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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D22F9D it is the complementary color #2DD062. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D22F9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D22F9D shade: #D72F98, #E841AB, #F953BE, #FF65D1 and #FF77E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D22F9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D22F9D shade: #D22F9D, #C11D8A, #B00B77, #9F0064 and #8E0051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D22F9D shade: #D12E9C, #D12E70, #D12E44 and #D12E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D22F9D shade: #D12E9C, #D12EC8, #AE2ED1, #822ED1 and #562ED1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D22F9D shade matches the following richer shades: #D12E9C, #E619A3 and #FA05AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D22F9D shade: #D12E9C, #BC4395, #A8578E, #936C86 and #7F807F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D22F9D shade: #AE2ED1, #D12EC9, #D12E9D, #D12E72 and #D12E46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D22F9D shade: #8D1F6A, #AF2683, #D12E9C, #D950AC and #E072BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D22F9D shade: #D22F9D, #D1822E and #2ED1C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D22F9D shade: #D22F9D, #9DD12E and #2E9DD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D22F9D shade: #D22F9D, #D1822E, #2ED162 and #2E7DD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D22F9D shade: #D22F9D, #D1B32E, #2ED162 and #2E4CD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 25 / 18

HEX #D22F9D

RGB 210 47 157

HSL 319.51, 0.64%, 0.5%

LAB 49.7, 70.63, -21.92

 

Complementary color

CMYK 78 / 0 / 53 / 18

HEX #2DD062

RGB 45 208 98

HSL 139.51, 0.64%, 0.5%

LAB 73.9, -63.59, 42.89

 

CMYK 0 / 78 / 29 / 16

HEX #D72F98

RGB 215 47 152

HSL 322.5, 0.68%, 0.51%

LAB 50.39, 71.22, -17.8

 

CMYK 0 / 72 / 26 / 9

HEX #E841AB

RGB 232 65 171

HSL 321.92, 0.78%, 0.58%

LAB 55.96, 72.21, -20.22

 

CMYK 0 / 67 / 24 / 2

HEX #F953BE

RGB 249 83 190

HSL 321.33, 0.93%, 0.65%

LAB 61.69, 72.62, -22.18

 

CMYK 0 / 60 / 18 / 0

HEX #FF65D1

RGB 255 101 209

HSL 317.92, 1%, 0.7%

LAB 65.88, 69.7, -26.43

 

CMYK 0 / 53 / 11 / 0

HEX #FF77E4

RGB 255 119 228

HSL 311.91, 1%, 0.73%

LAB 69.51, 64.69, -31.43

 

CMYK 0 / 78 / 25 / 18

HEX #D22F9D

RGB 210 47 157

HSL 319.51, 0.64%, 0.5%

LAB 49.7, 70.63, -21.92

 

CMYK 0 / 85 / 28 / 24

HEX #C11D8A

RGB 193 29 138

HSL 320.12, 0.74%, 0.44%

LAB 44.31, 68.82, -19.03

 

CMYK 0 / 94 / 32 / 31

HEX #B00B77

RGB 176 11 119

HSL 320.73, 0.88%, 0.37%

LAB 39.24, 65.84, -15.35

 

CMYK 0 / 100 / 37 / 38

HEX #9F0064

RGB 159 0 100

HSL 322.26, 1%, 0.31%

LAB 34.58, 61.45, -10.72

 

CMYK 0 / 100 / 43 / 44

HEX #8E0051

RGB 142 0 81

HSL 325.77, 1%, 0.28%

LAB 30.27, 55.79, -5.18

 

CMYK 0 / 78 / 25 / 18

HEX #D12E9C

RGB 209 46 156

HSL 319.51, 0.64%, 0.5%

LAB 49.39, 70.55, -21.82

 

CMYK 0 / 78 / 46 / 18

HEX #D12E70

RGB 209 46 112

HSL 335.71, 0.64%, 0.5%

LAB 47.85, 65.94, 2.49

 

