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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D21DDB it is the complementary color #2DE224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D21DDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D21DDB shade: #D71DD6, #E82FE9, #F941FC, #FF53FF and #FF65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D21DDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D21DDB shade: #D21DDB, #C10BC8, #B000B5, #9F00A2 and #8E008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D21DDB shade: #D41DDD, #DD1DB2, #DD1D7E, #DD1D4B and #DD1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D21DDB shade: #D41DDD, #A01DDD, #6C1DDD, #381DDD and #1D1DDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D21DDB shade matches the following richer shades: #D41DDD and #E609F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D21DDB shade: #D41DDD, #C231C9, #AF45B5, #9D59A1 and #8B6E8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D21DDB shade: #6D1DDD, #A01DDD, #D41DDD, #DD1DB3 and #DD1D80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D21DDB shade: #8E1394, #B118B9, #D41DDD, #DE3DE6 and #E462EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D21DDB shade: #D21DDB, #DD3A1D and #1DDD87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D21DDB shade: #D21DDB, #DDD41D and #1DDDD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D21DDB shade: #D21DDB, #DD3A1D, #26DD1D and #1DC0DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D21DDB shade: #D21DDB, #DD731D, #26DD1D and #1D87DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 87 / 0 / 14

HEX #D21DDB

RGB 210 29 219

HSL 297.16, 0.77%, 0.49%

LAB 51.49, 83.17, -55.19

 

Complementary color

CMYK 80 / 0 / 84 / 11

HEX #2DE224

RGB 45 226 36

HSL 117.16, 0.77%, 0.51%

LAB 79.09, -74.81, 71.38

 

CMYK 0 / 87 / 0 / 16

HEX #D71DD6

RGB 215 29 214

HSL 300.32, 0.76%, 0.48%

LAB 52.04, 83.28, -51.41

 

CMYK 0 / 80 / 0 / 9

HEX #E82FE9

RGB 232 47 233

HSL 299.68, 0.81%, 0.55%

LAB 57.15, 85.64, -53.87

 

CMYK 1 / 74 / 0 / 1

HEX #F941FC

RGB 249 65 252

HSL 299.04, 0.97%, 0.62%

LAB 62.46, 87.17, -55.82

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 4 / 87 / 0 / 14

HEX #D21DDB

RGB 210 29 219

HSL 297.16, 0.77%, 0.49%

LAB 51.49, 83.17, -55.19

 

CMYK 4 / 95 / 0 / 22

HEX #C10BC8

RGB 193 11 200

HSL 297.78, 0.9%, 0.41%

LAB 46.64, 79.77, -52.21

 

CMYK 3 / 100 / 0 / 29

HEX #B000B5

RGB 176 0 181

HSL 298.34, 1%, 0.35%

LAB 42.1, 75.15, -48.53

 

CMYK 2 / 100 / 0 / 36

HEX #9F00A2

RGB 159 0 162

HSL 298.89, 1%, 0.32%

LAB 37.81, 69.48, -44.25

 

CMYK 1 / 100 / 0 / 44

HEX #8E008F

RGB 142 0 143

HSL 299.58, 1%, 0.28%

LAB 33.42, 63.7, -39.86

 

CMYK 4 / 87 / 0 / 13

HEX #D41DDD

RGB 212 29 221

HSL 297.19, 0.77%, 0.49%

LAB 51.95, 83.82, -55.58

 

CMYK 0 / 87 / 19 / 13

HEX #DD1DB2

RGB 221 29 178

HSL 313.44, 0.77%, 0.49%

LAB 51.23, 79.52, -31.8

 

CMYK 0 / 87 / 43 / 13

HEX #DD1D7E

RGB 221 29 126

HSL 329.69, 0.77%, 0.49%

LAB 49.2, 73.98, -3.82

 

CMYK 0 / 87 / 66 / 13

HEX #DD1D4B

RGB 221 29 75

HSL 345.63, 0.77%, 0.49%

LAB 47.95, 70.45, 25.71

 

CMYK 0 / 87 / 87 / 13

HEX #DD1D1D

RGB 221 29 29

HSL 0, 0.77%, 0.49%

LAB 47.42, 68.89, 50.95

 

CMYK 4 / 87 / 0 / 13

HEX #D41DDD

RGB 212 29 221

HSL 297.19, 0.77%, 0.49%

LAB 51.95, 83.82, -55.58

 

CMYK 28 / 87 / 0 / 13

HEX #A01DDD

RGB 160 29 221

HSL 280.94, 0.77%, 0.49%

LAB 43.61, 75.69, -69.46

 

CMYK 51 / 87 / 0 / 13

HEX #6C1DDD

RGB 108 29 221

HSL 264.69, 0.77%, 0.49%

LAB 36.53, 69.34, -81.35

 

CMYK 75 / 87 / 0 / 13

HEX #381DDD

RGB 56 29 221

HSL 248.44, 0.77%, 0.49%

LAB 31.67, 65.46, -89.56

 

CMYK 87 / 87 / 0 / 13

HEX #1D1DDD

RGB 29 29 221

HSL 240, 0.77%, 0.49%

LAB 30.3, 64.45, -91.87

 

CMYK 4 / 87 / 0 / 13

HEX #D41DDD

RGB 212 29 221

HSL 297.19, 0.77%, 0.49%

LAB 51.95, 83.82, -55.58

 

CMYK 5 / 96 / 0 / 5

HEX #E609F1

RGB 230 9 241

HSL 297.16, 0.93%, 0.49%

LAB 55.45, 91.87, -61.09

 

CMYK 4 / 87 / 0 / 13

HEX #D41DDD

RGB 212 29 221

HSL 297.19, 0.77%, 0.49%

LAB 51.95, 83.82, -55.58

 

