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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D218A5 it is the complementary color #2DE75A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D218A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D218A5 shade: #D718A0, #E82AB3, #F93CC6, #FF4ED9 and #FF60EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D218A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D218A5 shade: #D218A5, #C10692, #B0007F, #9F006C and #8E0059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D218A5 shade: #D219A5, #D21973, #D21941 and #D21919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D218A5 shade: #D219A5, #CD19D2, #9B19D2, #6919D2 and #3719D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D218A5 shade matches the following richer shades: #D219A5 and #E506AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D218A5 shade: #D219A5, #BF2C9B, #AC3F92, #995288 and #86657E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D218A5 shade: #9A19D2, #CC19D2, #D219A7, #D21975 and #D21944

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D218A5 shade: #88106B, #AD1488, #D219A5, #E62DBA and #EB52C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D218A5 shade: #D218A5, #D26919 and #19D2B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D218A5 shade: #D218A5, #A7D219 and #19A7D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D218A5 shade: #D218A5, #D26919, #19D244 and #1982D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D218A5 shade: #D218A5, #D2A119, #19D244 and #194AD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 21 / 18

HEX #D218A5

RGB 210 24 165

HSL 314.52, 0.79%, 0.46%

LAB 48.35, 76.51, -28.76

 

Complementary color

CMYK 81 / 0 / 61 / 9

HEX #2DE75A

RGB 45 231 90

HSL 134.52, 0.79%, 0.54%

LAB 80.99, -72.02, 54.88

 

CMYK 0 / 89 / 26 / 16

HEX #D718A0

RGB 215 24 160

HSL 317.28, 0.8%, 0.47%

LAB 49.05, 76.93, -24.62

 

CMYK 0 / 82 / 23 / 9

HEX #E82AB3

RGB 232 42 179

HSL 316.74, 0.81%, 0.54%

LAB 54.1, 79.43, -27.76

 

CMYK 0 / 76 / 20 / 2

HEX #F93CC6

RGB 249 60 198

HSL 316.19, 0.94%, 0.61%

LAB 59.39, 81.02, -30.3

 

CMYK 0 / 69 / 15 / 0

HEX #FF4ED9

RGB 255 78 217

HSL 312.88, 1%, 0.65%

LAB 63.11, 79.39, -35.22

 

CMYK 0 / 62 / 7 / 0

HEX #FF60EC

RGB 255 96 236

HSL 307.17, 1%, 0.69%

LAB 66.28, 75.62, -40.88

 

CMYK 0 / 89 / 21 / 18

HEX #D218A5

RGB 210 24 165

HSL 314.52, 0.79%, 0.46%

LAB 48.35, 76.51, -28.76

 

CMYK 0 / 97 / 24 / 24

HEX #C10692

RGB 193 6 146

HSL 315.08, 0.94%, 0.39%

LAB 43.57, 72.91, -25.04

 

CMYK 0 / 100 / 28 / 31

HEX #B0007F

RGB 176 0 127

HSL 316.7, 1%, 0.35%

LAB 39.18, 67.93, -20.44

 

CMYK 0 / 100 / 32 / 38

HEX #9F006C

RGB 159 0 108

HSL 319.25, 1%, 0.31%

LAB 34.91, 62.3, -15.34

 

CMYK 0 / 100 / 37 / 44

HEX #8E0059

RGB 142 0 89

HSL 322.39, 1%, 0.28%

LAB 30.57, 56.59, -9.99

 

CMYK 0 / 88 / 21 / 18

HEX #D219A5

RGB 210 25 165

HSL 314.59, 0.79%, 0.46%

LAB 48.4, 76.35, -28.68

 

CMYK 0 / 88 / 45 / 18

HEX #D21973

RGB 210 25 115

HSL 330.81, 0.79%, 0.46%

LAB 46.49, 71.15, -1.32

 

CMYK 0 / 88 / 69 / 18

HEX #D21941

RGB 210 25 65

HSL 347.03, 0.79%, 0.46%

LAB 45.33, 67.87, 28.04

 

CMYK 0 / 88 / 88 / 18

HEX #D21919

RGB 210 25 25

HSL 0, 0.79%, 0.46%

LAB 44.9, 66.61, 49.84

 

CMYK 0 / 88 / 21 / 18

HEX #D219A5

RGB 210 25 165

HSL 314.59, 0.79%, 0.46%

LAB 48.4, 76.35, -28.68

 

CMYK 2 / 88 / 0 / 18

HEX #CD19D2

RGB 205 25 210

HSL 298.38, 0.79%, 0.46%

LAB 49.89, 81.59, -52.66

 

CMYK 26 / 88 / 0 / 18

HEX #9B19D2

RGB 155 25 210

HSL 282.16, 0.79%, 0.46%

LAB 41.72, 73.7, -66.27

 

CMYK 50 / 88 / 0 / 18

HEX #6919D2

RGB 105 25 210

HSL 265.95, 0.79%, 0.46%

LAB 34.7, 67.54, -78.03

 

CMYK 74 / 88 / 0 / 18

HEX #3719D2

RGB 55 25 210

HSL 249.73, 0.79%, 0.46%

LAB 29.81, 63.76, -86.29

 

CMYK 0 / 88 / 21 / 18

HEX #D219A5

RGB 210 25 165

HSL 314.59, 0.79%, 0.46%

LAB 48.4, 76.35, -28.68

 

CMYK 0 / 97 / 24 / 10

HEX #E506AF

RGB 229 6 175

HSL 314.53, 0.95%, 0.46%

LAB 51.71, 83.22, -29.18

 

CMYK 0 / 88 / 21 / 18

HEX #D219A5

RGB 210 25 165

HSL 314.59, 0.79%, 0.46%

LAB 48.4, 76.35, -28.68

 

