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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D222B6 it is the complementary color #2DDD49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D222B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D222B6 shade: #D722B1, #E834C4, #F946D7, #FF58EA and #FF6AFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D222B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D222B6 shade: #D222B6, #C110A3, #B00090, #9F007D and #8E006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D222B6 shade: #D322B6, #D32287, #D32257, #D32228 and #D32222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D222B6 shade: #D322B6, #BF22D3, #9022D3, #6022D3 and #3022D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D222B6 shade matches the following richer shades: #D322B6 and #E60EC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D222B6 shade: #D322B6, #BF36A9, #AB4A9B, #975E8E and #837180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D222B6 shade: #8F22D3, #BE22D3, #D322B8, #D32289 and #D3225A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D222B6 shade: #8C1779, #AF1C98, #D322B6, #E03EC6 and #E562D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D222B6 shade: #D222B6, #D36022 and #22D3A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D222B6 shade: #D222B6, #B8D322 and #22B8D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D222B6 shade: #D222B6, #D36022, #22D33D and #2295D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D222B6 shade: #D222B6, #D39522, #22D33D and #2260D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 13 / 18

HEX #D222B6

RGB 210 34 182

HSL 309.55, 0.72%, 0.48%

LAB 49.77, 76.93, -36.57

 

Complementary color

CMYK 80 / 0 / 67 / 13

HEX #2DDD49

RGB 45 221 73

HSL 129.55, 0.72%, 0.52%

LAB 77.73, -70.75, 58.3

 

CMYK 0 / 84 / 18 / 16

HEX #D722B1

RGB 215 34 177

HSL 312.6, 0.73%, 0.49%

LAB 50.41, 77.28, -32.56

 

CMYK 0 / 78 / 16 / 9

HEX #E834C4

RGB 232 52 196

HSL 312, 0.8%, 0.56%

LAB 55.68, 79.19, -35.14

 

CMYK 0 / 72 / 14 / 2

HEX #F946D7

RGB 249 70 215

HSL 311.4, 0.94%, 0.63%

LAB 61.16, 80.32, -37.21

 

CMYK 0 / 65 / 8 / 0

HEX #FF58EA

RGB 255 88 234

HSL 307.54, 1%, 0.67%

LAB 65.11, 78.33, -41.61

 

CMYK 0 / 58 / 1 / 0

HEX #FF6AFD

RGB 255 106 253

HSL 300.81, 1%, 0.71%

LAB 68.5, 74.29, -46.75

 

CMYK 0 / 84 / 13 / 18

HEX #D222B6

RGB 210 34 182

HSL 309.55, 0.72%, 0.48%

LAB 49.77, 76.93, -36.57

 

CMYK 0 / 92 / 16 / 24

HEX #C110A3

RGB 193 16 163

HSL 310.17, 0.85%, 0.41%

LAB 44.73, 74, -33.46

 

CMYK 0 / 100 / 18 / 31

HEX #B00090

RGB 176 0 144

HSL 310.91, 1%, 0.35%

LAB 39.99, 69.97, -29.66

 

CMYK 0 / 100 / 21 / 38

HEX #9F007D

RGB 159 0 125

HSL 312.83, 1%, 0.31%

LAB 35.7, 64.3, -24.86

 

CMYK 0 / 100 / 25 / 44

HEX #8E006A

RGB 142 0 106

HSL 315.21, 1%, 0.28%

LAB 31.33, 58.52, -19.88

 

CMYK 0 / 84 / 14 / 17

HEX #D322B6

RGB 211 34 182

HSL 309.83, 0.72%, 0.48%

LAB 49.94, 77.13, -36.28

 

CMYK 0 / 84 / 36 / 17

HEX #D32287

RGB 211 34 135

HSL 325.76, 0.72%, 0.48%

LAB 47.93, 71.57, -11.38

 

CMYK 0 / 84 / 59 / 17

HEX #D32257

RGB 211 34 87

HSL 342.03, 0.72%, 0.48%

LAB 46.55, 67.58, 16.12

 

CMYK 0 / 84 / 81 / 17

HEX #D32228

RGB 211 34 40

HSL 357.97, 0.72%, 0.48%

LAB 45.83, 65.45, 43.23

 

CMYK 0 / 84 / 84 / 17

HEX #D32222

RGB 211 34 34

HSL 0, 0.72%, 0.48%

LAB 45.78, 65.3, 46.33

 

CMYK 0 / 84 / 14 / 17

HEX #D322B6

RGB 211 34 182

HSL 309.83, 0.72%, 0.48%

LAB 49.94, 77.13, -36.28

 

CMYK 9 / 84 / 0 / 17

HEX #BF22D3

RGB 191 34 211

HSL 293.22, 0.72%, 0.48%

LAB 48.16, 77.73, -56.13

 

CMYK 32 / 84 / 0 / 17

HEX #9022D3

RGB 144 34 211

HSL 277.29, 0.72%, 0.48%

LAB 40.86, 70.21, -68.31

 

CMYK 55 / 84 / 0 / 17

HEX #6022D3

RGB 96 34 211

HSL 261.02, 0.72%, 0.48%

LAB 34.67, 64.16, -78.71

 

CMYK 77 / 84 / 0 / 17

HEX #3022D3

RGB 48 34 211

HSL 244.75, 0.72%, 0.48%

LAB 30.58, 60.41, -85.6

 

CMYK 0 / 84 / 14 / 17

HEX #D322B6

RGB 211 34 182

HSL 309.83, 0.72%, 0.48%

LAB 49.94, 77.13, -36.28

 

CMYK 0 / 94 / 15 / 10

HEX #E60EC4

RGB 230 14 196

HSL 309.44, 0.89%, 0.48%

LAB 53.08, 85.33, -39.25

 

