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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1BAA4 it is the complementary color #2E455B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1BAA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1BAA4 shade: #D6BA9F, #E7CCB2, #F8DEC5, #FFF0D8 and #FFFFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1BAA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1BAA4 shade: #D1BAA4, #C0A891, #AF967E, #9E846B and #8D7258

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1BAA4 shade: #D1BAA3, #D1ADA3 and #D1A3A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1BAA4 shade: #D1BAA3, #D1C6A3, #D0D1A3, #C3D1A3 and #B7D1A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1BAA4 shade matches the following richer shades: #D1BAA3, #DCB998, #E7B98D, #F2B982 and #FDB977

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1BAA4 shade: #D1BAA3, #C6BAAF, #BBBABA, #AFBAC5 and #A4BBD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1BAA4 shade: #D1A3A6, #D1ADA3, #D1B9A3, #D1C6A3 and #D0D1A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1BAA4 shade: #B5906D, #C3A588, #D1BAA3, #DFCEBF and #EDE3DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1BAA4 shade: #D1BAA4, #B2D1A3 and #A7A3D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1BAA4 shade: #D1BAA4, #A3D1B9 and #B9A3D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1BAA4 shade: #D1BAA4, #B2D1A3, #A3BBD1 and #C2A3D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1BAA4 shade: #D1BAA4, #A4D1A3, #A3BBD1 and #D0A3D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 22 / 18

HEX #D1BAA4

RGB 209 186 164

HSL 29.33, 0.33%, 0.73%

LAB 76.89, 4.71, 14.15

 

Complementary color

CMYK 49 / 24 / 0 / 64

HEX #2E455B

RGB 46 69 91

HSL 209.33, 0.33%, 0.27%

LAB 28.36, -2.09, -15.83

 

CMYK 0 / 13 / 26 / 16

HEX #D6BA9F

RGB 214 186 159

HSL 29.45, 0.4%, 0.73%

LAB 77.23, 5.89, 17.38

 

CMYK 0 / 12 / 23 / 9

HEX #E7CCB2

RGB 231 204 178

HSL 29.43, 0.52%, 0.8%

LAB 83.65, 5.48, 16.43

 

CMYK 0 / 10 / 21 / 3

HEX #F8DEC5

RGB 248 222 197

HSL 29.41, 0.78%, 0.87%

LAB 89.97, 5.1, 15.53

 

CMYK 0 / 6 / 15 / 0

HEX #FFF0D8

RGB 255 240 216

HSL 36.92, 1%, 0.92%

LAB 95.39, 1.22, 13.41

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 11 / 22 / 18

HEX #D1BAA4

RGB 209 186 164

HSL 29.33, 0.33%, 0.73%

LAB 76.89, 4.71, 14.15

 

CMYK 0 / 13 / 24 / 25

HEX #C0A891

RGB 192 168 145

HSL 29.36, 0.27%, 0.66%

LAB 70.35, 5.12, 15.09

 

CMYK 0 / 14 / 28 / 31

HEX #AF967E

RGB 175 150 126

HSL 29.39, 0.23%, 0.59%

LAB 63.7, 5.57, 16.11

 

CMYK 0 / 16 / 32 / 38

HEX #9E846B

RGB 158 132 107

HSL 29.41, 0.21%, 0.52%

LAB 56.91, 6.11, 17.21

 

CMYK 0 / 19 / 38 / 45

HEX #8D7258

RGB 141 114 88

HSL 29.43, 0.23%, 0.45%

LAB 49.98, 6.74, 18.42

 

CMYK 0 / 11 / 22 / 18

HEX #D1BAA3

RGB 209 186 163

HSL 30, 0.33%, 0.73%

LAB 76.87, 4.57, 14.65

 

CMYK 0 / 17 / 22 / 18

HEX #D1ADA3

RGB 209 173 163

HSL 13.04, 0.33%, 0.73%

LAB 73.6, 11.54, 10.03

 

CMYK 0 / 22 / 22 / 18

HEX #D1A3A3

RGB 209 163 163

HSL 0, 0.33%, 0.73%

LAB 71.14, 16.96, 6.52

 

