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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D23EA2 it is the complementary color #2DC15D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D23EA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D23EA2 shade: #D73E9D, #E850B0, #F962C3, #FF74D6 and #FF86E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D23EA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D23EA2 shade: #D23EA2, #C12C8F, #B01A7C, #9F0869 and #8E0056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D23EA2 shade: #D13DA1, #D13D79, #D13D51 and #D13D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D23EA2 shade: #D13DA1, #D13DC9, #B23DD1, #893DD1 and #613DD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D23EA2 shade matches the following richer shades: #D13DA1, #E529A8 and #F816AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D23EA2 shade: #D13DA1, #BE509A, #AB6494, #97778D and #848A86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D23EA2 shade: #B13DD1, #D13DCA, #D13DA2, #D13D7B and #D13D53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D23EA2 shade: #982472, #BA2C8B, #D13DA1, #D95EB1 and #E180C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D23EA2 shade: #D23EA2, #D18A3D and #3DD1C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D23EA2 shade: #D23EA2, #A2D13D and #3DA2D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D23EA2 shade: #D23EA2, #D18A3D, #3DD16C and #3D85D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D23EA2 shade: #D23EA2, #D1B63D, #3DD16C and #3D58D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 23 / 18

HEX #D23EA2

RGB 210 62 162

HSL 319.46, 0.62%, 0.53%

LAB 51.56, 66.57, -22.02

 

Complementary color

CMYK 77 / 0 / 52 / 24

HEX #2DC15D

RGB 45 193 93

HSL 139.46, 0.62%, 0.47%

LAB 69.1, -59.24, 39.43

 

CMYK 0 / 71 / 27 / 16

HEX #D73E9D

RGB 215 62 157

HSL 322.75, 0.66%, 0.54%

LAB 52.2, 67.22, -18

 

CMYK 0 / 66 / 24 / 9

HEX #E850B0

RGB 232 80 176

HSL 322.11, 0.77%, 0.61%

LAB 58.06, 67.5, -19.92

 

CMYK 0 / 61 / 22 / 2

HEX #F962C3

RGB 249 98 195

HSL 321.46, 0.93%, 0.68%

LAB 64.01, 67.4, -21.48

 

CMYK 0 / 55 / 16 / 0

HEX #FF74D6

RGB 255 116 214

HSL 317.7, 1%, 0.73%

LAB 68.46, 63.95, -25.26

 

CMYK 0 / 47 / 9 / 0

HEX #FF86E9

RGB 255 134 233

HSL 310.91, 1%, 0.76%

LAB 72.36, 58.47, -29.79

 

CMYK 0 / 70 / 23 / 18

HEX #D23EA2

RGB 210 62 162

HSL 319.46, 0.62%, 0.53%

LAB 51.56, 66.57, -22.02

 

CMYK 0 / 77 / 26 / 24

HEX #C12C8F

RGB 193 44 143

HSL 320.13, 0.63%, 0.46%

LAB 45.8, 65.72, -19.77

 

CMYK 0 / 85 / 30 / 31

HEX #B01A7C

RGB 176 26 124

HSL 320.8, 0.74%, 0.4%

LAB 40.29, 63.97, -16.87

 

CMYK 0 / 95 / 34 / 38

HEX #9F0869

RGB 159 8 105

HSL 321.46, 0.9%, 0.33%

LAB 35.13, 60.96, -13.09

 

CMYK 0 / 100 / 39 / 44

HEX #8E0056

RGB 142 0 86

HSL 323.66, 1%, 0.28%

LAB 30.45, 56.29, -8.2

 

CMYK 0 / 71 / 23 / 18

HEX #D13DA1

RGB 209 61 161

HSL 319.46, 0.62%, 0.53%

LAB 51.23, 66.53, -21.95

 

CMYK 0 / 71 / 42 / 18

HEX #D13D79

RGB 209 61 121

HSL 335.68, 0.62%, 0.53%

LAB 49.83, 61.97, -0.12

 

