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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D24C21CE it is the complementary color #2DB3DECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D24C21CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D24C21CE shade: #D74C1CCE, #E85E2FCE, #F97042CE, #FF8255CE and #FF9468CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D24C21CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D24C21CE shade: #D24C21CE, #C13A0ECE, #B02800CE, #9F1600CE and #8E0400CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D24C21CE shade: #D44C21 and #D42121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D24C21CE shade: #D44C21, #D47D21, #D4AD21, #CAD421 and #9AD421

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D24C21CE shade matches the following richer shades: #D44C21 and #E8420D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D24C21CE shade: #D44C21, #C05735, #AC6149, #986B5C and #857570

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D24C21CE shade: #D42157, #D42127, #D44B21, #D47A21 and #D4AA21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D24C21CE shade: #8C3316, #B0401B, #D44C21, #E1653D and #E68161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D24C21CE shade: #D24C21, #86D421 and #213FD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D24C21CE shade: #D24C21, #21D44B and #4B21D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D24C21CE shade: #D24C21, #86D421, #21AAD4 and #6E21D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D24C21CE shade: #D24C21, #51D421, #21AAD4 and #A421D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 68 / 14

HEX #D24C21CE

RGBA 210 76 33 0.81

HSLA 14.58, 0.73%, 0.48%, 0.81

LABA 50.66, 50.94, 51.04, 0.81

 

Complementary color

CMYK 65 / 16 / 0 / 10

HEX #2DB3DECE

RGBA 45 179 222 0.81

HSLA 194.58, 0.73%, 0.52%, 0.81

LABA 68.07, -20.5, -31.56, 0.81

 

CMYK 0 / 52 / 70 / 13

HEX #D74C1CCE

RGBA 215 76 28 0.81

HSLA 15.4, 0.77%, 0.48%, 0.81

LABA 51.5, 52.57, 54.16, 0.81

 

CMYK 0 / 48 / 65 / 7

HEX #E85E2FCE

RGBA 232 94 47 0.81

HSLA 15.24, 0.8%, 0.55%, 0.81

LABA 57.43, 51.17, 52.26, 0.81

 

CMYK 0 / 45 / 60 / 2

HEX #F97042CE

RGBA 249 112 66 0.81

HSLA 15.08, 0.94%, 0.62%, 0.81

LABA 63.44, 49.69, 50.05, 0.81

 

CMYK 0 / 40 / 54 / 0

HEX #FF8255CE

RGBA 255 130 85 0.81

HSLA 15.88, 1%, 0.67%, 0.81

LABA 67.93, 44.15, 45.66, 0.81

 

CMYK 0 / 34 / 48 / 0

HEX #FF9468CE

RGBA 255 148 104 0.81

HSLA 17.48, 1%, 0.7%, 0.81

LABA 71.85, 36.28, 40.46, 0.81

 

CMYK 0 / 52 / 68 / 14

HEX #D24C21CE

RGBA 210 76 33 0.81

HSLA 14.58, 0.73%, 0.48%, 0.81

LABA 50.66, 50.94, 51.04, 0.81

 

CMYK 0 / 57 / 75 / 20

HEX #C13A0ECE

RGBA 193 58 14 0.81

HSLA 14.75, 0.86%, 0.41%, 0.81

LABA 44.79, 52.15, 52.48, 0.81

 

CMYK 0 / 63 / 81 / 25

HEX #B02800CE

RGBA 176 40 0 0.81

HSLA 13.64, 1%, 0.35%, 0.81

LABA 39.15, 52.89, 51.97, 0.81

 

CMYK 0 / 70 / 81 / 30

HEX #9F1600CE

RGBA 159 22 0 0.81

HSLA 8.3, 1%, 0.31%, 0.81

LABA 33.87, 52.74, 47.45, 0.81

 

CMYK 0 / 79 / 81 / 36

HEX #8E0400CE

RGBA 142 4 0 0.81

HSLA 1.69, 1%, 0.28%, 0.81

LABA 29, 51.16, 42.32, 0.81

 

CMYK 0 / 64 / 84 / 17

HEX #D44C21

RGB 212 76 33

HSL 14.41, 0.73%, 0.48%

LAB 51.01, 51.64, 51.47

 

CMYK 0 / 84 / 84 / 17

HEX #D42121

RGB 212 33 33

HSL 0, 0.73%, 0.48%

LAB 45.9, 65.76, 47.01

 

CMYK 0 / 64 / 84 / 17

HEX #D44C21

RGB 212 76 33

HSL 14.41, 0.73%, 0.48%

LAB 51.01, 51.64, 51.47

 

CMYK 0 / 41 / 84 / 17

HEX #D47D21

RGB 212 125 33

HSL 30.84, 0.73%, 0.48%

LAB 60.58, 27.47, 59.66

 

CMYK 0 / 18 / 84 / 17

HEX #D4AD21

RGB 212 173 33

HSL 46.93, 0.73%, 0.48%

LAB 72.22, 1.67, 69.41

 

CMYK 5 / 0 / 84 / 17

HEX #CAD421

RGB 202 212 33

HSL 63.35, 0.73%, 0.48%

LAB 81.7, -22.48, 76.93

 

CMYK 27 / 0 / 84 / 17

HEX #9AD421

RGB 154 212 33

HSL 79.44, 0.73%, 0.48%

LAB 78.5, -41.77, 72.95

 

CMYK 0 / 64 / 84 / 17

HEX #D44C21

RGB 212 76 33

HSL 14.41, 0.73%, 0.48%

LAB 51.01, 51.64, 51.47

 

CMYK 0 / 72 / 94 / 9

HEX #E8420D

RGB 232 66 13

HSL 14.52, 0.89%, 0.48%

LAB 53.04, 61.82, 61.52

 

