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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1D39C it is the complementary color #2E2C63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1D39C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1D39C shade: #D6D397, #E7E5AA, #F8F7BD, #FFFFD0 and #FFFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1D39C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1D39C shade: #D1D39C, #C0C189, #AFAF76, #9E9D63 and #8D8B50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1D39C shade: #D1D39C, #D3C69C, #D3B79C, #D3A99C and #D39C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1D39C shade: #D1D39C, #C2D39C, #B3D39C, #A5D39C and #9CD3A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1D39C shade matches the following richer shades: #D1D39C, #DBDE91, #E6EA85 and #F1F57A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1D39C shade: #D1D39C, #C6C7A8, #BBBCB4, #B1B0BF and #A6A5CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1D39C shade: #D3B89C, #D3C69C, #D1D39C, #C2D39C and #B4D39C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1D39C shade: #B6B964, #C3C680, #D1D39C, #DEE0B9 and #EBECD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1D39C shade: #D1D39C, #9CD3A9 and #BF9CD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1D39C shade: #D1D39C, #9CD1D3 and #D39CD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1D39C shade: #D1D39C, #9CD3A9, #9E9CD3 and #D39CC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1D39C shade: #D1D39C, #9CD3B9, #9E9CD3 and #D39CB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 26 / 17

HEX #D1D39C

RGB 209 211 156

HSL 62.18, 0.38%, 0.72%

LAB 83.2, -9.45, 27.09

 

Complementary color

CMYK 54 / 56 / 0 / 61

HEX #2E2C63

RGB 46 44 99

HSL 242.18, 0.38%, 0.28%

LAB 21.14, 17.78, -32.41

 

CMYK 0 / 1 / 29 / 16

HEX #D6D397

RGB 214 211 151

HSL 57.14, 0.43%, 0.72%

LAB 83.5, -8.21, 30.16

 

CMYK 0 / 1 / 26 / 9

HEX #E7E5AA

RGB 231 229 170

HSL 58.03, 0.56%, 0.79%

LAB 89.83, -8.45, 29.1

 

CMYK 0 / 0 / 24 / 3

HEX #F8F7BD

RGB 248 247 189

HSL 58.98, 0.81%, 0.86%

LAB 96.06, -8.67, 28.09

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE3

RGB 255 255 227

HSL 60, 1%, 0.95%

LAB 99.35, -4.64, 13.39

 

CMYK 1 / 0 / 26 / 17

HEX #D1D39C

RGB 209 211 156

HSL 62.18, 0.38%, 0.72%

LAB 83.2, -9.45, 27.09

 

CMYK 1 / 0 / 29 / 24

HEX #C0C189

RGB 192 193 137

HSL 61.07, 0.31%, 0.65%

LAB 76.77, -9.25, 28.16

 

CMYK 0 / 0 / 33 / 31

HEX #AFAF76

RGB 175 175 118

HSL 60, 0.26%, 0.57%

LAB 70.23, -9, 29.3

 

CMYK 0 / 1 / 37 / 38

HEX #9E9D63

RGB 158 157 99

HSL 58.98, 0.23%, 0.5%

LAB 63.58, -8.7, 30.49

 

CMYK 0 / 1 / 43 / 45

HEX #8D8B50

RGB 141 139 80

HSL 58.03, 0.28%, 0.43%

LAB 56.79, -8.32, 31.74

 

CMYK 1 / 0 / 26 / 17

HEX #D1D39C

RGB 209 211 156

HSL 62.18, 0.38%, 0.72%

LAB 83.2, -9.45, 27.09

 

CMYK 0 / 6 / 26 / 17

HEX #D3C69C

RGB 211 198 156

HSL 45.82, 0.38%, 0.72%

LAB 79.98, -1.99, 22.73

 

CMYK 0 / 13 / 26 / 17

HEX #D3B79C

RGB 211 183 156

HSL 29.45, 0.38%, 0.72%

LAB 76.14, 5.93, 17.44

 

