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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1F6BD it is the complementary color #2E0942. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1F6BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1F6BD shade: #D6F6B8, #E7FFCB, #F8FFDE, #FFFFF1 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1F6BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1F6BD shade: #D1F6BD, #C0E4AA, #AFD297, #9EC084 and #8DAE71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1F6BD shade: #D0F6BC, #E0F6BC, #EFF6BC, #F6EDBC and #F6DDBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1F6BD shade: #D0F6BC, #C0F6BC, #BCF6C7, #BCF6D6 and #BCF6E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1F6BD shade matches the following richer shades: #D0F6BC and #CEFCB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1F6BD shade: #D0F6BC, #D2F0C2, #D4E9C8, #D6E3CE and #D7DDD4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1F6BD shade: #F0F6BC, #E1F6BC, #D1F6BC, #C1F6BC and #BCF6C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1F6BD shade: #9DEC73, #B7F197, #D0F6BC, #E9FBE0 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1F6BD shade: #D1F6BD, #BCF6EC and #F6BCE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1F6BD shade: #D1F6BD, #BCD1F6 and #F6BCD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1F6BD shade: #D1F6BD, #BCF6EC, #E1BCF6 and #F6BCC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1F6BD shade: #D1F6BD, #BCEEF6, #E1BCF6 and #F6C3BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 23 / 4

HEX #D1F6BD

RGB 209 246 189

HSL 98.95, 0.76%, 0.85%

LAB 93.08, -22.01, 23.56

 

Complementary color

CMYK 30 / 86 / 0 / 74

HEX #2E0942

RGB 46 9 66

HSL 278.95, 0.76%, 0.15%

LAB 10.33, 29.17, -27.46

 

CMYK 13 / 0 / 25 / 4

HEX #D6F6B8

RGB 214 246 184

HSL 90.97, 0.78%, 0.84%

LAB 93.31, -21.04, 26.48

 

CMYK 9 / 0 / 20 / 0

HEX #E7FFCB

RGB 231 255 203

HSL 87.69, 1%, 0.9%

LAB 97.15, -16.65, 22.29

 

CMYK 3 / 0 / 13 / 0

HEX #F8FFDE

RGB 248 255 222

HSL 72.73, 1%, 0.94%

LAB 98.73, -7.84, 14.99

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 15 / 0 / 23 / 4

HEX #D1F6BD

RGB 209 246 189

HSL 98.95, 0.76%, 0.85%

LAB 93.08, -22.01, 23.56

 

CMYK 16 / 0 / 25 / 11

HEX #C0E4AA

RGB 192 228 170

HSL 97.24, 0.52%, 0.78%

LAB 86.8, -22.1, 24.52

 

CMYK 17 / 0 / 28 / 18

HEX #AFD297

RGB 175 210 151

HSL 95.59, 0.4%, 0.71%

LAB 80.43, -22.19, 25.54

 

CMYK 18 / 0 / 31 / 25

HEX #9EC084

RGB 158 192 132

HSL 94, 0.32%, 0.64%

LAB 73.96, -22.28, 26.6

 

CMYK 19 / 0 / 35 / 32

HEX #8DAE71

RGB 141 174 113

HSL 92.46, 0.27%, 0.56%

LAB 67.37, -22.37, 27.73

 

CMYK 15 / 0 / 24 / 4

HEX #D0F6BC

RGB 208 246 188

HSL 99.31, 0.76%, 0.85%

LAB 92.99, -22.51, 23.95

 

CMYK 9 / 0 / 24 / 4

HEX #E0F6BC

RGB 224 246 188

HSL 82.76, 0.76%, 0.85%

LAB 94.05, -16.94, 25.57

 

CMYK 3 / 0 / 24 / 4

HEX #EFF6BC

RGB 239 246 188

HSL 67.24, 0.76%, 0.85%

LAB 95.12, -11.57, 27.2

 

CMYK 0 / 4 / 24 / 4

HEX #F6EDBC

RGB 246 237 188

HSL 50.69, 0.76%, 0.85%

LAB 93.36, -4.53, 24.88

 

CMYK 0 / 10 / 24 / 4

HEX #F6DDBC

RGB 246 221 188

HSL 34.14, 0.76%, 0.85%

LAB 89.36, 3.62, 19.35

 

CMYK 15 / 0 / 24 / 4

HEX #D0F6BC

RGB 208 246 188

HSL 99.31, 0.76%, 0.85%

LAB 92.99, -22.51, 23.95

 

CMYK 22 / 0 / 24 / 4

HEX #C0F6BC

RGB 192 246 188

HSL 115.86, 0.76%, 0.85%

LAB 92.02, -27.88, 22.45

 

CMYK 24 / 0 / 19 / 4

HEX #BCF6C7

RGB 188 246 199

HSL 131.38, 0.76%, 0.85%

LAB 92.01, -27.31, 16.76

 

CMYK 24 / 0 / 13 / 4

HEX #BCF6D6

RGB 188 246 214

HSL 146.9, 0.76%, 0.85%

LAB 92.34, -24.57, 9.47

 

CMYK 24 / 0 / 7 / 4

HEX #BCF6E6

RGB 188 246 230

HSL 163.45, 0.76%, 0.85%

LAB 92.71, -21.45, 1.73

 

CMYK 15 / 0 / 24 / 4

HEX #D0F6BC

RGB 208 246 188

HSL 99.31, 0.76%, 0.85%

LAB 92.99, -22.51, 23.95

 

CMYK 18 / 0 / 28 / 1

HEX #CEFCB5

RGB 206 252 181

HSL 98.87, 0.92%, 0.85%

LAB 94.35, -27.12, 29.33

 