CMYK 0 / 11 / 22 / 18

HEX #D1BAA3

RGB 209 186 163

HSL 30, 0.33%, 0.73%

LAB 76.87, 4.57, 14.65

 

CMYK 0 / 5 / 22 / 18

HEX #D1C6A3

RGB 209 198 163

HSL 45.65, 0.33%, 0.73%

LAB 79.95, -1.76, 18.95

 

CMYK 0 / 0 / 22 / 18

HEX #D0D1A3

RGB 208 209 163

HSL 61.3, 0.33%, 0.73%

LAB 82.73, -7.84, 22.78

 

CMYK 7 / 0 / 22 / 18

HEX #C3D1A3

RGB 195 209 163

HSL 78.26, 0.33%, 0.73%

LAB 81.76, -12.64, 21.28

 

CMYK 12 / 0 / 22 / 18

HEX #B7D1A3

RGB 183 209 163

HSL 93.91, 0.33%, 0.73%

LAB 80.91, -16.97, 19.99

 

CMYK 0 / 11 / 22 / 18

HEX #D1BAA3

RGB 209 186 163

HSL 30, 0.33%, 0.73%

LAB 76.87, 4.57, 14.65

 

CMYK 0 / 16 / 31 / 14

HEX #DCB998

RGB 220 185 152

HSL 29.12, 0.49%, 0.73%

LAB 77.39, 7.79, 21.44

 

CMYK 0 / 20 / 39 / 9

HEX #E7B98D

RGB 231 185 141

HSL 29.33, 0.65%, 0.73%

LAB 78.23, 10.76, 28.62

 

CMYK 0 / 24 / 46 / 5

HEX #F2B982

RGB 242 185 130

HSL 29.46, 0.81%, 0.73%

LAB 79.15, 13.96, 35.79

 

CMYK 0 / 27 / 53 / 1

HEX #FDB977

RGB 253 185 119

HSL 29.55, 0.97%, 0.73%

LAB 80.13, 17.37, 42.93

 

CMYK 0 / 11 / 22 / 18

HEX #D1BAA3

RGB 209 186 163

HSL 30, 0.33%, 0.73%

LAB 76.87, 4.57, 14.65

 

CMYK 0 / 6 / 12 / 22

HEX #C6BAAF

RGB 198 186 175

HSL 28.7, 0.17%, 0.73%

LAB 76.2, 2.36, 7.08

 

CMYK 0 / 1 / 1 / 27

HEX #BBBABA

RGB 187 186 186

HSL 0, 0.01%, 0.73%

LAB 75.59, 0.35, 0.12

 

CMYK 11 / 6 / 0 / 23

HEX #AFBAC5

RGB 175 186 197

HSL 210, 0.16%, 0.73%

LAB 74.99, -1.59, -6.86

 

CMYK 21 / 10 / 0 / 18

HEX #A4BBD0

RGB 164 187 208

HSL 208.64, 0.32%, 0.73%

LAB 74.82, -3.3, -13.19

 

CMYK 0 / 22 / 21 / 18

HEX #D1A3A6

RGB 209 163 166

HSL 356.09, 0.33%, 0.73%

LAB 71.22, 17.41, 4.97

 

CMYK 0 / 17 / 22 / 18

HEX #D1ADA3

RGB 209 173 163

HSL 13.04, 0.33%, 0.73%

LAB 73.6, 11.54, 10.03

 

CMYK 0 / 11 / 22 / 18

HEX #D1B9A3

RGB 209 185 163

HSL 28.7, 0.33%, 0.73%

LAB 76.62, 5.1, 14.3

 

CMYK 0 / 5 / 22 / 18

HEX #D1C6A3

RGB 209 198 163

HSL 45.65, 0.33%, 0.73%

LAB 79.95, -1.76, 18.95

 

CMYK 0 / 0 / 22 / 18

HEX #D0D1A3

RGB 208 209 163

HSL 61.3, 0.33%, 0.73%

LAB 82.73, -7.84, 22.78

 

