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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1E649 it is the complementary color #2E19B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1E649. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1E649 shade: #D6E644, #E7F857, #F8FF6A, #FFFF7D and #FFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1E649. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1E649 shade: #D1E649, #C0D436, #AFC223, #9EB010 and #8D9E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1E649 shade: #D1E647, #E6D047, #E6A547, #E67B47 and #E65047

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1E649 shade: #D1E647, #A6E647, #7BE647, #50E647 and #47E669

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1E649 shade matches the following richer shades: #D1E647 and #DDF736

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1E649 shade: #D1E647, #C4D558, #B8C469, #ABB37A and #9FA28B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1E649 shade: #E6A647, #E6D147, #D1E647, #A6E647 and #7CE647

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1E649 shade: #AAC01A, #C7E123, #D1E647, #DAEB6B and #E3F090

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1E649 shade: #D1E649, #47E67C and #BC47E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1E649 shade: #D1E649, #47D1E6 and #E647D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1E649 shade: #D1E649, #47E67C, #5C47E6 and #E647B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1E649 shade: #D1E649, #47E6AC, #5C47E6 and #E64781

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 68 / 10

HEX #D1E649

RGB 209 230 73

HSL 68.03, 0.76%, 0.59%

LAB 87.3, -26.63, 70.43

 

Complementary color

CMYK 75 / 86 / 0 / 29

HEX #2E19B6

RGB 46 25 182

HSL 248.03, 0.76%, 0.41%

LAB 25.72, 55.55, -76.63

 

CMYK 7 / 0 / 70 / 10

HEX #D6E644

RGB 214 230 68

HSL 65.93, 0.76%, 0.58%

LAB 87.63, -24.87, 72.65

 

CMYK 7 / 0 / 65 / 3

HEX #E7F857

RGB 231 248 87

HSL 66.34, 0.92%, 0.66%

LAB 93.8, -25.56, 72.33

 

CMYK 3 / 0 / 58 / 0

HEX #F8FF6A

RGB 248 255 106

HSL 62.82, 1%, 0.71%

LAB 97.03, -20.95, 68.57

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 9 / 0 / 68 / 10

HEX #D1E649

RGB 209 230 73

HSL 68.03, 0.76%, 0.59%

LAB 87.3, -26.63, 70.43

 

CMYK 9 / 0 / 75 / 17

HEX #C0D436

RGB 192 212 54

HSL 67.59, 0.65%, 0.52%

LAB 81.05, -25.9, 70.46

 

CMYK 10 / 0 / 82 / 24

HEX #AFC223

RGB 175 194 35

HSL 67.17, 0.69%, 0.45%

LAB 74.71, -25.01, 69.74

 

CMYK 10 / 0 / 91 / 31

HEX #9EB010

RGB 158 176 16

HSL 66.75, 0.83%, 0.38%

LAB 68.28, -23.92, 67.85

 

CMYK 11 / 0 / 100 / 38

HEX #8D9E00

RGB 141 158 0

HSL 66.46, 1%, 0.31%

LAB 61.75, -22.62, 64.46

 

CMYK 9 / 0 / 69 / 10

HEX #D1E647

RGB 209 230 71

HSL 67.92, 0.76%, 0.59%

LAB 87.29, -26.74, 71.14

 

CMYK 0 / 10 / 69 / 10

HEX #E6D047

RGB 230 208 71

HSL 51.7, 0.76%, 0.59%

LAB 83.12, -7.26, 67.52

 

CMYK 0 / 28 / 69 / 10

HEX #E6A547

RGB 230 165 71

HSL 35.47, 0.76%, 0.59%

LAB 72.35, 15.18, 56.44

 

CMYK 0 / 47 / 69 / 10

HEX #E67B47

RGB 230 123 71

HSL 19.62, 0.76%, 0.59%

LAB 62.88, 37.34, 46.14

 

CMYK 0 / 65 / 69 / 10

HEX #E65047

RGB 230 80 71

HSL 3.4, 0.76%, 0.59%

LAB 55.09, 57.48, 37.18

 

CMYK 9 / 0 / 69 / 10

HEX #D1E647

RGB 209 230 71

HSL 67.92, 0.76%, 0.59%

LAB 87.29, -26.74, 71.14

 

CMYK 28 / 0 / 69 / 10

HEX #A6E647

RGB 166 230 71

HSL 84.15, 0.76%, 0.59%

LAB 84.56, -43.31, 67.5

 

CMYK 47 / 0 / 69 / 10

HEX #7BE647

RGB 123 230 71

HSL 100.38, 0.76%, 0.59%

LAB 82.52, -57.59, 64.75

 

CMYK 65 / 0 / 69 / 10

HEX #50E647

RGB 80 230 71

HSL 116.6, 0.76%, 0.59%

LAB 81.16, -68.27, 62.91

 

CMYK 69 / 0 / 54 / 10

HEX #47E669

RGB 71 230 105

HSL 132.83, 0.76%, 0.59%

LAB 81.27, -66.25, 48.62

 

CMYK 9 / 0 / 69 / 10

HEX #D1E647

RGB 209 230 71

HSL 67.92, 0.76%, 0.59%

LAB 87.29, -26.74, 71.14

 

CMYK 11 / 0 / 78 / 3

HEX #DDF736

RGB 221 247 54

HSL 68.08, 0.92%, 0.59%

LAB 92.65, -30.64, 81.8

 

CMYK 9 / 0 / 69 / 10

HEX #D1E647

RGB 209 230 71

HSL 67.92, 0.76%, 0.59%

LAB 87.29, -26.74, 71.14

 

