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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1D357 it is the complementary color #2E2CA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1D357. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1D357 shade: #D6D352, #E7E565, #F8F778, #FFFF8B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1D357. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1D357 shade: #D1D357, #C0C144, #AFAF31, #9E9D1E and #8D8B0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1D357 shade: #D0D256, #D2B356, #D29156, #D27056 and #D25656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1D357 shade: #D0D256, #AFD256, #8DD256, #6CD256 and #56D262

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1D357 shade matches the following richer shades: #D0D256, #E1E344 and #F2F533

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1D357 shade: #D0D256, #BFC167, #AEAF78, #9E9E8A and #8D8D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1D357 shade: #D29056, #D2B156, #D2D256, #B1D256 and #90D256

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1D357 shade: #A6A82D, #C7C935, #D0D256, #D9DB76 and #E2E397

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1D357 shade: #D1D357, #56D26F and #A056D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1D357 shade: #D1D357, #56D2D2 and #D256D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1D357 shade: #D1D357, #56D26F, #5656D2 and #D256B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1D357 shade: #D1D357, #56D294, #5656D2 and #D25694

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 59 / 17

HEX #D1D357

RGB 209 211 87

HSL 60.97, 0.58%, 0.58%

LAB 82.29, -16.54, 59.59

 

Complementary color

CMYK 73 / 74 / 0 / 34

HEX #2E2CA8

RGB 46 44 168

HSL 240.97, 0.58%, 0.42%

LAB 27.32, 41.96, -65.59

 

CMYK 0 / 1 / 62 / 16

HEX #D6D352

RGB 214 211 82

HSL 58.64, 0.62%, 0.58%

LAB 82.64, -14.82, 62.21

 

CMYK 0 / 1 / 56 / 9

HEX #E7E565

RGB 231 229 101

HSL 59.08, 0.73%, 0.65%

LAB 88.91, -15.49, 61.33

 

CMYK 0 / 0 / 52 / 3

HEX #F8F778

RGB 248 247 120

HSL 59.53, 0.9%, 0.72%

LAB 95.09, -16.06, 60.32

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 1 / 0 / 59 / 17

HEX #D1D357

RGB 209 211 87

HSL 60.97, 0.58%, 0.58%

LAB 82.29, -16.54, 59.59

 

CMYK 1 / 0 / 65 / 24

HEX #C0C144

RGB 192 193 68

HSL 60.48, 0.5%, 0.51%

LAB 75.92, -15.84, 60.34

 

CMYK 0 / 0 / 72 / 31

HEX #AFAF31

RGB 175 175 49

HSL 60, 0.56%, 0.44%

LAB 69.47, -14.98, 60.7

 

CMYK 0 / 1 / 81 / 38

HEX #9E9D1E

RGB 158 157 30

HSL 59.53, 0.68%, 0.37%

LAB 62.91, -13.92, 60.31

 

CMYK 0 / 1 / 92 / 45

HEX #8D8B0B

RGB 141 139 11

HSL 59.08, 0.86%, 0.3%

LAB 56.24, -12.61, 58.57

 

CMYK 1 / 0 / 59 / 18

HEX #D0D256

RGB 208 210 86

HSL 60.97, 0.58%, 0.58%

LAB 81.93, -16.52, 59.61

 

CMYK 0 / 15 / 59 / 18

HEX #D2B356

RGB 210 179 86

HSL 45, 0.58%, 0.58%

LAB 73.94, 0.21, 50.73

 

CMYK 0 / 31 / 59 / 18

HEX #D29156

RGB 210 145 86

HSL 28.55, 0.58%, 0.58%

LAB 65.46, 18.48, 40.8

 

CMYK 0 / 47 / 59 / 18

HEX #D27056

RGB 210 112 86

HSL 12.58, 0.58%, 0.58%

LAB 58, 36.15, 31.64

 

CMYK 0 / 59 / 59 / 18

HEX #D25656

RGB 210 86 86

HSL 0, 0.58%, 0.58%

LAB 52.98, 49, 25.23

 

CMYK 1 / 0 / 59 / 18

HEX #D0D256

RGB 208 210 86

HSL 60.97, 0.58%, 0.58%

LAB 81.93, -16.52, 59.61

 

CMYK 17 / 0 / 59 / 18

HEX #AFD256

RGB 175 210 86

HSL 76.94, 0.58%, 0.58%

LAB 79.54, -29.77, 56.29

 

CMYK 33 / 0 / 59 / 18

HEX #8DD256

RGB 141 210 86

HSL 93.39, 0.58%, 0.58%

LAB 77.54, -42.38, 53.49

 

CMYK 49 / 0 / 59 / 18

HEX #6CD256

RGB 108 210 86

HSL 109.35, 0.58%, 0.58%

LAB 76.04, -52.88, 51.38

 

CMYK 59 / 0 / 53 / 18

HEX #56D262

RGB 86 210 98

HSL 125.81, 0.58%, 0.58%

LAB 75.42, -57.11, 44.95

 

CMYK 1 / 0 / 59 / 18

HEX #D0D256

RGB 208 210 86

HSL 60.97, 0.58%, 0.58%

LAB 81.93, -16.52, 59.61

 

CMYK 1 / 0 / 70 / 11

HEX #E1E344

RGB 225 227 68

HSL 60.75, 0.74%, 0.58%

LAB 87.66, -18.94, 72.96

 

CMYK 1 / 0 / 79 / 4

HEX #F2F533

RGB 242 245 51

HSL 60.93, 0.91%, 0.58%

LAB 93.63, -21.31, 84.05

 

CMYK 1 / 0 / 59 / 18

HEX #D0D256

RGB 208 210 86

HSL 60.97, 0.58%, 0.58%

LAB 81.93, -16.52, 59.61

 

