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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1CF59 it is the complementary color #2E30A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1CF59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1CF59 shade: #D6CF54, #E7E167, #F8F37A, #FFFF8D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1CF59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1CF59 shade: #D1CF59, #C0BD46, #AFAB33, #9E9920 and #8D870D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1CF59 shade: #D1CF57, #D1AE57, #D18D57, #D16C57 and #D15757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1CF59 shade: #D1CF57, #B2D157, #91D157, #70D157 and #57D15E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1CF59 shade matches the following richer shades: #D1CF57, #E2E046 and #F4F034

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1CF59 shade: #D1CF57, #C0BE68, #AEAD7A, #9D9D8B and #8C8C9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1CF59 shade: #D18E57, #D1AE57, #D1CF57, #B2D157 and #92D157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1CF59 shade: #A7A52E, #C8C537, #D1CF57, #DAD877 and #E3E198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1CF59 shade: #D1CF59, #57D16D and #9E57D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1CF59 shade: #D1CF59, #57D1CF and #CF57D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1CF59 shade: #D1CF59, #57D16D, #5759D1 and #D157BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1CF59 shade: #D1CF59, #57D192, #5759D1 and #D15796

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 57 / 18

HEX #D1CF59

RGB 209 207 89

HSL 59, 0.57%, 0.58%

LAB 81.24, -14.4, 57.55

 

Complementary color

CMYK 72 / 71 / 0 / 35

HEX #2E30A6

RGB 46 48 166

HSL 239, 0.57%, 0.42%

LAB 27.97, 38.91, -63.31

 

CMYK 0 / 3 / 61 / 16

HEX #D6CF54

RGB 214 207 84

HSL 56.77, 0.61%, 0.58%

LAB 81.6, -12.68, 60.24

 

CMYK 0 / 3 / 55 / 9

HEX #E7E167

RGB 231 225 103

HSL 57.19, 0.73%, 0.65%

LAB 87.88, -13.37, 59.29

 

CMYK 0 / 2 / 51 / 3

HEX #F8F37A

RGB 248 243 122

HSL 57.62, 0.9%, 0.73%

LAB 94.08, -13.95, 58.23

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 1 / 57 / 18

HEX #D1CF59

RGB 209 207 89

HSL 59, 0.57%, 0.58%

LAB 81.24, -14.4, 57.55

 

CMYK 0 / 2 / 64 / 25

HEX #C0BD46

RGB 192 189 70

HSL 58.52, 0.49%, 0.51%

LAB 74.85, -13.69, 58.4

 

CMYK 0 / 2 / 71 / 31

HEX #AFAB33

RGB 175 171 51

HSL 58.06, 0.55%, 0.44%

LAB 68.37, -12.82, 58.91

 

CMYK 0 / 3 / 80 / 38

HEX #9E9920

RGB 158 153 32

HSL 57.62, 0.66%, 0.37%

LAB 61.79, -11.75, 58.74

 

CMYK 0 / 4 / 91 / 45

HEX #8D870D

RGB 141 135 13

HSL 57.19, 0.83%, 0.3%

LAB 55.09, -10.43, 57.3

 

CMYK 0 / 1 / 58 / 18

HEX #D1CF57

RGB 209 207 87

HSL 59.02, 0.57%, 0.58%

LAB 81.22, -14.54, 58.41

 

CMYK 0 / 17 / 58 / 18

HEX #D1AE57

RGB 209 174 87

HSL 42.79, 0.57%, 0.58%

LAB 72.57, 2.51, 48.65

 

CMYK 0 / 33 / 58 / 18

HEX #D18D57

RGB 209 141 87

HSL 26.56, 0.57%, 0.58%

LAB 64.4, 20.31, 38.98

 

CMYK 0 / 48 / 58 / 18

HEX #D16C57

RGB 209 108 87

HSL 10.33, 0.57%, 0.58%

LAB 57.04, 37.91, 29.85

 

CMYK 0 / 58 / 58 / 18

HEX #D15757

RGB 209 87 87

HSL 0, 0.57%, 0.58%

LAB 53.01, 48.25, 24.66

 

CMYK 0 / 1 / 58 / 18

HEX #D1CF57

RGB 209 207 87

HSL 59.02, 0.57%, 0.58%

LAB 81.22, -14.54, 58.41

 

CMYK 15 / 0 / 58 / 18

HEX #B2D157

RGB 178 209 87

HSL 75.25, 0.57%, 0.58%

LAB 79.47, -28.04, 55.83

 

CMYK 31 / 0 / 58 / 18

HEX #91D157

RGB 145 209 87

HSL 91.48, 0.57%, 0.58%

LAB 77.47, -40.44, 53.02

 

CMYK 46 / 0 / 58 / 18

HEX #70D157

RGB 112 209 87

HSL 107.7, 0.57%, 0.58%

LAB 75.91, -51.22, 50.82

 

CMYK 58 / 0 / 55 / 18

HEX #57D15E

RGB 87 209 94

HSL 123.44, 0.57%, 0.58%

LAB 75.1, -57.02, 46.45

 

CMYK 0 / 1 / 58 / 18

HEX #D1CF57

RGB 209 207 87

HSL 59.02, 0.57%, 0.58%

LAB 81.22, -14.54, 58.41

 

CMYK 0 / 1 / 69 / 11

HEX #E2E046

RGB 226 224 70

HSL 59.23, 0.73%, 0.58%

LAB 86.96, -16.96, 71.59

 

CMYK 0 / 2 / 79 / 4

HEX #F4F034

RGB 244 240 52

HSL 58.75, 0.9%, 0.58%

LAB 92.49, -18.05, 82.85

 

