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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1B59600 it is the complementary color #2E4A6900. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1B59600. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1B59600 shade: #D6B59100, #E7C7A400, #F8D9B700, #FFEBCA00 and #FFFDDD00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1B59600. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1B59600 shade: #D1B59600, #C0A38300, #AF917000, #9E7F5D00 and #8D6D4A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1B59600 shade: #D0B495, #D0A495 and #D09595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1B59600 shade: #D0B495, #D0C495, #CCD095, #BCD095 and #ACD095

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1B59600 shade matches the following richer shades: #D0B495, #DDB588, #E9B57C and #F5B670

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1B59600 shade: #D0B495, #C4B3A1, #B8B3AD, #ABB2BA and #9FB1C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1B59600 shade: #D09596, #D0A495, #D0B395, #D0C395 and #CDD095

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1B59600 shade: #B78C5B, #C4A078, #D0B495, #DDC8B1 and #EADCCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1B59600 shade: #D1B596, #A6D095 and #9C95D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1B59600 shade: #D1B596, #95D0B3 and #B395D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1B59600 shade: #D1B596, #A6D095, #95B2D0 and #BF95D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1B59600 shade: #D1B596, #95D096, #95B2D0 and #D095CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #D1B59600

RGBA 209 181 150 0

HSLA 31.53, 0.39%, 0.7%, 0

LABA 75.33, 5.4, 19.52, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #2E4A6900

RGBA 46 74 105 0

HSLA 211.53, 0.39%, 0.3%, 0

LABA 30.64, -0.56, -21.24, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D6B59100

RGBA 214 181 145 0

HSLA 31.3, 0.46%, 0.7%, 0

LABA 75.69, 6.69, 22.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E7C7A400

RGBA 231 199 164 0

HSLA 31.34, 0.58%, 0.77%, 0

LABA 82.12, 6.18, 21.71, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F8D9B700

RGBA 248 217 183 0

HSLA 31.38, 0.82%, 0.85%, 0

LABA 88.45, 5.74, 20.71, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFEBCA00

RGBA 255 235 202 0

HSLA 37.36, 1%, 0.9%, 0

LABA 93.86, 1.7, 18.48, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFDDD00

RGBA 255 253 221 0

HSLA 56.47, 1%, 0.93%, 0

LABA 98.72, -4.57, 15.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D1B59600

RGBA 209 181 150 0

HSLA 31.53, 0.39%, 0.7%, 0

LABA 75.33, 5.4, 19.52, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C0A38300

RGBA 192 163 131 0

HSLA 31.48, 0.33%, 0.63%, 0

LABA 68.78, 5.9, 20.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AF917000

RGBA 175 145 112 0

HSLA 31.43, 0.28%, 0.56%, 0

LABA 62.11, 6.48, 21.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9E7F5D00

RGBA 158 127 93 0

HSLA 31.38, 0.26%, 0.49%, 0

LABA 55.32, 7.16, 23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8D6D4A00

RGBA 141 109 74 0

HSLA 31.34, 0.31%, 0.42%, 0

LABA 48.38, 7.97, 24.38, 0

 

CMYK 0 / 13 / 28 / 18

HEX #D0B495

RGB 208 180 149

HSL 31.53, 0.39%, 0.7%

LAB 74.96, 5.41, 19.54

 

CMYK 0 / 21 / 28 / 18

HEX #D0A495

RGB 208 164 149

HSL 15.25, 0.39%, 0.7%

LAB 70.96, 14.04, 13.97

 

CMYK 0 / 28 / 28 / 18

HEX #D09595

RGB 208 149 149

HSL 0, 0.39%, 0.7%

LAB 67.33, 22.2, 8.84

 

CMYK 0 / 13 / 28 / 18

HEX #D0B495

RGB 208 180 149

HSL 31.53, 0.39%, 0.7%

LAB 74.96, 5.41, 19.54

 

CMYK 0 / 6 / 28 / 18

HEX #D0C495

RGB 208 196 149

HSL 47.8, 0.39%, 0.7%

LAB 79.08, -3.04, 25.16

 

CMYK 2 / 0 / 28 / 18

HEX #CCD095

RGB 204 208 149

HSL 64.07, 0.39%, 0.7%

LAB 81.9, -10.76, 28.92

 

CMYK 10 / 0 / 28 / 18

HEX #BCD095

RGB 188 208 149

HSL 80.34, 0.39%, 0.7%

LAB 80.72, -16.76, 27.13

 

CMYK 17 / 0 / 28 / 18

HEX #ACD095

RGB 172 208 149

HSL 96.61, 0.39%, 0.7%

LAB 79.64, -22.58, 25.49

 

CMYK 0 / 13 / 28 / 18

HEX #D0B495

RGB 208 180 149

HSL 31.53, 0.39%, 0.7%

LAB 74.96, 5.41, 19.54

 

CMYK 0 / 18 / 38 / 13

HEX #DDB588

RGB 221 181 136

HSL 31.76, 0.56%, 0.7%

LAB 76.19, 8.36, 28.37

 

CMYK 0 / 22 / 47 / 9

HEX #E9B57C

RGB 233 181 124

HSL 31.38, 0.71%, 0.7%

LAB 77.18, 11.89, 36.19

 

CMYK 0 / 26 / 54 / 4

HEX #F5B670

RGB 245 182 112

HSL 31.58, 0.87%, 0.7%

LAB 78.48, 15.15, 44.24

 

CMYK 0 / 13 / 28 / 18

HEX #D0B495

RGB 208 180 149

HSL 31.53, 0.39%, 0.7%

LAB 74.96, 5.41, 19.54

 