CMYK 0 / 71 / 61 / 18

HEX #D13D51

RGB 209 61 81

HSL 351.89, 0.62%, 0.53%

LAB 48.87, 58.73, 22.8

 

CMYK 0 / 71 / 71 / 18

HEX #D13D3D

RGB 209 61 61

HSL 0, 0.62%, 0.53%

LAB 48.55, 57.63, 34.25

 

CMYK 0 / 71 / 23 / 18

HEX #D13DA1

RGB 209 61 161

HSL 319.46, 0.62%, 0.53%

LAB 51.23, 66.53, -21.95

 

CMYK 0 / 71 / 4 / 18

HEX #D13DC9

RGB 209 61 201

HSL 303.24, 0.62%, 0.53%

LAB 53.07, 72.26, -42.39

 

CMYK 15 / 71 / 0 / 18

HEX #B23DD1

RGB 178 61 209

HSL 287.43, 0.62%, 0.53%

LAB 48.77, 66.98, -54.12

 

CMYK 34 / 71 / 0 / 18

HEX #893DD1

RGB 137 61 209

HSL 270.81, 0.62%, 0.53%

LAB 43.15, 58.83, -63.47

 

CMYK 54 / 71 / 0 / 18

HEX #613DD1

RGB 97 61 209

HSL 254.59, 0.62%, 0.53%

LAB 38.69, 51.95, -70.92

 

CMYK 0 / 71 / 23 / 18

HEX #D13DA1

RGB 209 61 161

HSL 319.46, 0.62%, 0.53%

LAB 51.23, 66.53, -21.95

 

CMYK 0 / 82 / 27 / 10

HEX #E529A8

RGB 229 41 168

HSL 319.47, 0.78%, 0.53%

LAB 53.03, 77.71, -23.02

 

CMYK 0 / 91 / 29 / 3

HEX #F816AF

RGB 248 22 175

HSL 319.38, 0.94%, 0.53%

LAB 55.71, 85.55, -22.7

 

CMYK 0 / 71 / 23 / 18

HEX #D13DA1

RGB 209 61 161

HSL 319.46, 0.62%, 0.53%

LAB 51.23, 66.53, -21.95

 

CMYK 0 / 58 / 19 / 25

HEX #BE509A

RGB 190 80 154

HSL 319.64, 0.46%, 0.53%

LAB 50.71, 52.66, -18.87

 

CMYK 0 / 42 / 13 / 33

HEX #AB6494

RGB 171 100 148

HSL 319.44, 0.3%, 0.53%

LAB 51.74, 35.49, -14.01

 

CMYK 0 / 21 / 7 / 41

HEX #97778D

RGB 151 119 141

HSL 318.75, 0.13%, 0.53%

LAB 53.7, 16.32, -7.18

 

CMYK 4 / 0 / 3 / 46

HEX #848A86

RGB 132 138 134

HSL 140, 0.02%, 0.53%

LAB 56.88, -3, 1.37

 

CMYK 15 / 71 / 0 / 18

HEX #B13DD1

RGB 177 61 209

HSL 287.03, 0.62%, 0.53%

LAB 48.62, 66.77, -54.36

 

CMYK 0 / 71 / 3 / 18

HEX #D13DCA

RGB 209 61 202

HSL 302.84, 0.62%, 0.53%

LAB 53.12, 72.41, -42.88

 

CMYK 0 / 71 / 22 / 18

HEX #D13DA2

RGB 209 61 162

HSL 319.05, 0.62%, 0.53%

LAB 51.27, 66.66, -22.48

 

CMYK 0 / 71 / 41 / 18

HEX #D13D7B

RGB 209 61 123

HSL 334.86, 0.62%, 0.53%

LAB 49.89, 62.17, -1.24

 

CMYK 0 / 71 / 60 / 18

HEX #D13D53

RGB 209 61 83

HSL 351.08, 0.62%, 0.53%

LAB 48.91, 58.86, 21.64

 

