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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1F008 it is the complementary color #2E0FF7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1F008. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1F008 shade: #D6F003, #E7FF16, #F8FF29, #FFFF3C and #FFFF4F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1F008. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1F008 shade: #D1F008, #C0DE00, #AFCC00, #9EBA00 and #8DA800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1F008 shade: #D3F207, #F2D207, #F29307, #F25407 and #F21407

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1F008 shade: #D3F207, #94F207, #54F207, #15F207 and #07F239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1F008 shade matches the following richer shades: #D3F207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1F008 shade: #D3F207, #C4DE1C, #B5CA30, #A7B644 and #98A258

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1F008 shade: #F29407, #F2D307, #D3F207, #94F207 and #56F207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1F008 shade: #8DA205, #B0CA06, #D3F207, #DDF82B and #E3FA53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1F008 shade: #D1F008, #07F256 and #B407F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1F008 shade: #D1F008, #07D3F2 and #F207D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1F008 shade: #D1F008, #07F256, #2707F2 and #F207A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1F008 shade: #D1F008, #07F29C, #2707F2 and #F2075E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 97 / 6

HEX #D1F008

RGB 209 240 8

HSL 68.02, 0.94%, 0.49%

LAB 89.81, -33.2, 86.95

 

Complementary color

CMYK 81 / 94 / 0 / 3

HEX #2E0FF7

RGB 46 15 247

HSL 248.02, 0.94%, 0.51%

LAB 33.22, 75.45, -101.8

 

CMYK 11 / 0 / 99 / 6

HEX #D6F003

RGB 214 240 3

HSL 66.58, 0.98%, 0.48%

LAB 90.15, -31.23, 87.74

 

CMYK 9 / 0 / 91 / 0

HEX #E7FF16

RGB 231 255 22

HSL 66.18, 1%, 0.54%

LAB 95.4, -31.1, 90.58

 

CMYK 3 / 0 / 84 / 0

HEX #F8FF29

RGB 248 255 41

HSL 61.96, 1%, 0.58%

LAB 96.67, -23.88, 89.08

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3C

RGB 255 255 60

HSL 60, 1%, 0.62%

LAB 97.27, -20.49, 85.23

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 13 / 0 / 97 / 6

HEX #D1F008

RGB 209 240 8

HSL 68.02, 0.94%, 0.49%

LAB 89.81, -33.2, 86.95

 

CMYK 14 / 0 / 100 / 13

HEX #C0DE00

RGB 192 222 0

HSL 68.11, 1%, 0.44%

LAB 83.68, -31.86, 82.46

 

CMYK 14 / 0 / 100 / 20

HEX #AFCC00

RGB 175 204 0

HSL 68.53, 1%, 0.4%

LAB 77.46, -30.44, 77.28

 

CMYK 15 / 0 / 100 / 27

HEX #9EBA00

RGB 158 186 0

HSL 69.03, 1%, 0.36%

LAB 71.14, -28.99, 72.02

 

CMYK 16 / 0 / 100 / 34

HEX #8DA800

RGB 141 168 0

HSL 69.64, 1%, 0.33%

LAB 64.7, -27.53, 66.66

 

CMYK 13 / 0 / 97 / 5

HEX #D3F207

RGB 211 242 7

HSL 67.91, 0.94%, 0.49%

LAB 90.49, -33.33, 87.6

 

CMYK 0 / 13 / 97 / 5

HEX #F2D207

RGB 242 210 7

HSL 51.83, 0.94%, 0.49%

LAB 84.48, -4.88, 84.23

 

CMYK 0 / 39 / 97 / 5

HEX #F29307

RGB 242 147 7

HSL 35.74, 0.94%, 0.49%

LAB 69.3, 27.98, 73.61

 

CMYK 0 / 65 / 97 / 5

HEX #F25407

RGB 242 84 7

HSL 19.66, 0.94%, 0.49%

LAB 57.3, 58.2, 66.16

 

CMYK 0 / 92 / 97 / 5

HEX #F21407

RGB 242 20 7

HSL 3.32, 0.94%, 0.49%

LAB 51.14, 75.36, 63

 

CMYK 13 / 0 / 97 / 5

HEX #D3F207

RGB 211 242 7

HSL 67.91, 0.94%, 0.49%

LAB 90.49, -33.33, 87.6

 

CMYK 39 / 0 / 97 / 5

HEX #94F207

RGB 148 242 7

HSL 84, 0.94%, 0.49%

LAB 86.91, -56.76, 83.28

 

CMYK 65 / 0 / 97 / 5

HEX #54F207

RGB 84 242 7

HSL 100.34, 0.94%, 0.49%

LAB 84.69, -74.12, 80.58

 

CMYK 91 / 0 / 97 / 5

HEX #15F207

RGB 21 242 7

HSL 116.43, 0.94%, 0.49%

LAB 83.8, -81.97, 79.48

 

CMYK 97 / 0 / 76 / 5

HEX #07F239

RGB 7 242 57

HSL 132.77, 0.94%, 0.49%

LAB 83.88, -80.62, 70.14

 

CMYK 13 / 0 / 97 / 5

HEX #D3F207

RGB 211 242 7

HSL 67.91, 0.94%, 0.49%

LAB 90.49, -33.33, 87.6

 

CMYK 13 / 0 / 97 / 5

HEX #D3F207

RGB 211 242 7

HSL 67.91, 0.94%, 0.49%

LAB 90.49, -33.33, 87.6

 

