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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1D59B it is the complementary color #2E2A64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1D59B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1D59B shade: #D6D596, #E7E7A9, #F8F9BC, #FFFFCF and #FFFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1D59B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1D59B shade: #D1D59B, #C0C388, #AFB175, #9E9F62 and #8D8D4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1D59B shade: #D1D59A, #D5C99A, #D5B99A, #D5AA9A and #D59A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1D59B shade: #D1D59A, #C1D59A, #B1D59A, #A1D59A and #9AD5A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1D59B shade matches the following richer shades: #D1D59A, #DBE08F, #E5EC83 and #EFF878

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1D59B shade: #D1D59A, #C7C9A6, #BDBEB1, #B3B2BD and #A9A7C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1D59B shade: #D5BA9A, #D5C99A, #D1D59A, #C1D59A and #B2D59A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1D59B shade: #B6BD60, #C3C97D, #D1D59A, #DEE1B7 and #ECEDD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1D59B shade: #D1D59B, #9AD5AA and #C19AD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1D59B shade: #D1D59B, #9AD1D5 and #D59AD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1D59B shade: #D1D59B, #9AD5AA, #9E9AD5 and #D59AC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1D59B shade: #D1D59B, #9AD5BC, #9E9AD5 and #D59AB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 27 / 16

HEX #D1D59B

RGB 209 213 155

HSL 64.14, 0.41%, 0.72%

LAB 83.71, -10.61, 28.3

 

Complementary color

CMYK 54 / 58 / 0 / 61

HEX #2E2A64

RGB 46 42 100

HSL 244.14, 0.41%, 0.28%

LAB 20.66, 19.51, -33.84

 

CMYK 0 / 0 / 30 / 16

HEX #D6D596

RGB 214 213 150

HSL 59.06, 0.44%, 0.71%

LAB 84.01, -9.36, 31.35

 

CMYK 0 / 0 / 27 / 9

HEX #E7E7A9

RGB 231 231 169

HSL 60, 0.56%, 0.78%

LAB 90.32, -9.59, 30.28

 

CMYK 0 / 0 / 24 / 2

HEX #F8F9BC

RGB 248 249 188

HSL 60.98, 0.84%, 0.86%

LAB 96.55, -9.79, 29.26

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCF

RGB 255 255 207

HSL 60, 1%, 0.91%

LAB 98.94, -7.63, 23

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 2 / 0 / 27 / 16

HEX #D1D59B

RGB 209 213 155

HSL 64.14, 0.41%, 0.72%

LAB 83.71, -10.61, 28.3

 

CMYK 2 / 0 / 30 / 24

HEX #C0C388

RGB 192 195 136

HSL 63.05, 0.33%, 0.65%

LAB 77.29, -10.41, 29.38

 

CMYK 1 / 0 / 34 / 31

HEX #AFB175

RGB 175 177 117

HSL 62, 0.28%, 0.58%

LAB 70.76, -10.17, 30.52

 

CMYK 1 / 0 / 38 / 38

HEX #9E9F62

RGB 158 159 98

HSL 60.98, 0.24%, 0.5%

LAB 64.12, -9.88, 31.72

 

CMYK 0 / 0 / 44 / 45

HEX #8D8D4F

RGB 141 141 79

HSL 60, 0.28%, 0.43%

LAB 57.34, -9.51, 32.97

 

CMYK 2 / 0 / 28 / 16

HEX #D1D59A

RGB 209 213 154

HSL 64.07, 0.41%, 0.72%

LAB 83.69, -10.74, 28.79

 

CMYK 0 / 6 / 28 / 16

HEX #D5C99A

RGB 213 201 154

HSL 47.8, 0.41%, 0.72%

LAB 80.88, -3.06, 25.04

 

CMYK 0 / 13 / 28 / 16

HEX #D5B99A

RGB 213 185 154

HSL 31.53, 0.41%, 0.72%

LAB 76.79, 5.35, 19.43

 

