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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D18C8D it is the complementary color #2E7372. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D18C8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D18C8D shade: #D68C88, #E79E9B, #F8B0AE, #FFC2C1 and #FFD4D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D18C8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D18C8D shade: #D18C8D, #C07A7A, #AF6867, #9E5654 and #8D4441

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D18C8D shade: #D08A8B and #D08A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D18C8D shade: #D08A8B, #D08A9E, #D08AB1, #D08AC4 and #CA8AD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D18C8D shade matches the following richer shades: #D08A8B, #DE7D7F, #EB7072 and #F86365

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D18C8D shade: #D08A8B, #C39898, #B6A5A5, #A9B2B2 and #9CBFBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D18C8D shade: #D08AB1, #D08A9E, #D08A8B, #D09C8A and #D0AF8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D18C8D shade: #B94F51, #C56D6E, #D08A8B, #DCA8A9 and #E8C5C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D18C8D shade: #D18C8D, #C4D08A and #8AA8D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D18C8D shade: #D18C8D, #8BD08A and #8A8BD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D18C8D shade: #D18C8D, #C4D08A, #8AD0CF and #978AD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D18C8D shade: #D18C8D, #AFD08A, #8AD0CF and #AC8AD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 33 / 18

HEX #D18C8D

RGB 209 140 141

HSL 359.13, 0.43%, 0.68%

LAB 65.15, 26.41, 10.24

 

Complementary color

CMYK 60 / 0 / 1 / 55

HEX #2E7372

RGB 46 115 114

HSL 179.13, 0.43%, 0.32%

LAB 44.31, -21.64, -5.96

 

CMYK 0 / 35 / 36 / 16

HEX #D68C88

RGB 214 140 136

HSL 3.08, 0.49%, 0.69%

LAB 65.62, 27.69, 13.8

 

CMYK 0 / 32 / 33 / 9

HEX #E79E9B

RGB 231 158 155

HSL 2.37, 0.61%, 0.76%

LAB 72.1, 26.82, 12.62

 

CMYK 0 / 29 / 30 / 3

HEX #F8B0AE

RGB 248 176 174

HSL 1.62, 0.84%, 0.83%

LAB 78.5, 26.02, 11.54

 

CMYK 0 / 24 / 24 / 0

HEX #FFC2C1

RGB 255 194 193

HSL 0.97, 1%, 0.88%

LAB 83.81, 21.67, 8.98

 

CMYK 0 / 17 / 17 / 0

HEX #FFD4D4

RGB 255 212 212

HSL 0, 1%, 0.92%

LAB 88.5, 15.02, 5.64

 

CMYK 0 / 33 / 33 / 18

HEX #D18C8D

RGB 209 140 141

HSL 359.13, 0.43%, 0.68%

LAB 65.15, 26.41, 10.24

 

CMYK 0 / 36 / 36 / 25

HEX #C07A7A

RGB 192 122 122

HSL 0, 0.36%, 0.62%

LAB 58.54, 27.32, 11.45

 

CMYK 0 / 41 / 41 / 31

HEX #AF6867

RGB 175 104 103

HSL 0.83, 0.31%, 0.55%

LAB 51.83, 28.32, 12.81

 

CMYK 0 / 46 / 47 / 38

HEX #9E5654

RGB 158 86 84

HSL 1.62, 0.31%, 0.47%

LAB 45.03, 29.43, 14.41

 

CMYK 0 / 52 / 54 / 45

HEX #8D4441

RGB 141 68 65

HSL 2.37, 0.37%, 0.4%

LAB 38.16, 30.64, 16.32

 

CMYK 0 / 34 / 33 / 18

HEX #D08A8B

RGB 208 138 139

HSL 359.14, 0.43%, 0.68%

LAB 64.52, 26.86, 10.47

 

CMYK 0 / 34 / 34 / 18

HEX #D08A8A

RGB 208 138 138

HSL 0, 0.43%, 0.68%

LAB 64.5, 26.73, 11

 