CMYK 0 / 1 / 58 / 18

HEX #D1CF57

RGB 209 207 87

HSL 59.02, 0.57%, 0.58%

LAB 81.22, -14.54, 58.41

 

CMYK 0 / 1 / 46 / 25

HEX #C0BE68

RGB 192 190 104

HSL 58.64, 0.41%, 0.58%

LAB 75.47, -11.48, 43.43

 

CMYK 0 / 1 / 30 / 32

HEX #AEAD7A

RGB 174 173 122

HSL 58.85, 0.24%, 0.58%

LAB 69.68, -7.83, 26.41

 

CMYK 0 / 0 / 11 / 38

HEX #9D9D8B

RGB 157 157 139

HSL 60, 0.08%, 0.58%

LAB 64.28, -3.26, 9.42

 

CMYK 10 / 10 / 0 / 39

HEX #8C8C9C

RGB 140 140 156

HSL 240, 0.07%, 0.58%

LAB 58.73, 3.29, -8.47

 

CMYK 0 / 32 / 58 / 18

HEX #D18E57

RGB 209 142 87

HSL 27.05, 0.57%, 0.58%

LAB 64.64, 19.76, 39.26

 

CMYK 0 / 17 / 58 / 18

HEX #D1AE57

RGB 209 174 87

HSL 42.79, 0.57%, 0.58%

LAB 72.57, 2.51, 48.65

 

CMYK 0 / 1 / 58 / 18

HEX #D1CF57

RGB 209 207 87

HSL 59.02, 0.57%, 0.58%

LAB 81.22, -14.54, 58.41

 

CMYK 15 / 0 / 58 / 18

HEX #B2D157

RGB 178 209 87

HSL 75.25, 0.57%, 0.58%

LAB 79.47, -28.04, 55.83

 

CMYK 30 / 0 / 58 / 18

HEX #92D157

RGB 146 209 87

HSL 90.98, 0.57%, 0.58%

LAB 77.52, -40.09, 53.1

 

CMYK 0 / 1 / 72 / 35

HEX #A7A52E

RGB 167 165 46

HSL 59.01, 0.57%, 0.42%

LAB 66, -13.45, 58.22

 

CMYK 0 / 1 / 73 / 22

HEX #C8C537

RGB 200 197 55

HSL 58.76, 0.57%, 0.5%

LAB 77.57, -15.15, 67.06

 

CMYK 0 / 1 / 58 / 18

HEX #D1CF57

RGB 209 207 87

HSL 59.02, 0.57%, 0.58%

LAB 81.22, -14.54, 58.41

 

CMYK 0 / 1 / 45 / 15

HEX #DAD877

RGB 218 216 119

HSL 58.79, 0.57%, 0.66%

LAB 84.66, -12.74, 47.79

 

CMYK 0 / 1 / 33 / 11

HEX #E3E198

RGB 227 225 152

HSL 58.4, 0.57%, 0.74%

LAB 88.18, -10.21, 36.03

 

CMYK 0 / 1 / 57 / 18

HEX #D1CF59

RGB 209 207 89

HSL 59, 0.57%, 0.58%

LAB 81.24, -14.4, 57.55

 

CMYK 58 / 0 / 48 / 18

HEX #57D16D

RGB 87 209 109

HSL 130.82, 0.57%, 0.58%

LAB 75.28, -54.97, 39.46

 

CMYK 24 / 58 / 0 / 18

HEX #9E57D1

RGB 158 87 209

HSL 274.92, 0.57%, 0.58%

LAB 50.32, 50.81, -51.78

 

CMYK 0 / 1 / 57 / 18

HEX #D1CF59

RGB 209 207 89

HSL 59, 0.57%, 0.58%

LAB 81.24, -14.4, 57.55

 

CMYK 58 / 0 / 1 / 18

HEX #57D1CF

RGB 87 209 207

HSL 179.02, 0.57%, 0.58%

LAB 77.36, -34.09, -9.22

 

CMYK 1 / 58 / 0 / 18

HEX #CF57D1

RGB 207 87 209

HSL 299.02, 0.57%, 0.58%

LAB 56.77, 63.06, -41.15

 

CMYK 0 / 1 / 57 / 18

HEX #D1CF59

RGB 209 207 89

HSL 59, 0.57%, 0.58%

LAB 81.24, -14.4, 57.55

 

CMYK 58 / 0 / 48 / 18

HEX #57D16D

RGB 87 209 109

HSL 130.82, 0.57%, 0.58%

LAB 75.28, -54.97, 39.46

 

CMYK 58 / 57 / 0 / 18

HEX #5759D1

RGB 87 89 209

HSL 239.02, 0.57%, 0.58%

LAB 43.91, 34.19, -62.46

 

CMYK 0 / 58 / 11 / 18

HEX #D157BB

RGB 209 87 187

HSL 310.82, 0.57%, 0.58%

LAB 56.05, 59.95, -29.67

 

CMYK 0 / 1 / 57 / 18

HEX #D1CF59

RGB 209 207 89

HSL 59, 0.57%, 0.58%

LAB 81.24, -14.4, 57.55

 

CMYK 58 / 0 / 30 / 18

HEX #57D192

RGB 87 209 146

HSL 149.02, 0.57%, 0.58%

LAB 75.89, -48.52, 21.28

 

CMYK 58 / 57 / 0 / 18

HEX #5759D1

RGB 87 89 209

HSL 239.02, 0.57%, 0.58%

LAB 43.91, 34.19, -62.46

 

CMYK 0 / 58 / 28 / 18

HEX #D15796

RGB 209 87 150

HSL 329.02, 0.57%, 0.58%

LAB 54.63, 54.65, -10.3

 

Description

Color code: HEX #D1CF59 | qconv.com Color code: HEX #D1CF59 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 207 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 207 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 57 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 57% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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