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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1D69B it is the complementary color #2E2964. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1D69B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1D69B shade: #D6D696, #E7E8A9, #F8FABC, #FFFFCF and #FFFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1D69B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1D69B shade: #D1D69B, #C0C488, #AFB275, #9EA062 and #8D8E4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1D69B shade: #D1D69A, #D6CA9A, #D6BA9A, #D6AA9A and #D69A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1D69B shade: #D1D69A, #C0D69A, #B0D69A, #A0D69A and #9AD6A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1D69B shade matches the following richer shades: #D1D69A, #DAE18E, #E4ED83 and #EDF877

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1D69B shade: #D1D69A, #C7CAA5, #BDBEB1, #B4B3BC and #AAA7C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1D69B shade: #D6BB9A, #D6CB9A, #D1D69A, #C1D69A and #B1D69A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1D69B shade: #B6BE5F, #C3CA7C, #D1D69A, #DEE2B7 and #EBEED4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1D69B shade: #D1D69B, #9AD6AB and #C39AD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1D69B shade: #D1D69B, #9AD1D6 and #D69AD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1D69B shade: #D1D69B, #9AD6AB, #9F9AD6 and #D69AC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1D69B shade: #D1D69B, #9AD6BD, #9F9AD6 and #D69AB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 28 / 16

HEX #D1D69B

RGB 209 214 155

HSL 65.08, 0.42%, 0.72%

LAB 83.97, -11.11, 28.65

 

Complementary color

CMYK 54 / 59 / 0 / 61

HEX #2E2964

RGB 46 41 100

HSL 245.08, 0.42%, 0.28%

LAB 20.39, 20.2, -34.28

 

CMYK 0 / 0 / 30 / 16

HEX #D6D696

RGB 214 214 150

HSL 60, 0.44%, 0.71%

LAB 84.27, -9.87, 31.7

 

CMYK 0 / 0 / 27 / 9

HEX #E7E8A9

RGB 231 232 169

HSL 60.95, 0.58%, 0.79%

LAB 90.58, -10.09, 30.63

 

CMYK 1 / 0 / 25 / 2

HEX #F8FABC

RGB 248 250 188

HSL 61.94, 0.86%, 0.86%

LAB 96.8, -10.28, 29.61

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCF

RGB 255 255 207

HSL 60, 1%, 0.91%

LAB 98.94, -7.63, 23

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 2 / 0 / 28 / 16

HEX #D1D69B

RGB 209 214 155

HSL 65.08, 0.42%, 0.72%

LAB 83.97, -11.11, 28.65

 

CMYK 2 / 0 / 31 / 23

HEX #C0C488

RGB 192 196 136

HSL 64, 0.34%, 0.65%

LAB 77.56, -10.92, 29.74

 

CMYK 2 / 0 / 34 / 30

HEX #AFB275

RGB 175 178 117

HSL 62.95, 0.28%, 0.58%

LAB 71.04, -10.69, 30.88

 

CMYK 1 / 0 / 39 / 37

HEX #9EA062

RGB 158 160 98

HSL 61.94, 0.25%, 0.51%

LAB 64.4, -10.41, 32.08

 

CMYK 1 / 0 / 44 / 44

HEX #8D8E4F

RGB 141 142 79

HSL 60.95, 0.29%, 0.43%

LAB 57.63, -10.05, 33.32

 

CMYK 2 / 0 / 28 / 16

HEX #D1D69A

RGB 209 214 154

HSL 65, 0.42%, 0.72%

LAB 83.96, -11.25, 29.15

 

CMYK 0 / 6 / 28 / 16

HEX #D6CA9A

RGB 214 202 154

HSL 48, 0.42%, 0.72%

LAB 81.22, -3.19, 25.52

 

CMYK 0 / 13 / 28 / 16

HEX #D6BA9A

RGB 214 186 154

HSL 32, 0.42%, 0.72%

LAB 77.13, 5.21, 19.92

 