CMYK 0 / 34 / 33 / 18

HEX #D08A8B

RGB 208 138 139

HSL 359.14, 0.43%, 0.68%

LAB 64.52, 26.86, 10.47

 

CMYK 0 / 34 / 24 / 18

HEX #D08A9E

RGB 208 138 158

HSL 342.86, 0.43%, 0.68%

LAB 65.01, 29.46, 0.42

 

CMYK 0 / 34 / 15 / 18

HEX #D08AB1

RGB 208 138 177

HSL 326.57, 0.43%, 0.68%

LAB 65.56, 32.38, -9.49

 

CMYK 0 / 34 / 6 / 18

HEX #D08AC4

RGB 208 138 196

HSL 310.29, 0.43%, 0.68%

LAB 66.19, 35.61, -19.21

 

CMYK 3 / 34 / 0 / 18

HEX #CA8AD0

RGB 202 138 208

HSL 294.86, 0.43%, 0.68%

LAB 65.97, 35.88, -26.31

 

CMYK 0 / 34 / 33 / 18

HEX #D08A8B

RGB 208 138 139

HSL 359.14, 0.43%, 0.68%

LAB 64.52, 26.86, 10.47

 

CMYK 0 / 44 / 43 / 13

HEX #DE7D7F

RGB 222 125 127

HSL 358.76, 0.6%, 0.68%

LAB 63.12, 37.65, 15.55

 

CMYK 0 / 52 / 51 / 8

HEX #EB7072

RGB 235 112 114

HSL 359.02, 0.75%, 0.68%

LAB 62.05, 47.67, 21.79

 

CMYK 0 / 60 / 59 / 3

HEX #F86365

RGB 248 99 101

HSL 359.19, 0.91%, 0.68%

LAB 61.5, 57.15, 28.81

 

CMYK 0 / 34 / 33 / 18

HEX #D08A8B

RGB 208 138 139

HSL 359.14, 0.43%, 0.68%

LAB 64.52, 26.86, 10.47

 

CMYK 0 / 22 / 22 / 24

HEX #C39898

RGB 195 152 152

HSL 0, 0.26%, 0.68%

LAB 66.77, 16.06, 6.17

 

CMYK 0 / 9 / 9 / 29

HEX #B6A5A5

RGB 182 165 165

HSL 0, 0.1%, 0.68%

LAB 69.16, 6.16, 2.23

 

CMYK 5 / 0 / 0 / 30

HEX #A9B2B2

RGB 169 178 178

HSL 180, 0.06%, 0.68%

LAB 71.89, -3.13, -1.1

 

CMYK 18 / 0 / 0 / 25

HEX #9CBFBF

RGB 156 191 191

HSL 180, 0.21%, 0.68%

LAB 74.88, -11.67, -3.9

 

CMYK 0 / 34 / 15 / 18

HEX #D08AB1

RGB 208 138 177

HSL 326.57, 0.43%, 0.68%

LAB 65.56, 32.38, -9.49

 

CMYK 0 / 34 / 24 / 18

HEX #D08A9E

RGB 208 138 158

HSL 342.86, 0.43%, 0.68%

LAB 65.01, 29.46, 0.42

 

CMYK 0 / 34 / 33 / 18

HEX #D08A8B

RGB 208 138 139

HSL 359.14, 0.43%, 0.68%

LAB 64.52, 26.86, 10.47

 

CMYK 0 / 25 / 34 / 18

HEX #D09C8A

RGB 208 156 138

HSL 15.43, 0.43%, 0.68%

LAB 68.77, 16.93, 16.97

 

CMYK 0 / 16 / 34 / 18

HEX #D0AF8A

RGB 208 175 138

HSL 31.71, 0.43%, 0.68%

LAB 73.48, 6.66, 23.44

 