CMYK 0 / 20 / 26 / 17

HEX #D3A99C

RGB 211 169 156

HSL 14.18, 0.38%, 0.72%

LAB 72.64, 13.45, 12.54

 

CMYK 0 / 26 / 26 / 17

HEX #D39C9C

RGB 211 156 156

HSL 0, 0.38%, 0.72%

LAB 69.49, 20.5, 8.06

 

CMYK 1 / 0 / 26 / 17

HEX #D1D39C

RGB 209 211 156

HSL 62.18, 0.38%, 0.72%

LAB 83.2, -9.45, 27.09

 

CMYK 8 / 0 / 26 / 17

HEX #C2D39C

RGB 194 211 156

HSL 78.55, 0.38%, 0.72%

LAB 82.09, -15.05, 25.39

 

CMYK 15 / 0 / 26 / 17

HEX #B3D39C

RGB 179 211 156

HSL 94.91, 0.38%, 0.72%

LAB 81.06, -20.49, 23.82

 

CMYK 22 / 0 / 26 / 17

HEX #A5D39C

RGB 165 211 156

HSL 110.18, 0.38%, 0.72%

LAB 80.17, -25.38, 22.47

 

CMYK 26 / 0 / 23 / 17

HEX #9CD3A3

RGB 156 211 163

HSL 127.64, 0.38%, 0.72%

LAB 79.78, -27.21, 18.16

 

CMYK 1 / 0 / 26 / 17

HEX #D1D39C

RGB 209 211 156

HSL 62.18, 0.38%, 0.72%

LAB 83.2, -9.45, 27.09

 

CMYK 1 / 0 / 35 / 13

HEX #DBDE91

RGB 219 222 145

HSL 62.34, 0.54%, 0.72%

LAB 86.68, -12.59, 37.48

 

CMYK 2 / 0 / 43 / 8

HEX #E6EA85

RGB 230 234 133

HSL 62.38, 0.71%, 0.72%

LAB 90.49, -15.59, 48.41

 

CMYK 2 / 0 / 50 / 4

HEX #F1F57A

RGB 241 245 122

HSL 61.95, 0.86%, 0.72%

LAB 94.06, -17.67, 58.07

 

CMYK 1 / 0 / 26 / 17

HEX #D1D39C

RGB 209 211 156

HSL 62.18, 0.38%, 0.72%

LAB 83.2, -9.45, 27.09

 

CMYK 1 / 0 / 16 / 22

HEX #C6C7A8

RGB 198 199 168

HSL 61.94, 0.22%, 0.72%

LAB 79.43, -5.63, 15.43

 

CMYK 1 / 0 / 4 / 26

HEX #BBBCB4

RGB 187 188 180

HSL 67.5, 0.06%, 0.72%

LAB 75.96, -1.8, 3.91

 

CMYK 7 / 8 / 0 / 25

HEX #B1B0BF

RGB 177 176 191

HSL 244, 0.1%, 0.72%

LAB 72.33, 3.26, -7.5

 

CMYK 18 / 19 / 0 / 20

HEX #A6A5CB

RGB 166 165 203

HSL 241.58, 0.27%, 0.72%

LAB 68.99, 8.24, -19.22

 

CMYK 0 / 13 / 26 / 17

HEX #D3B89C

RGB 211 184 156

HSL 30.55, 0.38%, 0.72%

LAB 76.39, 5.39, 17.79

 

CMYK 0 / 6 / 26 / 17

HEX #D3C69C

RGB 211 198 156

HSL 45.82, 0.38%, 0.72%

LAB 79.98, -1.99, 22.73

 

CMYK 1 / 0 / 26 / 17

HEX #D1D39C

RGB 209 211 156

HSL 62.18, 0.38%, 0.72%

LAB 83.2, -9.45, 27.09

 

CMYK 8 / 0 / 26 / 17

HEX #C2D39C

RGB 194 211 156

HSL 78.55, 0.38%, 0.72%

LAB 82.09, -15.05, 25.39

 

CMYK 15 / 0 / 26 / 17

HEX #B4D39C

RGB 180 211 156

HSL 93.82, 0.38%, 0.72%

LAB 81.12, -20.13, 23.92

 

