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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1EB6F it is the complementary color #2E1490. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1EB6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1EB6F shade: #D6EB6A, #E7FD7D, #F8FF90, #FFFFA3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1EB6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1EB6F shade: #D1EB6F, #C0D95C, #AFC749, #9EB536 and #8DA323

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1EB6F shade: #D1EB6F, #EBE46F, #EBC36F, #EBA16F and #EB806F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1EB6F shade: #D1EB6F, #B0EB6F, #8FEB6F, #6FEB72 and #6FEB93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1EB6F shade matches the following richer shades: #D1EB6F and #D9F962

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1EB6F shade: #D1EB6F, #CADE7D, #C2D18A, #BAC497 and #B3B7A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1EB6F shade: #EBC26F, #EBE36F, #D3EB6F, #B2EB6F and #90EB6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1EB6F shade: #BAE227, #C6E64B, #D1EB6F, #DDF094 and #E8F5B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1EB6F shade: #D1EB6F, #6FEBA1 and #D36FEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1EB6F shade: #D1EB6F, #6FD3EB and #EB6FD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1EB6F shade: #D1EB6F, #6FEBA1, #886FEB and #EB6FBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1EB6F shade: #D1EB6F, #6FEBC6, #886FEB and #EB6F95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 53 / 8

HEX #D1EB6F

RGB 209 235 111

HSL 72.58, 0.76%, 0.68%

LAB 88.98, -26.28, 56.53

 

Complementary color

CMYK 68 / 86 / 0 / 44

HEX #2E1490

RGB 46 20 144

HSL 252.58, 0.76%, 0.32%

LAB 20.42, 46.55, -62.31

 

CMYK 9 / 0 / 55 / 8

HEX #D6EB6A

RGB 214 235 106

HSL 69.77, 0.76%, 0.67%

LAB 89.28, -24.77, 59.21

 

CMYK 9 / 0 / 51 / 1

HEX #E7FD7D

RGB 231 253 125

HSL 70.31, 0.97%, 0.74%

LAB 95.46, -25.11, 58.18

 

CMYK 3 / 0 / 44 / 0

HEX #F8FF90

RGB 248 255 144

HSL 63.78, 1%, 0.78%

LAB 97.43, -17.8, 52.04

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 11 / 0 / 53 / 8

HEX #D1EB6F

RGB 209 235 111

HSL 72.58, 0.76%, 0.68%

LAB 88.98, -26.28, 56.53

 

CMYK 12 / 0 / 58 / 15

HEX #C0D95C

RGB 192 217 92

HSL 72, 0.62%, 0.61%

LAB 82.7, -25.94, 57.52

 

CMYK 12 / 0 / 63 / 22

HEX #AFC749

RGB 175 199 73

HSL 71.43, 0.53%, 0.53%

LAB 76.34, -25.5, 58.34

 

CMYK 13 / 0 / 70 / 29

HEX #9EB536

RGB 158 181 54

HSL 70.87, 0.54%, 0.46%

LAB 69.88, -24.94, 58.83

 

CMYK 13 / 0 / 79 / 36

HEX #8DA323

RGB 141 163 35

HSL 70.31, 0.65%, 0.39%

LAB 63.33, -24.21, 58.69

 

CMYK 11 / 0 / 53 / 8

HEX #D1EB6F

RGB 209 235 111

HSL 72.58, 0.76%, 0.68%

LAB 88.98, -26.28, 56.53

 

CMYK 0 / 3 / 53 / 8

HEX #EBE46F

RGB 235 228 111

HSL 56.61, 0.76%, 0.68%

LAB 89.06, -12.63, 57.13

 

CMYK 0 / 17 / 53 / 8

HEX #EBC36F

RGB 235 195 111

HSL 40.65, 0.76%, 0.68%

LAB 80.65, 4.18, 47.15

 

CMYK 0 / 31 / 53 / 8

HEX #EBA16F

RGB 235 161 111

HSL 24.19, 0.76%, 0.68%

LAB 72.43, 22.13, 36.98

 

CMYK 0 / 46 / 53 / 8

HEX #EB806F

RGB 235 128 111

HSL 8.23, 0.76%, 0.68%

LAB 65.16, 39.44, 27.61

 

CMYK 11 / 0 / 53 / 8

HEX #D1EB6F

RGB 209 235 111

HSL 72.58, 0.76%, 0.68%

LAB 88.98, -26.28, 56.53

 

CMYK 25 / 0 / 53 / 8

HEX #B0EB6F

RGB 176 235 111

HSL 88.55, 0.76%, 0.68%

LAB 86.9, -38.6, 53.57

 

CMYK 39 / 0 / 53 / 8

HEX #8FEB6F

RGB 143 235 111

HSL 104.52, 0.76%, 0.68%

LAB 85.2, -49.7, 51.14

 

CMYK 53 / 0 / 51 / 8

HEX #6FEB72

RGB 111 235 114

HSL 121.45, 0.76%, 0.68%

LAB 83.97, -58.41, 47.96

 

CMYK 53 / 0 / 37 / 8

HEX #6FEB93

RGB 111 235 147

HSL 137.42, 0.76%, 0.68%

LAB 84.43, -53.49, 32.42

 

CMYK 11 / 0 / 53 / 8

HEX #D1EB6F

RGB 209 235 111

HSL 72.58, 0.76%, 0.68%

LAB 88.98, -26.28, 56.53

 

CMYK 13 / 0 / 61 / 2

HEX #D9F962

RGB 217 249 98

HSL 72.72, 0.93%, 0.68%

LAB 93.18, -30.79, 67.03

 

CMYK 11 / 0 / 53 / 8

HEX #D1EB6F

RGB 209 235 111

HSL 72.58, 0.76%, 0.68%

LAB 88.98, -26.28, 56.53

 