CMYK 0 / 20 / 28 / 16

HEX #D5AA9A

RGB 213 170 154

HSL 16.27, 0.41%, 0.72%

LAB 73.04, 13.39, 14.22

 

CMYK 0 / 28 / 28 / 16

HEX #D59A9A

RGB 213 154 154

HSL 0, 0.41%, 0.72%

LAB 69.18, 22.06, 8.75

 

CMYK 2 / 0 / 28 / 16

HEX #D1D59A

RGB 209 213 154

HSL 64.07, 0.41%, 0.72%

LAB 83.69, -10.74, 28.79

 

CMYK 9 / 0 / 28 / 16

HEX #C1D59A

RGB 193 213 154

HSL 80.34, 0.41%, 0.72%

LAB 82.52, -16.71, 27.01

 

CMYK 17 / 0 / 28 / 16

HEX #B1D59A

RGB 177 213 154

HSL 96.61, 0.41%, 0.72%

LAB 81.44, -22.49, 25.36

 

CMYK 24 / 0 / 28 / 16

HEX #A1D59A

RGB 161 213 154

HSL 112.88, 0.41%, 0.72%

LAB 80.46, -28.03, 23.87

 

CMYK 28 / 0 / 23 / 16

HEX #9AD5A3

RGB 154 213 163

HSL 129.15, 0.41%, 0.72%

LAB 80.24, -28.82, 18.78

 

CMYK 2 / 0 / 28 / 16

HEX #D1D59A

RGB 209 213 154

HSL 64.07, 0.41%, 0.72%

LAB 83.69, -10.74, 28.79

 

CMYK 2 / 0 / 36 / 12

HEX #DBE08F

RGB 219 224 143

HSL 63.7, 0.57%, 0.72%

LAB 87.17, -13.82, 39.12

 

CMYK 3 / 0 / 44 / 7

HEX #E5EC83

RGB 229 236 131

HSL 64, 0.73%, 0.72%

LAB 90.91, -17.16, 49.87

 

CMYK 4 / 0 / 52 / 3

HEX #EFF878

RGB 239 248 120

HSL 64.22, 0.9%, 0.72%

LAB 94.67, -20.07, 59.66

 

CMYK 2 / 0 / 28 / 16

HEX #D1D59A

RGB 209 213 154

HSL 64.07, 0.41%, 0.72%

LAB 83.69, -10.74, 28.79

 

CMYK 1 / 0 / 17 / 21

HEX #C7C9A6

RGB 199 201 166

HSL 63.43, 0.24%, 0.72%

LAB 79.99, -6.61, 17.3

 

CMYK 1 / 0 / 7 / 25

HEX #BDBEB1

RGB 189 190 177

HSL 64.62, 0.09%, 0.72%

LAB 76.57, -2.68, 6.43

 

CMYK 5 / 6 / 0 / 26

HEX #B3B2BD

RGB 179 178 189

HSL 245.45, 0.08%, 0.72%

LAB 72.96, 2.46, -5.47

 

CMYK 16 / 17 / 0 / 21

HEX #A9A7C9

RGB 169 167 201

HSL 243.53, 0.24%, 0.72%

LAB 69.68, 7.65, -17.06

 

CMYK 0 / 13 / 28 / 16

HEX #D5BA9A

RGB 213 186 154

HSL 32.54, 0.41%, 0.72%

LAB 77.04, 4.82, 19.78

 

CMYK 0 / 6 / 28 / 16

HEX #D5C99A

RGB 213 201 154

HSL 47.8, 0.41%, 0.72%

LAB 80.88, -3.06, 25.04

 

CMYK 2 / 0 / 28 / 16

HEX #D1D59A

RGB 209 213 154

HSL 64.07, 0.41%, 0.72%

LAB 83.69, -10.74, 28.79

 

CMYK 9 / 0 / 28 / 16

HEX #C1D59A

RGB 193 213 154

HSL 80.34, 0.41%, 0.72%

LAB 82.52, -16.71, 27.01

 

CMYK 16 / 0 / 28 / 16

HEX #B2D59A

RGB 178 213 154

HSL 95.59, 0.41%, 0.72%

LAB 81.5, -22.14, 25.46

 