CMYK 0 / 77 / 19 / 25

HEX #BF2C9B

RGB 191 44 155

HSL 314.69, 0.63%, 0.46%

LAB 45.97, 66.79, -26.77

 

CMYK 0 / 63 / 15 / 33

HEX #AC3F92

RGB 172 63 146

HSL 314.31, 0.46%, 0.46%

LAB 44.8, 53.86, -23.42

 

CMYK 0 / 46 / 11 / 40

HEX #995288

RGB 153 82 136

HSL 314.37, 0.3%, 0.46%

LAB 45.06, 37.14, -17.23

 

CMYK 0 / 25 / 6 / 47

HEX #86657E

RGB 134 101 126

HSL 314.55, 0.14%, 0.46%

LAB 46.82, 17.69, -8.77

 

CMYK 27 / 88 / 0 / 18

HEX #9A19D2

RGB 154 25 210

HSL 281.84, 0.79%, 0.46%

LAB 41.56, 73.56, -66.52

 

CMYK 3 / 88 / 0 / 18

HEX #CC19D2

RGB 204 25 210

HSL 298.05, 0.79%, 0.46%

LAB 49.72, 81.42, -52.94

 

CMYK 0 / 88 / 20 / 18

HEX #D219A7

RGB 210 25 167

HSL 313.95, 0.79%, 0.46%

LAB 48.49, 76.6, -29.72

 

CMYK 0 / 88 / 44 / 18

HEX #D21975

RGB 210 25 117

HSL 330.16, 0.79%, 0.46%

LAB 46.55, 71.32, -2.46

 

CMYK 0 / 88 / 68 / 18

HEX #D21944

RGB 210 25 68

HSL 346.05, 0.79%, 0.46%

LAB 45.38, 68.01, 26.27

 

CMYK 0 / 88 / 21 / 47

HEX #88106B

RGB 136 16 107

HSL 314.5, 0.79%, 0.3%

LAB 31.03, 54.83, -21.07

 

CMYK 0 / 88 / 21 / 32

HEX #AD1488

RGB 173 20 136

HSL 314.51, 0.79%, 0.38%

LAB 39.85, 65.92, -25

 

CMYK 0 / 88 / 21 / 18

HEX #D219A5

RGB 210 25 165

HSL 314.59, 0.79%, 0.46%

LAB 48.4, 76.35, -28.68

 

CMYK 0 / 80 / 19 / 10

HEX #E62DBA

RGB 230 45 186

HSL 314.27, 0.79%, 0.54%

LAB 54.29, 79.19, -31.57

 

CMYK 0 / 65 / 16 / 8

HEX #EB52C6

RGB 235 82 198

HSL 314.51, 0.79%, 0.62%

LAB 59.68, 70.48, -30.02

 

CMYK 0 / 89 / 21 / 18

HEX #D218A5

RGB 210 24 165

HSL 314.52, 0.79%, 0.46%

LAB 48.35, 76.51, -28.76

 

CMYK 0 / 50 / 88 / 18

HEX #D26919

RGB 210 105 25

HSL 25.95, 0.79%, 0.46%

LAB 55.96, 36.95, 58.42

 

CMYK 88 / 0 / 15 / 18

HEX #19D2B3

RGB 25 210 179

HSL 169.95, 0.79%, 0.46%

LAB 75.8, -49.35, 3.41

 

CMYK 0 / 89 / 21 / 18

HEX #D218A5

RGB 210 24 165

HSL 314.52, 0.79%, 0.46%

LAB 48.35, 76.51, -28.76

 

CMYK 20 / 0 / 88 / 18

HEX #A7D219

RGB 167 210 25

HSL 73.95, 0.79%, 0.46%

LAB 78.68, -36.06, 75

 

CMYK 88 / 20 / 0 / 18

HEX #19A7D2

RGB 25 167 210

HSL 193.95, 0.79%, 0.46%

LAB 63.75, -19.8, -31.66

 

CMYK 0 / 89 / 21 / 18

HEX #D218A5

RGB 210 24 165

HSL 314.52, 0.79%, 0.46%

LAB 48.35, 76.51, -28.76

 

CMYK 0 / 50 / 88 / 18

HEX #D26919

RGB 210 105 25

HSL 25.95, 0.79%, 0.46%

LAB 55.96, 36.95, 58.42

 

CMYK 88 / 0 / 68 / 18

HEX #19D244

RGB 25 210 68

HSL 133.95, 0.79%, 0.46%

LAB 74.01, -69.8, 56.21

 

CMYK 88 / 38 / 0 / 18

HEX #1982D2

RGB 25 130 210

HSL 205.95, 0.79%, 0.46%

LAB 52.76, 1.11, -48.93

 

CMYK 0 / 89 / 21 / 18

HEX #D218A5

RGB 210 24 165

HSL 314.52, 0.79%, 0.46%

LAB 48.35, 76.51, -28.76

 

CMYK 0 / 23 / 88 / 18

HEX #D2A119

RGB 210 161 25

HSL 44.11, 0.79%, 0.46%

LAB 68.94, 7, 68.62

 

CMYK 88 / 0 / 68 / 18

HEX #19D244

RGB 25 210 68

HSL 133.95, 0.79%, 0.46%

LAB 74.01, -69.8, 56.21

 

CMYK 88 / 65 / 0 / 18

HEX #194AD2

RGB 25 74 210

HSL 224.11, 0.79%, 0.46%

LAB 37.4, 36.87, -73.78

 

Description

Color code: HEX #D218A5 | qconv.com Color code: HEX #D218A5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 24 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 24 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 21 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 21% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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