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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1D8EC00 it is the complementary color #2E271300. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1D8EC00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1D8EC00 shade: #D6D8E700, #E7EAFA00 and #F8FCFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1D8EC00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1D8EC00 shade: #D1D8EC00, #C0C6D900, #AFB4C600, #9EA2B300 and #8D90A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1D8EC00 shade: #D0D7EC, #D0D0EC, #D8D0EC, #DFD0EC and #E7D0EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1D8EC00 shade: #D0D7EC and #D0D0EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1D8EC00 shade matches the following richer shades: #D0D7EC, #CBD5F1, #C5D2F7 and #C0CFFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1D8EC00 shade: #D0D7EC, #D5DAE6, #DBDCE1, #E0DFDC and #E5E1D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1D8EC00 shade: #D0E6EC, #D0DFEC, #D0D7EC, #D0D0EC and #D7D0EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1D8EC00 shade: #95A6D4, #B3BEE0, #D0D7EC, #EDF0F8 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1D8EC00 shade: #D1D8EC, #EAD0EC and #E2ECD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1D8EC00 shade: #D1D8EC, #ECD0D7 and #D7ECD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1D8EC00 shade: #D1D8EC, #EAD0EC, #ECE4D0 and #D2ECD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1D8EC00 shade: #D1D8EC, #ECD0E5, #ECE4D0 and #D0ECD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #D1D8EC00

RGBA 209 216 236 0

HSLA 224.44, 0.42%, 0.87%, 0

LABA 86.37, 1.51, -10.61, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #2E271300

RGBA 46 39 19 0

HSLA 44.44, 0.42%, 0.13%, 0

LABA 15.9, -0.14, 14.34, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D6D8E700

RGBA 214 216 231 0

HSLA 232.94, 0.26%, 0.87%, 0

LABA 86.59, 2.14, -7.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E7EAFA00

RGBA 231 234 250 0

HSLA 230.53, 0.66%, 0.94%, 0

LABA 92.9, 1.97, -8.07, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F8FCFF00

RGBA 248 252 255 0

HSLA 205.71, 1%, 0.99%, 0

LABA 98.75, -0.77, -1.9, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D1D8EC00

RGBA 209 216 236 0

HSLA 224.44, 0.42%, 0.87%, 0

LABA 86.37, 1.51, -10.61, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C0C6D900

RGBA 192 198 217 0

HSLA 225.6, 0.25%, 0.8%, 0

LABA 79.96, 1.67, -10.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AFB4C600

RGBA 175 180 198 0

HSLA 226.96, 0.17%, 0.73%, 0

LABA 73.44, 1.85, -9.71, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9EA2B300

RGBA 158 162 179 0

HSLA 228.57, 0.12%, 0.66%, 0

LABA 66.8, 2.03, -9.26, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8D90A000

RGBA 141 144 160 0

HSLA 230.53, 0.09%, 0.59%, 0

LABA 60.02, 2.23, -8.81, 0

 

CMYK 12 / 9 / 0 / 7

HEX #D0D7EC

RGB 208 215 236

HSL 225, 0.42%, 0.87%

LAB 86.04, 1.71, -11.1

 

CMYK 12 / 12 / 0 / 7

HEX #D0D0EC

RGB 208 208 236

HSL 240, 0.42%, 0.87%

LAB 84.27, 5.4, -13.75

 

CMYK 8 / 12 / 0 / 7

HEX #D8D0EC

RGB 216 208 236

HSL 257.14, 0.42%, 0.87%

LAB 84.88, 7.98, -12.77

 

CMYK 6 / 12 / 0 / 7

HEX #DFD0EC

RGB 223 208 236

HSL 272.14, 0.42%, 0.87%

LAB 85.43, 10.27, -11.89

 

CMYK 2 / 12 / 0 / 7

HEX #E7D0EC

RGB 231 208 236

HSL 289.29, 0.42%, 0.87%

LAB 86.08, 12.91, -10.84

 

CMYK 12 / 9 / 0 / 7

HEX #D0D7EC

RGB 208 215 236

HSL 225, 0.42%, 0.87%

LAB 86.04, 1.71, -11.1

 

CMYK 12 / 12 / 0 / 7

HEX #D0D0EC

RGB 208 208 236

HSL 240, 0.42%, 0.87%

LAB 84.27, 5.4, -13.75

 

CMYK 12 / 9 / 0 / 7

HEX #D0D7EC

RGB 208 215 236

HSL 225, 0.42%, 0.87%

LAB 86.04, 1.71, -11.1

 

CMYK 16 / 12 / 0 / 5

HEX #CBD5F1

RGB 203 213 241

HSL 224.21, 0.58%, 0.87%

LAB 85.32, 2.21, -14.86

 

CMYK 20 / 15 / 0 / 3

HEX #C5D2F7

RGB 197 210 247

HSL 224.4, 0.76%, 0.87%

LAB 84.32, 3.22, -19.59

 

CMYK 24 / 18 / 0 / 1

HEX #C0CFFC

RGB 192 207 252

HSL 225, 0.91%, 0.87%

LAB 83.37, 4.43, -23.71

 

CMYK 12 / 9 / 0 / 7

HEX #D0D7EC

RGB 208 215 236

HSL 225, 0.42%, 0.87%

LAB 86.04, 1.71, -11.1

 

