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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1EDB7 it is the complementary color #2E1248. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1EDB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1EDB7 shade: #D6EDB2, #E7FFC5, #F8FFD8, #FFFFEB and #FFFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1EDB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1EDB7 shade: #D1EDB7, #C0DBA4, #AFC991, #9EB77E and #8DA56B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1EDB7 shade: #D0EDB6, #DFEDB6, #EDEBB6, #EDDDB6 and #EDCEB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1EDB7 shade: #D0EDB6, #C1EDB6, #B6EDB9, #B6EDC8 and #B6EDD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1EDB7 shade matches the following richer shades: #D0EDB6, #D0F4AE and #D0FBA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1EDB7 shade: #D0EDB6, #D0E5BD, #D1DEC4, #D1D6CC and #D1CFD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1EDB7 shade: #EDECB6, #DFEDB6, #D0EDB6, #C1EDB6 and #B6EDB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1EDB7 shade: #A6DC74, #BBE495, #D0EDB6, #E5F5D7 and #FAFDF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1EDB7 shade: #D1EDB7, #B6EDDD and #EDB6E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1EDB7 shade: #D1EDB7, #B6D0ED and #EDB6D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1EDB7 shade: #D1EDB7, #B6EDDD, #D2B6ED and #EDB6C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1EDB7 shade: #D1EDB7, #B6ECED, #D2B6ED and #EDB6B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 23 / 7

HEX #D1EDB7

RGB 209 237 183

HSL 91.11, 0.6%, 0.82%

LAB 90.57, -18.56, 23.18

 

Complementary color

CMYK 36 / 75 / 0 / 72

HEX #2E1248

RGB 46 18 72

HSL 271.11, 0.6%, 0.18%

LAB 12.49, 26.15, -28.17

 

CMYK 10 / 0 / 25 / 7

HEX #D6EDB2

RGB 214 237 178

HSL 83.39, 0.62%, 0.81%

LAB 90.82, -17.53, 26.14

 

CMYK 9 / 0 / 23 / 0

HEX #E7FFC5

RGB 231 255 197

HSL 84.83, 1%, 0.89%

LAB 97.04, -17.55, 25.18

 

CMYK 3 / 0 / 15 / 0

HEX #F8FFD8

RGB 248 255 216

HSL 70.77, 1%, 0.92%

LAB 98.6, -8.76, 17.88

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 12 / 0 / 23 / 7

HEX #D1EDB7

RGB 209 237 183

HSL 91.11, 0.6%, 0.82%

LAB 90.57, -18.56, 23.18

 

CMYK 12 / 0 / 25 / 14

HEX #C0DBA4

RGB 192 219 164

HSL 89.45, 0.43%, 0.75%

LAB 84.25, -18.59, 24.15

 

CMYK 13 / 0 / 28 / 21

HEX #AFC991

RGB 175 201 145

HSL 87.86, 0.34%, 0.68%

LAB 77.83, -18.62, 25.17

 

CMYK 14 / 0 / 31 / 28

HEX #9EB77E

RGB 158 183 126

HSL 86.32, 0.28%, 0.61%

LAB 71.31, -18.65, 26.24

 

CMYK 15 / 0 / 35 / 35

HEX #8DA56B

RGB 141 165 107

HSL 84.83, 0.24%, 0.53%

LAB 64.67, -18.66, 27.38

 

CMYK 12 / 0 / 23 / 7

HEX #D0EDB6

RGB 208 237 182

HSL 91.64, 0.6%, 0.82%

LAB 90.49, -19.06, 23.57

 

CMYK 6 / 0 / 23 / 7

HEX #DFEDB6

RGB 223 237 182

HSL 75.27, 0.6%, 0.82%

LAB 91.52, -13.73, 25.16

 

CMYK 0 / 1 / 23 / 7

HEX #EDEBB6

RGB 237 235 182

HSL 57.82, 0.6%, 0.82%

LAB 92.04, -7.64, 26.04

 