CMYK 0 / 20 / 40 / 29

HEX #B5906D

RGB 181 144 109

HSL 29.17, 0.33%, 0.57%

LAB 62.4, 9.13, 23.9

 

CMYK 0 / 15 / 30 / 24

HEX #C3A588

RGB 195 165 136

HSL 29.49, 0.33%, 0.65%

LAB 69.68, 6.66, 19.13

 

CMYK 0 / 11 / 22 / 18

HEX #D1BAA3

RGB 209 186 163

HSL 30, 0.33%, 0.73%

LAB 76.87, 4.57, 14.65

 

CMYK 0 / 8 / 14 / 13

HEX #DFCEBF

RGB 223 206 191

HSL 28.13, 0.33%, 0.81%

LAB 83.75, 3.44, 9.58

 

CMYK 0 / 4 / 8 / 7

HEX #EDE3DA

RGB 237 227 218

HSL 28.42, 0.35%, 0.89%

LAB 90.78, 1.87, 5.59

 

CMYK 0 / 11 / 22 / 18

HEX #D1BAA4

RGB 209 186 164

HSL 29.33, 0.33%, 0.73%

LAB 76.89, 4.71, 14.15

 

CMYK 15 / 0 / 22 / 18

HEX #B2D1A3

RGB 178 209 163

HSL 100.43, 0.33%, 0.73%

LAB 80.58, -18.74, 19.47

 

CMYK 20 / 22 / 0 / 18

HEX #A7A3D1

RGB 167 163 209

HSL 245.22, 0.33%, 0.73%

LAB 68.76, 11.03, -22.88

 

CMYK 0 / 11 / 22 / 18

HEX #D1BAA4

RGB 209 186 164

HSL 29.33, 0.33%, 0.73%

LAB 76.89, 4.71, 14.15

 

CMYK 22 / 0 / 11 / 18

HEX #A3D1B9

RGB 163 209 185

HSL 148.7, 0.33%, 0.73%

LAB 80.12, -19.86, 7

 

CMYK 11 / 22 / 0 / 18

HEX #B9A3D1

RGB 185 163 209

HSL 268.7, 0.33%, 0.73%

LAB 70.25, 16.79, -20.47

 

CMYK 0 / 11 / 22 / 18

HEX #D1BAA4

RGB 209 186 164

HSL 29.33, 0.33%, 0.73%

LAB 76.89, 4.71, 14.15

 

CMYK 15 / 0 / 22 / 18

HEX #B2D1A3

RGB 178 209 163

HSL 100.43, 0.33%, 0.73%

LAB 80.58, -18.74, 19.47

 

CMYK 22 / 11 / 0 / 18

HEX #A3BBD1

RGB 163 187 209

HSL 208.7, 0.33%, 0.73%

LAB 74.78, -3.39, -13.79

 

CMYK 7 / 22 / 0 / 18

HEX #C2A3D1

RGB 194 163 209

HSL 280.43, 0.33%, 0.73%

LAB 71.05, 19.74, -19.18

 

CMYK 0 / 11 / 22 / 18

HEX #D1BAA4

RGB 209 186 164

HSL 29.33, 0.33%, 0.73%

LAB 76.89, 4.71, 14.15

 

CMYK 22 / 0 / 22 / 18

HEX #A4D1A3

RGB 164 209 163

HSL 118.7, 0.33%, 0.73%

LAB 79.69, -23.57, 18.11

 

CMYK 22 / 11 / 0 / 18

HEX #A3BBD1

RGB 163 187 209

HSL 208.7, 0.33%, 0.73%

LAB 74.78, -3.39, -13.79

 

CMYK 0 / 22 / 0 / 18

HEX #D0A3D1

RGB 208 163 209

HSL 298.7, 0.33%, 0.73%

LAB 72.37, 24.39, -17.06

 

Description

Color code: HEX #D1BAA4 | qconv.com Color code: HEX #D1BAA4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 186 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 186 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 22 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 22% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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