CMYK 0 / 9 / 18 / 23

HEX #C4B3A1

RGB 196 179 161

HSL 30.86, 0.23%, 0.7%

LAB 73.9, 3.11, 11.39

 

CMYK 0 / 3 / 6 / 28

HEX #B8B3AD

RGB 184 179 173

HSL 32.73, 0.07%, 0.7%

LAB 73.19, 0.69, 3.68

 

CMYK 8 / 4 / 0 / 27

HEX #ABB2BA

RGB 171 178 186

HSL 212, 0.1%, 0.7%

LAB 72.26, -0.86, -4.92

 

CMYK 20 / 11 / 0 / 22

HEX #9FB1C6

RGB 159 177 198

HSL 212.31, 0.25%, 0.7%

LAB 71.48, -1.72, -12.76

 

CMYK 0 / 28 / 28 / 18

HEX #D09596

RGB 208 149 150

HSL 358.98, 0.39%, 0.7%

LAB 67.36, 22.34, 8.31

 

CMYK 0 / 21 / 28 / 18

HEX #D0A495

RGB 208 164 149

HSL 15.25, 0.39%, 0.7%

LAB 70.96, 14.04, 13.97

 

CMYK 0 / 14 / 28 / 18

HEX #D0B395

RGB 208 179 149

HSL 30.51, 0.39%, 0.7%

LAB 74.71, 5.95, 19.19

 

CMYK 0 / 6 / 28 / 18

HEX #D0C395

RGB 208 195 149

HSL 46.78, 0.39%, 0.7%

LAB 78.82, -2.52, 24.81

 

CMYK 1 / 0 / 28 / 18

HEX #CDD095

RGB 205 208 149

HSL 63.05, 0.39%, 0.7%

LAB 81.98, -10.38, 29.03

 

CMYK 0 / 23 / 50 / 28

HEX #B78C5B

RGB 183 140 91

HSL 31.96, 0.39%, 0.54%

LAB 61.29, 10.27, 32.35

 

CMYK 0 / 18 / 39 / 23

HEX #C4A078

RGB 196 160 120

HSL 31.58, 0.39%, 0.62%

LAB 68.19, 7.78, 25.86

 

CMYK 0 / 13 / 28 / 18

HEX #D0B495

RGB 208 180 149

HSL 31.53, 0.39%, 0.7%

LAB 74.96, 5.41, 19.54

 

CMYK 0 / 10 / 20 / 13

HEX #DDC8B1

RGB 221 200 177

HSL 31.36, 0.39%, 0.78%

LAB 81.76, 3.72, 14.18

 

CMYK 0 / 6 / 12 / 8

HEX #EADCCE

RGB 234 220 206

HSL 30, 0.4%, 0.86%

LAB 88.51, 2.48, 8.58

 

CMYK 0 / 13 / 28 / 18

HEX #D1B596

RGB 209 181 150

HSL 31.53, 0.39%, 0.7%

LAB 75.33, 5.4, 19.52

 

CMYK 20 / 0 / 28 / 18

HEX #A6D095

RGB 166 208 149

HSL 102.71, 0.39%, 0.7%

LAB 79.26, -24.7, 24.91

 

CMYK 25 / 28 / 0 / 18

HEX #9C95D0

RGB 156 149 208

HSL 247.12, 0.39%, 0.7%

LAB 64.26, 15.31, -29.32

 

CMYK 0 / 13 / 28 / 18

HEX #D1B596

RGB 209 181 150

HSL 31.53, 0.39%, 0.7%

LAB 75.33, 5.4, 19.52

 

CMYK 28 / 0 / 14 / 18

HEX #95D0B3

RGB 149 208 179

HSL 150.51, 0.39%, 0.7%

LAB 78.9, -24.96, 8.35

 

CMYK 14 / 28 / 0 / 18

HEX #B395D0

RGB 179 149 208

HSL 270.51, 0.39%, 0.7%

LAB 66.24, 22.46, -26.1

 

CMYK 0 / 13 / 28 / 18

HEX #D1B596

RGB 209 181 150

HSL 31.53, 0.39%, 0.7%

LAB 75.33, 5.4, 19.52

 

CMYK 20 / 0 / 28 / 18

HEX #A6D095

RGB 166 208 149

HSL 102.71, 0.39%, 0.7%

LAB 79.26, -24.7, 24.91

 

CMYK 28 / 14 / 0 / 18

HEX #95B2D0

RGB 149 178 208

HSL 210.51, 0.39%, 0.7%

LAB 71.41, -3.01, -18.42

 

CMYK 8 / 28 / 0 / 18

HEX #BF95D0

RGB 191 149 208

HSL 282.71, 0.39%, 0.7%

LAB 67.37, 26.31, -24.26

 

CMYK 0 / 13 / 28 / 18

HEX #D1B596

RGB 209 181 150

HSL 31.53, 0.39%, 0.7%

LAB 75.33, 5.4, 19.52

 

CMYK 28 / 0 / 28 / 18

HEX #95D096

RGB 149 208 150

HSL 121.02, 0.39%, 0.7%

LAB 78.29, -30.3, 22.89

 

CMYK 28 / 14 / 0 / 18

HEX #95B2D0

RGB 149 178 208

HSL 210.51, 0.39%, 0.7%

LAB 71.41, -3.01, -18.42

 

CMYK 0 / 28 / 0 / 18

HEX #D095CF

RGB 208 149 207

HSL 301.02, 0.39%, 0.7%

LAB 69.05, 31.65, -20.99

 

Description

Color code: HEX #D1B59600 | qconv.com Color code: HEX #D1B59600 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 181 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 181 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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