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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2523D it is the complementary color #2DADC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2523D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2523D shade: #D75238, #E8644B, #F9765E, #FF8871 and #FF9A84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2523D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2523D shade: #D2523D, #C1402A, #B02E17, #9F1C04 and #8E0A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2523D shade: #D1523D and #D13D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2523D shade: #D1523D, #D17A3D, #D1A23D, #D1CA3D and #B1D13D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2523D shade matches the following richer shades: #D1523D, #E54429 and #F83616

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2523D shade: #D1523D, #BE6050, #AB6E64, #977C77 and #84898A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2523D shade: #D13D78, #D13D51, #D1513D, #D1783D and #D1A03D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2523D shade: #983424, #BA402C, #D1523D, #D9705E and #E18D80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2523D shade: #D2523D, #A0D13D and #3D64D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2523D shade: #D2523D, #3DD151 and #513DD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2523D shade: #D2523D, #A0D13D, #3DBED1 and #6E3DD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2523D shade: #D2523D, #73D13D, #3DBED1 and #9B3DD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 71 / 18

HEX #D2523D

RGB 210 82 61

HSL 8.46, 0.62%, 0.53%

LAB 51.92, 49.32, 38.2

 

Complementary color

CMYK 77 / 11 / 0 / 24

HEX #2DADC2

RGB 45 173 194

HSL 188.46, 0.62%, 0.47%

LAB 65.23, -26.55, -20.48

 

CMYK 0 / 62 / 74 / 16

HEX #D75238

RGB 215 82 56

HSL 9.81, 0.67%, 0.53%

LAB 52.69, 50.85, 42.01

 

CMYK 0 / 57 / 68 / 9

HEX #E8644B

RGB 232 100 75

HSL 9.55, 0.77%, 0.6%

LAB 58.77, 49.6, 39.39

 

CMYK 0 / 53 / 62 / 2

HEX #F9765E

RGB 249 118 94

HSL 9.29, 0.93%, 0.67%

LAB 64.89, 48.32, 37.03

 

CMYK 0 / 47 / 56 / 0

HEX #FF8871

RGB 255 136 113

HSL 9.72, 1%, 0.72%

LAB 69.51, 43.02, 32.69

 

CMYK 0 / 40 / 48 / 0

HEX #FF9A84

RGB 255 154 132

HSL 10.73, 1%, 0.76%

LAB 73.57, 35.47, 27.68

 

CMYK 0 / 61 / 71 / 18

HEX #D2523D

RGB 210 82 61

HSL 8.46, 0.62%, 0.53%

LAB 51.92, 49.32, 38.2

 

CMYK 0 / 67 / 78 / 24

HEX #C1402A

RGB 193 64 42

HSL 8.74, 0.64%, 0.46%

LAB 45.87, 50.42, 41.08

 

CMYK 0 / 74 / 87 / 31

HEX #B02E17

RGB 176 46 23

HSL 9.02, 0.77%, 0.39%

LAB 39.99, 51.2, 43.96

 

CMYK 0 / 82 / 97 / 38

HEX #9F1C04

RGB 159 28 4

HSL 9.29, 0.95%, 0.32%

LAB 34.42, 51.29, 46.14

 

CMYK 0 / 93 / 100 / 44

HEX #8E0A00

RGB 142 10 0

HSL 4.23, 1%, 0.28%

LAB 29.33, 50.2, 42.59

 

CMYK 0 / 61 / 71 / 18

HEX #D1523D

RGB 209 82 61

HSL 8.51, 0.62%, 0.53%

LAB 51.75, 48.97, 37.97

 

CMYK 0 / 71 / 71 / 18

HEX #D13D3D

RGB 209 61 61

HSL 0, 0.62%, 0.53%

LAB 48.55, 57.63, 34.25

 

CMYK 0 / 61 / 71 / 18

HEX #D1523D

RGB 209 82 61

HSL 8.51, 0.62%, 0.53%

LAB 51.75, 48.97, 37.97

 

CMYK 0 / 42 / 71 / 18

HEX #D17A3D

RGB 209 122 61

HSL 24.73, 0.62%, 0.53%

LAB 59.72, 28.9, 46.83

 

CMYK 0 / 22 / 71 / 18

HEX #D1A23D

RGB 209 162 61

HSL 40.95, 0.62%, 0.53%

LAB 69.28, 7.29, 56.88

 

CMYK 0 / 3 / 71 / 18

HEX #D1CA3D

RGB 209 202 61

HSL 57.16, 0.62%, 0.53%

LAB 79.69, -13.57, 67.25

 

CMYK 15 / 0 / 71 / 18

HEX #B1D13D

RGB 177 209 61

HSL 72.97, 0.62%, 0.53%

LAB 79.21, -30.21, 65.96

 

CMYK 0 / 61 / 71 / 18

HEX #D1523D

RGB 209 82 61

HSL 8.51, 0.62%, 0.53%

LAB 51.75, 48.97, 37.97

 

CMYK 0 / 70 / 82 / 10

HEX #E54429

RGB 229 68 41

HSL 8.62, 0.78%, 0.53%

LAB 52.9, 60.66, 50.63

 

CMYK 0 / 78 / 91 / 3

HEX #F83616

RGB 248 54 22

HSL 8.5, 0.94%, 0.53%

LAB 54.71, 70.44, 61.42

 

CMYK 0 / 61 / 71 / 18

HEX #D1523D

RGB 209 82 61

HSL 8.51, 0.62%, 0.53%

LAB 51.75, 48.97, 37.97

 

