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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1C74F it is the complementary color #2E38B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1C74F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1C74F shade: #D6C74A, #E7D95D, #F8EB70, #FFFD83 and #FFFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1C74F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1C74F shade: #D1C74F, #C0B53C, #AFA329, #9E9116 and #8D7F03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1C74F shade: #D1C74D, #D1A34D, #D17F4D, #D15C4D and #D14D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1C74F shade: #D1C74D, #B7D14D, #94D14D, #70D14D and #4DD14D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1C74F shade matches the following richer shades: #D1C74D, #E3D63A and #F5E628

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1C74F shade: #D1C74D, #BFB75F, #ADA871, #9B9983 and #888995

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1C74F shade: #D17F4D, #D1A34D, #D1C64D, #B9D14D and #95D14D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1C74F shade: #A1982A, #C2B732, #D1C74D, #D9D16D and #E2DB8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1C74F shade: #D1C74F, #4DD15C and #914DD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1C74F shade: #D1C74F, #4DD1C6 and #C64DD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1C74F shade: #D1C74F, #4DD15C, #4D58D1 and #D14DC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1C74F shade: #D1C74F, #4DD184, #4D58D1 and #D14D9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 62 / 18

HEX #D1C74F

RGB 209 199 79

HSL 55.38, 0.59%, 0.56%

LAB 79.02, -11.05, 59.47

 

Complementary color

CMYK 74 / 68 / 0 / 31

HEX #2E38B0

RGB 46 56 176

HSL 235.38, 0.59%, 0.44%

LAB 30.74, 37.49, -64.75

 

CMYK 0 / 7 / 65 / 16

HEX #D6C74A

RGB 214 199 74

HSL 53.57, 0.63%, 0.56%

LAB 79.41, -9.26, 62.09

 

CMYK 0 / 6 / 60 / 9

HEX #E7D95D

RGB 231 217 93

HSL 53.91, 0.74%, 0.64%

LAB 85.71, -10.09, 61.26

 

CMYK 0 / 5 / 55 / 3

HEX #F8EB70

RGB 248 235 112

HSL 54.26, 0.91%, 0.71%

LAB 91.93, -10.8, 60.25

 

CMYK 0 / 1 / 49 / 0

HEX #FFFD83

RGB 255 253 131

HSL 59.03, 1%, 0.76%

LAB 97.29, -15.32, 58.05

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 5 / 62 / 18

HEX #D1C74F

RGB 209 199 79

HSL 55.38, 0.59%, 0.56%

LAB 79.02, -11.05, 59.47

 

CMYK 0 / 6 / 69 / 25

HEX #C0B53C

RGB 192 181 60

HSL 55, 0.52%, 0.49%

LAB 72.61, -10.17, 60.15

 

CMYK 0 / 7 / 77 / 31

HEX #AFA329

RGB 175 163 41

HSL 54.63, 0.62%, 0.42%

LAB 66.11, -9.1, 60.32

 

CMYK 0 / 8 / 86 / 38

HEX #9E9116

RGB 158 145 22

HSL 54.26, 0.76%, 0.35%

LAB 59.51, -7.81, 59.54

 

CMYK 0 / 10 / 98 / 45

HEX #8D7F03

RGB 141 127 3

HSL 53.91, 0.96%, 0.28%

LAB 52.78, -6.24, 57.32

 

CMYK 0 / 5 / 63 / 18

HEX #D1C74D

RGB 209 199 77

HSL 55.45, 0.59%, 0.56%

LAB 79.01, -11.18, 60.3

 

CMYK 0 / 22 / 63 / 18

HEX #D1A34D

RGB 209 163 77

HSL 39.09, 0.59%, 0.56%

LAB 69.67, 7.69, 50.12

 

CMYK 0 / 39 / 63 / 18

HEX #D17F4D

RGB 209 127 77

HSL 22.73, 0.59%, 0.56%

LAB 61.02, 27.16, 40.17

 