CMYK 9 / 0 / 44 / 13

HEX #CADE7D

RGB 202 222 125

HSL 72.37, 0.6%, 0.68%

LAB 85.14, -21.37, 45.2

 

CMYK 7 / 0 / 34 / 18

HEX #C2D18A

RGB 194 209 138

HSL 72.68, 0.44%, 0.68%

LAB 81.24, -16.49, 33.59

 

CMYK 5 / 0 / 23 / 23

HEX #BAC497

RGB 186 196 151

HSL 73.33, 0.28%, 0.68%

LAB 77.37, -11.12, 21.49

 

CMYK 2 / 0 / 10 / 28

HEX #B3B7A4

RGB 179 183 164

HSL 72.63, 0.12%, 0.68%

LAB 73.63, -4.82, 9.18

 

CMYK 0 / 17 / 53 / 8

HEX #EBC26F

RGB 235 194 111

HSL 40.16, 0.76%, 0.68%

LAB 80.4, 4.7, 46.85

 

CMYK 0 / 3 / 53 / 8

HEX #EBE36F

RGB 235 227 111

HSL 56.13, 0.76%, 0.68%

LAB 88.8, -12.13, 56.82

 

CMYK 10 / 0 / 53 / 8

HEX #D3EB6F

RGB 211 235 111

HSL 71.61, 0.76%, 0.68%

LAB 89.12, -25.51, 56.73

 

CMYK 24 / 0 / 53 / 8

HEX #B2EB6F

RGB 178 235 111

HSL 87.58, 0.76%, 0.68%

LAB 87.01, -37.88, 53.73

 

CMYK 39 / 0 / 53 / 8

HEX #90EB6F

RGB 144 235 111

HSL 104.03, 0.76%, 0.68%

LAB 85.25, -49.39, 51.2

 

CMYK 18 / 0 / 83 / 11

HEX #BAE227

RGB 186 226 39

HSL 72.83, 0.76%, 0.52%

LAB 84.47, -35.42, 77.5

 

CMYK 14 / 0 / 67 / 10

HEX #C6E64B

RGB 198 230 75

HSL 72.39, 0.76%, 0.6%

LAB 86.56, -30.89, 68.69

 

CMYK 11 / 0 / 53 / 8

HEX #D1EB6F

RGB 209 235 111

HSL 72.58, 0.76%, 0.68%

LAB 88.98, -26.28, 56.53

 

CMYK 8 / 0 / 38 / 6

HEX #DDF094

RGB 221 240 148

HSL 72.39, 0.75%, 0.76%

LAB 91.61, -20.34, 42.38

 

CMYK 5 / 0 / 25 / 4

HEX #E8F5B8

RGB 232 245 184

HSL 72.79, 0.75%, 0.84%

LAB 94.28, -14.16, 28.01

 

CMYK 11 / 0 / 53 / 8

HEX #D1EB6F

RGB 209 235 111

HSL 72.58, 0.76%, 0.68%

LAB 88.98, -26.28, 56.53

 

CMYK 53 / 0 / 31 / 8

HEX #6FEBA1

RGB 111 235 161

HSL 144.19, 0.76%, 0.68%

LAB 84.67, -51.01, 25.62

 

CMYK 10 / 53 / 0 / 8

HEX #D36FEB

RGB 211 111 235

HSL 288.39, 0.76%, 0.68%

LAB 62.69, 57.73, -46.38

 

CMYK 11 / 0 / 53 / 8

HEX #D1EB6F

RGB 209 235 111

HSL 72.58, 0.76%, 0.68%

LAB 88.98, -26.28, 56.53

 

CMYK 53 / 10 / 0 / 8

HEX #6FD3EB

RGB 111 211 235

HSL 191.61, 0.76%, 0.68%

LAB 79.59, -22.8, -20.8

 

CMYK 0 / 53 / 10 / 8

HEX #EB6FD3

RGB 235 111 211

HSL 311.61, 0.76%, 0.68%

LAB 64.75, 60.09, -29.53

 

CMYK 11 / 0 / 53 / 8

HEX #D1EB6F

RGB 209 235 111

HSL 72.58, 0.76%, 0.68%

LAB 88.98, -26.28, 56.53

 

CMYK 53 / 0 / 31 / 8

HEX #6FEBA1

RGB 111 235 161

HSL 144.19, 0.76%, 0.68%

LAB 84.67, -51.01, 25.62

 

CMYK 42 / 53 / 0 / 8

HEX #886FEB

RGB 136 111 235

HSL 252.1, 0.76%, 0.68%

LAB 54.66, 38.99, -59.64

 

CMYK 0 / 53 / 21 / 8

HEX #EB6FBA

RGB 235 111 186

HSL 323.71, 0.76%, 0.68%

LAB 63.82, 56.36, -16.86

 

CMYK 11 / 0 / 53 / 8

HEX #D1EB6F

RGB 209 235 111

HSL 72.58, 0.76%, 0.68%

LAB 88.98, -26.28, 56.53

 

CMYK 53 / 0 / 16 / 8

HEX #6FEBC6

RGB 111 235 198

HSL 162.1, 0.76%, 0.68%

LAB 85.44, -43.38, 7.46

 

CMYK 42 / 53 / 0 / 8

HEX #886FEB

RGB 136 111 235

HSL 252.1, 0.76%, 0.68%

LAB 54.66, 38.99, -59.64

 

CMYK 0 / 53 / 37 / 8

HEX #EB6F95

RGB 235 111 149

HSL 341.61, 0.76%, 0.68%

LAB 62.68, 51.64, 2.59

 

Description

Color code: HEX #D1EB6F | qconv.com Color code: HEX #D1EB6F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 235 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 235 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 53 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 53% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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