CMYK 0 / 7 / 23 / 7

HEX #EDDDB6

RGB 237 221 182

HSL 42.55, 0.6%, 0.82%

LAB 88.49, -0.54, 21.15

 

CMYK 0 / 13 / 23 / 7

HEX #EDCEB6

RGB 237 206 182

HSL 26.18, 0.6%, 0.82%

LAB 84.75, 7.23, 15.94

 

CMYK 12 / 0 / 23 / 7

HEX #D0EDB6

RGB 208 237 182

HSL 91.64, 0.6%, 0.82%

LAB 90.49, -19.06, 23.57

 

CMYK 19 / 0 / 23 / 7

HEX #C1EDB6

RGB 193 237 182

HSL 108, 0.6%, 0.82%

LAB 89.53, -24.22, 22.09

 

CMYK 23 / 0 / 22 / 7

HEX #B6EDB9

RGB 182 237 185

HSL 123.27, 0.6%, 0.82%

LAB 88.93, -27.38, 19.62

 

CMYK 23 / 0 / 16 / 7

HEX #B6EDC8

RGB 182 237 200

HSL 139.64, 0.6%, 0.82%

LAB 89.24, -24.72, 12.28

 

CMYK 23 / 0 / 10 / 7

HEX #B6EDD6

RGB 182 237 214

HSL 154.91, 0.6%, 0.82%

LAB 89.57, -22.06, 5.45

 

CMYK 12 / 0 / 23 / 7

HEX #D0EDB6

RGB 208 237 182

HSL 91.64, 0.6%, 0.82%

LAB 90.49, -19.06, 23.57

 

CMYK 15 / 0 / 29 / 4

HEX #D0F4AE

RGB 208 244 174

HSL 90.86, 0.76%, 0.82%

LAB 92.21, -23.64, 30

 

CMYK 17 / 0 / 33 / 2

HEX #D0FBA7

RGB 208 251 167

HSL 90.71, 0.91%, 0.82%

LAB 93.97, -27.94, 35.87

 

CMYK 12 / 0 / 23 / 7

HEX #D0EDB6

RGB 208 237 182

HSL 91.64, 0.6%, 0.82%

LAB 90.49, -19.06, 23.57

 

CMYK 9 / 0 / 17 / 10

HEX #D0E5BD

RGB 208 229 189

HSL 91.5, 0.43%, 0.82%

LAB 88.51, -14.01, 17.2

 

CMYK 6 / 0 / 12 / 13

HEX #D1DEC4

RGB 209 222 196

HSL 90, 0.28%, 0.82%

LAB 86.89, -8.98, 11.27

 

CMYK 2 / 0 / 5 / 16

HEX #D1D6CC

RGB 209 214 204

HSL 90, 0.11%, 0.82%

LAB 85, -3.49, 4.33

 

CMYK 1 / 2 / 0 / 17

HEX #D1CFD3

RGB 209 207 211

HSL 270, 0.04%, 0.82%

LAB 83.38, 1.42, -1.75

 

CMYK 0 / 0 / 23 / 7

HEX #EDECB6

RGB 237 236 182

HSL 58.91, 0.6%, 0.82%

LAB 92.3, -8.15, 26.39

 

CMYK 6 / 0 / 23 / 7

HEX #DFEDB6

RGB 223 237 182

HSL 75.27, 0.6%, 0.82%

LAB 91.52, -13.73, 25.16

 

CMYK 12 / 0 / 23 / 7

HEX #D0EDB6

RGB 208 237 182

HSL 91.64, 0.6%, 0.82%

LAB 90.49, -19.06, 23.57

 

CMYK 19 / 0 / 23 / 7

HEX #C1EDB6

RGB 193 237 182

HSL 108, 0.6%, 0.82%

LAB 89.53, -24.22, 22.09

 

CMYK 23 / 0 / 22 / 7

HEX #B6EDB8

RGB 182 237 184

HSL 122.18, 0.6%, 0.82%

LAB 88.91, -27.55, 20.11

 

