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Color name
HEX #D259D7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D259D7 it is the complementary color #2DA628. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D259D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D259D7 shade: #D759D2, #E86BE5, #F97DF8, #FF8FFF and #FFA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D259D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D259D7 shade: #D259D7, #C147C4, #B035B1, #9F239E and #8E118B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D259D7 shade: #D25BD7, #D75BBB, #D75B99, #D75B77 and #D75B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D259D7 shade: #D25BD7, #B15BD7, #8F5BD7, #6E5BD7 and #5B5BD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D259D7 shade matches the following richer shades: #D25BD7, #E14AE8 and #F13AF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D259D7 shade: #D25BD7, #C36BC7, #B47CB6, #A58CA6 and #969D95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D259D7 shade: #8F5BD7, #B05BD7, #D15BD7, #D75BBC and #D75B9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D259D7 shade: #AE2CB4, #C93ACF, #D25BD7, #DB7CDF and #E49DE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D259D7 shade: #D259D7, #D76D5B and #5BD79F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D259D7 shade: #D259D7, #D7D15B and #5BD7D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D259D7 shade: #D259D7, #D76D5B, #61D75B and #5BC5D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D259D7 shade: #D259D7, #D7935B, #61D75B and #5B9FD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 59 / 0 / 16

HEX #D259D7

RGB 210 89 215

HSL 297.62, 0.61%, 0.6%

LAB 57.8, 63.98, -42.89

 

Complementary color

CMYK 73 / 0 / 76 / 35

HEX #2DA628

RGB 45 166 40

HSL 117.62, 0.61%, 0.4%

LAB 59.87, -56.23, 52.2

 

CMYK 0 / 59 / 2 / 16

HEX #D759D2

RGB 215 89 210

HSL 302.38, 0.61%, 0.6%

LAB 58.27, 64.39, -39.27

 

CMYK 0 / 54 / 1 / 9

HEX #E86BE5

RGB 232 107 229

HSL 301.44, 0.73%, 0.66%

LAB 64.43, 64.05, -40.12

 

CMYK 0 / 50 / 0 / 2

HEX #F97DF8

RGB 249 125 248

HSL 300.48, 0.91%, 0.73%

LAB 70.58, 63.54, -40.81

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 2 / 59 / 0 / 16

HEX #D259D7

RGB 210 89 215

HSL 297.62, 0.61%, 0.6%

LAB 57.8, 63.98, -42.89

 

CMYK 2 / 64 / 0 / 23

HEX #C147C4

RGB 193 71 196

HSL 298.56, 0.51%, 0.52%

LAB 51.64, 64.09, -41.93

 

CMYK 1 / 70 / 0 / 31

HEX #B035B1

RGB 176 53 177

HSL 299.52, 0.54%, 0.45%

LAB 45.57, 63.77, -40.64

 

CMYK 0 / 78 / 1 / 38

HEX #9F239E

RGB 159 35 158

HSL 300.48, 0.64%, 0.38%

LAB 39.65, 62.74, -38.89

 

CMYK 0 / 88 / 2 / 44

HEX #8E118B

RGB 142 17 139

HSL 301.44, 0.79%, 0.31%

LAB 34.02, 60.58, -36.44

 

CMYK 2 / 58 / 0 / 16

HEX #D25BD7

RGB 210 91 215

HSL 297.58, 0.61%, 0.6%

LAB 58.12, 63.11, -42.38

 

CMYK 0 / 58 / 13 / 16

HEX #D75BBB

RGB 215 91 187

HSL 313.55, 0.61%, 0.6%

LAB 57.58, 59.84, -27.23

 

CMYK 0 / 58 / 29 / 16

HEX #D75B99

RGB 215 91 153

HSL 330, 0.61%, 0.6%

LAB 56.32, 55.06, -9.44

 

CMYK 0 / 58 / 45 / 16

HEX #D75B77

RGB 215 91 119

HSL 346.45, 0.61%, 0.6%

LAB 55.34, 51.21, 9.14

 

