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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D193E8 it is the complementary color #2E6C17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D193E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D193E8 shade: #D693E3, #E7A5F6, #F8B7FF, #FFC9FF and #FFDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D193E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D193E8 shade: #D193E8, #C081D5, #AF6FC2, #9E5DAF and #8D4B9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D193E8 shade: #D092E8, #E892E8, #E892D1, #E892B9 and #E892A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D193E8 shade: #D092E8, #B992E8, #A292E8 and #9292E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D193E8 shade matches the following richer shades: #D092E8, #D587F3 and #DA7CFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D193E8 shade: #D092E8, #CC9CDD, #C7A7D2, #C2B2C8 and #BDBDBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D193E8 shade: #A192E8, #B892E8, #CF92E8, #E692E8 and #E892D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D193E8 shade: #B44ED9, #C270E1, #D092E8, #DFB4EF and #EDD6F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D193E8 shade: #D193E8, #E89299 and #92E8AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D193E8 shade: #D193E8, #E8CF92 and #92E8CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D193E8 shade: #D193E8, #E89299, #AAE892 and #92E8E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D193E8 shade: #D193E8, #E8A492, #AAE892 and #92D5E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 37 / 0 / 9

HEX #D193E8

RGB 209 147 232

HSL 283.76, 0.65%, 0.74%

LAB 69.65, 37.91, -33.86

 

Complementary color

CMYK 57 / 0 / 79 / 58

HEX #2E6C17

RGB 46 108 23

HSL 103.76, 0.65%, 0.26%

LAB 40.19, -36.24, 38.89

 

CMYK 6 / 35 / 0 / 11

HEX #D693E3

RGB 214 147 227

HSL 290.25, 0.59%, 0.73%

LAB 69.97, 38.45, -30.56

 

CMYK 6 / 33 / 0 / 4

HEX #E7A5F6

RGB 231 165 246

HSL 288.89, 0.82%, 0.81%

LAB 76.41, 37.75, -30.86

 

CMYK 3 / 28 / 0 / 0

HEX #F8B7FF

RGB 248 183 255

HSL 294.17, 1%, 0.86%

LAB 82.4, 35.2, -26.36

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 10 / 37 / 0 / 9

HEX #D193E8

RGB 209 147 232

HSL 283.76, 0.65%, 0.74%

LAB 69.65, 37.91, -33.86

 

CMYK 10 / 39 / 0 / 16

HEX #C081D5

RGB 192 129 213

HSL 285, 0.5%, 0.67%

LAB 63.1, 38.66, -33.62

 

CMYK 10 / 43 / 0 / 24

HEX #AF6FC2

RGB 175 111 194

HSL 286.27, 0.4%, 0.6%

LAB 56.46, 39.44, -33.37

 

CMYK 10 / 47 / 0 / 31

HEX #9E5DAF

RGB 158 93 175

HSL 287.56, 0.34%, 0.53%

LAB 49.73, 40.23, -33.08

 

CMYK 10 / 52 / 0 / 39

HEX #8D4B9C

RGB 141 75 156

HSL 288.89, 0.35%, 0.45%

LAB 42.91, 41, -32.72

 

CMYK 10 / 37 / 0 / 9

HEX #D092E8

RGB 208 146 232

HSL 283.26, 0.65%, 0.74%

LAB 69.32, 38.15, -34.37

 

CMYK 0 / 37 / 0 / 9

HEX #E892E8

RGB 232 146 232

HSL 300, 0.65%, 0.74%

LAB 71.92, 45.43, -30.14

 

CMYK 0 / 37 / 10 / 9

HEX #E892D1

RGB 232 146 209

HSL 316.05, 0.65%, 0.74%

LAB 71.09, 41.44, -18.75

 

CMYK 0 / 37 / 20 / 9

HEX #E892B9

RGB 232 146 185

HSL 332.79, 0.65%, 0.74%

LAB 70.33, 37.66, -6.58

 

CMYK 0 / 37 / 30 / 9

HEX #E892A2

RGB 232 146 162

HSL 348.84, 0.65%, 0.74%

LAB 69.7, 34.45, 5.33

 

CMYK 10 / 37 / 0 / 9

HEX #D092E8

RGB 208 146 232

HSL 283.26, 0.65%, 0.74%

LAB 69.32, 38.15, -34.37

 

CMYK 20 / 37 / 0 / 9

HEX #B992E8

RGB 185 146 232

HSL 267.21, 0.65%, 0.74%

LAB 67.05, 31.3, -38.08

 

CMYK 30 / 37 / 0 / 9

HEX #A292E8

RGB 162 146 232

HSL 251.16, 0.65%, 0.74%

LAB 65.01, 24.7, -41.41

 

CMYK 37 / 37 / 0 / 9

HEX #9292E8

RGB 146 146 232

HSL 240, 0.65%, 0.74%

LAB 63.75, 20.34, -43.48

 

CMYK 10 / 37 / 0 / 9

HEX #D092E8

RGB 208 146 232

HSL 283.26, 0.65%, 0.74%

LAB 69.32, 38.15, -34.37

 

CMYK 12 / 44 / 0 / 5

HEX #D587F3

RGB 213 135 243

HSL 283.33, 0.82%, 0.74%

LAB 67.98, 47.69, -42.46

 

CMYK 14 / 51 / 0 / 1

HEX #DA7CFD

RGB 218 124 253

HSL 283.72, 0.97%, 0.74%

LAB 66.83, 56.69, -49.7

 

CMYK 10 / 37 / 0 / 9

HEX #D092E8

RGB 208 146 232

HSL 283.26, 0.65%, 0.74%

LAB 69.32, 38.15, -34.37

 

