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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1E345 it is the complementary color #2E1CBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1E345. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1E345 shade: #D6E340, #E7F553, #F8FF66, #FFFF79 and #FFFF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1E345. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1E345 shade: #D1E345, #C0D132, #AFBF1F, #9EAD0C and #8D9B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1E345 shade: #D1E345, #E3CA45, #E3A045, #E37545 and #E34A45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1E345 shade: #D1E345, #A6E345, #7CE345, #51E345 and #45E363

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1E345 shade matches the following richer shades: #D1E345 and #DEF433

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1E345 shade: #D1E345, #C4D256, #B6C067, #A9AF79 and #9C9E8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1E345 shade: #E39E45, #E3C945, #D3E345, #A9E345 and #7FE345

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1E345 shade: #A8BA1C, #C8DD21, #D1E345, #DAE969 and #E3EE8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1E345 shade: #D1E345, #45E374 and #B445E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1E345 shade: #D1E345, #45D3E3 and #E345D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1E345 shade: #D1E345, #45E374, #5445E3 and #E345B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1E345 shade: #D1E345, #45E3A4, #5445E3 and #E34584

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 70 / 11

HEX #D1E345

RGB 209 227 69

HSL 66.84, 0.74%, 0.58%

LAB 86.47, -25.42, 71.03

 

Complementary color

CMYK 75 / 85 / 0 / 27

HEX #2E1CBA

RGB 46 28 186

HSL 246.84, 0.74%, 0.42%

LAB 26.61, 55.52, -77.54

 

CMYK 6 / 0 / 72 / 11

HEX #D6E340

RGB 214 227 64

HSL 64.79, 0.74%, 0.57%

LAB 86.8, -23.63, 73.21

 

CMYK 6 / 0 / 66 / 4

HEX #E7F553

RGB 231 245 83

HSL 65.19, 0.89%, 0.64%

LAB 92.98, -24.37, 72.99

 

CMYK 3 / 0 / 60 / 0

HEX #F8FF66

RGB 248 255 102

HSL 62.75, 1%, 0.7%

LAB 97, -21.22, 70.17

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 8 / 0 / 70 / 11

HEX #D1E345

RGB 209 227 69

HSL 66.84, 0.74%, 0.58%

LAB 86.47, -25.42, 71.03

 

CMYK 8 / 0 / 76 / 18

HEX #C0D132

RGB 192 209 50

HSL 66.42, 0.63%, 0.51%

LAB 80.2, -24.63, 70.92

 

CMYK 8 / 0 / 84 / 25

HEX #AFBF1F

RGB 175 191 31

HSL 66, 0.72%, 0.44%

LAB 73.85, -23.67, 69.98

 

CMYK 9 / 0 / 93 / 32

HEX #9EAD0C

RGB 158 173 12

HSL 65.59, 0.87%, 0.36%

LAB 67.41, -22.51, 67.75

 

CMYK 9 / 0 / 100 / 39

HEX #8D9B00

RGB 141 155 0

HSL 65.42, 1%, 0.3%

LAB 60.87, -21.11, 63.8

 

CMYK 8 / 0 / 70 / 11

HEX #D1E345

RGB 209 227 69

HSL 66.84, 0.74%, 0.58%

LAB 86.47, -25.42, 71.03

 

CMYK 0 / 11 / 70 / 11

HEX #E3CA45

RGB 227 202 69

HSL 50.51, 0.74%, 0.58%

LAB 81.29, -5.57, 66.37

 

CMYK 0 / 30 / 70 / 11

HEX #E3A045

RGB 227 160 69

HSL 34.56, 0.74%, 0.58%

LAB 70.8, 16.48, 55.59

 

CMYK 0 / 48 / 70 / 11

HEX #E37545

RGB 227 117 69

HSL 18.23, 0.74%, 0.58%

LAB 61.21, 39.12, 45.16

 

CMYK 0 / 67 / 70 / 11

HEX #E34A45

RGB 227 74 69

HSL 1.9, 0.74%, 0.58%

LAB 53.66, 58.8, 36.5

 

CMYK 8 / 0 / 70 / 11

HEX #D1E345

RGB 209 227 69

HSL 66.84, 0.74%, 0.58%

LAB 86.47, -25.42, 71.03

 

CMYK 27 / 0 / 70 / 11

HEX #A6E345

RGB 166 227 69

HSL 83.16, 0.74%, 0.58%

LAB 83.69, -42.13, 67.34

 

CMYK 45 / 0 / 70 / 11

HEX #7CE345

RGB 124 227 69

HSL 99.11, 0.74%, 0.58%

LAB 81.65, -56.3, 64.61

 

CMYK 64 / 0 / 70 / 11

HEX #51E345

RGB 81 227 69

HSL 115.44, 0.74%, 0.58%

LAB 80.25, -67.25, 62.71

 

CMYK 70 / 0 / 56 / 11

HEX #45E363

RGB 69 227 99

HSL 131.39, 0.74%, 0.58%

LAB 80.24, -66.35, 50.14

 

CMYK 8 / 0 / 70 / 11

HEX #D1E345

RGB 209 227 69

HSL 66.84, 0.74%, 0.58%

LAB 86.47, -25.42, 71.03

 

CMYK 9 / 0 / 79 / 4

HEX #DEF433

RGB 222 244 51

HSL 66.84, 0.9%, 0.58%

LAB 91.9, -28.95, 81.96

 

CMYK 8 / 0 / 70 / 11

HEX #D1E345

RGB 209 227 69

HSL 66.84, 0.74%, 0.58%

LAB 86.47, -25.42, 71.03

 