CMYK 2 / 0 / 46 / 27

HEX #B6B964

RGB 182 185 100

HSL 62.12, 0.38%, 0.56%

LAB 73.26, -13.39, 42.53

 

CMYK 2 / 0 / 35 / 22

HEX #C3C680

RGB 195 198 128

HSL 62.57, 0.38%, 0.64%

LAB 78.2, -11.77, 34.77

 

CMYK 1 / 0 / 26 / 17

HEX #D1D39C

RGB 209 211 156

HSL 62.18, 0.38%, 0.72%

LAB 83.2, -9.45, 27.09

 

CMYK 1 / 0 / 17 / 12

HEX #DEE0B9

RGB 222 224 185

HSL 63.08, 0.39%, 0.8%

LAB 88.13, -7.13, 18.91

 

CMYK 0 / 0 / 10 / 7

HEX #EBECD5

RGB 235 236 213

HSL 62.61, 0.38%, 0.88%

LAB 92.78, -4.24, 11.04

 

CMYK 1 / 0 / 26 / 17

HEX #D1D39C

RGB 209 211 156

HSL 62.18, 0.38%, 0.72%

LAB 83.2, -9.45, 27.09

 

CMYK 26 / 0 / 20 / 17

HEX #9CD3A9

RGB 156 211 169

HSL 134.18, 0.38%, 0.72%

LAB 79.91, -26.13, 15.16

 

CMYK 9 / 26 / 0 / 17

HEX #BF9CD3

RGB 191 156 211

HSL 278.18, 0.38%, 0.72%

LAB 69.15, 23.04, -23.2

 

CMYK 1 / 0 / 26 / 17

HEX #D1D39C

RGB 209 211 156

HSL 62.18, 0.38%, 0.72%

LAB 83.2, -9.45, 27.09

 

CMYK 26 / 1 / 0 / 17

HEX #9CD1D3

RGB 156 209 211

HSL 182.18, 0.38%, 0.72%

LAB 80.39, -16.55, -6.56

 

CMYK 0 / 26 / 1 / 17

HEX #D39CD1

RGB 211 156 209

HSL 302.18, 0.38%, 0.72%

LAB 71.03, 29.2, -19.06

 

CMYK 1 / 0 / 26 / 17

HEX #D1D39C

RGB 209 211 156

HSL 62.18, 0.38%, 0.72%

LAB 83.2, -9.45, 27.09

 

CMYK 26 / 0 / 20 / 17

HEX #9CD3A9

RGB 156 211 169

HSL 134.18, 0.38%, 0.72%

LAB 79.91, -26.13, 15.16

 

CMYK 25 / 26 / 0 / 17

HEX #9E9CD3

RGB 158 156 211

HSL 242.18, 0.38%, 0.72%

LAB 66.33, 12.66, -27.78

 

CMYK 0 / 26 / 6 / 17

HEX #D39CC6

RGB 211 156 198

HSL 314.18, 0.38%, 0.72%

LAB 70.67, 27.21, -13.53

 

CMYK 1 / 0 / 26 / 17

HEX #D1D39C

RGB 209 211 156

HSL 62.18, 0.38%, 0.72%

LAB 83.2, -9.45, 27.09

 

CMYK 26 / 0 / 12 / 17

HEX #9CD3B9

RGB 156 211 185

HSL 151.64, 0.38%, 0.72%

LAB 80.27, -23.07, 7.16

 

CMYK 25 / 26 / 0 / 17

HEX #9E9CD3

RGB 158 156 211

HSL 242.18, 0.38%, 0.72%

LAB 66.33, 12.66, -27.78

 

CMYK 0 / 26 / 14 / 17

HEX #D39CB6

RGB 211 156 182

HSL 331.64, 0.38%, 0.72%

LAB 70.18, 24.48, -5.39

 

Description

Color code: HEX #D1D39C | qconv.com Color code: HEX #D1D39C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 211 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 211 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 26 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 26% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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