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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D18FAA it is the complementary color #2E7055. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D18FAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D18FAA shade: #D68FA5, #E7A1B8, #F8B3CB, #FFC5DE and #FFD7F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D18FAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D18FAA shade: #D18FAA, #C07D97, #AF6B84, #9E5971 and #8D475E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D18FAA shade: #D18FAA, #D18F98 and #D18F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D18FAA shade: #D18FAA, #D18FBC, #D18FCE, #C38FD1 and #B18FD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D18FAA shade matches the following richer shades: #D18FAA, #DE82A8, #EB75A5 and #F868A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D18FAA shade: #D18FAA, #C49CAC, #B8A8AF, #ABB5B1 and #9EC2B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D18FAA shade: #D18FCE, #D18FBC, #D18FAA, #D18F99 and #D1968F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D18FAA shade: #B9547E, #C57194, #D18FAA, #DDACC0 and #E9C9D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D18FAA shade: #D18FAA, #D1C38F and #8FC5D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D18FAA shade: #D18FAA, #AAD18F and #8FAAD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D18FAA shade: #D18FAA, #D1C38F, #8FD1B5 and #8F9DD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D18FAA shade: #D18FAA, #CCD18F, #8FD1B5 and #948FD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 19 / 18

HEX #D18FAA

RGB 209 143 170

HSL 335.45, 0.42%, 0.69%

LAB 66.6, 28.92, -4

 

Complementary color

CMYK 59 / 0 / 24 / 56

HEX #2E7055

RGB 46 112 85

HSL 155.45, 0.42%, 0.31%

LAB 42.5, -28.02, 8.8

 

CMYK 0 / 33 / 23 / 16

HEX #D68FA5

RGB 214 143 165

HSL 341.41, 0.46%, 0.7%

LAB 67.02, 29.96, -0.5

 

CMYK 0 / 30 / 20 / 9

HEX #E7A1B8

RGB 231 161 184

HSL 340.29, 0.59%, 0.77%

LAB 73.51, 29.21, -1.36

 

CMYK 0 / 28 / 18 / 3

HEX #F8B3CB

RGB 248 179 203

HSL 339.13, 0.83%, 0.84%

LAB 79.9, 28.52, -2.14

 

CMYK 0 / 23 / 13 / 0

HEX #FFC5DE

RGB 255 197 222

HSL 334.14, 1%, 0.89%

LAB 85.23, 24.43, -4.43

 

CMYK 0 / 16 / 5 / 0

HEX #FFD7F1

RGB 255 215 241

HSL 321, 1%, 0.92%

LAB 89.96, 18.14, -7.51

 

CMYK 0 / 32 / 19 / 18

HEX #D18FAA

RGB 209 143 170

HSL 335.45, 0.42%, 0.69%

LAB 66.6, 28.92, -4

 

CMYK 0 / 35 / 21 / 25

HEX #C07D97

RGB 192 125 151

HSL 336.72, 0.35%, 0.62%

LAB 59.99, 29.68, -3.16

 

CMYK 0 / 39 / 25 / 31

HEX #AF6B84

RGB 175 107 132

HSL 337.94, 0.3%, 0.55%

LAB 53.27, 30.51, -2.23

 

CMYK 0 / 44 / 28 / 38

HEX #9E5971

RGB 158 89 113

HSL 339.13, 0.28%, 0.48%

LAB 46.45, 31.4, -1.16

 

CMYK 0 / 50 / 33 / 45

HEX #8D475E

RGB 141 71 94

HSL 340.29, 0.33%, 0.42%

LAB 39.54, 32.34, 0.13

 

CMYK 0 / 32 / 19 / 18

HEX #D18FAA

RGB 209 143 170

HSL 335.45, 0.42%, 0.69%

LAB 66.6, 28.92, -4

 

CMYK 0 / 32 / 27 / 18

HEX #D18F98

RGB 209 143 152

HSL 351.82, 0.42%, 0.69%

LAB 66.11, 26.26, 5.42

 

