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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1EC7E it is the complementary color #2E1381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1EC7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1EC7E shade: #D6EC79, #E7FE8C, #F8FF9F, #FFFFB2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1EC7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1EC7E shade: #D1EC7E, #C0DA6B, #AFC858, #9EB645 and #8DA432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1EC7E shade: #D1EC7E, #ECE97E, #ECCC7E, #ECAE7E and #EC917E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1EC7E shade: #D1EC7E, #B3EC7E, #96EC7E, #7EEC84 and #7EECA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1EC7E shade matches the following richer shades: #D1EC7E and #D7F872

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1EC7E shade: #D1EC7E, #CBE08A, #C5D496, #BFC8A2 and #B9BCAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1EC7E shade: #ECCB7E, #ECE87E, #D2EC7E, #B5EC7E and #98EC7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1EC7E shade: #B7E137, #C4E65A, #D1EC7E, #DEF1A2 and #EBF7C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1EC7E shade: #D1EC7E, #7EECAE and #DA7EEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1EC7E shade: #D1EC7E, #7ED2EC and #EC7ED2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1EC7E shade: #D1EC7E, #7EECAE, #987EEC and #EC7EBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1EC7E shade: #D1EC7E, #7EECCF, #987EEC and #EC7E9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 47 / 7

HEX #D1EC7E

RGB 209 236 126

HSL 74.73, 0.74%, 0.71%

LAB 89.42, -25.34, 50.1

 

Complementary color

CMYK 64 / 85 / 0 / 49

HEX #2E1381

RGB 46 19 129

HSL 254.73, 0.74%, 0.29%

LAB 18.5, 42.56, -56.06

 

CMYK 9 / 0 / 49 / 7

HEX #D6EC79

RGB 214 236 121

HSL 71.48, 0.75%, 0.7%

LAB 89.7, -23.92, 52.88

 

CMYK 9 / 0 / 45 / 0

HEX #E7FE8C

RGB 231 254 140

HSL 72.11, 0.98%, 0.77%

LAB 95.9, -24.16, 51.77

 

CMYK 3 / 0 / 38 / 0

HEX #F8FF9F

RGB 248 255 159

HSL 64.38, 1%, 0.81%

LAB 97.62, -16.24, 45.09

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 11 / 0 / 47 / 7

HEX #D1EC7E

RGB 209 236 126

HSL 74.73, 0.74%, 0.71%

LAB 89.42, -25.34, 50.1

 

CMYK 12 / 0 / 51 / 15

HEX #C0DA6B

RGB 192 218 107

HSL 74.05, 0.6%, 0.64%

LAB 83.13, -25.11, 51.2

 

CMYK 13 / 0 / 56 / 22

HEX #AFC858

RGB 175 200 88

HSL 73.39, 0.5%, 0.56%

LAB 76.76, -24.82, 52.26

 

CMYK 13 / 0 / 62 / 29

HEX #9EB645

RGB 158 182 69

HSL 72.74, 0.45%, 0.49%

LAB 70.28, -24.43, 53.16

 

CMYK 14 / 0 / 70 / 36

HEX #8DA432

RGB 141 164 50

HSL 72.11, 0.53%, 0.42%

LAB 63.71, -23.91, 53.76

 

CMYK 11 / 0 / 47 / 7

HEX #D1EC7E

RGB 209 236 126

HSL 74.73, 0.74%, 0.71%

LAB 89.42, -25.34, 50.1

 

CMYK 0 / 1 / 47 / 7

HEX #ECE97E

RGB 236 233 126

HSL 58.36, 0.74%, 0.71%

LAB 90.6, -13.42, 52

 

CMYK 0 / 14 / 47 / 7

HEX #ECCC7E

RGB 236 204 126

HSL 42.55, 0.74%, 0.71%

LAB 83.19, 1.25, 42.86

 

CMYK 0 / 26 / 47 / 7

HEX #ECAE7E

RGB 236 174 126

HSL 26.18, 0.74%, 0.71%

LAB 75.83, 17, 33.47

 

CMYK 0 / 39 / 47 / 7

HEX #EC917E

RGB 236 145 126

HSL 10.36, 0.74%, 0.71%

LAB 69.18, 32.36, 24.67

 

CMYK 11 / 0 / 47 / 7

HEX #D1EC7E

RGB 209 236 126

HSL 74.73, 0.74%, 0.71%

LAB 89.42, -25.34, 50.1

 

CMYK 24 / 0 / 47 / 7

HEX #B3EC7E

RGB 179 236 126

HSL 91.09, 0.74%, 0.71%

LAB 87.52, -36.37, 47.34

 

CMYK 36 / 0 / 47 / 7

HEX #96EC7E

RGB 150 236 126

HSL 106.91, 0.74%, 0.71%

LAB 86, -46.12, 45.11

 

CMYK 47 / 0 / 44 / 7

HEX #7EEC84

RGB 126 236 132

HSL 123.27, 0.74%, 0.71%

LAB 85.04, -52.4, 40.78

 

CMYK 47 / 0 / 31 / 7

HEX #7EECA2

RGB 126 236 162

HSL 139.64, 0.74%, 0.71%

LAB 85.52, -47.55, 26.35

 

CMYK 11 / 0 / 47 / 7

HEX #D1EC7E

RGB 209 236 126

HSL 74.73, 0.74%, 0.71%

LAB 89.42, -25.34, 50.1

 

CMYK 13 / 0 / 54 / 3

HEX #D7F872

RGB 215 248 114

HSL 74.78, 0.91%, 0.71%

LAB 92.93, -29.83, 59.87

 

CMYK 11 / 0 / 47 / 7

HEX #D1EC7E

RGB 209 236 126

HSL 74.73, 0.74%, 0.71%

LAB 89.42, -25.34, 50.1

 

