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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1F66C it is the complementary color #2E0993. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1F66C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1F66C shade: #D6F667, #E7FF7A, #F8FF8D, #FFFFA0 and #FFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1F66C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1F66C shade: #D1F66C, #C0E459, #AFD246, #9EC033 and #8DAE20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1F66C shade: #D0F66A, #F6F56A, #F6D06A, #F6AA6A and #F6856A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1F66C shade: #D0F66A, #ABF66A, #85F66A, #6AF675 and #6AF69B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1F66C shade matches the following richer shades: #D0F66A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1F66C shade: #D0F66A, #CAE977, #C4DC84, #BECF91 and #B8C29E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1F66C shade: #F6D06A, #F6F66A, #D0F66A, #ABF66A and #86F66A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1F66C shade: #B8F11D, #C4F344, #D0F66A, #DCF891 and #E9FAB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1F66C shade: #D1F66C, #6AF6AB and #E36AF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1F66C shade: #D1F66C, #6AD0F6 and #F66AD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1F66C shade: #D1F66C, #6AF6AB, #8F6AF6 and #F66AB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1F66C shade: #D1F66C, #6AF6D5, #8F6AF6 and #F66A8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 56 / 4

HEX #D1F66C

RGB 209 246 108

HSL 76.09, 0.88%, 0.69%

LAB 91.93, -31.69, 61.27

 

Complementary color

CMYK 69 / 94 / 0 / 42

HEX #2E0993

RGB 46 9 147

HSL 256.09, 0.88%, 0.31%

LAB 19.57, 51.06, -65.58

 

CMYK 13 / 0 / 58 / 4

HEX #D6F667

RGB 214 246 103

HSL 73.43, 0.89%, 0.68%

LAB 92.21, -30.18, 63.82

 

CMYK 9 / 0 / 52 / 0

HEX #E7FF7A

RGB 231 255 122

HSL 70.83, 1%, 0.74%

LAB 95.96, -26.32, 60.12

 

CMYK 3 / 0 / 45 / 0

HEX #F8FF8D

RGB 248 255 141

HSL 63.68, 1%, 0.78%

LAB 97.39, -18.08, 53.4

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 15 / 0 / 56 / 4

HEX #D1F66C

RGB 209 246 108

HSL 76.09, 0.88%, 0.69%

LAB 91.93, -31.69, 61.27

 

CMYK 16 / 0 / 61 / 11

HEX #C0E459

RGB 192 228 89

HSL 75.54, 0.72%, 0.62%

LAB 85.71, -31.36, 62.13

 

CMYK 17 / 0 / 67 / 18

HEX #AFD246

RGB 175 210 70

HSL 75, 0.61%, 0.55%

LAB 79.41, -30.94, 62.77

 

CMYK 18 / 0 / 73 / 25

HEX #9EC033

RGB 158 192 51

HSL 74.47, 0.58%, 0.48%

LAB 73.03, -30.39, 62.99

 

CMYK 19 / 0 / 82 / 32

HEX #8DAE20

RGB 141 174 32

HSL 73.94, 0.69%, 0.4%

LAB 66.55, -29.66, 62.47

 

CMYK 15 / 0 / 57 / 4

HEX #D0F66A

RGB 208 246 106

HSL 76.29, 0.89%, 0.69%

LAB 91.85, -32.23, 62.02

 

CMYK 0 / 0 / 57 / 4

HEX #F6F56A

RGB 246 245 106

HSL 59.57, 0.89%, 0.69%

LAB 94.29, -16.93, 65.49

 

CMYK 0 / 15 / 57 / 4

HEX #F6D06A

RGB 246 208 106

HSL 43.71, 0.89%, 0.69%

LAB 84.87, 1.56, 54.8

 

CMYK 0 / 31 / 57 / 4

HEX #F6AA6A

RGB 246 170 106

HSL 27.43, 0.89%, 0.69%

LAB 75.69, 21.4, 43.89

 

CMYK 0 / 46 / 57 / 4

HEX #F6856A

RGB 246 133 106

HSL 11.57, 0.89%, 0.69%

LAB 67.58, 40.64, 33.79

 

CMYK 15 / 0 / 57 / 4

HEX #D0F66A

RGB 208 246 106

HSL 76.29, 0.89%, 0.69%

LAB 91.85, -32.23, 62.02

 

CMYK 30 / 0 / 57 / 4

HEX #ABF66A

RGB 171 246 106

HSL 92.14, 0.89%, 0.69%

LAB 89.68, -45.65, 58.97

 

CMYK 46 / 0 / 57 / 4

HEX #85F66A

RGB 133 246 106

HSL 108.43, 0.89%, 0.69%

LAB 87.94, -57.65, 56.51

 

CMYK 57 / 0 / 52 / 4

HEX #6AF675

RGB 106 246 117

HSL 124.71, 0.89%, 0.69%

LAB 87.12, -63.33, 50.36

 

CMYK 57 / 0 / 37 / 4

HEX #6AF69B

RGB 106 246 155

HSL 141, 0.89%, 0.69%

LAB 87.65, -57.61, 32.64

 

CMYK 15 / 0 / 57 / 4

HEX #D0F66A

RGB 208 246 106

HSL 76.29, 0.89%, 0.69%

LAB 91.85, -32.23, 62.02

 

CMYK 15 / 0 / 57 / 4

HEX #D0F66A

RGB 208 246 106

HSL 76.29, 0.89%, 0.69%

LAB 91.85, -32.23, 62.02

 