CMYK 8 / 0 / 59 / 16

HEX #C4D558

RGB 196 213 88

HSL 68.16, 0.6%, 0.59%

LAB 81.85, -22.73, 58.4

 

CMYK 6 / 0 / 46 / 23

HEX #B8C469

RGB 184 196 105

HSL 67.91, 0.44%, 0.59%

LAB 76.49, -17.66, 44.04

 

CMYK 4 / 0 / 32 / 30

HEX #ABB37A

RGB 171 179 122

HSL 68.42, 0.27%, 0.59%

LAB 71.08, -12.15, 28.23

 

CMYK 2 / 0 / 14 / 36

HEX #9FA28B

RGB 159 162 139

HSL 67.83, 0.11%, 0.59%

LAB 65.81, -5.22, 11.61

 

CMYK 0 / 28 / 69 / 10

HEX #E6A647

RGB 230 166 71

HSL 35.85, 0.76%, 0.59%

LAB 72.59, 14.65, 56.7

 

CMYK 0 / 9 / 69 / 10

HEX #E6D147

RGB 230 209 71

HSL 52.08, 0.76%, 0.59%

LAB 83.38, -7.77, 67.78

 

CMYK 9 / 0 / 69 / 10

HEX #D1E647

RGB 209 230 71

HSL 67.92, 0.76%, 0.59%

LAB 87.29, -26.74, 71.14

 

CMYK 28 / 0 / 69 / 10

HEX #A6E647

RGB 166 230 71

HSL 84.15, 0.76%, 0.59%

LAB 84.56, -43.31, 67.5

 

CMYK 46 / 0 / 69 / 10

HEX #7CE647

RGB 124 230 71

HSL 100, 0.76%, 0.59%

LAB 82.56, -57.3, 64.81

 

CMYK 11 / 0 / 86 / 25

HEX #AAC01A

RGB 170 192 26

HSL 67.95, 0.76%, 0.43%

LAB 73.75, -26.4, 70.84

 

CMYK 12 / 0 / 84 / 12

HEX #C7E123

RGB 199 225 35

HSL 68.21, 0.76%, 0.51%

LAB 85.05, -29.86, 79.22

 

CMYK 9 / 0 / 69 / 10

HEX #D1E647

RGB 209 230 71

HSL 67.92, 0.76%, 0.59%

LAB 87.29, -26.74, 71.14

 

CMYK 7 / 0 / 54 / 8

HEX #DAEB6B

RGB 218 235 107

HSL 67.97, 0.76%, 0.67%

LAB 89.57, -23.12, 59.18

 

CMYK 5 / 0 / 40 / 6

HEX #E3F090

RGB 227 240 144

HSL 68.13, 0.76%, 0.75%

LAB 91.98, -18.53, 44.9

 

CMYK 9 / 0 / 68 / 10

HEX #D1E649

RGB 209 230 73

HSL 68.03, 0.76%, 0.59%

LAB 87.3, -26.63, 70.43

 

CMYK 69 / 0 / 46 / 10

HEX #47E67C

RGB 71 230 124

HSL 140, 0.76%, 0.59%

LAB 81.5, -63.5, 39.86

 

CMYK 18 / 69 / 0 / 10

HEX #BC47E6

RGB 188 71 230

HSL 284.15, 0.76%, 0.59%

LAB 52.85, 69.21, -59.43

 

CMYK 9 / 0 / 68 / 10

HEX #D1E649

RGB 209 230 73

HSL 68.03, 0.76%, 0.59%

LAB 87.3, -26.63, 70.43

 

CMYK 69 / 9 / 0 / 10

HEX #47D1E6

RGB 71 209 230

HSL 187.92, 0.76%, 0.59%

LAB 77.67, -30.05, -21.15

 

CMYK 0 / 69 / 9 / 10

HEX #E647D1

RGB 230 71 209

HSL 307.92, 0.76%, 0.59%

LAB 57.97, 74.83, -39.01

 

CMYK 9 / 0 / 68 / 10

HEX #D1E649

RGB 209 230 73

HSL 68.03, 0.76%, 0.59%

LAB 87.3, -26.63, 70.43

 

CMYK 69 / 0 / 46 / 10

HEX #47E67C

RGB 71 230 124

HSL 140, 0.76%, 0.59%

LAB 81.5, -63.5, 39.86

 

CMYK 60 / 69 / 0 / 10

HEX #5C47E6

RGB 92 71 230

HSL 247.92, 0.76%, 0.59%

LAB 41.99, 52.06, -77.56

 

CMYK 0 / 69 / 23 / 10

HEX #E647B1

RGB 230 71 177

HSL 320, 0.76%, 0.59%

LAB 56.59, 70.42, -22.79

 

CMYK 9 / 0 / 68 / 10

HEX #D1E649

RGB 209 230 73

HSL 68.03, 0.76%, 0.59%

LAB 87.3, -26.63, 70.43

 

CMYK 69 / 0 / 25 / 10

HEX #47E6AC

RGB 71 230 172

HSL 158.11, 0.76%, 0.59%

LAB 82.33, -54.4, 16.52

 

CMYK 60 / 69 / 0 / 10

HEX #5C47E6

RGB 92 71 230

HSL 247.92, 0.76%, 0.59%

LAB 41.99, 52.06, -77.56

 

CMYK 0 / 69 / 44 / 10

HEX #E64781

RGB 230 71 129

HSL 338.11, 0.76%, 0.59%

LAB 54.98, 65.1, 3.03

 

Description

Color code: HEX #D1E649 | qconv.com Color code: HEX #D1E649 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 230 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 230 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 68 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 68% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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