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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D19B66 it is the complementary color #2E6499. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D19B66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D19B66 shade: #D69B61, #E7AD74, #F8BF87, #FFD19A and #FFE3AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D19B66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D19B66 shade: #D19B66, #C08953, #AF7740, #9E652D and #8D531A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D19B66 shade: #D19B66, #D17E66 and #D16666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D19B66 shade: #D19B66, #D1B866, #CED166, #B1D166 and #94D166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D19B66 shade matches the following richer shades: #D19B66, #E19B56 and #F19B46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D19B66 shade: #D19B66, #C19B76, #B19B86, #A19B96 and #919CA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D19B66 shade: #D1666B, #D17D66, #D19A66, #D1B666 and #CFD166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D19B66 shade: #B07235, #C88646, #D19B66, #DBB086 and #E4C5A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D19B66 shade: #D19B66, #88D166 and #6F66D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D19B66 shade: #D19B66, #66D19A and #9A66D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D19B66 shade: #D19B66, #88D166, #669DD1 and #AF66D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D19B66 shade: #D19B66, #68D166, #669DD1 and #CF66D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 51 / 18

HEX #D19B66

RGB 209 155 102

HSL 29.72, 0.54%, 0.61%

LAB 67.99, 13.96, 35.52

 

Complementary color

CMYK 70 / 35 / 0 / 40

HEX #2E6499

RGB 46 100 153

HSL 209.72, 0.54%, 0.39%

LAB 41.21, 0.24, -34.13

 

CMYK 0 / 28 / 55 / 16

HEX #D69B61

RGB 214 155 97

HSL 29.74, 0.59%, 0.61%

LAB 68.46, 15.6, 38.85

 

CMYK 0 / 25 / 50 / 9

HEX #E7AD74

RGB 231 173 116

HSL 29.74, 0.71%, 0.68%

LAB 74.91, 14.58, 37.42

 

CMYK 0 / 23 / 46 / 3

HEX #F8BF87

RGB 248 191 135

HSL 29.73, 0.89%, 0.75%

LAB 81.27, 13.68, 36.07

 

CMYK 0 / 18 / 40 / 0

HEX #FFD19A

RGB 255 209 154

HSL 32.67, 1%, 0.8%

LAB 86.6, 9.02, 33.37

 

CMYK 0 / 11 / 32 / 0

HEX #FFE3AD

RGB 255 227 173

HSL 39.51, 1%, 0.84%

LAB 91.33, 1.96, 29.93

 

CMYK 0 / 26 / 51 / 18

HEX #D19B66

RGB 209 155 102

HSL 29.72, 0.54%, 0.61%

LAB 67.99, 13.96, 35.52

 

CMYK 0 / 29 / 57 / 25

HEX #C08953

RGB 192 137 83

HSL 29.72, 0.46%, 0.54%

LAB 61.41, 15.04, 37

 

CMYK 0 / 32 / 63 / 31

HEX #AF7740

RGB 175 119 64

HSL 29.73, 0.46%, 0.47%

LAB 54.74, 16.31, 38.55

 

CMYK 0 / 36 / 72 / 38

HEX #9E652D

RGB 158 101 45

HSL 29.73, 0.56%, 0.4%

LAB 47.96, 17.81, 40.1

 

CMYK 0 / 41 / 82 / 45

HEX #8D531A

RGB 141 83 26

HSL 29.74, 0.69%, 0.33%

LAB 41.09, 19.61, 41.39

 

CMYK 0 / 26 / 51 / 18

HEX #D19B66

RGB 209 155 102

HSL 29.72, 0.54%, 0.61%

LAB 67.99, 13.96, 35.52

 

CMYK 0 / 40 / 51 / 18

HEX #D17E66

RGB 209 126 102

HSL 13.46, 0.54%, 0.61%

LAB 61.16, 29.67, 26.75

 

CMYK 0 / 51 / 51 / 18

HEX #D16666

RGB 209 102 102

HSL 0, 0.54%, 0.61%

LAB 56.11, 42.19, 20.02

 

CMYK 0 / 26 / 51 / 18

HEX #D19B66

RGB 209 155 102

HSL 29.72, 0.54%, 0.61%

LAB 67.99, 13.96, 35.52

 

CMYK 0 / 12 / 51 / 18

HEX #D1B866

RGB 209 184 102

HSL 45.98, 0.54%, 0.61%

LAB 75.32, -1.55, 44.58

 

CMYK 1 / 0 / 51 / 18

HEX #CED166

RGB 206 209 102

HSL 61.68, 0.54%, 0.61%

LAB 81.67, -15.6, 52.07

 

CMYK 15 / 0 / 51 / 18

HEX #B1D166

RGB 177 209 102

HSL 77.94, 0.54%, 0.61%

LAB 79.56, -27.08, 49.06

 

CMYK 29 / 0 / 51 / 18

HEX #94D166

RGB 148 209 102

HSL 94.21, 0.54%, 0.61%

LAB 77.79, -37.84, 46.52

 

CMYK 0 / 26 / 51 / 18

HEX #D19B66

RGB 209 155 102

HSL 29.72, 0.54%, 0.61%

LAB 67.99, 13.96, 35.52

 

CMYK 0 / 31 / 62 / 12

HEX #E19B56

RGB 225 155 86

HSL 29.78, 0.7%, 0.61%

LAB 69.56, 19.33, 46.07

 

CMYK 0 / 36 / 71 / 5

HEX #F19B46

RGB 241 155 70

HSL 29.82, 0.86%, 0.61%

LAB 71.27, 25.02, 56.13

 

CMYK 0 / 26 / 51 / 18

HEX #D19B66

RGB 209 155 102

HSL 29.72, 0.54%, 0.61%

LAB 67.99, 13.96, 35.52

 