CMYK 25 / 0 / 47 / 14

HEX #A6DC74

RGB 166 220 116

HSL 91.15, 0.6%, 0.66%

LAB 82.14, -34.84, 45.34

 

CMYK 18 / 0 / 35 / 11

HEX #BBE495

RGB 187 228 149

HSL 91.14, 0.59%, 0.74%

LAB 86.12, -26.91, 34.3

 

CMYK 12 / 0 / 23 / 7

HEX #D0EDB6

RGB 208 237 182

HSL 91.64, 0.6%, 0.82%

LAB 90.49, -19.06, 23.57

 

CMYK 7 / 0 / 12 / 4

HEX #E5F5D7

RGB 229 245 215

HSL 92, 0.6%, 0.9%

LAB 94.68, -10.51, 12.66

 

CMYK 1 / 0 / 2 / 1

HEX #FAFDF8

RGB 250 253 248

HSL 96, 0.56%, 0.98%

LAB 98.97, -1.86, 2.03

 

CMYK 12 / 0 / 23 / 7

HEX #D1EDB7

RGB 209 237 183

HSL 91.11, 0.6%, 0.82%

LAB 90.57, -18.56, 23.18

 

CMYK 23 / 0 / 7 / 7

HEX #B6EDDD

RGB 182 237 221

HSL 162.55, 0.6%, 0.82%

LAB 89.74, -20.67, 2.04

 

CMYK 0 / 23 / 3 / 7

HEX #EDB6E6

RGB 237 182 230

HSL 307.64, 0.6%, 0.82%

LAB 80.28, 27.63, -16.28

 

CMYK 12 / 0 / 23 / 7

HEX #D1EDB7

RGB 209 237 183

HSL 91.11, 0.6%, 0.82%

LAB 90.57, -18.56, 23.18

 

CMYK 23 / 12 / 0 / 7

HEX #B6D0ED

RGB 182 208 237

HSL 211.64, 0.6%, 0.82%

LAB 82.47, -2.47, -17.16

 

CMYK 0 / 23 / 12 / 7

HEX #EDB6D0

RGB 237 182 208

HSL 331.64, 0.6%, 0.82%

LAB 79.62, 23.87, -5.38

 

CMYK 12 / 0 / 23 / 7

HEX #D1EDB7

RGB 209 237 183

HSL 91.11, 0.6%, 0.82%

LAB 90.57, -18.56, 23.18

 

CMYK 23 / 0 / 7 / 7

HEX #B6EDDD

RGB 182 237 221

HSL 162.55, 0.6%, 0.82%

LAB 89.74, -20.67, 2.04

 

CMYK 11 / 23 / 0 / 7

HEX #D2B6ED

RGB 210 182 237

HSL 270.55, 0.6%, 0.82%

LAB 78.04, 20.21, -23.68

 

CMYK 0 / 23 / 17 / 7

HEX #EDB6C5

RGB 237 182 197

HSL 343.64, 0.6%, 0.82%

LAB 79.32, 22.13, 0.13

 

CMYK 12 / 0 / 23 / 7

HEX #D1EDB7

RGB 209 237 183

HSL 91.11, 0.6%, 0.82%

LAB 90.57, -18.56, 23.18

 

CMYK 23 / 0 / 0 / 7

HEX #B6ECED

RGB 182 236 237

HSL 181.09, 0.6%, 0.82%

LAB 89.88, -16.84, -6.11

 

CMYK 11 / 23 / 0 / 7

HEX #D2B6ED

RGB 210 182 237

HSL 270.55, 0.6%, 0.82%

LAB 78.04, 20.21, -23.68

 

CMYK 0 / 23 / 23 / 7

HEX #EDB6B6

RGB 237 182 182

HSL 0, 0.6%, 0.82%

LAB 78.95, 19.89, 7.7

 

Description

Color code: HEX #D1EDB7 | qconv.com Color code: HEX #D1EDB7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 237 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 237 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 23 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 23% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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