CMYK 15 / 0 / 24 / 4

HEX #D0F6BC

RGB 208 246 188

HSL 99.31, 0.76%, 0.85%

LAB 92.99, -22.51, 23.95

 

CMYK 13 / 0 / 19 / 6

HEX #D2F0C2

RGB 210 240 194

HSL 99.13, 0.61%, 0.85%

LAB 91.65, -17.96, 19.02

 

CMYK 9 / 0 / 14 / 9

HEX #D4E9C8

RGB 212 233 200

HSL 98.18, 0.43%, 0.85%

LAB 90.07, -12.82, 13.71

 

CMYK 6 / 0 / 9 / 11

HEX #D6E3CE

RGB 214 227 206

HSL 97.14, 0.27%, 0.85%

LAB 88.78, -8.1, 8.76

 

CMYK 3 / 0 / 4 / 13

HEX #D7DDD4

RGB 215 221 212

HSL 100, 0.12%, 0.85%

LAB 87.44, -3.64, 3.7

 

CMYK 2 / 0 / 24 / 4

HEX #F0F6BC

RGB 240 246 188

HSL 66.21, 0.76%, 0.85%

LAB 95.19, -11.21, 27.31

 

CMYK 9 / 0 / 24 / 4

HEX #E1F6BC

RGB 225 246 188

HSL 81.72, 0.76%, 0.85%

LAB 94.12, -16.58, 25.68

 

CMYK 15 / 0 / 24 / 4

HEX #D1F6BC

RGB 209 246 188

HSL 98.28, 0.76%, 0.85%

LAB 93.06, -22.17, 24.05

 

CMYK 22 / 0 / 24 / 4

HEX #C1F6BC

RGB 193 246 188

HSL 114.83, 0.76%, 0.85%

LAB 92.08, -27.55, 22.54

 

CMYK 24 / 0 / 20 / 4

HEX #BCF6C5

RGB 188 246 197

HSL 129.31, 0.76%, 0.85%

LAB 91.97, -27.66, 17.73

 

CMYK 33 / 0 / 51 / 7

HEX #9DEC73

RGB 157 236 115

HSL 99.17, 0.76%, 0.69%

LAB 86.2, -45.16, 50.65

 

CMYK 24 / 0 / 37 / 5

HEX #B7F197

RGB 183 241 151

HSL 98.67, 0.76%, 0.77%

LAB 89.49, -34.13, 37.68

 

CMYK 15 / 0 / 24 / 4

HEX #D0F6BC

RGB 208 246 188

HSL 99.31, 0.76%, 0.85%

LAB 92.99, -22.51, 23.95

 

CMYK 7 / 0 / 11 / 2

HEX #E9FBE0

RGB 233 251 224

HSL 100, 0.77%, 0.93%

LAB 96.7, -10.64, 10.93

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 15 / 0 / 23 / 4

HEX #D1F6BD

RGB 209 246 189

HSL 98.95, 0.76%, 0.85%

LAB 93.08, -22.01, 23.56

 

CMYK 24 / 0 / 4 / 4

HEX #BCF6EC

RGB 188 246 236

HSL 169.66, 0.76%, 0.85%

LAB 92.86, -20.23, -1.16

 

CMYK 0 / 24 / 6 / 4

HEX #F6BCE8

RGB 246 188 232

HSL 314.48, 0.76%, 0.85%

LAB 82.59, 27.79, -13.8

 

CMYK 15 / 0 / 23 / 4

HEX #D1F6BD

RGB 209 246 189

HSL 98.95, 0.76%, 0.85%

LAB 93.08, -22.01, 23.56

 

CMYK 24 / 15 / 0 / 4

HEX #BCD1F6

RGB 188 209 246

HSL 218.28, 0.76%, 0.85%

LAB 83.41, 0.82, -20.49

 

CMYK 0 / 24 / 15 / 4

HEX #F6BCD1

RGB 246 188 209

HSL 338.28, 0.76%, 0.85%

LAB 81.93, 23.99, -2.43

 

CMYK 15 / 0 / 23 / 4

HEX #D1F6BD

RGB 209 246 189

HSL 98.95, 0.76%, 0.85%

LAB 93.08, -22.01, 23.56

 

CMYK 24 / 0 / 4 / 4

HEX #BCF6EC

RGB 188 246 236

HSL 169.66, 0.76%, 0.85%

LAB 92.86, -20.23, -1.16

 

CMYK 9 / 24 / 0 / 4

HEX #E1BCF6

RGB 225 188 246

HSL 278.28, 0.76%, 0.85%

LAB 81.09, 23.55, -23.75

 

CMYK 0 / 24 / 20 / 4

HEX #F6BCC5

RGB 246 188 197

HSL 350.69, 0.76%, 0.85%

LAB 81.62, 22.16, 3.57

 

CMYK 15 / 0 / 23 / 4

HEX #D1F6BD

RGB 209 246 189

HSL 98.95, 0.76%, 0.85%

LAB 93.08, -22.01, 23.56

 

CMYK 24 / 3 / 0 / 4

HEX #BCEEF6

RGB 188 238 246

HSL 188.28, 0.76%, 0.85%

LAB 91, -14.15, -9.11

 

CMYK 9 / 24 / 0 / 4

HEX #E1BCF6

RGB 225 188 246

HSL 278.28, 0.76%, 0.85%

LAB 81.09, 23.55, -23.75

 

CMYK 0 / 21 / 24 / 4

HEX #F6C3BC

RGB 246 195 188

HSL 7.24, 0.76%, 0.85%

LAB 83.05, 17.17, 10.45

 

Description

Color code: HEX #D1F6BD | qconv.com Color code: HEX #D1F6BD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 246 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 246 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 23 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 23% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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