CMYK 0 / 56 / 63 / 18

HEX #D15C4D

RGB 209 92 77

HSL 6.82, 0.59%, 0.56%

LAB 53.76, 45.2, 31.38

 

CMYK 0 / 63 / 63 / 18

HEX #D14D4D

RGB 209 77 77

HSL 0, 0.59%, 0.56%

LAB 51.15, 52.08, 28.11

 

CMYK 0 / 5 / 63 / 18

HEX #D1C74D

RGB 209 199 77

HSL 55.45, 0.59%, 0.56%

LAB 79.01, -11.18, 60.3

 

CMYK 12 / 0 / 63 / 18

HEX #B7D14D

RGB 183 209 77

HSL 71.82, 0.59%, 0.56%

LAB 79.73, -26.81, 60.47

 

CMYK 29 / 0 / 63 / 18

HEX #94D14D

RGB 148 209 77

HSL 87.73, 0.59%, 0.56%

LAB 77.54, -40.24, 57.46

 

CMYK 46 / 0 / 63 / 18

HEX #70D14D

RGB 112 209 77

HSL 104.09, 0.59%, 0.56%

LAB 75.81, -52.23, 55.08

 

CMYK 63 / 0 / 63 / 18

HEX #4DD14D

RGB 77 209 77

HSL 120, 0.59%, 0.56%

LAB 74.64, -61.21, 53.46

 

CMYK 0 / 5 / 63 / 18

HEX #D1C74D

RGB 209 199 77

HSL 55.45, 0.59%, 0.56%

LAB 79.01, -11.18, 60.3

 

CMYK 0 / 6 / 74 / 11

HEX #E3D63A

RGB 227 214 58

HSL 55.38, 0.75%, 0.56%

LAB 84.34, -12.14, 73.23

 

CMYK 0 / 6 / 84 / 4

HEX #F5E628

RGB 245 230 40

HSL 55.61, 0.91%, 0.56%

LAB 89.93, -13.1, 83.63

 

CMYK 0 / 5 / 63 / 18

HEX #D1C74D

RGB 209 199 77

HSL 55.45, 0.59%, 0.56%

LAB 79.01, -11.18, 60.3

 

CMYK 0 / 4 / 50 / 25

HEX #BFB75F

RGB 191 183 95

HSL 55, 0.43%, 0.56%

LAB 73.4, -9.12, 45.33

 

CMYK 0 / 3 / 35 / 32

HEX #ADA871

RGB 173 168 113

HSL 55, 0.27%, 0.56%

LAB 68.08, -6.73, 29.1

 

CMYK 0 / 1 / 15 / 39

HEX #9B9983

RGB 155 153 131

HSL 55, 0.11%, 0.56%

LAB 62.84, -3.18, 11.84

 

CMYK 9 / 8 / 0 / 42

HEX #888995

RGB 136 137 149

HSL 235.38, 0.06%, 0.56%

LAB 57.36, 2.1, -6.52

 

CMYK 0 / 39 / 63 / 18

HEX #D17F4D

RGB 209 127 77

HSL 22.73, 0.59%, 0.56%

LAB 61.02, 27.16, 40.17

 

CMYK 0 / 22 / 63 / 18

HEX #D1A34D

RGB 209 163 77

HSL 39.09, 0.59%, 0.56%

LAB 69.67, 7.69, 50.12

 

CMYK 0 / 5 / 63 / 18

HEX #D1C64D

RGB 209 198 77

HSL 55, 0.59%, 0.56%

LAB 78.74, -10.67, 60.02

 

CMYK 11 / 0 / 63 / 18

HEX #B9D14D

RGB 185 209 77

HSL 70.91, 0.59%, 0.56%

LAB 79.87, -26.01, 60.66

 

CMYK 29 / 0 / 63 / 18

HEX #95D14D

RGB 149 209 77

HSL 87.27, 0.59%, 0.56%

LAB 77.59, -39.88, 57.54

 