CMYK 1 / 0 / 47 / 24

HEX #BFC167

RGB 191 193 103

HSL 61.33, 0.42%, 0.58%

LAB 76.19, -13.52, 44.78

 

CMYK 1 / 0 / 31 / 31

HEX #AEAF78

RGB 174 175 120

HSL 61.09, 0.26%, 0.58%

LAB 70.19, -9.14, 28.16

 

CMYK 0 / 0 / 13 / 38

HEX #9E9E8A

RGB 158 158 138

HSL 60, 0.09%, 0.58%

LAB 64.61, -3.6, 10.46

 

CMYK 9 / 9 / 0 / 39

HEX #8D8D9B

RGB 141 141 155

HSL 240, 0.07%, 0.58%

LAB 59.05, 2.86, -7.41

 

CMYK 0 / 31 / 59 / 18

HEX #D29056

RGB 210 144 86

HSL 28.06, 0.58%, 0.58%

LAB 65.22, 19.02, 40.51

 

CMYK 0 / 16 / 59 / 18

HEX #D2B156

RGB 210 177 86

HSL 44.03, 0.58%, 0.58%

LAB 73.43, 1.27, 50.14

 

CMYK 0 / 0 / 59 / 18

HEX #D2D256

RGB 210 210 86

HSL 60, 0.58%, 0.58%

LAB 82.09, -15.7, 59.82

 

CMYK 16 / 0 / 59 / 18

HEX #B1D256

RGB 177 210 86

HSL 75.97, 0.58%, 0.58%

LAB 79.68, -28.99, 56.48

 

CMYK 31 / 0 / 59 / 18

HEX #90D256

RGB 144 210 86

HSL 91.94, 0.58%, 0.58%

LAB 77.69, -41.33, 53.71

 

CMYK 1 / 0 / 73 / 34

HEX #A6A82D

RGB 166 168 45

HSL 60.98, 0.58%, 0.42%

LAB 66.75, -15.48, 59.26

 

CMYK 1 / 0 / 74 / 21

HEX #C7C935

RGB 199 201 53

HSL 60.81, 0.58%, 0.5%

LAB 78.56, -17.66, 68.64

 

CMYK 1 / 0 / 59 / 18

HEX #D0D256

RGB 208 210 86

HSL 60.97, 0.58%, 0.58%

LAB 81.93, -16.52, 59.61

 

CMYK 1 / 0 / 46 / 14

HEX #D9DB76

RGB 217 219 118

HSL 61.19, 0.58%, 0.66%

LAB 85.36, -14.73, 49.11

 

CMYK 0 / 0 / 33 / 11

HEX #E2E397

RGB 226 227 151

HSL 60.79, 0.58%, 0.74%

LAB 88.61, -11.71, 37.08

 

CMYK 1 / 0 / 59 / 17

HEX #D1D357

RGB 209 211 87

HSL 60.97, 0.58%, 0.58%

LAB 82.29, -16.54, 59.59

 

CMYK 59 / 0 / 47 / 18

HEX #56D26F

RGB 86 210 111

HSL 132.1, 0.58%, 0.58%

LAB 75.59, -55.28, 38.85

 

CMYK 24 / 59 / 0 / 18

HEX #A056D2

RGB 160 86 210

HSL 275.81, 0.58%, 0.58%

LAB 50.43, 52.03, -52.16

 

CMYK 1 / 0 / 59 / 17

HEX #D1D357

RGB 209 211 87

HSL 60.97, 0.58%, 0.58%

LAB 82.29, -16.54, 59.59

 

CMYK 59 / 0 / 0 / 18

HEX #56D2D2

RGB 86 210 210

HSL 180, 0.58%, 0.58%

LAB 77.71, -33.93, -10.31

 

CMYK 0 / 59 / 0 / 18

HEX #D256D2

RGB 210 86 210

HSL 300, 0.58%, 0.58%

LAB 57.09, 64.42, -41.18

 

CMYK 1 / 0 / 59 / 17

HEX #D1D357

RGB 209 211 87

HSL 60.97, 0.58%, 0.58%

LAB 82.29, -16.54, 59.59

 

CMYK 59 / 0 / 47 / 18

HEX #56D26F

RGB 86 210 111

HSL 132.1, 0.58%, 0.58%

LAB 75.59, -55.28, 38.85

 

CMYK 59 / 59 / 0 / 18

HEX #5656D2

RGB 86 86 210

HSL 240, 0.58%, 0.58%

LAB 43.19, 36.17, -64.2

 

CMYK 0 / 59 / 12 / 18

HEX #D256B9

RGB 210 86 185

HSL 312.1, 0.58%, 0.58%

LAB 55.95, 60.35, -28.66

 

CMYK 1 / 0 / 59 / 17

HEX #D1D357

RGB 209 211 87

HSL 60.97, 0.58%, 0.58%

LAB 82.29, -16.54, 59.59

 

CMYK 59 / 0 / 30 / 18

HEX #56D294

RGB 86 210 148

HSL 150, 0.58%, 0.58%

LAB 76.2, -48.74, 20.65

 

CMYK 59 / 59 / 0 / 18

HEX #5656D2

RGB 86 86 210

HSL 240, 0.58%, 0.58%

LAB 43.19, 36.17, -64.2

 

CMYK 0 / 59 / 30 / 18

HEX #D25694

RGB 210 86 148

HSL 330, 0.58%, 0.58%

LAB 54.55, 55.15, -9.23

 

Description

Color code: HEX #D1D357 | qconv.com Color code: HEX #D1D357 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 211 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 211 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 59 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 59% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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