CMYK 0 / 32 / 32 / 18

HEX #D18F8F

RGB 209 143 143

HSL 0, 0.42%, 0.69%

LAB 65.89, 25.04, 10.17

 

CMYK 0 / 32 / 19 / 18

HEX #D18FAA

RGB 209 143 170

HSL 335.45, 0.42%, 0.69%

LAB 66.6, 28.92, -4

 

CMYK 0 / 32 / 10 / 18

HEX #D18FBC

RGB 209 143 188

HSL 319.09, 0.42%, 0.69%

LAB 67.15, 31.85, -13.27

 

CMYK 0 / 32 / 1 / 18

HEX #D18FCE

RGB 209 143 206

HSL 302.73, 0.42%, 0.69%

LAB 67.77, 35.05, -22.38

 

CMYK 7 / 32 / 0 / 18

HEX #C38FD1

RGB 195 143 209

HSL 287.27, 0.42%, 0.69%

LAB 66.41, 31.11, -26.26

 

CMYK 15 / 32 / 0 / 18

HEX #B18FD1

RGB 177 143 209

HSL 270.91, 0.42%, 0.69%

LAB 64.64, 25.42, -29.13

 

CMYK 0 / 32 / 19 / 18

HEX #D18FAA

RGB 209 143 170

HSL 335.45, 0.42%, 0.69%

LAB 66.6, 28.92, -4

 

CMYK 0 / 41 / 24 / 13

HEX #DE82A8

RGB 222 130 168

HSL 335.22, 0.58%, 0.69%

LAB 65.22, 40.13, -4.73

 

CMYK 0 / 50 / 30 / 8

HEX #EB75A5

RGB 235 117 165

HSL 335.59, 0.75%, 0.69%

LAB 64.24, 50.67, -4.28

 

CMYK 0 / 58 / 34 / 3

HEX #F868A3

RGB 248 104 163

HSL 335.42, 0.91%, 0.69%

LAB 63.76, 60.59, -3.64

 

CMYK 0 / 32 / 19 / 18

HEX #D18FAA

RGB 209 143 170

HSL 335.45, 0.42%, 0.69%

LAB 66.6, 28.92, -4

 

CMYK 0 / 20 / 12 / 23

HEX #C49CAC

RGB 196 156 172

HSL 336, 0.25%, 0.69%

LAB 68.38, 17.43, -2.65

 

CMYK 0 / 9 / 5 / 28

HEX #B8A8AF

RGB 184 168 175

HSL 333.75, 0.1%, 0.69%

LAB 70.38, 7.02, -1.51

 

CMYK 6 / 0 / 2 / 29

HEX #ABB5B1

RGB 171 181 177

HSL 156, 0.06%, 0.69%

LAB 72.81, -4.24, 0.82

 

CMYK 19 / 0 / 8 / 24

HEX #9EC2B3

RGB 158 194 179

HSL 155, 0.23%, 0.69%

LAB 75.52, -15.07, 3.55

 

CMYK 0 / 32 / 1 / 18

HEX #D18FCE

RGB 209 143 206

HSL 302.73, 0.42%, 0.69%

LAB 67.77, 35.05, -22.38

 

CMYK 0 / 32 / 10 / 18

HEX #D18FBC

RGB 209 143 188

HSL 319.09, 0.42%, 0.69%

LAB 67.15, 31.85, -13.27

 

CMYK 0 / 32 / 19 / 18

HEX #D18FAA

RGB 209 143 170

HSL 335.45, 0.42%, 0.69%

LAB 66.6, 28.92, -4

 

CMYK 0 / 32 / 27 / 18

HEX #D18F99

RGB 209 143 153

HSL 350.91, 0.42%, 0.69%

LAB 66.14, 26.4, 4.89

 

CMYK 0 / 28 / 32 / 18

HEX #D1968F

RGB 209 150 143

HSL 6.36, 0.42%, 0.69%

LAB 67.54, 21.23, 12.5

 