CMYK 9 / 0 / 38 / 12

HEX #CBE08A

RGB 203 224 138

HSL 74.65, 0.58%, 0.71%

LAB 85.93, -20.5, 39.79

 

CMYK 7 / 0 / 29 / 17

HEX #C5D496

RGB 197 212 150

HSL 74.52, 0.42%, 0.71%

LAB 82.46, -15.28, 29.06

 

CMYK 5 / 0 / 19 / 22

HEX #BFC8A2

RGB 191 200 162

HSL 74.21, 0.26%, 0.71%

LAB 79.04, -9.65, 18

 

CMYK 2 / 0 / 7 / 26

HEX #B9BCAE

RGB 185 188 174

HSL 72.86, 0.09%, 0.71%

LAB 75.66, -3.58, 6.71

 

CMYK 0 / 14 / 47 / 7

HEX #ECCB7E

RGB 236 203 126

HSL 42, 0.74%, 0.71%

LAB 82.94, 1.77, 42.55

 

CMYK 0 / 2 / 47 / 7

HEX #ECE87E

RGB 236 232 126

HSL 57.82, 0.74%, 0.71%

LAB 90.35, -12.92, 51.69

 

CMYK 11 / 0 / 47 / 7

HEX #D2EC7E

RGB 210 236 126

HSL 74.18, 0.74%, 0.71%

LAB 89.49, -24.96, 50.2

 

CMYK 23 / 0 / 47 / 7

HEX #B5EC7E

RGB 181 236 126

HSL 90, 0.74%, 0.71%

LAB 87.64, -35.66, 47.51

 

CMYK 36 / 0 / 47 / 7

HEX #98EC7E

RGB 152 236 126

HSL 105.82, 0.74%, 0.71%

LAB 86.09, -45.48, 45.25

 

CMYK 19 / 0 / 76 / 12

HEX #B7E137

RGB 183 225 55

HSL 74.82, 0.74%, 0.55%

LAB 84.07, -35.53, 72.75

 

CMYK 15 / 0 / 61 / 10

HEX #C4E65A

RGB 196 230 90

HSL 74.57, 0.74%, 0.63%

LAB 86.54, -30.67, 62.69

 

CMYK 11 / 0 / 47 / 7

HEX #D1EC7E

RGB 209 236 126

HSL 74.73, 0.74%, 0.71%

LAB 89.42, -25.34, 50.1

 

CMYK 8 / 0 / 33 / 5

HEX #DEF1A2

RGB 222 241 162

HSL 74.43, 0.74%, 0.79%

LAB 92.15, -18.77, 36.14

 

CMYK 5 / 0 / 20 / 3

HEX #EBF7C6

RGB 235 247 198

HSL 74.69, 0.75%, 0.87%

LAB 95.27, -12.07, 22.27

 

CMYK 11 / 0 / 47 / 7

HEX #D1EC7E

RGB 209 236 126

HSL 74.73, 0.74%, 0.71%

LAB 89.42, -25.34, 50.1

 

CMYK 47 / 0 / 26 / 7

HEX #7EECAE

RGB 126 236 174

HSL 146.18, 0.74%, 0.71%

LAB 85.75, -45.32, 20.48

 

CMYK 8 / 47 / 0 / 7

HEX #DA7EEC

RGB 218 126 236

HSL 290.18, 0.74%, 0.71%

LAB 66.43, 52.36, -40.99

 

CMYK 11 / 0 / 47 / 7

HEX #D1EC7E

RGB 209 236 126

HSL 74.73, 0.74%, 0.71%

LAB 89.42, -25.34, 50.1

 

CMYK 47 / 11 / 0 / 7

HEX #7ED2EC

RGB 126 210 236

HSL 194.18, 0.74%, 0.71%

LAB 79.95, -18.76, -20.74

 

CMYK 0 / 47 / 11 / 7

HEX #EC7ED2

RGB 236 126 210

HSL 314.18, 0.74%, 0.71%

LAB 67.58, 53.04, -24.61

 

CMYK 11 / 0 / 47 / 7

HEX #D1EC7E

RGB 209 236 126

HSL 74.73, 0.74%, 0.71%

LAB 89.42, -25.34, 50.1

 

CMYK 47 / 0 / 26 / 7

HEX #7EECAE

RGB 126 236 174

HSL 146.18, 0.74%, 0.71%

LAB 85.75, -45.32, 20.48

 

CMYK 36 / 47 / 0 / 7

HEX #987EEC

RGB 152 126 236

HSL 254.18, 0.74%, 0.71%

LAB 59.57, 34.5, -52.27

 

CMYK 0 / 47 / 20 / 7

HEX #EC7EBC

RGB 236 126 188

HSL 326.18, 0.74%, 0.71%

LAB 66.81, 49.69, -13.45

 

CMYK 11 / 0 / 47 / 7

HEX #D1EC7E

RGB 209 236 126

HSL 74.73, 0.74%, 0.71%

LAB 89.42, -25.34, 50.1

 

CMYK 47 / 0 / 12 / 7

HEX #7EECCF

RGB 126 236 207

HSL 164.18, 0.74%, 0.71%

LAB 86.47, -38.43, 4.3

 

CMYK 36 / 47 / 0 / 7

HEX #987EEC

RGB 152 126 236

HSL 254.18, 0.74%, 0.71%

LAB 59.57, 34.5, -52.27

 

CMYK 0 / 47 / 34 / 7

HEX #EC7E9C

RGB 236 126 156

HSL 343.64, 0.74%, 0.71%

LAB 65.87, 45.44, 3.24

 

Description

Color code: HEX #D1EC7E | qconv.com Color code: HEX #D1EC7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 236 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 236 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 47 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 47% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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