CMYK 0 / 6 / 74 / 37

HEX #A1982A

RGB 161 152 42

HSL 55.46, 0.59%, 0.4%

LAB 61.83, -9.46, 55.5

 

CMYK 0 / 6 / 74 / 24

HEX #C2B732

RGB 194 183 50

HSL 55.42, 0.59%, 0.48%

LAB 73.26, -10.82, 64.53

 

CMYK 0 / 5 / 63 / 18

HEX #D1C74D

RGB 209 199 77

HSL 55.45, 0.59%, 0.56%

LAB 79.01, -11.18, 60.3

 

CMYK 0 / 4 / 50 / 15

HEX #D9D16D

RGB 217 209 109

HSL 55.56, 0.59%, 0.64%

LAB 82.62, -10.54, 50.12

 

CMYK 0 / 3 / 37 / 11

HEX #E2DB8E

RGB 226 219 142

HSL 55, 0.59%, 0.72%

LAB 86.4, -8.72, 38.74

 

CMYK 0 / 5 / 62 / 18

HEX #D1C74F

RGB 209 199 79

HSL 55.38, 0.59%, 0.56%

LAB 79.02, -11.05, 59.47

 

CMYK 63 / 0 / 56 / 18

HEX #4DD15C

RGB 77 209 92

HSL 126.82, 0.59%, 0.56%

LAB 74.79, -59.48, 46.95

 

CMYK 31 / 63 / 0 / 18

HEX #914DD1

RGB 145 77 209

HSL 270.91, 0.59%, 0.56%

LAB 46.88, 52.86, -57.38

 

CMYK 0 / 5 / 62 / 18

HEX #D1C74F

RGB 209 199 79

HSL 55.38, 0.59%, 0.56%

LAB 79.02, -11.05, 59.47

 

CMYK 63 / 0 / 5 / 18

HEX #4DD1C6

RGB 77 209 198

HSL 175, 0.59%, 0.56%

LAB 76.83, -38.2, -5.19

 

CMYK 5 / 63 / 0 / 18

HEX #C64DD1

RGB 198 77 209

HSL 295, 0.59%, 0.56%

LAB 53.94, 65.1, -45.7

 

CMYK 0 / 5 / 62 / 18

HEX #D1C74F

RGB 209 199 79

HSL 55.38, 0.59%, 0.56%

LAB 79.02, -11.05, 59.47

 

CMYK 63 / 0 / 56 / 18

HEX #4DD15C

RGB 77 209 92

HSL 126.82, 0.59%, 0.56%

LAB 74.79, -59.48, 46.95

 

CMYK 63 / 58 / 0 / 18

HEX #4D58D1

RGB 77 88 209

HSL 235, 0.59%, 0.56%

LAB 43, 33.12, -63.96

 

CMYK 0 / 63 / 7 / 18

HEX #D14DC2

RGB 209 77 194

HSL 306.82, 0.59%, 0.56%

LAB 54.82, 65.28, -35.61

 

CMYK 0 / 5 / 62 / 18

HEX #D1C74F

RGB 209 199 79

HSL 55.38, 0.59%, 0.56%

LAB 79.02, -11.05, 59.47

 

CMYK 63 / 0 / 37 / 18

HEX #4DD184

RGB 77 209 132

HSL 145, 0.59%, 0.56%

LAB 75.35, -53.24, 27.84

 

CMYK 63 / 58 / 0 / 18

HEX #4D58D1

RGB 77 88 209

HSL 235, 0.59%, 0.56%

LAB 43, 33.12, -63.96

 

CMYK 0 / 63 / 26 / 18

HEX #D14D9A

RGB 209 77 154

HSL 325, 0.59%, 0.56%

LAB 53.16, 59.52, -14.86

 

Description

Color code: HEX #D1C74F | qconv.com Color code: HEX #D1C74F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 199 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 199 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 62 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 62% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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