CMYK 7 / 5 / 0 / 10

HEX #D5DAE6

RGB 213 218 230

HSL 222.35, 0.25%, 0.87%

LAB 87, 0.58, -6.47

 

CMYK 3 / 2 / 0 / 12

HEX #DBDCE1

RGB 219 220 225

HSL 230, 0.09%, 0.87%

LAB 87.82, 0.58, -2.57

 

CMYK 0 / 0 / 2 / 12

HEX #E0DFDC

RGB 224 223 220

HSL 45, 0.06%, 0.87%

LAB 88.82, -0.19, 1.58

 

CMYK 0 / 2 / 7 / 10

HEX #E5E1D6

RGB 229 225 214

HSL 44, 0.22%, 0.87%

LAB 89.56, -0.54, 5.85

 

CMYK 12 / 3 / 0 / 7

HEX #D0E6EC

RGB 208 230 236

HSL 192.86, 0.42%, 0.87%

LAB 89.89, -6.06, -5.4

 

CMYK 12 / 6 / 0 / 7

HEX #D0DFEC

RGB 208 223 236

HSL 207.86, 0.42%, 0.87%

LAB 88.08, -2.46, -8.06

 

CMYK 12 / 9 / 0 / 7

HEX #D0D7EC

RGB 208 215 236

HSL 225, 0.42%, 0.87%

LAB 86.04, 1.71, -11.1

 

CMYK 12 / 12 / 0 / 7

HEX #D0D0EC

RGB 208 208 236

HSL 240, 0.42%, 0.87%

LAB 84.27, 5.4, -13.75

 

CMYK 9 / 12 / 0 / 7

HEX #D7D0EC

RGB 215 208 236

HSL 255, 0.42%, 0.87%

LAB 84.8, 7.66, -12.9

 

CMYK 30 / 22 / 0 / 17

HEX #95A6D4

RGB 149 166 212

HSL 223.81, 0.42%, 0.71%

LAB 68.33, 4.59, -25.32

 

CMYK 20 / 15 / 0 / 12

HEX #B3BEE0

RGB 179 190 224

HSL 225.33, 0.42%, 0.79%

LAB 77.16, 3.32, -18.23

 

CMYK 12 / 9 / 0 / 7

HEX #D0D7EC

RGB 208 215 236

HSL 225, 0.42%, 0.87%

LAB 86.04, 1.71, -11.1

 

CMYK 4 / 3 / 0 / 3

HEX #EDF0F8

RGB 237 240 248

HSL 223.64, 0.44%, 0.95%

LAB 94.78, 0.46, -4.21

 

CMYK 11 / 8 / 0 / 7

HEX #D1D8EC

RGB 209 216 236

HSL 224.44, 0.42%, 0.87%

LAB 86.37, 1.51, -10.61

 

CMYK 1 / 12 / 0 / 7

HEX #EAD0EC

RGB 234 208 236

HSL 295.71, 0.42%, 0.87%

LAB 86.34, 13.91, -10.44

 

CMYK 4 / 0 / 12 / 7

HEX #E2ECD0

RGB 226 236 208

HSL 81.43, 0.42%, 0.87%

LAB 92, -8.18, 12.44

 

CMYK 11 / 8 / 0 / 7

HEX #D1D8EC

RGB 209 216 236

HSL 224.44, 0.42%, 0.87%

LAB 86.37, 1.51, -10.61

 

CMYK 0 / 12 / 9 / 7

HEX #ECD0D7

RGB 236 208 215

HSL 345, 0.42%, 0.87%

LAB 85.93, 10.91, 0.12

 

CMYK 9 / 0 / 12 / 7

HEX #D7ECD0

RGB 215 236 208

HSL 105, 0.42%, 0.87%

LAB 91.23, -11.95, 11.23

 

CMYK 11 / 8 / 0 / 7

HEX #D1D8EC

RGB 209 216 236

HSL 224.44, 0.42%, 0.87%

LAB 86.37, 1.51, -10.61

 

CMYK 1 / 12 / 0 / 7

HEX #EAD0EC

RGB 234 208 236

HSL 295.71, 0.42%, 0.87%

LAB 86.34, 13.91, -10.44

 

CMYK 0 / 3 / 12 / 7

HEX #ECE4D0

RGB 236 228 208

HSL 42.86, 0.42%, 0.87%

LAB 90.72, -0.61, 10.72

 

CMYK 11 / 0 / 12 / 7

HEX #D2ECD0

RGB 210 236 208

HSL 115.71, 0.42%, 0.87%

LAB 90.89, -13.64, 10.71

 

CMYK 11 / 8 / 0 / 7

HEX #D1D8EC

RGB 209 216 236

HSL 224.44, 0.42%, 0.87%

LAB 86.37, 1.51, -10.61

 

CMYK 0 / 12 / 3 / 7

HEX #ECD0E5

RGB 236 208 229

HSL 315, 0.42%, 0.87%

LAB 86.31, 13.32, -6.76

 

CMYK 0 / 3 / 12 / 7

HEX #ECE4D0

RGB 236 228 208

HSL 42.86, 0.42%, 0.87%

LAB 90.72, -0.61, 10.72

 

CMYK 12 / 0 / 9 / 7

HEX #D0ECD6

RGB 208 236 214

HSL 132.86, 0.42%, 0.87%

LAB 90.9, -13.25, 7.57

 

Description

Color code: HEX #D1D8EC00 | qconv.com Color code: HEX #D1D8EC00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 216 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 216 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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