CMYK 0 / 78 / 67 / 18

HEX #D12E44

RGB 209 46 68

HSL 351.9, 0.64%, 0.5%

LAB 46.88, 62.91, 28.1

 

CMYK 0 / 78 / 78 / 18

HEX #D12E2E

RGB 209 46 46

HSL 0, 0.64%, 0.5%

LAB 46.59, 61.99, 40.59

 

CMYK 0 / 78 / 25 / 18

HEX #D12E9C

RGB 209 46 156

HSL 319.51, 0.64%, 0.5%

LAB 49.39, 70.55, -21.82

 

CMYK 0 / 78 / 4 / 18

HEX #D12EC8

RGB 209 46 200

HSL 303.31, 0.64%, 0.5%

LAB 51.47, 76.53, -44.34

 

CMYK 17 / 78 / 0 / 18

HEX #AE2ED1

RGB 174 46 209

HSL 287.12, 0.64%, 0.5%

LAB 46.39, 71.3, -57.98

 

CMYK 38 / 78 / 0 / 18

HEX #822ED1

RGB 130 46 209

HSL 270.92, 0.64%, 0.5%

LAB 40.09, 63.8, -68.5

 

CMYK 59 / 78 / 0 / 18

HEX #562ED1

RGB 86 46 209

HSL 254.72, 0.64%, 0.5%

LAB 35.07, 57.77, -76.91

 

CMYK 0 / 78 / 25 / 18

HEX #D12E9C

RGB 209 46 156

HSL 319.51, 0.64%, 0.5%

LAB 49.39, 70.55, -21.82

 

CMYK 0 / 89 / 29 / 10

HEX #E619A3

RGB 230 25 163

HSL 319.61, 0.8%, 0.5%

LAB 52.02, 80.22, -21.6

 

CMYK 0 / 98 / 32 / 2

HEX #FA05AA

RGB 250 5 170

HSL 319.59, 0.96%, 0.5%

LAB 55.42, 86.82, -20.19

 

CMYK 0 / 78 / 25 / 18

HEX #D12E9C

RGB 209 46 156

HSL 319.51, 0.64%, 0.5%

LAB 49.39, 70.55, -21.82

 

CMYK 0 / 64 / 21 / 26

HEX #BC4395

RGB 188 67 149

HSL 319.34, 0.47%, 0.5%

LAB 48.1, 57.06, -19.92

 

CMYK 0 / 48 / 15 / 34

HEX #A8578E

RGB 168 87 142

HSL 319.26, 0.32%, 0.5%

LAB 48.38, 40.45, -15.58

 

CMYK 0 / 27 / 9 / 42

HEX #936C86

RGB 147 108 134

HSL 320, 0.15%, 0.5%

LAB 50.27, 19.92, -8.22

 

CMYK 1 / 0 / 1 / 50

HEX #7F807F

RGB 127 128 127

HSL 120, 0%, 0.5%

LAB 53.47, -0.57, 0.4

 

CMYK 17 / 78 / 0 / 18

HEX #AE2ED1

RGB 174 46 209

HSL 287.12, 0.64%, 0.5%

LAB 46.39, 71.3, -57.98

 

CMYK 0 / 78 / 4 / 18

HEX #D12EC9

RGB 209 46 201

HSL 302.94, 0.64%, 0.5%

LAB 51.53, 76.68, -44.83

 

CMYK 0 / 78 / 25 / 18

HEX #D12E9D

RGB 209 46 157

HSL 319.14, 0.64%, 0.5%

LAB 49.43, 70.67, -22.35

 

CMYK 0 / 78 / 45 / 18

HEX #D12E72

RGB 209 46 114

HSL 334.97, 0.64%, 0.5%

LAB 47.91, 66.12, 1.35

 

CMYK 0 / 78 / 67 / 18

HEX #D12E46

RGB 209 46 70

HSL 351.17, 0.64%, 0.5%

LAB 46.91, 63.01, 26.93

 