CMYK 0 / 58 / 58 / 16

HEX #D75B5B

RGB 215 91 91

HSL 0, 0.61%, 0.6%

LAB 54.75, 48.79, 24.77

 

CMYK 2 / 58 / 0 / 16

HEX #D25BD7

RGB 210 91 215

HSL 297.58, 0.61%, 0.6%

LAB 58.12, 63.11, -42.38

 

CMYK 18 / 58 / 0 / 16

HEX #B15BD7

RGB 177 91 215

HSL 281.61, 0.61%, 0.6%

LAB 53.75, 54.79, -49.6

 

CMYK 33 / 58 / 0 / 16

HEX #8F5BD7

RGB 143 91 215

HSL 265.16, 0.61%, 0.6%

LAB 49.77, 46.54, -56.18

 

CMYK 49 / 58 / 0 / 16

HEX #6E5BD7

RGB 110 91 215

HSL 249.19, 0.61%, 0.6%

LAB 46.58, 39.26, -61.48

 

CMYK 58 / 58 / 0 / 16

HEX #5B5BD7

RGB 91 91 215

HSL 240, 0.61%, 0.6%

LAB 45.1, 35.62, -63.95

 

CMYK 2 / 58 / 0 / 16

HEX #D25BD7

RGB 210 91 215

HSL 297.58, 0.61%, 0.6%

LAB 58.12, 63.11, -42.38

 

CMYK 3 / 68 / 0 / 9

HEX #E14AE8

RGB 225 74 232

HSL 297.34, 0.77%, 0.6%

LAB 58.72, 76.26, -50.86

 

CMYK 3 / 77 / 0 / 3

HEX #F13AF8

RGB 241 58 248

HSL 297.79, 0.93%, 0.6%

LAB 60.34, 86.92, -57.06

 

CMYK 2 / 58 / 0 / 16

HEX #D25BD7

RGB 210 91 215

HSL 297.58, 0.61%, 0.6%

LAB 58.12, 63.11, -42.38

 

CMYK 2 / 46 / 0 / 22

HEX #C36BC7

RGB 195 107 199

HSL 297.39, 0.45%, 0.6%

LAB 58.27, 48.47, -33.23

 

CMYK 1 / 32 / 0 / 29

HEX #B47CB6

RGB 180 124 182

HSL 297.93, 0.28%, 0.6%

LAB 59.43, 31.44, -21.89

 

CMYK 1 / 16 / 0 / 35

HEX #A58CA6

RGB 165 140 166

HSL 297.69, 0.13%, 0.6%

LAB 61.23, 14.15, -10.2

 

CMYK 4 / 0 / 5 / 38

HEX #969D95

RGB 150 157 149

HSL 112.5, 0.04%, 0.6%

LAB 63.97, -4.05, 3.3

 

CMYK 33 / 58 / 0 / 16

HEX #8F5BD7

RGB 143 91 215

HSL 265.16, 0.61%, 0.6%

LAB 49.77, 46.54, -56.18

 

CMYK 18 / 58 / 0 / 16

HEX #B05BD7

RGB 176 91 215

HSL 281.13, 0.61%, 0.6%

LAB 53.62, 54.54, -49.8

 

CMYK 3 / 58 / 0 / 16

HEX #D15BD7

RGB 209 91 215

HSL 297.1, 0.61%, 0.6%

LAB 57.98, 62.85, -42.61

 

CMYK 0 / 58 / 13 / 16

HEX #D75BBC

RGB 215 91 188

HSL 313.06, 0.61%, 0.6%

LAB 57.62, 59.99, -27.74

 

CMYK 0 / 58 / 28 / 16

HEX #D75B9B

RGB 215 91 155

HSL 329.03, 0.61%, 0.6%

LAB 56.38, 55.32, -10.51

 

