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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1ADE4 it is the complementary color #2E521B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1ADE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1ADE4 shade: #D6ADDF, #E7BFF2, #F8D1FF, #FFE3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1ADE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1ADE4 shade: #D1ADE4, #C09BD1, #AF89BE, #9E77AB and #8D6598

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1ADE4 shade: #D2AFE4, #E0AFE4, #E4AFDA, #E4AFCB and #E4AFBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1ADE4 shade: #D2AFE4, #C3AFE4, #B5AFE4 and #AFAFE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1ADE4 shade matches the following richer shades: #D2AFE4, #D4A6ED, #D79DF6 and #DA95FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1ADE4 shade: #D2AFE4, #CFB7DC, #CCC0D3, #CAC9CA and #C7D1C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1ADE4 shade: #B5AFE4, #C3AFE4, #D1AFE4, #E0AFE4 and #E4AFDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1ADE4 shade: #AF71D0, #C090DA, #D2AFE4, #E3CEEF and #F5EDF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1ADE4 shade: #D1ADE4, #E4AFB7 and #AFE4BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1ADE4 shade: #D1ADE4, #E4D1AF and #AFE4D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1ADE4 shade: #D1ADE4, #E4AFB7, #C1E4AF and #AFE4DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1ADE4 shade: #D1ADE4, #E4B7AF, #C1E4AF and #AFDCE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 24 / 0 / 11

HEX #D1ADE4

RGB 209 173 228

HSL 279.27, 0.5%, 0.79%

LAB 75.48, 22.96, -22.71

 

Complementary color

CMYK 44 / 0 / 67 / 68

HEX #2E521B

RGB 46 82 27

HSL 99.27, 0.5%, 0.21%

LAB 31.1, -24.29, 27.57

 

CMYK 4 / 22 / 0 / 13

HEX #D6ADDF

RGB 214 173 223

HSL 289.2, 0.44%, 0.78%

LAB 75.77, 23.6, -19.51

 

CMYK 5 / 21 / 0 / 5

HEX #E7BFF2

RGB 231 191 242

HSL 287.06, 0.66%, 0.85%

LAB 82.2, 23.08, -19.88

 

CMYK 3 / 18 / 0 / 0

HEX #F8D1FF

RGB 248 209 255

HSL 290.87, 1%, 0.91%

LAB 88.34, 21.47, -17.36

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 8 / 24 / 0 / 11

HEX #D1ADE4

RGB 209 173 228

HSL 279.27, 0.5%, 0.79%

LAB 75.48, 22.96, -22.71

 

CMYK 8 / 26 / 0 / 18

HEX #C09BD1

RGB 192 155 209

HSL 281.11, 0.37%, 0.71%

LAB 68.93, 23.51, -22.42

 

CMYK 8 / 28 / 0 / 25

HEX #AF89BE

RGB 175 137 190

HSL 283.02, 0.29%, 0.64%

LAB 62.27, 24.11, -22.13

 

CMYK 8 / 30 / 0 / 33

HEX #9E77AB

RGB 158 119 171

HSL 285, 0.24%, 0.57%

LAB 55.49, 24.76, -21.84

 

CMYK 7 / 34 / 0 / 40

HEX #8D6598

RGB 141 101 152

HSL 287.06, 0.2%, 0.5%

LAB 48.56, 25.47, -21.54

 

CMYK 8 / 23 / 0 / 11

HEX #D2AFE4

RGB 210 175 228

HSL 279.62, 0.5%, 0.79%

LAB 76.05, 22.19, -21.84

 

CMYK 2 / 23 / 0 / 11

HEX #E0AFE4

RGB 224 175 228

HSL 295.47, 0.5%, 0.79%

LAB 77.35, 26.74, -19.75

 

CMYK 0 / 23 / 4 / 11

HEX #E4AFDA

RGB 228 175 218

HSL 311.32, 0.5%, 0.79%

LAB 77.41, 26.24, -14.19

 