CMYK 0 / 21 / 28 / 16

HEX #D6AA9A

RGB 214 170 154

HSL 16, 0.42%, 0.72%

LAB 73.14, 13.78, 14.37

 

CMYK 0 / 28 / 28 / 16

HEX #D69A9A

RGB 214 154 154

HSL 0, 0.42%, 0.72%

LAB 69.28, 22.44, 8.92

 

CMYK 2 / 0 / 28 / 16

HEX #D1D69A

RGB 209 214 154

HSL 65, 0.42%, 0.72%

LAB 83.96, -11.25, 29.15

 

CMYK 10 / 0 / 28 / 16

HEX #C0D69A

RGB 192 214 154

HSL 82, 0.42%, 0.72%

LAB 82.72, -17.57, 27.27

 

CMYK 18 / 0 / 28 / 16

HEX #B0D69A

RGB 176 214 154

HSL 98, 0.42%, 0.72%

LAB 81.65, -23.34, 25.64

 

CMYK 25 / 0 / 28 / 16

HEX #A0D69A

RGB 160 214 154

HSL 114, 0.42%, 0.72%

LAB 80.68, -28.85, 24.16

 

CMYK 28 / 0 / 24 / 16

HEX #9AD6A3

RGB 154 214 163

HSL 129, 0.42%, 0.72%

LAB 80.52, -29.29, 19.17

 

CMYK 2 / 0 / 28 / 16

HEX #D1D69A

RGB 209 214 154

HSL 65, 0.42%, 0.72%

LAB 83.96, -11.25, 29.15

 

CMYK 3 / 0 / 37 / 12

HEX #DAE18E

RGB 218 225 142

HSL 65.06, 0.58%, 0.72%

LAB 87.34, -14.82, 39.83

 

CMYK 4 / 0 / 45 / 7

HEX #E4ED83

RGB 228 237 131

HSL 65.09, 0.75%, 0.72%

LAB 91.1, -18.03, 50.09

 

CMYK 4 / 0 / 52 / 3

HEX #EDF877

RGB 237 248 119

HSL 65.12, 0.9%, 0.72%

LAB 94.51, -20.93, 59.88

 

CMYK 2 / 0 / 28 / 16

HEX #D1D69A

RGB 209 214 154

HSL 65, 0.42%, 0.72%

LAB 83.96, -11.25, 29.15

 

CMYK 1 / 0 / 18 / 21

HEX #C7CAA5

RGB 199 202 165

HSL 64.86, 0.26%, 0.72%

LAB 80.24, -7.28, 18.17

 

CMYK 1 / 0 / 7 / 25

HEX #BDBEB1

RGB 189 190 177

HSL 64.62, 0.09%, 0.72%

LAB 76.57, -2.68, 6.43

 

CMYK 4 / 5 / 0 / 26

HEX #B4B3BC

RGB 180 179 188

HSL 246.67, 0.06%, 0.72%

LAB 73.27, 2.07, -4.45

 

CMYK 15 / 17 / 0 / 22

HEX #AAA7C8

RGB 170 167 200

HSL 245.45, 0.23%, 0.72%

LAB 69.72, 7.76, -16.43

 

CMYK 0 / 13 / 28 / 16

HEX #D6BB9A

RGB 214 187 154

HSL 33, 0.42%, 0.72%

LAB 77.38, 4.68, 20.27

 

CMYK 0 / 5 / 28 / 16

HEX #D6CB9A

RGB 214 203 154

HSL 49, 0.42%, 0.72%

LAB 81.48, -3.71, 25.87

 

CMYK 2 / 0 / 28 / 16

HEX #D1D69A

RGB 209 214 154

HSL 65, 0.42%, 0.72%

LAB 83.96, -11.25, 29.15

 

CMYK 10 / 0 / 28 / 16

HEX #C1D69A

RGB 193 214 154

HSL 81, 0.42%, 0.72%

LAB 82.79, -17.21, 27.37

 

CMYK 17 / 0 / 28 / 16

HEX #B1D69A

RGB 177 214 154

HSL 97, 0.42%, 0.72%

LAB 81.71, -22.98, 25.74

 