CMYK 7 / 0 / 59 / 18

HEX #C4D256

RGB 196 210 86

HSL 66.77, 0.58%, 0.58%

LAB 81.02, -21.41, 58.34

 

CMYK 5 / 0 / 46 / 25

HEX #B6C067

RGB 182 192 103

HSL 66.74, 0.41%, 0.58%

LAB 75.22, -16.65, 43.43

 

CMYK 3 / 0 / 31 / 31

HEX #A9AF79

RGB 169 175 121

HSL 66.67, 0.25%, 0.58%

LAB 69.81, -10.99, 27.05

 

CMYK 1 / 0 / 13 / 38

HEX #9C9E8A

RGB 156 158 138

HSL 66, 0.09%, 0.58%

LAB 64.45, -4.36, 10.21

 

CMYK 0 / 30 / 70 / 11

HEX #E39E45

RGB 227 158 69

HSL 33.8, 0.74%, 0.58%

LAB 70.33, 17.55, 55.09

 

CMYK 0 / 11 / 70 / 11

HEX #E3C945

RGB 227 201 69

HSL 50.13, 0.74%, 0.58%

LAB 81.03, -5.06, 66.11

 

CMYK 7 / 0 / 70 / 11

HEX #D3E345

RGB 211 227 69

HSL 66.08, 0.74%, 0.58%

LAB 86.61, -24.61, 71.22

 

CMYK 26 / 0 / 70 / 11

HEX #A9E345

RGB 169 227 69

HSL 82.03, 0.74%, 0.58%

LAB 83.86, -41.02, 67.57

 

CMYK 44 / 0 / 70 / 11

HEX #7FE345

RGB 127 227 69

HSL 97.97, 0.74%, 0.58%

LAB 81.77, -55.38, 64.77

 

CMYK 10 / 0 / 85 / 27

HEX #A8BA1C

RGB 168 186 28

HSL 66.84, 0.74%, 0.42%

LAB 71.91, -24.28, 68.82

 

CMYK 10 / 0 / 85 / 13

HEX #C8DD21

RGB 200 221 33

HSL 66.7, 0.74%, 0.5%

LAB 84.02, -27.62, 78.8

 

CMYK 8 / 0 / 70 / 11

HEX #D1E345

RGB 209 227 69

HSL 66.84, 0.74%, 0.58%

LAB 86.47, -25.42, 71.03

 

CMYK 6 / 0 / 55 / 9

HEX #DAE969

RGB 218 233 105

HSL 67.03, 0.74%, 0.66%

LAB 89.02, -22.32, 59.43

 

CMYK 5 / 0 / 41 / 7

HEX #E3EE8C

RGB 227 238 140

HSL 66.73, 0.74%, 0.74%

LAB 91.4, -17.98, 46.12

 

CMYK 8 / 0 / 70 / 11

HEX #D1E345

RGB 209 227 69

HSL 66.84, 0.74%, 0.58%

LAB 86.47, -25.42, 71.03

 

CMYK 70 / 0 / 49 / 11

HEX #45E374

RGB 69 227 116

HSL 137.85, 0.74%, 0.58%

LAB 80.44, -64, 42.4

 

CMYK 21 / 70 / 0 / 11

HEX #B445E3

RGB 180 69 227

HSL 282.15, 0.74%, 0.58%

LAB 51.27, 67.78, -60.33

 

CMYK 8 / 0 / 70 / 11

HEX #D1E345

RGB 209 227 69

HSL 66.84, 0.74%, 0.58%

LAB 86.47, -25.42, 71.03

 

CMYK 70 / 7 / 0 / 11

HEX #45D3E3

RGB 69 211 227

HSL 186.08, 0.74%, 0.58%

LAB 78.11, -32.16, -18.88

 

CMYK 0 / 70 / 7 / 11

HEX #E345D3

RGB 227 69 211

HSL 306.08, 0.74%, 0.58%

LAB 57.36, 75.13, -41.15

 

CMYK 8 / 0 / 70 / 11

HEX #D1E345

RGB 209 227 69

HSL 66.84, 0.74%, 0.58%

LAB 86.47, -25.42, 71.03

 

CMYK 70 / 0 / 49 / 11

HEX #45E374

RGB 69 227 116

HSL 137.85, 0.74%, 0.58%

LAB 80.44, -64, 42.4

 

CMYK 63 / 70 / 0 / 11

HEX #5445E3

RGB 84 69 227

HSL 245.7, 0.74%, 0.58%

LAB 40.71, 51.19, -77.97

 

CMYK 0 / 70 / 21 / 11

HEX #E345B4

RGB 227 69 180

HSL 317.85, 0.74%, 0.58%

LAB 55.97, 70.76, -25.52

 

CMYK 8 / 0 / 70 / 11

HEX #D1E345

RGB 209 227 69

HSL 66.84, 0.74%, 0.58%

LAB 86.47, -25.42, 71.03

 

CMYK 70 / 0 / 28 / 11

HEX #45E3A4

RGB 69 227 164

HSL 156.08, 0.74%, 0.58%

LAB 81.23, -55.24, 19.15

 

CMYK 63 / 70 / 0 / 11

HEX #5445E3

RGB 84 69 227

HSL 245.7, 0.74%, 0.58%

LAB 40.71, 51.19, -77.97

 

CMYK 0 / 70 / 42 / 11

HEX #E34584

RGB 227 69 132

HSL 336.08, 0.74%, 0.58%

LAB 54.29, 65.26, 0.18

 

Description

Color code: HEX #D1E345 | qconv.com Color code: HEX #D1E345 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 227 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 227 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 70 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 70% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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