CMYK 0 / 20 / 39 / 24

HEX #C19B76

RGB 193 155 118

HSL 29.6, 0.38%, 0.61%

LAB 66.59, 9.05, 24.76

 

CMYK 0 / 12 / 24 / 31

HEX #B19B86

RGB 177 155 134

HSL 29.3, 0.22%, 0.61%

LAB 65.37, 4.76, 13.99

 

CMYK 0 / 4 / 7 / 37

HEX #A19B96

RGB 161 155 150

HSL 27.27, 0.06%, 0.61%

LAB 64.34, 1.27, 3.39

 

CMYK 13 / 6 / 0 / 35

HEX #919CA6

RGB 145 156 166

HSL 208.57, 0.11%, 0.61%

LAB 63.79, -1.82, -6.56

 

CMYK 0 / 51 / 49 / 18

HEX #D1666B

RGB 209 102 107

HSL 357.2, 0.54%, 0.61%

LAB 56.21, 42.65, 17.25

 

CMYK 0 / 40 / 51 / 18

HEX #D17D66

RGB 209 125 102

HSL 12.9, 0.54%, 0.61%

LAB 60.94, 30.21, 26.45

 

CMYK 0 / 26 / 51 / 18

HEX #D19A66

RGB 209 154 102

HSL 29.16, 0.54%, 0.61%

LAB 67.74, 14.5, 35.21

 

CMYK 0 / 13 / 51 / 18

HEX #D1B666

RGB 209 182 102

HSL 44.86, 0.54%, 0.61%

LAB 74.81, -0.5, 43.95

 

CMYK 1 / 0 / 51 / 18

HEX #CFD166

RGB 207 209 102

HSL 61.12, 0.54%, 0.61%

LAB 81.74, -15.19, 52.18

 

CMYK 0 / 35 / 70 / 31

HEX #B07235

RGB 176 114 53

HSL 29.76, 0.54%, 0.45%

LAB 53.52, 18.85, 42.8

 

CMYK 0 / 33 / 65 / 22

HEX #C88646

RGB 200 134 70

HSL 29.54, 0.54%, 0.53%

LAB 61.46, 19.15, 43.98

 

CMYK 0 / 26 / 51 / 18

HEX #D19B66

RGB 209 155 102

HSL 29.72, 0.54%, 0.61%

LAB 67.99, 13.96, 35.52

 

CMYK 0 / 20 / 39 / 14

HEX #DBB086

RGB 219 176 134

HSL 29.65, 0.54%, 0.69%

LAB 74.72, 10, 27.43

 

CMYK 0 / 14 / 28 / 11

HEX #E4C5A5

RGB 228 197 165

HSL 30.48, 0.54%, 0.77%

LAB 81.37, 6.23, 20.11

 

CMYK 0 / 26 / 51 / 18

HEX #D19B66

RGB 209 155 102

HSL 29.72, 0.54%, 0.61%

LAB 67.99, 13.96, 35.52

 

CMYK 35 / 0 / 51 / 18

HEX #88D166

RGB 136 209 102

HSL 100.93, 0.54%, 0.61%

LAB 77.16, -41.96, 45.61

 

CMYK 47 / 51 / 0 / 18

HEX #6F66D1

RGB 111 102 209

HSL 245.05, 0.54%, 0.61%

LAB 48.87, 31.15, -54.37

 

CMYK 0 / 26 / 51 / 18

HEX #D19B66

RGB 209 155 102

HSL 29.72, 0.54%, 0.61%

LAB 67.99, 13.96, 35.52

 

CMYK 51 / 0 / 26 / 18

HEX #66D19A

RGB 102 209 154

HSL 149.16, 0.54%, 0.61%

LAB 76.53, -43.52, 18.03

 

CMYK 26 / 51 / 0 / 18

HEX #9A66D1

RGB 154 102 209

HSL 269.16, 0.54%, 0.61%

LAB 52.92, 41.78, -47.66

 

CMYK 0 / 26 / 51 / 18

HEX #D19B66

RGB 209 155 102

HSL 29.72, 0.54%, 0.61%

LAB 67.99, 13.96, 35.52

 

CMYK 35 / 0 / 51 / 18

HEX #88D166

RGB 136 209 102

HSL 100.93, 0.54%, 0.61%

LAB 77.16, -41.96, 45.61

 

CMYK 51 / 25 / 0 / 18

HEX #669DD1

RGB 102 157 209

HSL 209.16, 0.54%, 0.61%

LAB 62.96, -3.57, -32.16

 

CMYK 16 / 51 / 0 / 18

HEX #AF66D1

RGB 175 102 209

HSL 280.93, 0.54%, 0.61%

LAB 55.3, 47.4, -43.74

 

CMYK 0 / 26 / 51 / 18

HEX #D19B66

RGB 209 155 102

HSL 29.72, 0.54%, 0.61%

LAB 67.99, 13.96, 35.52

 

CMYK 50 / 0 / 51 / 18

HEX #68D166

RGB 104 209 102

HSL 118.88, 0.54%, 0.61%

LAB 75.76, -51.7, 43.59

 

CMYK 51 / 25 / 0 / 18

HEX #669DD1

RGB 102 157 209

HSL 209.16, 0.54%, 0.61%

LAB 62.96, -3.57, -32.16

 

CMYK 1 / 51 / 0 / 18

HEX #CF66D1

RGB 207 102 209

HSL 298.88, 0.54%, 0.61%

LAB 59.32, 56.17, -37.15

 

Description

Color code: HEX #D19B66 | qconv.com Color code: HEX #D19B66 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 155 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 155 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 51 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 51% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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