CMYK 0 / 78 / 25 / 45

HEX #8D1F6A

RGB 141 31 106

HSL 319.09, 0.64%, 0.34%

LAB 33.31, 51.97, -16.82

 

CMYK 0 / 78 / 25 / 31

HEX #AF2683

RGB 175 38 131

HSL 319.27, 0.64%, 0.42%

LAB 41.44, 61.59, -19.44

 

CMYK 0 / 78 / 25 / 18

HEX #D12E9C

RGB 209 46 156

HSL 319.51, 0.64%, 0.5%

LAB 49.39, 70.55, -21.82

 

CMYK 0 / 63 / 21 / 15

HEX #D950AC

RGB 217 80 172

HSL 319.71, 0.64%, 0.58%

LAB 55.55, 62.92, -21.65

 

CMYK 0 / 49 / 16 / 12

HEX #E072BC

RGB 224 114 188

HSL 319.64, 0.64%, 0.66%

LAB 62.94, 51.84, -19.47

 

CMYK 0 / 78 / 25 / 18

HEX #D22F9D

RGB 210 47 157

HSL 319.51, 0.64%, 0.5%

LAB 49.7, 70.63, -21.92

 

CMYK 0 / 38 / 78 / 18

HEX #D1822E

RGB 209 130 46

HSL 30.92, 0.64%, 0.5%

LAB 61.41, 23.93, 55.35

 

CMYK 78 / 0 / 6 / 18

HEX #2ED1C4

RGB 46 209 196

HSL 175.21, 0.64%, 0.5%

LAB 76.17, -42.74, -5.16

 

CMYK 0 / 78 / 25 / 18

HEX #D22F9D

RGB 210 47 157

HSL 319.51, 0.64%, 0.5%

LAB 49.7, 70.63, -21.92

 

CMYK 25 / 0 / 78 / 18

HEX #9DD12E

RGB 157 209 46

HSL 79.14, 0.64%, 0.5%

LAB 77.86, -38.81, 69.1

 

CMYK 78 / 25 / 0 / 18

HEX #2E9DD1

RGB 46 157 209

HSL 199.14, 0.64%, 0.5%

LAB 61.04, -13.05, -35.29

 

CMYK 0 / 78 / 25 / 18

HEX #D22F9D

RGB 210 47 157

HSL 319.51, 0.64%, 0.5%

LAB 49.7, 70.63, -21.92

 

CMYK 0 / 38 / 78 / 18

HEX #D1822E

RGB 209 130 46

HSL 30.92, 0.64%, 0.5%

LAB 61.41, 23.93, 55.35

 

CMYK 78 / 0 / 53 / 18

HEX #2ED162

RGB 46 209 98

HSL 139.14, 0.64%, 0.5%

LAB 74.23, -63.8, 43.3

 

CMYK 78 / 40 / 0 / 18

HEX #2E7DD1

RGB 46 125 209

HSL 210.92, 0.64%, 0.5%

LAB 51.67, 5.56, -50.08

 

CMYK 0 / 78 / 25 / 18

HEX #D22F9D

RGB 210 47 157

HSL 319.51, 0.64%, 0.5%

LAB 49.7, 70.63, -21.92

 

CMYK 0 / 14 / 78 / 18

HEX #D1B32E

RGB 209 179 46

HSL 48.96, 0.64%, 0.5%

LAB 73.54, -2.39, 66.62

 

CMYK 78 / 0 / 53 / 18

HEX #2ED162

RGB 46 209 98

HSL 139.14, 0.64%, 0.5%

LAB 74.23, -63.8, 43.3

 

CMYK 78 / 64 / 0 / 18

HEX #2E4CD1

RGB 46 76 209

HSL 228.96, 0.64%, 0.5%

LAB 38.47, 36.73, -71.43

 

Description

Color code: HEX #D22F9D | qconv.com Color code: HEX #D22F9D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 47 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 47 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 25 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 25% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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