CMYK 0 / 64 / 84 / 17

HEX #D44C21

RGB 212 76 33

HSL 14.41, 0.73%, 0.48%

LAB 51.01, 51.64, 51.47

 

CMYK 0 / 55 / 72 / 25

HEX #C05735

RGB 192 87 53

HSL 14.68, 0.57%, 0.48%

LAB 49.83, 39.93, 39.41

 

CMYK 0 / 44 / 58 / 33

HEX #AC6149

RGB 172 97 73

HSL 14.55, 0.4%, 0.48%

LAB 49.25, 27.99, 26.85

 

CMYK 0 / 30 / 39 / 40

HEX #986B5C

RGB 152 107 92

HSL 15, 0.25%, 0.48%

LAB 49.45, 15.96, 15.56

 

CMYK 0 / 12 / 16 / 48

HEX #857570

RGB 133 117 112

HSL 14.29, 0.09%, 0.48%

LAB 50.55, 5.31, 5.02

 

CMYK 0 / 84 / 59 / 17

HEX #D42157

RGB 212 33 87

HSL 341.9, 0.73%, 0.48%

LAB 46.68, 68.06, 16.31

 

CMYK 0 / 84 / 82 / 17

HEX #D42127

RGB 212 33 39

HSL 357.99, 0.73%, 0.48%

LAB 45.95, 65.91, 43.95

 

CMYK 0 / 65 / 84 / 17

HEX #D44B21

RGB 212 75 33

HSL 14.08, 0.73%, 0.48%

LAB 50.85, 52.07, 51.34

 

CMYK 0 / 42 / 84 / 17

HEX #D47A21

RGB 212 122 33

HSL 29.83, 0.73%, 0.48%

LAB 59.91, 29.06, 59.09

 

CMYK 0 / 20 / 84 / 17

HEX #D4AA21

RGB 212 170 33

HSL 45.92, 0.73%, 0.48%

LAB 71.46, 3.26, 68.78

 

CMYK 0 / 64 / 84 / 45

HEX #8C3316

RGB 140 51 22

HSL 14.75, 0.73%, 0.32%

LAB 33.99, 36.38, 36.56

 

CMYK 0 / 64 / 85 / 31

HEX #B0401B

RGB 176 64 27

HSL 14.9, 0.73%, 0.4%

LAB 42.73, 43.94, 44.48

 

CMYK 0 / 64 / 84 / 17

HEX #D44C21

RGB 212 76 33

HSL 14.41, 0.73%, 0.48%

LAB 51.01, 51.64, 51.47

 

CMYK 0 / 55 / 73 / 12

HEX #E1653D

RGB 225 101 61

HSL 14.63, 0.73%, 0.56%

LAB 57.71, 45.89, 45.31

 

CMYK 0 / 44 / 58 / 10

HEX #E68161

RGB 230 129 97

HSL 14.44, 0.73%, 0.64%

LAB 64.47, 35.9, 34.3

 

CMYK 0 / 64 / 84 / 18

HEX #D24C21

RGB 210 76 33

HSL 14.58, 0.73%, 0.48%

LAB 50.66, 50.94, 51.04

 

CMYK 37 / 0 / 84 / 17

HEX #86D421

RGB 134 212 33

HSL 86.15, 0.73%, 0.48%

LAB 77.44, -49.04, 71.61

 

CMYK 84 / 70 / 0 / 17

HEX #213FD4

RGB 33 63 212

HSL 229.94, 0.73%, 0.48%

LAB 35.27, 44.89, -78.44

 

CMYK 0 / 64 / 84 / 18

HEX #D24C21

RGB 210 76 33

HSL 14.58, 0.73%, 0.48%

LAB 50.66, 50.94, 51.04

 

CMYK 84 / 0 / 65 / 17

HEX #21D44B

RGB 33 212 75

HSL 134.08, 0.73%, 0.48%

LAB 74.77, -69.03, 54.22

 

CMYK 65 / 84 / 0 / 17

HEX #4B21D4

RGB 75 33 212

HSL 254.08, 0.73%, 0.48%

LAB 32.56, 62.84, -82.84

 

CMYK 0 / 64 / 84 / 18

HEX #D24C21

RGB 210 76 33

HSL 14.58, 0.73%, 0.48%

LAB 50.66, 50.94, 51.04

 

CMYK 37 / 0 / 84 / 17

HEX #86D421

RGB 134 212 33

HSL 86.15, 0.73%, 0.48%

LAB 77.44, -49.04, 71.61

 

CMYK 84 / 20 / 0 / 17

HEX #21AAD4

RGB 33 170 212

HSL 194.08, 0.73%, 0.48%

LAB 64.82, -20.16, -31.1

 

CMYK 48 / 84 / 0 / 17

HEX #6E21D4

RGB 110 33 212

HSL 265.81, 0.73%, 0.48%

LAB 36.28, 66.26, -76.57

 

CMYK 0 / 64 / 84 / 18

HEX #D24C21

RGB 210 76 33

HSL 14.58, 0.73%, 0.48%

LAB 50.66, 50.94, 51.04

 

CMYK 62 / 0 / 84 / 17

HEX #51D421

RGB 81 212 33

HSL 103.91, 0.73%, 0.48%

LAB 75.42, -64.5, 69.06

 

CMYK 84 / 20 / 0 / 17

HEX #21AAD4

RGB 33 170 212

HSL 194.08, 0.73%, 0.48%

LAB 64.82, -20.16, -31.1

 

CMYK 23 / 84 / 0 / 17

HEX #A421D4

RGB 164 33 212

HSL 283.91, 0.73%, 0.48%

LAB 43.85, 73.68, -63.89

 

Description

Color code: HEX #D24C21CE | qconv.com Color code: HEX #D24C21CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 76 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 76 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 68 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 68% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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