CMYK 13 / 0 / 49 / 9

HEX #CAE977

RGB 202 233 119

HSL 76.32, 0.72%, 0.69%

LAB 88.05, -27.27, 51.63

 

CMYK 11 / 0 / 40 / 14

HEX #C4DC84

RGB 196 220 132

HSL 76.36, 0.56%, 0.69%

LAB 84.27, -21.9, 40.57

 

CMYK 8 / 0 / 30 / 19

HEX #BECF91

RGB 190 207 145

HSL 76.45, 0.39%, 0.69%

LAB 80.53, -16.07, 28.97

 

CMYK 5 / 0 / 19 / 24

HEX #B8C29E

RGB 184 194 158

HSL 76.67, 0.23%, 0.69%

LAB 76.83, -9.75, 16.98

 

CMYK 0 / 15 / 57 / 4

HEX #F6D06A

RGB 246 208 106

HSL 43.71, 0.89%, 0.69%

LAB 84.87, 1.56, 54.8

 

CMYK 0 / 0 / 57 / 4

HEX #F6F66A

RGB 246 246 106

HSL 60, 0.89%, 0.69%

LAB 94.54, -17.42, 65.78

 

CMYK 15 / 0 / 57 / 4

HEX #D0F66A

RGB 208 246 106

HSL 76.29, 0.89%, 0.69%

LAB 91.85, -32.23, 62.02

 

CMYK 30 / 0 / 57 / 4

HEX #ABF66A

RGB 171 246 106

HSL 92.14, 0.89%, 0.69%

LAB 89.68, -45.65, 58.97

 

CMYK 46 / 0 / 57 / 4

HEX #86F66A

RGB 134 246 106

HSL 108, 0.89%, 0.69%

LAB 87.98, -57.37, 56.57

 

CMYK 24 / 0 / 88 / 5

HEX #B8F11D

RGB 184 241 29

HSL 76.13, 0.88%, 0.53%

LAB 88.54, -43.12, 82.83

 

CMYK 19 / 0 / 72 / 5

HEX #C4F344

RGB 196 243 68

HSL 76.11, 0.88%, 0.61%

LAB 89.98, -37.98, 74.51

 

CMYK 15 / 0 / 57 / 4

HEX #D0F66A

RGB 208 246 106

HSL 76.29, 0.89%, 0.69%

LAB 91.85, -32.23, 62.02

 

CMYK 11 / 0 / 42 / 3

HEX #DCF891

RGB 220 248 145

HSL 76.31, 0.88%, 0.77%

LAB 93.62, -24.89, 46.38

 

CMYK 7 / 0 / 26 / 2

HEX #E9FAB8

RGB 233 250 184

HSL 75.45, 0.87%, 0.85%

LAB 95.65, -16.25, 29.88

 

CMYK 15 / 0 / 56 / 4

HEX #D1F66C

RGB 209 246 108

HSL 76.09, 0.88%, 0.69%

LAB 91.93, -31.69, 61.27

 

CMYK 57 / 0 / 30 / 4

HEX #6AF6AB

RGB 106 246 171

HSL 147.86, 0.89%, 0.69%

LAB 87.93, -54.69, 24.92

 

CMYK 8 / 57 / 0 / 4

HEX #E36AF6

RGB 227 106 246

HSL 291.86, 0.89%, 0.69%

LAB 64.4, 66.21, -49.63

 

CMYK 15 / 0 / 56 / 4

HEX #D1F66C

RGB 209 246 108

HSL 76.09, 0.88%, 0.69%

LAB 91.93, -31.69, 61.27

 

CMYK 57 / 15 / 0 / 4

HEX #6AD0F6

RGB 106 208 246

HSL 196.29, 0.89%, 0.69%

LAB 78.94, -19.15, -27.68

 

CMYK 0 / 57 / 15 / 4

HEX #F66AD0

RGB 246 106 208

HSL 316.29, 0.89%, 0.69%

LAB 65.32, 64.98, -26.84

 

CMYK 15 / 0 / 56 / 4

HEX #D1F66C

RGB 209 246 108

HSL 76.09, 0.88%, 0.69%

LAB 91.93, -31.69, 61.27

 

CMYK 57 / 0 / 30 / 4

HEX #6AF6AB

RGB 106 246 171

HSL 147.86, 0.89%, 0.69%

LAB 87.93, -54.69, 24.92

 

CMYK 42 / 57 / 0 / 4

HEX #8F6AF6

RGB 143 106 246

HSL 255.86, 0.89%, 0.69%

LAB 54.87, 46.37, -65.4

 

CMYK 0 / 57 / 26 / 4

HEX #F66AB5

RGB 246 106 181

HSL 327.86, 0.89%, 0.69%

LAB 64.35, 61.28, -13.06

 

CMYK 15 / 0 / 56 / 4

HEX #D1F66C

RGB 209 246 108

HSL 76.09, 0.88%, 0.69%

LAB 91.93, -31.69, 61.27

 

CMYK 57 / 0 / 13 / 4

HEX #6AF6D5

RGB 106 246 213

HSL 165.86, 0.89%, 0.69%

LAB 88.82, -45.74, 4.48

 

CMYK 42 / 57 / 0 / 4

HEX #8F6AF6

RGB 143 106 246

HSL 255.86, 0.89%, 0.69%

LAB 54.87, 46.37, -65.4

 

CMYK 0 / 57 / 43 / 4

HEX #F66A8B

RGB 246 106 139

HSL 345.86, 0.89%, 0.69%

LAB 63.15, 56.52, 9.22

 

Description

Color code: HEX #D1F66C | qconv.com Color code: HEX #D1F66C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 246 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 246 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 56 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 56% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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