CMYK 0 / 57 / 56 / 27

HEX #B94F51

RGB 185 79 81

HSL 358.87, 0.43%, 0.52%

LAB 47.62, 43.05, 20.41

 

CMYK 0 / 45 / 44 / 23

HEX #C56D6E

RGB 197 109 110

HSL 359.32, 0.43%, 0.6%

LAB 56.02, 34.88, 14.98

 

CMYK 0 / 34 / 33 / 18

HEX #D08A8B

RGB 208 138 139

HSL 359.14, 0.43%, 0.68%

LAB 64.52, 26.86, 10.47

 

CMYK 0 / 24 / 23 / 14

HEX #DCA8A9

RGB 220 168 169

HSL 358.85, 0.43%, 0.76%

LAB 73.6, 19.24, 6.89

 

CMYK 0 / 15 / 15 / 9

HEX #E8C5C6

RGB 232 197 198

HSL 358.29, 0.43%, 0.84%

LAB 82.47, 12.53, 4.1

 

CMYK 0 / 33 / 33 / 18

HEX #D18C8D

RGB 209 140 141

HSL 359.13, 0.43%, 0.68%

LAB 65.15, 26.41, 10.24

 

CMYK 6 / 0 / 34 / 18

HEX #C4D08A

RGB 196 208 138

HSL 70.29, 0.43%, 0.68%

LAB 81.12, -15.23, 33.45

 

CMYK 34 / 19 / 0 / 18

HEX #8AA8D0

RGB 138 168 208

HSL 214.29, 0.43%, 0.68%

LAB 67.99, -0.71, -23.68

 

CMYK 0 / 33 / 33 / 18

HEX #D18C8D

RGB 209 140 141

HSL 359.13, 0.43%, 0.68%

LAB 65.15, 26.41, 10.24

 

CMYK 33 / 0 / 34 / 18

HEX #8BD08A

RGB 139 208 138

HSL 119.14, 0.43%, 0.68%

LAB 77.54, -35.53, 28.06

 

CMYK 34 / 33 / 0 / 18

HEX #8A8BD0

RGB 138 139 208

HSL 239.14, 0.43%, 0.68%

LAB 60.27, 15.8, -35.62

 

CMYK 0 / 33 / 33 / 18

HEX #D18C8D

RGB 209 140 141

HSL 359.13, 0.43%, 0.68%

LAB 65.15, 26.41, 10.24

 

CMYK 6 / 0 / 34 / 18

HEX #C4D08A

RGB 196 208 138

HSL 70.29, 0.43%, 0.68%

LAB 81.12, -15.23, 33.45

 

CMYK 34 / 0 / 0 / 18

HEX #8AD0CF

RGB 138 208 207

HSL 179.14, 0.43%, 0.68%

LAB 79.05, -22.04, -6.5

 

CMYK 27 / 34 / 0 / 18

HEX #978AD0

RGB 151 138 208

HSL 251.14, 0.43%, 0.68%

LAB 61.05, 20.13, -34.31

 

CMYK 0 / 33 / 33 / 18

HEX #D18C8D

RGB 209 140 141

HSL 359.13, 0.43%, 0.68%

LAB 65.15, 26.41, 10.24

 

CMYK 16 / 0 / 34 / 18

HEX #AFD08A

RGB 175 208 138

HSL 88.29, 0.43%, 0.68%

LAB 79.65, -23.09, 31.25

 

CMYK 34 / 0 / 0 / 18

HEX #8AD0CF

RGB 138 208 207

HSL 179.14, 0.43%, 0.68%

LAB 79.05, -22.04, -6.5

 

CMYK 17 / 34 / 0 / 18

HEX #AC8AD0

RGB 172 138 208

HSL 269.14, 0.43%, 0.68%

LAB 62.93, 26.47, -31.26

 

Description

Color code: HEX #D18C8D | qconv.com Color code: HEX #D18C8D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 140 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 140 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 33 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 33% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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