CMYK 0 / 49 / 58 / 25

HEX #BE6050

RGB 190 96 80

HSL 8.73, 0.46%, 0.53%

LAB 51.71, 36.26, 26.48

 

CMYK 0 / 36 / 42 / 33

HEX #AB6E64

RGB 171 110 100

HSL 8.45, 0.3%, 0.53%

LAB 52.65, 23.03, 15.63

 

CMYK 0 / 18 / 21 / 41

HEX #977C77

RGB 151 124 119

HSL 9.37, 0.13%, 0.53%

LAB 54.37, 9.6, 6.64

 

CMYK 4 / 1 / 0 / 46

HEX #84898A

RGB 132 137 138

HSL 190, 0.02%, 0.53%

LAB 56.71, -1.63, -1.18

 

CMYK 0 / 71 / 43 / 18

HEX #D13D78

RGB 209 61 120

HSL 336.08, 0.62%, 0.53%

LAB 49.8, 61.87, 0.44

 

CMYK 0 / 71 / 61 / 18

HEX #D13D51

RGB 209 61 81

HSL 351.89, 0.62%, 0.53%

LAB 48.87, 58.73, 22.8

 

CMYK 0 / 61 / 71 / 18

HEX #D1513D

RGB 209 81 61

HSL 8.11, 0.62%, 0.53%

LAB 51.58, 49.42, 37.77

 

CMYK 0 / 43 / 71 / 18

HEX #D1783D

RGB 209 120 61

HSL 23.92, 0.62%, 0.53%

LAB 59.27, 29.97, 46.35

 

CMYK 0 / 23 / 71 / 18

HEX #D1A03D

RGB 209 160 61

HSL 40.14, 0.62%, 0.53%

LAB 68.78, 8.37, 56.36

 

CMYK 0 / 66 / 76 / 40

HEX #983424

RGB 152 52 36

HSL 8.28, 0.62%, 0.37%

LAB 36.48, 40.94, 32.21

 

CMYK 0 / 66 / 76 / 27

HEX #BA402C

RGB 186 64 44

HSL 8.45, 0.62%, 0.45%

LAB 44.64, 48.08, 38.33

 

CMYK 0 / 61 / 71 / 18

HEX #D1523D

RGB 209 82 61

HSL 8.51, 0.62%, 0.53%

LAB 51.75, 48.97, 37.97

 

CMYK 0 / 48 / 57 / 15

HEX #D9705E

RGB 217 112 94

HSL 8.78, 0.62%, 0.61%

LAB 59.11, 39.44, 28.77

 

CMYK 0 / 37 / 43 / 12

HEX #E18D80

RGB 225 141 128

HSL 8.04, 0.62%, 0.69%

LAB 66.99, 30.46, 20.38

 

CMYK 0 / 61 / 71 / 18

HEX #D2523D

RGB 210 82 61

HSL 8.46, 0.62%, 0.53%

LAB 51.92, 49.32, 38.2

 

CMYK 23 / 0 / 71 / 18

HEX #A0D13D

RGB 160 209 61

HSL 79.86, 0.62%, 0.53%

LAB 78.12, -36.88, 64.52

 

CMYK 71 / 52 / 0 / 18

HEX #3D64D1

RGB 61 100 209

HSL 224.19, 0.62%, 0.53%

LAB 45.23, 23.14, -60.38

 

CMYK 0 / 61 / 71 / 18

HEX #D2523D

RGB 210 82 61

HSL 8.46, 0.62%, 0.53%

LAB 51.92, 49.32, 38.2

 

CMYK 71 / 0 / 61 / 18

HEX #3DD151

RGB 61 209 81

HSL 128.11, 0.62%, 0.53%

LAB 74.31, -63.82, 51.25

 

CMYK 61 / 71 / 0 / 18

HEX #513DD1

RGB 81 61 209

HSL 248.11, 0.62%, 0.53%

LAB 37.28, 49.66, -73.3

 

CMYK 0 / 61 / 71 / 18

HEX #D2523D

RGB 210 82 61

HSL 8.46, 0.62%, 0.53%

LAB 51.92, 49.32, 38.2

 

CMYK 23 / 0 / 71 / 18

HEX #A0D13D

RGB 160 209 61

HSL 79.86, 0.62%, 0.53%

LAB 78.12, -36.88, 64.52

 

CMYK 71 / 9 / 0 / 18

HEX #3DBED1

RGB 61 190 209

HSL 187.7, 0.62%, 0.53%

LAB 71.16, -28.42, -19.69

 

CMYK 47 / 71 / 0 / 18

HEX #6E3DD1

RGB 110 61 209

HSL 259.86, 0.62%, 0.53%

LAB 40.01, 54.02, -68.72

 

CMYK 0 / 61 / 71 / 18

HEX #D2523D

RGB 210 82 61

HSL 8.46, 0.62%, 0.53%

LAB 51.92, 49.32, 38.2

 

CMYK 45 / 0 / 71 / 18

HEX #73D13D

RGB 115 209 61

HSL 98.11, 0.62%, 0.53%

LAB 75.81, -52.63, 61.44

 

CMYK 71 / 9 / 0 / 18

HEX #3DBED1

RGB 61 190 209

HSL 187.7, 0.62%, 0.53%

LAB 71.16, -28.42, -19.69

 

CMYK 26 / 71 / 0 / 18

HEX #9B3DD1

RGB 155 61 209

HSL 278.11, 0.62%, 0.53%

LAB 45.51, 62.31, -59.53

 

Description

Color code: HEX #D2523D | qconv.com Color code: HEX #D2523D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 82 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 82 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 71 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 71% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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