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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D214EF it is the complementary color #2DEB10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D214EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D214EF shade: #D714EA, #E826FD, #F938FF, #FF4AFF and #FF5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D214EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D214EF shade: #D214EF, #C102DC, #B000C9, #9F00B6 and #8E00A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D214EF shade: #D215EF, #EF15D1, #EF1596, #EF155C and #EF1521

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D214EF shade: #D215EF, #9715EF, #5D15EF, #2215EF and #1515EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D214EF shade matches the following richer shades: #D215EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D214EF shade: #D215EF, #C32ADB, #B43EC6, #A552B2 and #97669E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D214EF shade: #5E15EF, #9815EF, #D215EF, #EF15D2 and #EF1598

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D214EF shade: #920CA6, #B30ECD, #D215EF, #D93CF1 and #E162F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D214EF shade: #D214EF, #EF2415 and #15EF7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D214EF shade: #D214EF, #EFD215 and #15EFD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D214EF shade: #D214EF, #EF2415, #32EF15 and #15E0EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D214EF shade: #D214EF, #EF6515, #32EF15 and #159FEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 92 / 0 / 6

HEX #D214EF

RGB 210 20 239

HSL 292.05, 0.87%, 0.51%

LAB 52.32, 87.57, -65.17

 

Complementary color

CMYK 81 / 0 / 93 / 8

HEX #2DEB10

RGB 45 235 16

HSL 112.05, 0.87%, 0.49%

LAB 81.84, -78, 77.14

 

CMYK 8 / 91 / 0 / 8

HEX #D714EA

RGB 215 20 234

HSL 294.67, 0.84%, 0.5%

LAB 52.83, 87.54, -61.5

 

CMYK 8 / 85 / 0 / 1

HEX #E826FD

RGB 232 38 253

HSL 294.14, 0.98%, 0.57%

LAB 57.69, 90.53, -64.16

 

CMYK 2 / 78 / 0 / 0

HEX #F938FF

RGB 249 56 255

HSL 298.19, 1%, 0.61%

LAB 61.82, 89.97, -58.51

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 12 / 92 / 0 / 6

HEX #D214EF

RGB 210 20 239

HSL 292.05, 0.87%, 0.51%

LAB 52.32, 87.57, -65.17

 

CMYK 12 / 99 / 0 / 14

HEX #C102DC

RGB 193 2 220

HSL 292.57, 0.98%, 0.44%

LAB 47.69, 83.64, -62.04

 

CMYK 12 / 100 / 0 / 21

HEX #B000C9

RGB 176 0 201

HSL 292.54, 1%, 0.39%

LAB 43.43, 78.29, -58.11

 

CMYK 13 / 100 / 0 / 29

HEX #9F00B6

RGB 159 0 182

HSL 292.42, 1%, 0.36%

LAB 39.15, 72.68, -54.03

 

CMYK 13 / 100 / 0 / 36

HEX #8E00A3

RGB 142 0 163

HSL 292.27, 1%, 0.32%

LAB 34.79, 66.95, -49.87

 

CMYK 12 / 91 / 0 / 6

HEX #D215EF

RGB 210 21 239

HSL 292.02, 0.87%, 0.51%

LAB 52.36, 87.45, -65.1

 

CMYK 0 / 91 / 13 / 6

HEX #EF15D1

RGB 239 21 209

HSL 308.26, 0.87%, 0.51%

LAB 55.57, 87.92, -42.69

 

CMYK 0 / 91 / 37 / 6

HEX #EF1596

RGB 239 21 150

HSL 324.5, 0.87%, 0.51%

LAB 53.05, 81.31, -12.16

 

CMYK 0 / 91 / 62 / 6

HEX #EF155C

RGB 239 21 92

HSL 340.46, 0.87%, 0.51%

LAB 51.45, 76.95, 20.6

 

CMYK 0 / 91 / 86 / 6

HEX #EF1521

RGB 239 21 33

HSL 356.7, 0.87%, 0.51%

LAB 50.68, 74.8, 53.25

 

CMYK 12 / 91 / 0 / 6

HEX #D215EF

RGB 210 21 239

HSL 292.02, 0.87%, 0.51%

LAB 52.36, 87.45, -65.1

 

CMYK 37 / 91 / 0 / 6

HEX #9715EF

RGB 151 21 239

HSL 275.78, 0.87%, 0.51%

LAB 43.28, 79.57, -80.29

 

CMYK 61 / 91 / 0 / 6

HEX #5D15EF

RGB 93 21 239

HSL 259.82, 0.87%, 0.51%

LAB 36.17, 74.32, -92.27

 

CMYK 86 / 91 / 0 / 6

HEX #2215EF

RGB 34 21 239

HSL 243.58, 0.87%, 0.51%

LAB 32.05, 71.85, -99.23

 

CMYK 91 / 91 / 0 / 6

HEX #1515EF

RGB 21 21 239

HSL 240, 0.87%, 0.51%

LAB 31.64, 71.63, -99.93

 

CMYK 12 / 91 / 0 / 6

HEX #D215EF

RGB 210 21 239

HSL 292.02, 0.87%, 0.51%

LAB 52.36, 87.45, -65.1

 

CMYK 12 / 91 / 0 / 6

HEX #D215EF

RGB 210 21 239

HSL 292.02, 0.87%, 0.51%

LAB 52.36, 87.45, -65.1

 

CMYK 11 / 81 / 0 / 14

HEX #C32ADB

RGB 195 42 219

HSL 291.86, 0.71%, 0.51%

LAB 49.94, 77.92, -57.81

 

