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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1EB7E it is the complementary color #2E1481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1EB7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1EB7E shade: #D6EB79, #E7FD8C, #F8FF9F, #FFFFB2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1EB7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1EB7E shade: #D1EB7E, #C0D96B, #AFC758, #9EB545 and #8DA332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1EB7E shade: #D1EB7F, #EBE77F, #EBCA7F, #EBAD7F and #EB907F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1EB7E shade: #D1EB7F, #B4EB7F, #97EB7F, #7FEB84 and #7FEBA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1EB7E shade matches the following richer shades: #D1EB7F and #D7F673

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1EB7E shade: #D1EB7F, #CBDF8B, #C4D396, #BEC7A2 and #B8BBAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1EB7E shade: #EBCA7F, #EBE77F, #D1EB7F, #B5EB7F and #98EB7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1EB7E shade: #B7DF37, #C4E55B, #D1EB7F, #DEF0A2 and #EAF6C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1EB7E shade: #D1EB7E, #7FEBAD and #D97FEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1EB7E shade: #D1EB7E, #7FD1EB and #EB7FD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1EB7E shade: #D1EB7E, #7FEBAD, #987FEB and #EB7FBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1EB7E shade: #D1EB7E, #7FEBCE, #987FEB and #EB7F9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 46 / 8

HEX #D1EB7E

RGB 209 235 126

HSL 74.31, 0.73%, 0.71%

LAB 89.15, -24.86, 49.77

 

Complementary color

CMYK 64 / 84 / 0 / 49

HEX #2E1481

RGB 46 20 129

HSL 254.31, 0.73%, 0.29%

LAB 18.65, 42.12, -55.81

 

CMYK 9 / 0 / 49 / 8

HEX #D6EB79

RGB 214 235 121

HSL 71.05, 0.74%, 0.7%

LAB 89.44, -23.44, 52.56

 

CMYK 9 / 0 / 45 / 1

HEX #E7FD8C

RGB 231 253 140

HSL 71.68, 0.97%, 0.77%

LAB 95.64, -23.68, 51.45

 

CMYK 3 / 0 / 38 / 0

HEX #F8FF9F

RGB 248 255 159

HSL 64.38, 1%, 0.81%

LAB 97.62, -16.24, 45.09

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 11 / 0 / 46 / 8

HEX #D1EB7E

RGB 209 235 126

HSL 74.31, 0.73%, 0.71%

LAB 89.15, -24.86, 49.77

 

CMYK 12 / 0 / 51 / 15

HEX #C0D96B

RGB 192 217 107

HSL 73.64, 0.59%, 0.64%

LAB 82.86, -24.63, 50.88

 

CMYK 12 / 0 / 56 / 22

HEX #AFC758

RGB 175 199 88

HSL 72.97, 0.5%, 0.56%

LAB 76.48, -24.33, 51.94

 

CMYK 13 / 0 / 62 / 29

HEX #9EB545

RGB 158 181 69

HSL 72.32, 0.45%, 0.49%

LAB 70, -23.94, 52.85

 

CMYK 13 / 0 / 69 / 36

HEX #8DA332

RGB 141 163 50

HSL 71.68, 0.53%, 0.42%

LAB 63.42, -23.42, 53.47

 

CMYK 11 / 0 / 46 / 8

HEX #D1EB7F

RGB 209 235 127

HSL 74.44, 0.73%, 0.71%

LAB 89.16, -24.76, 49.31

 

CMYK 0 / 2 / 46 / 8

HEX #EBE77F

RGB 235 231 127

HSL 57.78, 0.73%, 0.71%

LAB 90.02, -12.73, 50.8

 

CMYK 0 / 14 / 46 / 8

HEX #EBCA7F

RGB 235 202 127

HSL 41.67, 0.73%, 0.71%

LAB 82.61, 1.98, 41.61

 

CMYK 0 / 26 / 46 / 8

HEX #EBAD7F

RGB 235 173 127

HSL 25.56, 0.73%, 0.71%

LAB 75.5, 17.23, 32.49

 

CMYK 0 / 39 / 46 / 8

HEX #EB907F

RGB 235 144 127

HSL 9.44, 0.73%, 0.71%

LAB 68.85, 32.6, 23.67

 

CMYK 11 / 0 / 46 / 8

HEX #D1EB7F

RGB 209 235 127

HSL 74.44, 0.73%, 0.71%

LAB 89.16, -24.76, 49.31

 

CMYK 23 / 0 / 46 / 8

HEX #B4EB7F

RGB 180 235 127

HSL 90.56, 0.73%, 0.71%

LAB 87.32, -35.44, 46.62

 

CMYK 36 / 0 / 46 / 8

HEX #97EB7F

RGB 151 235 127

HSL 106.67, 0.73%, 0.71%

LAB 85.77, -45.24, 44.36

 

CMYK 46 / 0 / 44 / 8

HEX #7FEB84

RGB 127 235 132

HSL 122.78, 0.73%, 0.71%

LAB 84.79, -51.72, 40.47

 

CMYK 46 / 0 / 31 / 8

HEX #7FEBA1

RGB 127 235 161

HSL 138.89, 0.73%, 0.71%

LAB 85.25, -47.04, 26.5

 

CMYK 11 / 0 / 46 / 8

HEX #D1EB7F

RGB 209 235 127

HSL 74.44, 0.73%, 0.71%

LAB 89.16, -24.76, 49.31

 

CMYK 13 / 0 / 53 / 4

HEX #D7F673

RGB 215 246 115

HSL 74.2, 0.88%, 0.71%

LAB 92.4, -28.81, 58.82

 

CMYK 11 / 0 / 46 / 8

HEX #D1EB7F

RGB 209 235 127

HSL 74.44, 0.73%, 0.71%

LAB 89.16, -24.76, 49.31

 