CMYK 12 / 0 / 87 / 13

HEX #C4DE1C

RGB 196 222 28

HSL 68.04, 0.78%, 0.49%

LAB 84, -29.85, 79.61

 

CMYK 10 / 0 / 76 / 21

HEX #B5CA30

RGB 181 202 48

HSL 68.18, 0.62%, 0.49%

LAB 77.45, -25.89, 68.7

 

CMYK 8 / 0 / 63 / 29

HEX #A7B644

RGB 167 182 68

HSL 67.89, 0.46%, 0.49%

LAB 70.93, -20.79, 54.49

 

CMYK 6 / 0 / 46 / 36

HEX #98A258

RGB 152 162 88

HSL 68.11, 0.3%, 0.49%

LAB 64.34, -15.07, 37.12

 

CMYK 0 / 39 / 97 / 5

HEX #F29407

RGB 242 148 7

HSL 36, 0.94%, 0.49%

LAB 69.52, 27.45, 73.76

 

CMYK 0 / 13 / 97 / 5

HEX #F2D307

RGB 242 211 7

HSL 52.09, 0.94%, 0.49%

LAB 84.73, -5.39, 84.41

 

CMYK 13 / 0 / 97 / 5

HEX #D3F207

RGB 211 242 7

HSL 67.91, 0.94%, 0.49%

LAB 90.49, -33.33, 87.6

 

CMYK 39 / 0 / 97 / 5

HEX #94F207

RGB 148 242 7

HSL 84, 0.94%, 0.49%

LAB 86.91, -56.76, 83.28

 

CMYK 64 / 0 / 97 / 5

HEX #56F207

RGB 86 242 7

HSL 99.83, 0.94%, 0.49%

LAB 84.74, -73.71, 80.64

 

CMYK 13 / 0 / 97 / 36

HEX #8DA205

RGB 141 162 5

HSL 68.03, 0.94%, 0.33%

LAB 62.94, -24.52, 64.65

 

CMYK 13 / 0 / 97 / 21

HEX #B0CA06

RGB 176 202 6

HSL 67.96, 0.94%, 0.41%

LAB 76.97, -29.01, 76.35

 

CMYK 13 / 0 / 97 / 5

HEX #D3F207

RGB 211 242 7

HSL 67.91, 0.94%, 0.49%

LAB 90.49, -33.33, 87.6

 

CMYK 11 / 0 / 83 / 3

HEX #DDF82B

RGB 221 248 43

HSL 67.9, 0.94%, 0.57%

LAB 92.87, -31.45, 84.7

 

CMYK 9 / 0 / 67 / 2

HEX #E3FA53

RGB 227 250 83

HSL 68.26, 0.94%, 0.65%

LAB 94.02, -28.31, 73.96

 

CMYK 13 / 0 / 97 / 6

HEX #D1F008

RGB 209 240 8

HSL 68.02, 0.94%, 0.49%

LAB 89.81, -33.2, 86.95

 

CMYK 97 / 0 / 64 / 5

HEX #07F256

RGB 7 242 86

HSL 140.17, 0.94%, 0.49%

LAB 84.08, -78.13, 59.95

 

CMYK 26 / 97 / 0 / 5

HEX #B407F2

RGB 180 7 242

HSL 284.17, 0.94%, 0.49%

LAB 47.32, 85.19, -75.2

 

CMYK 13 / 0 / 97 / 6

HEX #D1F008

RGB 209 240 8

HSL 68.02, 0.94%, 0.49%

LAB 89.81, -33.2, 86.95

 

CMYK 97 / 13 / 0 / 5

HEX #07D3F2

RGB 7 211 242

HSL 187.91, 0.94%, 0.49%

LAB 77.9, -31.91, -27.29

 

CMYK 0 / 97 / 13 / 5

HEX #F207D3

RGB 242 7 211

HSL 307.91, 0.94%, 0.49%

LAB 55.82, 89.85, -43.41

 

CMYK 13 / 0 / 97 / 6

HEX #D1F008

RGB 209 240 8

HSL 68.02, 0.94%, 0.49%

LAB 89.81, -33.2, 86.95

 

CMYK 97 / 0 / 64 / 5

HEX #07F256

RGB 7 242 86

HSL 140.17, 0.94%, 0.49%

LAB 84.08, -78.13, 59.95

 

CMYK 84 / 97 / 0 / 5

HEX #2707F2

RGB 39 7 242

HSL 248.17, 0.94%, 0.49%

LAB 31.79, 75.37, -101.36

 

CMYK 0 / 97 / 32 / 5

HEX #F207A4

RGB 242 7 164

HSL 319.91, 0.94%, 0.49%

LAB 53.72, 84.5, -19.39

 

CMYK 13 / 0 / 97 / 6

HEX #D1F008

RGB 209 240 8

HSL 68.02, 0.94%, 0.49%

LAB 89.81, -33.2, 86.95

 

CMYK 97 / 0 / 36 / 5

HEX #07F29C

RGB 7 242 156

HSL 158.04, 0.94%, 0.49%

LAB 84.97, -67.39, 28.28

 

CMYK 84 / 97 / 0 / 5

HEX #2707F2

RGB 39 7 242

HSL 248.17, 0.94%, 0.49%

LAB 31.79, 75.37, -101.36

 

CMYK 0 / 97 / 61 / 5

HEX #F2075E

RGB 242 7 94

HSL 337.79, 0.94%, 0.49%

LAB 51.65, 79.03, 19.76

 

Description

Color code: HEX #D1F008 | qconv.com Color code: HEX #D1F008 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 240 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 240 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 97 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 97% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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