0.94%, 0.43%

LAB 31.99, 70.41, -84.33

 

CMYK 0 / 57 / 97 / 18

HEX #D25B07

RGB 210 91 7

HSL 24.83, 0.94%, 0.43%

LAB 53.17, 43.65, 60.98

 

CMYK 58 / 0 / 97 / 16

HEX #59D507

RGB 89 213 7

HSL 96.12, 0.94%, 0.43%

LAB 75.9, -63.62, 73.56

 

CMYK 97 / 39 / 0 / 16

HEX #0782D5

RGB 7 130 213

HSL 204.17, 0.94%, 0.43%

LAB 52.75, 1.48, -50.66

 

CMYK 39 / 97 / 0 / 16

HEX #8207D5

RGB 130 7 213

HSL 275.83, 0.94%, 0.43%

LAB 37.3, 73.92, -75.37

 

CMYK 0 / 57 / 97 / 18

HEX #D25B07

RGB 210 91 7

HSL 24.83, 0.94%, 0.43%

LAB 53.17, 43.65, 60.98

 

CMYK 87 / 0 / 97 / 16

HEX #1BD507

RGB 27 213 7

HSL 114.17, 0.94%, 0.43%

LAB 74.72, -73.77, 72.11

 

CMYK 97 / 39 / 0 / 16

HEX #0782D5

RGB 7 130 213

HSL 204.17, 0.94%, 0.43%

LAB 52.75, 1.48, -50.66

 

CMYK 10 / 97 / 0 / 16

HEX #C007D5

RGB 192 7 213

HSL 293.88, 0.94%, 0.43%

LAB 47.19, 81.97, -58.84

 

Description

Color code: HEX #D25B07 | qconv.com Color code: HEX #D25B07 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 91 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 91 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 97 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 97% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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