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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D22354 it is the complementary color #2DDCAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D22354. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D22354 shade: #D7234F, #E83562, #F94775, #FF5988 and #FF6B9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D22354. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D22354 shade: #D22354, #C11141, #B0002E, #9F001B and #8E0008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D22354 shade: #D12354, #D12325 and #D12323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D22354 shade: #D12354, #D12383, #D123B2, #C223D1 and #9323D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D22354 shade matches the following richer shades: #D12354 and #E5104B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D22354 shade: #D12354, #BD375D, #AA4B66, #965F6E and #827377

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D22354 shade: #D123B1, #D12383, #D12355, #D12326 and #D14F23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D22354 shade: #8B1838, #AE1E46, #D12354, #DF406C and #E56387

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D22354 shade: #D22354, #D1C323 and #239AD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D22354 shade: #D22354, #55D123 and #2355D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D22354 shade: #D22354, #D1C323, #23D1A0 and #2332D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D22354 shade: #D22354, #ACD123, #23D1A0 and #4923D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 60 / 18

HEX #D22354

RGB 210 35 84

HSL 343.2, 0.71%, 0.48%

LAB 46.37, 66.92, 17.69

 

Complementary color

CMYK 80 / 0 / 22 / 14

HEX #2DDCAB

RGB 45 220 171

HSL 163.2, 0.71%, 0.52%

LAB 78.86, -53.85, 12.09

 

CMYK 0 / 84 / 63 / 16

HEX #D7234F

RGB 215 35 79

HSL 345.33, 0.72%, 0.49%

LAB 47.25, 67.93, 22.12

 

CMYK 0 / 77 / 58 / 9

HEX #E83562

RGB 232 53 98

HSL 344.92, 0.8%, 0.56%

LAB 52.49, 69.06, 18.14

 

CMYK 0 / 71 / 53 / 2

HEX #F94775

RGB 249 71 117

HSL 344.49, 0.94%, 0.63%

LAB 57.97, 69.5, 14.83

 

CMYK 0 / 65 / 47 / 0

HEX #FF5988

RGB 255 89 136

HSL 343.01, 1%, 0.67%

LAB 61.81, 66.22, 9.25

 

CMYK 0 / 58 / 39 / 0

HEX #FF6B9B

RGB 255 107 155

HSL 340.54, 1%, 0.71%

LAB 65.08, 60.56, 2.99

 

CMYK 0 / 83 / 60 / 18

HEX #D22354

RGB 210 35 84

HSL 343.2, 0.71%, 0.48%

LAB 46.37, 66.92, 17.69

 

CMYK 0 / 91 / 66 / 24

HEX #C11141

RGB 193 17 65

HSL 343.64, 0.84%, 0.41%

LAB 41.41, 64.8, 22.36

 

CMYK 0 / 100 / 74 / 31

HEX #B0002E

RGB 176 0 46

HSL 344.32, 1%, 0.35%

LAB 36.79, 61.67, 27.83

 

CMYK 0 / 100 / 83 / 38

HEX #9F001B

RGB 159 0 27

HSL 349.81, 1%, 0.31%

LAB 32.81, 56.75, 34.06

 

CMYK 0 / 100 / 94 / 44

HEX #8E0008

RGB 142 0 8

HSL 356.62, 1%, 0.28%

LAB 28.82, 51.93, 38.92

 

CMYK 0 / 83 / 60 / 18

HEX #D12354

RGB 209 35 84

HSL 343.1, 0.71%, 0.48%

LAB 46.17, 66.65, 17.39

 

CMYK 0 / 83 / 82 / 18

HEX #D12325

RGB 209 35 37

HSL 359.31, 0.71%, 0.48%

LAB 45.48, 64.59, 44.36

 

CMYK 0 / 83 / 83 / 18

HEX #D12323

RGB 209 35 35

HSL 0, 0.71%, 0.48%

LAB 45.47, 64.54, 45.38

 

CMYK 0 / 83 / 60 / 18

HEX #D12354

RGB 209 35 84

HSL 343.1, 0.71%, 0.48%

LAB 46.17, 66.65, 17.39

 

CMYK 0 / 83 / 37 / 18

HEX #D12383

RGB 209 35 131

HSL 326.9, 0.71%, 0.48%

LAB 47.49, 70.48, -9.65

 

CMYK 0 / 83 / 15 / 18

HEX #D123B2

RGB 209 35 178

HSL 310.69, 0.71%, 0.48%

LAB 49.46, 75.99, -34.71

 

CMYK 7 / 83 / 0 / 18

HEX #C223D1

RGB 194 35 209

HSL 294.83, 0.71%, 0.48%

LAB 48.6, 77.71, -54.25

 

CMYK 30 / 83 / 0 / 18

HEX #9323D1

RGB 147 35 209

HSL 278.62, 0.71%, 0.48%

LAB 41.23, 69.97, -66.53

 

CMYK 0 / 83 / 60 / 18

HEX #D12354

RGB 209 35 84

HSL 343.1, 0.71%, 0.48%

LAB 46.17, 66.65, 17.39

 

CMYK 0 / 93 / 67 / 10

HEX #E5104B

RGB 229 16 75

HSL 343.38, 0.87%, 0.48%

LAB 48.93, 74.26, 27.28

 

CMYK 0 / 83 / 60 / 18

HEX #D12354

RGB 209 35 84

HSL 343.1, 0.71%, 0.48%

LAB 46.17, 66.65, 17.39

 