CMYK 8 / 29 / 0 / 13

HEX #CC9CDD

RGB 204 156 221

HSL 284.31, 0.49%, 0.74%

LAB 70.76, 29.25, -26.15

 

CMYK 5 / 20 / 0 / 18

HEX #C7A7D2

RGB 199 167 210

HSL 284.65, 0.32%, 0.74%

LAB 72.52, 19.39, -17.47

 

CMYK 3 / 11 / 0 / 22

HEX #C2B2C8

RGB 194 178 200

HSL 283.64, 0.17%, 0.74%

LAB 74.5, 9.74, -9.07

 

CMYK 0 / 0 / 0 / 26

HEX #BDBDBD

RGB 189 189 189

HSL 0, 0%, 0.74%

LAB 76.61, 0, -0.01

 

CMYK 31 / 37 / 0 / 9

HEX #A192E8

RGB 161 146 232

HSL 250.47, 0.65%, 0.74%

LAB 64.93, 24.42, -41.54

 

CMYK 21 / 37 / 0 / 9

HEX #B892E8

RGB 184 146 232

HSL 266.51, 0.65%, 0.74%

LAB 66.96, 31, -38.23

 

CMYK 11 / 37 / 0 / 9

HEX #CF92E8

RGB 207 146 232

HSL 282.56, 0.65%, 0.74%

LAB 69.22, 37.85, -34.54

 

CMYK 1 / 37 / 0 / 9

HEX #E692E8

RGB 230 146 232

HSL 298.6, 0.65%, 0.74%

LAB 71.7, 44.82, -30.51

 

CMYK 0 / 37 / 9 / 9

HEX #E892D2

RGB 232 146 210

HSL 315.35, 0.65%, 0.74%

LAB 71.12, 41.61, -19.26

 

CMYK 17 / 64 / 0 / 15

HEX #B44ED9

RGB 180 78 217

HSL 284.03, 0.65%, 0.58%

LAB 52.02, 62, -53.46

 

CMYK 14 / 50 / 0 / 12

HEX #C270E1

RGB 194 112 225

HSL 283.54, 0.65%, 0.66%

LAB 60.33, 50.71, -44.66

 

CMYK 10 / 37 / 0 / 9

HEX #D092E8

RGB 208 146 232

HSL 283.26, 0.65%, 0.74%

LAB 69.32, 38.15, -34.37

 

CMYK 7 / 25 / 0 / 6

HEX #DFB4EF

RGB 223 180 239

HSL 283.73, 0.65%, 0.82%

LAB 78.79, 25.83, -23.51

 

CMYK 4 / 13 / 0 / 4

HEX #EDD6F6

RGB 237 214 246

HSL 283.13, 0.64%, 0.9%

LAB 88.33, 13.59, -12.73

 

CMYK 10 / 37 / 0 / 9

HEX #D193E8

RGB 209 147 232

HSL 283.76, 0.65%, 0.74%

LAB 69.65, 37.91, -33.86

 

CMYK 0 / 37 / 34 / 9

HEX #E89299

RGB 232 146 153

HSL 355.12, 0.65%, 0.74%

LAB 69.48, 33.31, 10.03

 

CMYK 37 / 0 / 25 / 9

HEX #92E8AD

RGB 146 232 173

HSL 138.84, 0.65%, 0.74%

LAB 85.42, -38.3, 20.68

 

CMYK 10 / 37 / 0 / 9

HEX #D193E8

RGB 209 147 232

HSL 283.76, 0.65%, 0.74%

LAB 69.65, 37.91, -33.86

 

CMYK 0 / 11 / 37 / 9

HEX #E8CF92

RGB 232 207 146

HSL 42.56, 0.65%, 0.74%

LAB 83.89, 0.2, 33.53

 

CMYK 37 / 0 / 11 / 9

HEX #92E8CF

RGB 146 232 207

HSL 162.56, 0.65%, 0.74%

LAB 86.17, -31.52, 3.97

 

CMYK 10 / 37 / 0 / 9

HEX #D193E8

RGB 209 147 232

HSL 283.76, 0.65%, 0.74%

LAB 69.65, 37.91, -33.86

 

CMYK 0 / 37 / 34 / 9

HEX #E89299

RGB 232 146 153

HSL 355.12, 0.65%, 0.74%

LAB 69.48, 33.31, 10.03

 

CMYK 27 / 0 / 37 / 9

HEX #AAE892

RGB 170 232 146

HSL 103.26, 0.65%, 0.74%

LAB 86.17, -35.11, 35.7

 

CMYK 37 / 0 / 3 / 9

HEX #92E8E1

RGB 146 232 225

HSL 175.12, 0.65%, 0.74%

LAB 86.63, -27.5, -4.82

 

CMYK 10 / 37 / 0 / 9

HEX #D193E8

RGB 209 147 232

HSL 283.76, 0.65%, 0.74%

LAB 69.65, 37.91, -33.86

 

CMYK 0 / 29 / 37 / 9

HEX #E8A492

RGB 232 164 146

HSL 12.56, 0.65%, 0.74%

LAB 73.4, 22.9, 19.39

 

CMYK 27 / 0 / 37 / 9

HEX #AAE892

RGB 170 232 146

HSL 103.26, 0.65%, 0.74%

LAB 86.17, -35.11, 35.7

 

CMYK 37 / 8 / 0 / 9

HEX #92D5E8

RGB 146 213 232

HSL 193.26, 0.65%, 0.74%

LAB 81.58, -16.4, -16.05

 

Description

Color code: HEX #D193E8 | qconv.com Color code: HEX #D193E8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 147 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 147 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 37 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 37% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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