CMYK 0 / 76 / 25 / 40

HEX #982472

RGB 152 36 114

HSL 319.66, 0.62%, 0.37%

LAB 36.28, 54.26, -17.16

 

CMYK 0 / 76 / 25 / 27

HEX #BA2C8B

RGB 186 44 139

HSL 319.86, 0.62%, 0.45%

LAB 44.38, 63.52, -19.63

 

CMYK 0 / 71 / 23 / 18

HEX #D13DA1

RGB 209 61 161

HSL 319.46, 0.62%, 0.53%

LAB 51.23, 66.53, -21.95

 

CMYK 0 / 57 / 18 / 15

HEX #D95EB1

RGB 217 94 177

HSL 319.51, 0.62%, 0.61%

LAB 57.97, 57.57, -20.84

 

CMYK 0 / 43 / 14 / 12

HEX #E180C2

RGB 225 128 194

HSL 319.18, 0.62%, 0.69%

LAB 66.01, 46.07, -18.17

 

CMYK 0 / 70 / 23 / 18

HEX #D23EA2

RGB 210 62 162

HSL 319.46, 0.62%, 0.53%

LAB 51.56, 66.57, -22.02

 

CMYK 0 / 34 / 71 / 18

HEX #D18A3D

RGB 209 138 61

HSL 31.22, 0.62%, 0.53%

LAB 63.4, 20.28, 50.77

 

CMYK 71 / 0 / 6 / 18

HEX #3DD1C5

RGB 61 209 197

HSL 175.14, 0.62%, 0.53%

LAB 76.45, -40.79, -5.26

 

CMYK 0 / 70 / 23 / 18

HEX #D23EA2

RGB 210 62 162

HSL 319.46, 0.62%, 0.53%

LAB 51.56, 66.57, -22.02

 

CMYK 22 / 0 / 71 / 18

HEX #A2D13D

RGB 162 209 61

HSL 79.05, 0.62%, 0.53%

LAB 78.24, -36.11, 64.68

 

CMYK 71 / 22 / 0 / 18

HEX #3DA2D1

RGB 61 162 209

HSL 199.05, 0.62%, 0.53%

LAB 62.87, -13.94, -32.41

 

CMYK 0 / 70 / 23 / 18

HEX #D23EA2

RGB 210 62 162

HSL 319.46, 0.62%, 0.53%

LAB 51.56, 66.57, -22.02

 

CMYK 0 / 34 / 71 / 18

HEX #D18A3D

RGB 209 138 61

HSL 31.22, 0.62%, 0.53%

LAB 63.4, 20.28, 50.77

 

CMYK 71 / 0 / 48 / 18

HEX #3DD16C

RGB 61 209 108

HSL 139.05, 0.62%, 0.53%

LAB 74.62, -60.18, 38.98

 

CMYK 71 / 36 / 0 / 18

HEX #3D85D1

RGB 61 133 209

HSL 210.81, 0.62%, 0.53%

LAB 54.42, 2.63, -45.68

 

CMYK 0 / 70 / 23 / 18

HEX #D23EA2

RGB 210 62 162

HSL 319.46, 0.62%, 0.53%

LAB 51.56, 66.57, -22.02

 

CMYK 0 / 13 / 71 / 18

HEX #D1B63D

RGB 209 182 61

HSL 49.05, 0.62%, 0.53%

LAB 74.41, -3.31, 62.06

 

CMYK 71 / 0 / 48 / 18

HEX #3DD16C

RGB 61 209 108

HSL 139.05, 0.62%, 0.53%

LAB 74.62, -60.18, 38.98

 

CMYK 71 / 58 / 0 / 18

HEX #3D58D1

RGB 61 88 209

HSL 229.05, 0.62%, 0.53%

LAB 42.12, 30.79, -65.44

 

Description

Color code: HEX #D23EA2 | qconv.com Color code: HEX #D23EA2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 62 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 62 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 23 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 23% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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