CMYK 0 / 23 / 11 / 11

HEX #E4AFCB

RGB 228 175 203

HSL 328.3, 0.5%, 0.79%

LAB 76.96, 23.66, -6.71

 

CMYK 0 / 23 / 17 / 11

HEX #E4AFBD

RGB 228 175 189

HSL 344.15, 0.5%, 0.79%

LAB 76.57, 21.41, 0.35

 

CMYK 8 / 23 / 0 / 11

HEX #D2AFE4

RGB 210 175 228

HSL 279.62, 0.5%, 0.79%

LAB 76.05, 22.19, -21.84

 

CMYK 14 / 23 / 0 / 11

HEX #C3AFE4

RGB 195 175 228

HSL 262.64, 0.5%, 0.79%

LAB 74.74, 17.4, -23.95

 

CMYK 21 / 23 / 0 / 11

HEX #B5AFE4

RGB 181 175 228

HSL 246.79, 0.5%, 0.79%

LAB 73.6, 13.04, -25.79

 

CMYK 23 / 23 / 0 / 11

HEX #AFAFE4

RGB 175 175 228

HSL 240, 0.5%, 0.79%

LAB 73.14, 11.21, -26.54

 

CMYK 8 / 23 / 0 / 11

HEX #D2AFE4

RGB 210 175 228

HSL 279.62, 0.5%, 0.79%

LAB 76.05, 22.19, -21.84

 

CMYK 11 / 30 / 0 / 7

HEX #D4A6ED

RGB 212 166 237

HSL 278.87, 0.66%, 0.79%

LAB 74.43, 29.55, -29.18

 

CMYK 13 / 36 / 0 / 4

HEX #D79DF6

RGB 215 157 246

HSL 279.1, 0.83%, 0.79%

LAB 73.03, 37.18, -36.2

 

CMYK 14 / 41 / 0 / 0

HEX #DA95FE

RGB 218 149 254

HSL 279.43, 0.98%, 0.79%

LAB 71.93, 43.99, -42.24

 

CMYK 8 / 23 / 0 / 11

HEX #D2AFE4

RGB 210 175 228

HSL 279.62, 0.5%, 0.79%

LAB 76.05, 22.19, -21.84

 

CMYK 6 / 17 / 0 / 14

HEX #CFB7DC

RGB 207 183 220

HSL 278.92, 0.35%, 0.79%

LAB 77.46, 15.28, -15.39

 

CMYK 3 / 9 / 0 / 17

HEX #CCC0D3

RGB 204 192 211

HSL 277.89, 0.18%, 0.79%

LAB 79.18, 7.68, -7.99

 

CMYK 0 / 0 / 0 / 21

HEX #CAC9CA

RGB 202 201 202

HSL 300, 0.01%, 0.79%

LAB 81.07, 0.53, -0.39

 

CMYK 5 / 0 / 7 / 18

HEX #C7D1C2

RGB 199 209 194

HSL 100, 0.14%, 0.79%

LAB 82.72, -6.13, 6.26

 

CMYK 21 / 23 / 0 / 11

HEX #B5AFE4

RGB 181 175 228

HSL 246.79, 0.5%, 0.79%

LAB 73.6, 13.04, -25.79

 

CMYK 14 / 23 / 0 / 11

HEX #C3AFE4

RGB 195 175 228

HSL 262.64, 0.5%, 0.79%

LAB 74.74, 17.4, -23.95

 

CMYK 8 / 23 / 0 / 11

HEX #D1AFE4

RGB 209 175 228

HSL 278.49, 0.5%, 0.79%

LAB 75.96, 21.87, -21.99

 

CMYK 2 / 23 / 0 / 11

HEX #E0AFE4

RGB 224 175 228

HSL 295.47, 0.5%, 0.79%

LAB 77.35, 26.74, -19.75

 

CMYK 0 / 23 / 4 / 11

HEX #E4AFDA

RGB 228 175 218

HSL 311.32, 0.5%, 0.79%

LAB 77.41, 26.24, -14.19

 