CMYK 9 / 0 / 38 / 13

HEX #CBDF8B

RGB 203 223 139

HSL 74.29, 0.57%, 0.71%

LAB 85.67, -19.89, 38.97

 

CMYK 7 / 0 / 29 / 17

HEX #C4D396

RGB 196 211 150

HSL 74.75, 0.41%, 0.71%

LAB 82.12, -15.15, 28.59

 

CMYK 5 / 0 / 19 / 22

HEX #BEC7A2

RGB 190 199 162

HSL 74.59, 0.25%, 0.71%

LAB 78.7, -9.5, 17.51

 

CMYK 2 / 0 / 7 / 27

HEX #B8BBAE

RGB 184 187 174

HSL 73.85, 0.09%, 0.71%

LAB 75.32, -3.41, 6.21

 

CMYK 0 / 14 / 46 / 8

HEX #EBCA7F

RGB 235 202 127

HSL 41.67, 0.73%, 0.71%

LAB 82.61, 1.98, 41.61

 

CMYK 0 / 2 / 46 / 8

HEX #EBE77F

RGB 235 231 127

HSL 57.78, 0.73%, 0.71%

LAB 90.02, -12.73, 50.8

 

CMYK 11 / 0 / 46 / 8

HEX #D1EB7F

RGB 209 235 127

HSL 74.44, 0.73%, 0.71%

LAB 89.16, -24.76, 49.31

 

CMYK 23 / 0 / 46 / 8

HEX #B5EB7F

RGB 181 235 127

HSL 90, 0.73%, 0.71%

LAB 87.37, -35.09, 46.71

 

CMYK 35 / 0 / 46 / 8

HEX #98EB7F

RGB 152 235 127

HSL 106.11, 0.73%, 0.71%

LAB 85.82, -44.93, 44.43

 

CMYK 18 / 0 / 75 / 13

HEX #B7DF37

RGB 183 223 55

HSL 74.29, 0.72%, 0.55%

LAB 83.5, -34.62, 72.22

 

CMYK 14 / 0 / 60 / 10

HEX #C4E55B

RGB 196 229 91

HSL 74.35, 0.73%, 0.63%

LAB 86.27, -30.13, 61.98

 

CMYK 11 / 0 / 46 / 8

HEX #D1EB7F

RGB 209 235 127

HSL 74.44, 0.73%, 0.71%

LAB 89.16, -24.76, 49.31

 

CMYK 8 / 0 / 33 / 6

HEX #DEF0A2

RGB 222 240 162

HSL 73.85, 0.72%, 0.79%

LAB 91.89, -18.28, 35.8

 

CMYK 5 / 0 / 20 / 4

HEX #EAF6C6

RGB 234 246 198

HSL 75, 0.73%, 0.87%

LAB 94.94, -11.93, 21.81

 

CMYK 11 / 0 / 46 / 8

HEX #D1EB7E

RGB 209 235 126

HSL 74.31, 0.73%, 0.71%

LAB 89.15, -24.86, 49.77

 

CMYK 46 / 0 / 26 / 8

HEX #7FEBAD

RGB 127 235 173

HSL 145.56, 0.73%, 0.71%

LAB 85.48, -44.83, 20.63

 

CMYK 8 / 46 / 0 / 8

HEX #D97FEB

RGB 217 127 235

HSL 290, 0.73%, 0.71%

LAB 66.47, 51.38, -40.4

 

CMYK 11 / 0 / 46 / 8

HEX #D1EB7E

RGB 209 235 126

HSL 74.31, 0.73%, 0.71%

LAB 89.15, -24.86, 49.77

 

CMYK 46 / 11 / 0 / 8

HEX #7FD1EB

RGB 127 209 235

HSL 194.44, 0.73%, 0.71%

LAB 79.68, -18.28, -20.61

 

CMYK 0 / 46 / 11 / 8

HEX #EB7FD1

RGB 235 127 209

HSL 314.44, 0.73%, 0.71%

LAB 67.61, 52.09, -24.02

 

CMYK 11 / 0 / 46 / 8

HEX #D1EB7E

RGB 209 235 126

HSL 74.31, 0.73%, 0.71%

LAB 89.15, -24.86, 49.77

 

CMYK 46 / 0 / 26 / 8

HEX #7FEBAD

RGB 127 235 173

HSL 145.56, 0.73%, 0.71%

LAB 85.48, -44.83, 20.63

 

CMYK 35 / 46 / 0 / 8

HEX #987FEB

RGB 152 127 235

HSL 253.89, 0.73%, 0.71%

LAB 59.76, 33.66, -51.42

 

CMYK 0 / 46 / 20 / 8

HEX #EB7FBC

RGB 235 127 188

HSL 326.11, 0.73%, 0.71%

LAB 66.88, 48.87, -13.37

 

CMYK 11 / 0 / 46 / 8

HEX #D1EB7E

RGB 209 235 126

HSL 74.31, 0.73%, 0.71%

LAB 89.15, -24.86, 49.77

 

CMYK 46 / 0 / 12 / 8

HEX #7FEBCE

RGB 127 235 206

HSL 163.89, 0.73%, 0.71%

LAB 86.2, -37.96, 4.43

 

CMYK 35 / 46 / 0 / 8

HEX #987FEB

RGB 152 127 235

HSL 253.89, 0.73%, 0.71%

LAB 59.76, 33.66, -51.42

 

CMYK 0 / 46 / 34 / 8

HEX #EB7F9B

RGB 235 127 155

HSL 344.44, 0.73%, 0.71%

LAB 65.91, 44.47, 3.84

 

Description

Color code: HEX #D1EB7E | qconv.com Color code: HEX #D1EB7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 235 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 235 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 46 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 46% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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