CMYK 0 / 71 / 51 / 26

HEX #BD375D

RGB 189 55 93

HSL 342.99, 0.55%, 0.48%

LAB 44.72, 55.74, 9.22

 

CMYK 0 / 56 / 40 / 33

HEX #AA4B66

RGB 170 75 102

HSL 342.95, 0.39%, 0.48%

LAB 44.99, 41.71, 3.63

 

CMYK 0 / 37 / 27 / 41

HEX #965F6E

RGB 150 95 110

HSL 343.64, 0.22%, 0.48%

LAB 46.7, 24.54, 0.9

 

CMYK 0 / 12 / 8 / 49

HEX #827377

RGB 130 115 119

HSL 344, 0.06%, 0.48%

LAB 49.9, 6.56, -0.08

 

CMYK 0 / 83 / 15 / 18

HEX #D123B1

RGB 209 35 177

HSL 311.03, 0.71%, 0.48%

LAB 49.41, 75.85, -34.2

 

CMYK 0 / 83 / 37 / 18

HEX #D12383

RGB 209 35 131

HSL 326.9, 0.71%, 0.48%

LAB 47.49, 70.48, -9.65

 

CMYK 0 / 83 / 59 / 18

HEX #D12355

RGB 209 35 85

HSL 342.76, 0.71%, 0.48%

LAB 46.2, 66.72, 16.8

 

CMYK 0 / 83 / 82 / 18

HEX #D12326

RGB 209 35 38

HSL 358.97, 0.71%, 0.48%

LAB 45.49, 64.62, 43.84

 

CMYK 0 / 62 / 83 / 18

HEX #D14F23

RGB 209 79 35

HSL 15.17, 0.71%, 0.48%

LAB 51, 49.33, 50.39

 

CMYK 0 / 83 / 60 / 45

HEX #8B1838

RGB 139 24 56

HSL 343.3, 0.71%, 0.32%

LAB 30.47, 48.35, 11.66

 

CMYK 0 / 83 / 60 / 32

HEX #AE1E46

RGB 174 30 70

HSL 343.33, 0.71%, 0.4%

LAB 38.5, 57.58, 14.64

 

CMYK 0 / 83 / 60 / 18

HEX #D12354

RGB 209 35 84

HSL 343.1, 0.71%, 0.48%

LAB 46.17, 66.65, 17.39

 

CMYK 0 / 71 / 52 / 13

HEX #DF406C

RGB 223 64 108

HSL 343.4, 0.71%, 0.56%

LAB 52.33, 63.77, 11.64

 

CMYK 0 / 57 / 41 / 10

HEX #E56387

RGB 229 99 135

HSL 343.38, 0.71%, 0.64%

LAB 59.28, 53.77, 5.67

 

CMYK 0 / 83 / 60 / 18

HEX #D22354

RGB 210 35 84

HSL 343.2, 0.71%, 0.48%

LAB 46.37, 66.92, 17.69

 

CMYK 0 / 7 / 83 / 18

HEX #D1C323

RGB 209 195 35

HSL 55.17, 0.71%, 0.48%

LAB 77.7, -11, 73.37

 

CMYK 83 / 26 / 0 / 18

HEX #239AD1

RGB 35 154 209

HSL 198.97, 0.71%, 0.48%

LAB 59.95, -12.43, -37

 

CMYK 0 / 83 / 60 / 18

HEX #D22354

RGB 210 35 84

HSL 343.2, 0.71%, 0.48%

LAB 46.37, 66.92, 17.69

 

CMYK 59 / 0 / 83 / 18

HEX #55D123

RGB 85 209 35

HSL 102.76, 0.71%, 0.48%

LAB 74.61, -62.47, 67.91

 

CMYK 83 / 59 / 0 / 18

HEX #2355D1

RGB 35 85 209

HSL 222.76, 0.71%, 0.48%

LAB 40.34, 30.03, -68.38

 

CMYK 0 / 83 / 60 / 18

HEX #D22354

RGB 210 35 84

HSL 343.2, 0.71%, 0.48%

LAB 46.37, 66.92, 17.69

 

CMYK 0 / 7 / 83 / 18

HEX #D1C323

RGB 209 195 35

HSL 55.17, 0.71%, 0.48%

LAB 77.7, -11, 73.37

 

CMYK 83 / 0 / 23 / 18

HEX #23D1A0

RGB 35 209 160

HSL 163.1, 0.71%, 0.48%

LAB 75.14, -53.01, 12.66

 

CMYK 83 / 76 / 0 / 18

HEX #2332D1

RGB 35 50 209

HSL 234.83, 0.71%, 0.48%

LAB 32.35, 51.45, -81.52

 

CMYK 0 / 83 / 60 / 18

HEX #D22354

RGB 210 35 84

HSL 343.2, 0.71%, 0.48%

LAB 46.37, 66.92, 17.69

 

CMYK 18 / 0 / 83 / 18

HEX #ACD123

RGB 172 209 35

HSL 72.76, 0.71%, 0.48%

LAB 78.75, -33.34, 73.14

 

CMYK 83 / 0 / 23 / 18

HEX #23D1A0

RGB 35 209 160

HSL 163.1, 0.71%, 0.48%

LAB 75.14, -53.01, 12.66

 

CMYK 65 / 83 / 0 / 18

HEX #4923D1

RGB 73 35 209

HSL 253.1, 0.71%, 0.48%

LAB 32.31, 61.12, -81.53

 

Description

Color code: HEX #D22354 | qconv.com Color code: HEX #D22354 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 35 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 35 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 60 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 60% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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