CMYK 4 / 0 / 49 / 26

HEX #B6BD60

RGB 182 189 96

HSL 64.52, 0.41%, 0.56%

LAB 74.31, -15.82, 45.76

 

CMYK 3 / 0 / 38 / 21

HEX #C3C97D

RGB 195 201 125

HSL 64.74, 0.41%, 0.64%

LAB 78.96, -13.65, 37.29

 

CMYK 2 / 0 / 28 / 16

HEX #D1D59A

RGB 209 213 154

HSL 64.07, 0.41%, 0.72%

LAB 83.69, -10.74, 28.79

 

CMYK 1 / 0 / 19 / 12

HEX #DEE1B7

RGB 222 225 183

HSL 64.29, 0.41%, 0.8%

LAB 88.35, -7.93, 20.26

 

CMYK 0 / 0 / 10 / 7

HEX #ECEDD5

RGB 236 237 213

HSL 62.5, 0.4%, 0.88%

LAB 93.1, -4.4, 11.51

 

CMYK 2 / 0 / 27 / 16

HEX #D1D59B

RGB 209 213 155

HSL 64.14, 0.41%, 0.72%

LAB 83.71, -10.61, 28.3

 

CMYK 28 / 0 / 20 / 16

HEX #9AD5AA

RGB 154 213 170

HSL 136.27, 0.41%, 0.72%

LAB 80.38, -27.55, 15.28

 

CMYK 9 / 28 / 0 / 16

HEX #C19AD5

RGB 193 154 213

HSL 279.66, 0.41%, 0.72%

LAB 68.93, 25.21, -24.62

 

CMYK 2 / 0 / 27 / 16

HEX #D1D59B

RGB 209 213 155

HSL 64.14, 0.41%, 0.72%

LAB 83.71, -10.61, 28.3

 

CMYK 28 / 2 / 0 / 16

HEX #9AD1D5

RGB 154 209 213

HSL 184.07, 0.41%, 0.72%

LAB 80.33, -16.68, -7.72

 

CMYK 0 / 28 / 2 / 16

HEX #D59AD1

RGB 213 154 209

HSL 304.07, 0.41%, 0.72%

LAB 70.77, 30.95, -19.43

 

CMYK 2 / 0 / 27 / 16

HEX #D1D59B

RGB 209 213 155

HSL 64.14, 0.41%, 0.72%

LAB 83.71, -10.61, 28.3

 

CMYK 28 / 0 / 20 / 16

HEX #9AD5AA

RGB 154 213 170

HSL 136.27, 0.41%, 0.72%

LAB 80.38, -27.55, 15.28

 

CMYK 26 / 28 / 0 / 16

HEX #9E9AD5

RGB 158 154 213

HSL 244.07, 0.41%, 0.72%

LAB 65.89, 14.28, -29.56

 

CMYK 0 / 28 / 8 / 16

HEX #D59AC5

RGB 213 154 197

HSL 316.27, 0.41%, 0.72%

LAB 70.38, 28.8, -13.39

 

CMYK 2 / 0 / 27 / 16

HEX #D1D59B

RGB 209 213 155

HSL 64.14, 0.41%, 0.72%

LAB 83.71, -10.61, 28.3

 

CMYK 28 / 0 / 12 / 16

HEX #9AD5BC

RGB 154 213 188

HSL 154.58, 0.41%, 0.72%

LAB 80.79, -24.07, 6.3

 

CMYK 26 / 28 / 0 / 16

HEX #9E9AD5

RGB 158 154 213

HSL 244.07, 0.41%, 0.72%

LAB 65.89, 14.28, -29.56

 

CMYK 0 / 28 / 15 / 16

HEX #D59AB4

RGB 213 154 180

HSL 333.56, 0.41%, 0.72%

LAB 69.86, 25.95, -4.72

 

Description

Color code: HEX #D1D59B | qconv.com Color code: HEX #D1D59B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 213 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 213 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 27 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 27% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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