CMYK 4 / 0 / 50 / 25

HEX #B6BE5F

RGB 182 190 95

HSL 65.05, 0.42%, 0.56%

LAB 74.57, -16.42, 46.56

 

CMYK 3 / 0 / 39 / 21

HEX #C3CA7C

RGB 195 202 124

HSL 65.38, 0.42%, 0.64%

LAB 79.21, -14.27, 38.12

 

CMYK 2 / 0 / 28 / 16

HEX #D1D69A

RGB 209 214 154

HSL 65, 0.42%, 0.72%

LAB 83.96, -11.25, 29.15

 

CMYK 2 / 0 / 19 / 11

HEX #DEE2B7

RGB 222 226 183

HSL 65.58, 0.43%, 0.8%

LAB 88.61, -8.44, 20.62

 

CMYK 1 / 0 / 11 / 7

HEX #EBEED4

RGB 235 238 212

HSL 66.92, 0.43%, 0.88%

LAB 93.26, -5.41, 12.24

 

CMYK 2 / 0 / 28 / 16

HEX #D1D69B

RGB 209 214 155

HSL 65.08, 0.42%, 0.72%

LAB 83.97, -11.11, 28.65

 

CMYK 28 / 0 / 20 / 16

HEX #9AD6AB

RGB 154 214 171

HSL 137, 0.42%, 0.72%

LAB 80.69, -27.85, 15.18

 

CMYK 9 / 28 / 0 / 16

HEX #C39AD6

RGB 195 154 214

HSL 281, 0.42%, 0.72%

LAB 69.16, 26.06, -24.81

 

CMYK 2 / 0 / 28 / 16

HEX #D1D69B

RGB 209 214 155

HSL 65.08, 0.42%, 0.72%

LAB 83.97, -11.11, 28.65

 

CMYK 28 / 2 / 0 / 16

HEX #9AD1D6

RGB 154 209 214

HSL 185, 0.42%, 0.72%

LAB 80.36, -16.45, -8.21

 

CMYK 0 / 28 / 2 / 16

HEX #D69AD1

RGB 214 154 209

HSL 305, 0.42%, 0.72%

LAB 70.88, 31.28, -19.26

 

CMYK 2 / 0 / 28 / 16

HEX #D1D69B

RGB 209 214 155

HSL 65.08, 0.42%, 0.72%

LAB 83.97, -11.11, 28.65

 

CMYK 28 / 0 / 20 / 16

HEX #9AD6AB

RGB 154 214 171

HSL 137, 0.42%, 0.72%

LAB 80.69, -27.85, 15.18

 

CMYK 26 / 28 / 0 / 16

HEX #9F9AD6

RGB 159 154 214

HSL 245, 0.42%, 0.72%

LAB 66.01, 14.82, -29.92

 

CMYK 0 / 28 / 8 / 16

HEX #D69AC5

RGB 214 154 197

HSL 317, 0.42%, 0.72%

LAB 70.48, 29.14, -13.22

 

CMYK 2 / 0 / 28 / 16

HEX #D1D69B

RGB 209 214 155

HSL 65.08, 0.42%, 0.72%

LAB 83.97, -11.11, 28.65

 

CMYK 28 / 0 / 12 / 16

HEX #9AD6BD

RGB 154 214 189

HSL 155, 0.42%, 0.72%

LAB 81.09, -24.35, 6.2

 

CMYK 26 / 28 / 0 / 16

HEX #9F9AD6

RGB 159 154 214

HSL 245, 0.42%, 0.72%

LAB 66.01, 14.82, -29.92

 

CMYK 0 / 28 / 16 / 16

HEX #D69AB3

RGB 214 154 179

HSL 335, 0.42%, 0.72%

LAB 69.94, 26.15, -4.04

 

Description

Color code: HEX #D1D69B | qconv.com Color code: HEX #D1D69B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 214 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 214 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 28 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 28% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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