CMYK 16 / 46 / 0 / 18

HEX #AF71D0

RGB 175 113 208

HSL 279.16, 0.5%, 0.63%

LAB 57.54, 41.3, -39.65

 

CMYK 12 / 34 / 0 / 15

HEX #C090DA

RGB 192 144 218

HSL 278.92, 0.5%, 0.71%

LAB 66.68, 31.46, -30.86

 

CMYK 8 / 23 / 0 / 11

HEX #D2AFE4

RGB 210 175 228

HSL 279.62, 0.5%, 0.79%

LAB 76.05, 22.19, -21.84

 

CMYK 5 / 14 / 0 / 6

HEX #E3CEEF

RGB 227 206 239

HSL 278.18, 0.51%, 0.87%

LAB 85.36, 13.21, -13.56

 

CMYK 2 / 5 / 0 / 2

HEX #F5EDF9

RGB 245 237 249

HSL 280, 0.5%, 0.95%

LAB 94.66, 4.81, -4.83

 

CMYK 8 / 24 / 0 / 11

HEX #D1ADE4

RGB 209 173 228

HSL 279.27, 0.5%, 0.79%

LAB 75.48, 22.96, -22.71

 

CMYK 0 / 23 / 20 / 11

HEX #E4AFB7

RGB 228 175 183

HSL 350.94, 0.5%, 0.79%

LAB 76.42, 20.49, 3.4

 

CMYK 23 / 0 / 18 / 11

HEX #AFE4BC

RGB 175 228 188

HSL 134.72, 0.5%, 0.79%

LAB 86.12, -24.79, 14.06

 

CMYK 8 / 24 / 0 / 11

HEX #D1ADE4

RGB 209 173 228

HSL 279.27, 0.5%, 0.79%

LAB 75.48, 22.96, -22.71

 

CMYK 0 / 8 / 23 / 11

HEX #E4D1AF

RGB 228 209 175

HSL 38.49, 0.5%, 0.79%

LAB 84.58, 1.33, 19.28

 

CMYK 23 / 0 / 8 / 11

HEX #AFE4D1

RGB 175 228 209

HSL 158.49, 0.5%, 0.79%

LAB 86.61, -20.79, 3.74

 

CMYK 8 / 24 / 0 / 11

HEX #D1ADE4

RGB 209 173 228

HSL 279.27, 0.5%, 0.79%

LAB 75.48, 22.96, -22.71

 

CMYK 0 / 23 / 20 / 11

HEX #E4AFB7

RGB 228 175 183

HSL 350.94, 0.5%, 0.79%

LAB 76.42, 20.49, 3.4

 

CMYK 15 / 0 / 23 / 11

HEX #C1E4AF

RGB 193 228 175

HSL 99.62, 0.5%, 0.79%

LAB 86.96, -20.97, 22.17

 

CMYK 23 / 0 / 4 / 11

HEX #AFE4DC

RGB 175 228 220

HSL 170.94, 0.5%, 0.79%

LAB 86.88, -18.53, -1.65

 

CMYK 8 / 24 / 0 / 11

HEX #D1ADE4

RGB 209 173 228

HSL 279.27, 0.5%, 0.79%

LAB 75.48, 22.96, -22.71

 

CMYK 0 / 20 / 23 / 11

HEX #E4B7AF

RGB 228 183 175

HSL 9.06, 0.5%, 0.79%

LAB 78.14, 15.03, 10.22

 

CMYK 15 / 0 / 23 / 11

HEX #C1E4AF

RGB 193 228 175

HSL 99.62, 0.5%, 0.79%

LAB 86.96, -20.97, 22.17

 

CMYK 23 / 4 / 0 / 11

HEX #AFDCE4

RGB 175 220 228

HSL 189.06, 0.5%, 0.79%

LAB 84.95, -12.79, -8.73

 

Description

Color code: HEX #D1ADE4 | qconv.com Color code: HEX #D1ADE4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 173 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 173 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 24 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 24% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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