CMYK 9 / 69 / 0 / 22

HEX #B43EC6

RGB 180 62 198

HSL 292.06, 0.54%, 0.51%

LAB 48.54, 65, -48.13

 

CMYK 7 / 54 / 0 / 30

HEX #A552B2

RGB 165 82 178

HSL 291.88, 0.38%, 0.51%

LAB 48.57, 48.61, -36.59

 

CMYK 4 / 35 / 0 / 38

HEX #97669E

RGB 151 102 158

HSL 292.5, 0.22%, 0.51%

LAB 50.16, 29.48, -22.52

 

CMYK 61 / 91 / 0 / 6

HEX #5E15EF

RGB 94 21 239

HSL 260.09, 0.87%, 0.51%

LAB 36.27, 74.39, -92.1

 

CMYK 36 / 91 / 0 / 6

HEX #9815EF

RGB 152 21 239

HSL 276.06, 0.87%, 0.51%

LAB 43.42, 79.68, -80.05

 

CMYK 12 / 91 / 0 / 6

HEX #D215EF

RGB 210 21 239

HSL 292.02, 0.87%, 0.51%

LAB 52.36, 87.45, -65.1

 

CMYK 0 / 91 / 12 / 6

HEX #EF15D2

RGB 239 21 210

HSL 307.98, 0.87%, 0.51%

LAB 55.62, 88.05, -43.18

 

CMYK 0 / 91 / 36 / 6

HEX #EF1598

RGB 239 21 152

HSL 323.94, 0.87%, 0.51%

LAB 53.12, 81.5, -13.25

 

CMYK 12 / 93 / 0 / 35

HEX #920CA6

RGB 146 12 166

HSL 292.21, 0.87%, 0.35%

LAB 36.23, 66.56, -49.32

 

CMYK 13 / 93 / 0 / 20

HEX #B30ECD

RGB 179 14 205

HSL 291.83, 0.87%, 0.43%

LAB 44.67, 78.05, -58.41

 

CMYK 12 / 91 / 0 / 6

HEX #D215EF

RGB 210 21 239

HSL 292.02, 0.87%, 0.51%

LAB 52.36, 87.45, -65.1

 

CMYK 10 / 75 / 0 / 5

HEX #D93CF1

RGB 217 60 241

HSL 292.04, 0.87%, 0.59%

LAB 56.42, 80.71, -59.64

 

CMYK 8 / 60 / 0 / 4

HEX #E162F4

RGB 225 98 244

HSL 292.19, 0.87%, 0.67%

LAB 62.74, 68.89, -51.17

 

CMYK 12 / 92 / 0 / 6

HEX #D214EF

RGB 210 20 239

HSL 292.05, 0.87%, 0.51%

LAB 52.32, 87.57, -65.17

 

CMYK 0 / 85 / 91 / 6

HEX #EF2415

RGB 239 36 21

HSL 4.13, 0.87%, 0.51%

LAB 51.46, 72.21, 58.8

 

CMYK 91 / 0 / 49 / 6

HEX #15EF7B

RGB 21 239 123

HSL 148.07, 0.87%, 0.51%

LAB 83.61, -71.83, 42.87

 

CMYK 12 / 92 / 0 / 6

HEX #D214EF

RGB 210 20 239

HSL 292.05, 0.87%, 0.51%

LAB 52.32, 87.57, -65.17

 

CMYK 0 / 12 / 91 / 6

HEX #EFD215

RGB 239 210 21

HSL 52.02, 0.87%, 0.51%

LAB 84.22, -6.01, 82.38

 

CMYK 91 / 0 / 12 / 6

HEX #15EFD2

RGB 21 239 210

HSL 172.02, 0.87%, 0.51%

LAB 85.27, -53.26, 0.72

 

CMYK 12 / 92 / 0 / 6

HEX #D214EF

RGB 210 20 239

HSL 292.05, 0.87%, 0.51%

LAB 52.32, 87.57, -65.17

 

CMYK 0 / 85 / 91 / 6

HEX #EF2415

RGB 239 36 21

HSL 4.13, 0.87%, 0.51%

LAB 51.46, 72.21, 58.8

 

CMYK 79 / 0 / 91 / 6

HEX #32EF15

RGB 50 239 21

HSL 112.02, 0.87%, 0.51%

LAB 83.16, -78.43, 77.64

 

CMYK 91 / 6 / 0 / 6

HEX #15E0EF

RGB 21 224 239

HSL 184.13, 0.87%, 0.51%

LAB 81.68, -38.54, -19.94

 

CMYK 12 / 92 / 0 / 6

HEX #D214EF

RGB 210 20 239

HSL 292.05, 0.87%, 0.51%

LAB 52.32, 87.57, -65.17

 

CMYK 0 / 58 / 91 / 6

HEX #EF6515

RGB 239 101 21

HSL 22.02, 0.87%, 0.51%

LAB 59.63, 49.91, 64.3

 

CMYK 79 / 0 / 91 / 6

HEX #32EF15

RGB 50 239 21

HSL 112.02, 0.87%, 0.51%

LAB 83.16, -78.43, 77.64

 

CMYK 91 / 33 / 0 / 6

HEX #159FEF

RGB 21 159 239

HSL 202.02, 0.87%, 0.51%

LAB 62.67, -5.25, -49.38

 

Description

Color code: HEX #D214EF | qconv.com Color code: HEX #D214EF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 20 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 20 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 92 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 92% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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