CMYK 0 / 55 / 32 / 27

HEX #B9547E

RGB 185 84 126

HSL 335.05, 0.42%, 0.53%

LAB 49.69, 45.3, -3.78

 

CMYK 0 / 43 / 25 / 23

HEX #C57194

RGB 197 113 148

HSL 335, 0.42%, 0.61%

LAB 57.86, 37.51, -4.49

 

CMYK 0 / 32 / 19 / 18

HEX #D18FAA

RGB 209 143 170

HSL 335.45, 0.42%, 0.69%

LAB 66.6, 28.92, -4

 

CMYK 0 / 22 / 13 / 13

HEX #DDACC0

RGB 221 172 192

HSL 335.51, 0.42%, 0.77%

LAB 75.25, 21, -3.3

 

CMYK 0 / 14 / 8 / 9

HEX #E9C9D6

RGB 233 201 214

HSL 335.63, 0.42%, 0.85%

LAB 83.94, 13.39, -2.29

 

CMYK 0 / 32 / 19 / 18

HEX #D18FAA

RGB 209 143 170

HSL 335.45, 0.42%, 0.69%

LAB 66.6, 28.92, -4

 

CMYK 0 / 7 / 32 / 18

HEX #D1C38F

RGB 209 195 143

HSL 47.27, 0.42%, 0.69%

LAB 78.79, -2.9, 27.96

 

CMYK 32 / 6 / 0 / 18

HEX #8FC5D1

RGB 143 197 209

HSL 190.91, 0.42%, 0.69%

LAB 76.3, -14.59, -11.64

 

CMYK 0 / 32 / 19 / 18

HEX #D18FAA

RGB 209 143 170

HSL 335.45, 0.42%, 0.69%

LAB 66.6, 28.92, -4

 

CMYK 19 / 0 / 32 / 18

HEX #AAD18F

RGB 170 209 143

HSL 95.45, 0.42%, 0.69%

LAB 79.69, -24.68, 28.65

 

CMYK 32 / 19 / 0 / 18

HEX #8FAAD1

RGB 143 170 209

HSL 215.45, 0.42%, 0.69%

LAB 68.89, -0.13, -22.83

 

CMYK 0 / 32 / 19 / 18

HEX #D18FAA

RGB 209 143 170

HSL 335.45, 0.42%, 0.69%

LAB 66.6, 28.92, -4

 

CMYK 0 / 7 / 32 / 18

HEX #D1C38F

RGB 209 195 143

HSL 47.27, 0.42%, 0.69%

LAB 78.79, -2.9, 27.96

 

CMYK 32 / 0 / 13 / 18

HEX #8FD1B5

RGB 143 209 181

HSL 154.55, 0.42%, 0.69%

LAB 78.91, -26.86, 7.26

 

CMYK 32 / 25 / 0 / 18

HEX #8F9DD1

RGB 143 157 209

HSL 227.27, 0.42%, 0.69%

LAB 65.4, 7.15, -28.19

 

CMYK 0 / 32 / 19 / 18

HEX #D18FAA

RGB 209 143 170

HSL 335.45, 0.42%, 0.69%

LAB 66.6, 28.92, -4

 

CMYK 2 / 0 / 32 / 18

HEX #CCD18F

RGB 204 209 143

HSL 64.55, 0.42%, 0.69%

LAB 82.07, -12.04, 32.24

 

CMYK 32 / 0 / 13 / 18

HEX #8FD1B5

RGB 143 209 181

HSL 154.55, 0.42%, 0.69%

LAB 78.91, -26.86, 7.26

 

CMYK 29 / 32 / 0 / 18

HEX #948FD1

RGB 148 143 209

HSL 244.55, 0.42%, 0.69%

LAB 62.12, 16.61, -33.23

 

Description

Color code: HEX #D18FAA | qconv.com Color code: HEX #D18FAA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 143 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 143 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 19 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 19% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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