CMYK 3 / 76 / 0 / 29

HEX #AE2CB4

RGB 174 44 180

HSL 297.35, 0.61%, 0.44%

LAB 44.37, 66.82, -44.34

 

CMYK 3 / 72 / 0 / 19

HEX #C93ACF

RGB 201 58 207

HSL 297.58, 0.61%, 0.52%

LAB 51.78, 72.48, -47.96

 

CMYK 2 / 58 / 0 / 16

HEX #D25BD7

RGB 210 91 215

HSL 297.58, 0.61%, 0.6%

LAB 58.12, 63.11, -42.38

 

CMYK 2 / 44 / 0 / 13

HEX #DB7CDF

RGB 219 124 223

HSL 297.58, 0.61%, 0.68%

LAB 65.6, 51.22, -35.09

 

CMYK 1 / 32 / 0 / 9

HEX #E49DE7

RGB 228 157 231

HSL 297.57, 0.61%, 0.76%

LAB 73.79, 38.23, -26.76

 

CMYK 2 / 59 / 0 / 16

HEX #D259D7

RGB 210 89 215

HSL 297.62, 0.61%, 0.6%

LAB 57.8, 63.98, -42.89

 

CMYK 0 / 49 / 58 / 16

HEX #D76D5B

RGB 215 109 91

HSL 8.71, 0.61%, 0.6%

LAB 58.17, 39.98, 29.2

 

CMYK 58 / 0 / 26 / 16

HEX #5BD79F

RGB 91 215 159

HSL 152.9, 0.61%, 0.6%

LAB 78.07, -47.52, 17.46

 

CMYK 2 / 59 / 0 / 16

HEX #D259D7

RGB 210 89 215

HSL 297.62, 0.61%, 0.6%

LAB 57.8, 63.98, -42.89

 

CMYK 0 / 3 / 58 / 16

HEX #D7D15B

RGB 215 209 91

HSL 57.1, 0.61%, 0.6%

LAB 82.27, -12.79, 57.96

 

CMYK 58 / 0 / 3 / 16

HEX #5BD7D1

RGB 91 215 209

HSL 177.1, 0.61%, 0.6%

LAB 79.29, -35.64, -7.42

 

CMYK 2 / 59 / 0 / 16

HEX #D259D7

RGB 210 89 215

HSL 297.62, 0.61%, 0.6%

LAB 57.8, 63.98, -42.89

 

CMYK 0 / 49 / 58 / 16

HEX #D76D5B

RGB 215 109 91

HSL 8.71, 0.61%, 0.6%

LAB 58.17, 39.98, 29.2

 

CMYK 55 / 0 / 58 / 16

HEX #61D75B

RGB 97 215 91

HSL 117.1, 0.61%, 0.6%

LAB 77.22, -57.2, 50.4

 

CMYK 58 / 8 / 0 / 16

HEX #5BC5D7

RGB 91 197 215

HSL 188.71, 0.61%, 0.6%

LAB 74.23, -25.34, -18.23

 

CMYK 2 / 59 / 0 / 16

HEX #D259D7

RGB 210 89 215

HSL 297.62, 0.61%, 0.6%

LAB 57.8, 63.98, -42.89

 

CMYK 0 / 32 / 58 / 16

HEX #D7935B

RGB 215 147 91

HSL 27.1, 0.61%, 0.6%

LAB 66.57, 19.85, 39.69

 

CMYK 55 / 0 / 58 / 16

HEX #61D75B

RGB 97 215 91

HSL 117.1, 0.61%, 0.6%

LAB 77.22, -57.2, 50.4

 

CMYK 58 / 26 / 0 / 16

HEX #5B9FD7

RGB 91 159 215

HSL 207.1, 0.61%, 0.6%

LAB 63.28, -5.21, -35.03

 

Description

Color code: HEX #D259D7 | qconv.com Color code: HEX #D259D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 89 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 89 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 59 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 59% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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