CMYK 0 / 84 / 14 / 17

HEX #D322B6

RGB 211 34 182

HSL 309.83, 0.72%, 0.48%

LAB 49.94, 77.13, -36.28

 

CMYK 0 / 72 / 12 / 25

HEX #BF36A9

RGB 191 54 169

HSL 309.64, 0.56%, 0.48%

LAB 47.73, 65.63, -32.35

 

CMYK 0 / 57 / 9 / 33

HEX #AB4A9B

RGB 171 74 155

HSL 309.9, 0.4%, 0.48%

LAB 46.87, 50.04, -25.61

 

CMYK 0 / 38 / 6 / 41

HEX #975E8E

RGB 151 94 142

HSL 309.47, 0.23%, 0.48%

LAB 47.67, 30.9, -16.86

 

CMYK 0 / 14 / 2 / 49

HEX #837180

RGB 131 113 128

HSL 310, 0.07%, 0.48%

LAB 49.73, 9.86, -5.65

 

CMYK 32 / 84 / 0 / 17

HEX #8F22D3

RGB 143 34 211

HSL 276.95, 0.72%, 0.48%

LAB 40.71, 70.06, -68.55

 

CMYK 10 / 84 / 0 / 17

HEX #BE22D3

RGB 190 34 211

HSL 292.88, 0.72%, 0.48%

LAB 48, 77.55, -56.4

 

CMYK 0 / 84 / 13 / 17

HEX #D322B8

RGB 211 34 184

HSL 309.15, 0.72%, 0.48%

LAB 50.04, 77.39, -37.29

 

CMYK 0 / 84 / 35 / 17

HEX #D32289

RGB 211 34 137

HSL 325.08, 0.72%, 0.48%

LAB 48.01, 71.77, -12.48

 

CMYK 0 / 84 / 57 / 17

HEX #D3225A

RGB 211 34 90

HSL 341.02, 0.72%, 0.48%

LAB 46.62, 67.78, 14.35

 

CMYK 0 / 84 / 14 / 45

HEX #8C1779

RGB 140 23 121

HSL 309.74, 0.72%, 0.32%

LAB 33.07, 56.11, -26.73

 

CMYK 0 / 84 / 13 / 31

HEX #AF1C98

RGB 175 28 152

HSL 309.39, 0.72%, 0.4%

LAB 41.55, 66.92, -32.08

 

CMYK 0 / 84 / 14 / 17

HEX #D322B6

RGB 211 34 182

HSL 309.83, 0.72%, 0.48%

LAB 49.94, 77.13, -36.28

 

CMYK 0 / 72 / 12 / 12

HEX #E03EC6

RGB 224 62 198

HSL 309.63, 0.72%, 0.56%

LAB 55.45, 74.83, -36.75

 

CMYK 0 / 57 / 9 / 10

HEX #E562D0

RGB 229 98 208

HSL 309.62, 0.72%, 0.64%

LAB 61.61, 63.83, -32.78

 

CMYK 0 / 84 / 13 / 18

HEX #D222B6

RGB 210 34 182

HSL 309.55, 0.72%, 0.48%

LAB 49.77, 76.93, -36.57

 

CMYK 0 / 55 / 84 / 17

HEX #D36022

RGB 211 96 34

HSL 21.02, 0.72%, 0.48%

LAB 54.38, 42.07, 53.91

 

CMYK 84 / 0 / 21 / 17

HEX #22D3A6

RGB 34 211 166

HSL 164.75, 0.72%, 0.48%

LAB 75.87, -52.44, 10.49

 

CMYK 0 / 84 / 13 / 18

HEX #D222B6

RGB 210 34 182

HSL 309.55, 0.72%, 0.48%

LAB 49.77, 76.93, -36.57

 

CMYK 13 / 0 / 84 / 17

HEX #B8D322

RGB 184 211 34

HSL 69.15, 0.72%, 0.48%

LAB 80.12, -29.44, 74.86

 

CMYK 84 / 13 / 0 / 17

HEX #22B8D3

RGB 34 184 211

HSL 189.15, 0.72%, 0.48%

LAB 68.99, -27.56, -24.14

 

CMYK 0 / 84 / 13 / 18

HEX #D222B6

RGB 210 34 182

HSL 309.55, 0.72%, 0.48%

LAB 49.77, 76.93, -36.57

 

CMYK 0 / 55 / 84 / 17

HEX #D36022

RGB 211 96 34

HSL 21.02, 0.72%, 0.48%

LAB 54.38, 42.07, 53.91

 

CMYK 84 / 0 / 71 / 17

HEX #22D33D

RGB 34 211 61

HSL 129.15, 0.72%, 0.48%

LAB 74.36, -69.99, 59.29

 

CMYK 84 / 29 / 0 / 17

HEX #2295D3

RGB 34 149 211

HSL 201.02, 0.72%, 0.48%

LAB 58.54, -8.99, -40.33

 

CMYK 0 / 84 / 13 / 18

HEX #D222B6

RGB 210 34 182

HSL 309.55, 0.72%, 0.48%

LAB 49.77, 76.93, -36.57

 

CMYK 0 / 29 / 84 / 17

HEX #D39522

RGB 211 149 34

HSL 38.98, 0.72%, 0.48%

LAB 66.1, 14.12, 63.96

 

CMYK 84 / 0 / 71 / 17

HEX #22D33D

RGB 34 211 61

HSL 129.15, 0.72%, 0.48%

LAB 74.36, -69.99, 59.29

 

CMYK 84 / 55 / 0 / 17

HEX #2260D3

RGB 34 96 211

HSL 218.98, 0.72%, 0.48%

LAB 43.37, 23.57, -64.59

 

Description

Color code: HEX #D222B6 | qconv.com Color code: HEX #D222B6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 34 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 34 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 13 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 13% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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