CMYK 3 / 76 / 0 / 21

HEX #C231C9

RGB 194 49 201

HSL 297.24, 0.61%, 0.49%

LAB 49.35, 72.85, -48.44

 

CMYK 3 / 62 / 0 / 29

HEX #AF45B5

RGB 175 69 181

HSL 296.79, 0.45%, 0.49%

LAB 47.89, 57.9, -39.33

 

CMYK 2 / 45 / 0 / 37

HEX #9D59A1

RGB 157 89 161

HSL 296.67, 0.29%, 0.49%

LAB 48.12, 39.27, -27.39

 

CMYK 1 / 21 / 0 / 45

HEX #8B6E8C

RGB 139 110 140

HSL 298, 0.12%, 0.49%

LAB 50.14, 16.99, -12.06

 

CMYK 51 / 87 / 0 / 13

HEX #6D1DDD

RGB 109 29 221

HSL 265, 0.77%, 0.49%

LAB 36.65, 69.45, -81.15

 

CMYK 28 / 87 / 0 / 13

HEX #A01DDD

RGB 160 29 221

HSL 280.94, 0.77%, 0.49%

LAB 43.61, 75.69, -69.46

 

CMYK 4 / 87 / 0 / 13

HEX #D41DDD

RGB 212 29 221

HSL 297.19, 0.77%, 0.49%

LAB 51.95, 83.82, -55.58

 

CMYK 0 / 87 / 19 / 13

HEX #DD1DB3

RGB 221 29 179

HSL 313.13, 0.77%, 0.49%

LAB 51.27, 79.64, -32.31

 

CMYK 0 / 87 / 42 / 13

HEX #DD1D80

RGB 221 29 128

HSL 329.06, 0.77%, 0.49%

LAB 49.26, 74.16, -4.94

 

CMYK 4 / 87 / 0 / 42

HEX #8E1394

RGB 142 19 148

HSL 297.21, 0.77%, 0.33%

LAB 34.71, 61.65, -40.87

 

CMYK 4 / 87 / 0 / 27

HEX #B118B9

RGB 177 24 185

HSL 297.02, 0.77%, 0.41%

LAB 43.51, 73.04, -48.62

 

CMYK 4 / 87 / 0 / 13

HEX #D41DDD

RGB 212 29 221

HSL 297.19, 0.77%, 0.49%

LAB 51.95, 83.82, -55.58

 

CMYK 3 / 73 / 0 / 10

HEX #DE3DE6

RGB 222 61 230

HSL 297.16, 0.77%, 0.57%

LAB 56.66, 79.57, -53.04

 

CMYK 3 / 58 / 0 / 8

HEX #E462EB

RGB 228 98 235

HSL 296.93, 0.77%, 0.65%

LAB 62.7, 68.03, -46.21

 

CMYK 4 / 87 / 0 / 14

HEX #D21DDB

RGB 210 29 219

HSL 297.16, 0.77%, 0.49%

LAB 51.49, 83.17, -55.19

 

CMYK 0 / 74 / 87 / 13

HEX #DD3A1D

RGB 221 58 29

HSL 9.06, 0.77%, 0.49%

LAB 50.08, 61.38, 53.08

 

CMYK 87 / 0 / 39 / 13

HEX #1DDD87

RGB 29 221 135

HSL 153.13, 0.77%, 0.49%

LAB 78.3, -63.27, 30.07

 

CMYK 4 / 87 / 0 / 14

HEX #D21DDB

RGB 210 29 219

HSL 297.16, 0.77%, 0.49%

LAB 51.49, 83.17, -55.19

 

CMYK 0 / 4 / 87 / 13

HEX #DDD41D

RGB 221 212 29

HSL 57.19, 0.77%, 0.49%

LAB 83.2, -14.55, 79.59

 

CMYK 87 / 0 / 4 / 13

HEX #1DDDD4

RGB 29 221 212

HSL 177.19, 0.77%, 0.49%

LAB 80.03, -44.77, -8.05

 

CMYK 4 / 87 / 0 / 14

HEX #D21DDB

RGB 210 29 219

HSL 297.16, 0.77%, 0.49%

LAB 51.49, 83.17, -55.19

 

CMYK 0 / 74 / 87 / 13

HEX #DD3A1D

RGB 221 58 29

HSL 9.06, 0.77%, 0.49%

LAB 50.08, 61.38, 53.08

 

CMYK 83 / 0 / 87 / 13

HEX #26DD1D

RGB 38 221 29

HSL 117.19, 0.77%, 0.49%

LAB 77.41, -74.44, 71.35

 

CMYK 87 / 13 / 0 / 13

HEX #1DC0DD

RGB 29 192 221

HSL 189.06, 0.77%, 0.49%

LAB 71.68, -28.62, -25.49

 

CMYK 4 / 87 / 0 / 14

HEX #D21DDB

RGB 210 29 219

HSL 297.16, 0.77%, 0.49%

LAB 51.49, 83.17, -55.19

 

CMYK 0 / 48 / 87 / 13

HEX #DD731D

RGB 221 115 29

HSL 26.88, 0.77%, 0.49%

LAB 59.64, 36.31, 60.72

 

CMYK 83 / 0 / 87 / 13

HEX #26DD1D

RGB 38 221 29

HSL 117.19, 0.77%, 0.49%

LAB 77.41, -74.44, 71.35

 

CMYK 87 / 39 / 0 / 13

HEX #1D87DD

RGB 29 135 221

HSL 206.88, 0.77%, 0.49%

LAB 54.88, 2.52, -51.75

 

Description

Color code: HEX #D21DDB | qconv.com Color code: HEX #D21DDB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 29 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 29 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 87 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 87% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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