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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D18C12 it is the complementary color #2E73ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D18C12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D18C12 shade: #D68C0D, #E79E20, #F8B033, #FFC246 and #FFD459

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D18C12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D18C12 shade: #D18C12, #C07A00, #AF6800, #9E5600 and #8D4400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D18C12 shade: #D38D12, #D35912, #D32612 and #D31212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D18C12 shade: #D38D12, #D3C112, #B1D312, #7DD312 and #49D312

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D18C12 shade matches the following richer shades: #D38D12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D18C12 shade: #D38D12, #C18825, #AE8337, #9B7E4A and #89795D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D18C12 shade: #D32612, #D35912, #D38C12, #D3C012 and #B3D312

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D18C12 shade: #875B0C, #AD740F, #D38D12, #ECA323 and #EFB349

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D18C12 shade: #D18C12, #32D312 and #3F12D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D18C12 shade: #D18C12, #12D38C and #8C12D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D18C12 shade: #D18C12, #32D312, #1259D3 and #B312D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D18C12 shade: #D18C12, #12D32C, #1259D3 and #D312B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 91 / 18

HEX #D18C12

RGB 209 140 18

HSL 38.32, 0.84%, 0.45%

LAB 63.64, 17.78, 66.01

 

Complementary color

CMYK 81 / 51 / 0 / 7

HEX #2E73ED

RGB 46 115 237

HSL 218.32, 0.84%, 0.55%

LAB 50.64, 22.28, -67.51

 

CMYK 0 / 35 / 94 / 16

HEX #D68C0D

RGB 214 140 13

HSL 37.91, 0.89%, 0.45%

LAB 64.23, 19.88, 67.64

 

CMYK 0 / 32 / 86 / 9

HEX #E79E20

RGB 231 158 32

HSL 37.99, 0.81%, 0.52%

LAB 70.56, 17.88, 69.15

 

CMYK 0 / 29 / 79 / 3

HEX #F8B033

RGB 248 176 51

HSL 38.07, 0.93%, 0.59%

LAB 76.83, 16.12, 69.41

 

CMYK 0 / 24 / 73 / 0

HEX #FFC246

RGB 255 194 70

HSL 40.22, 1%, 0.64%

LAB 81.99, 10.4, 67.57

 

CMYK 0 / 17 / 65 / 0

HEX #FFD459

RGB 255 212 89

HSL 44.46, 1%, 0.67%

LAB 86.54, 2.1, 64.49

 

CMYK 0 / 33 / 91 / 18

HEX #D18C12

RGB 209 140 18

HSL 38.32, 0.84%, 0.45%

LAB 63.64, 17.78, 66.01

 

CMYK 0 / 36 / 100 / 25

HEX #C07A00

RGB 192 122 0

HSL 38.13, 1%, 0.38%

LAB 57.2, 19.93, 63.61

 

CMYK 0 / 41 / 100 / 31

HEX #AF6800

RGB 175 104 0

HSL 35.66, 1%, 0.34%

LAB 50.7, 22.38, 58.33

 

CMYK 0 / 46 / 100 / 38

HEX #9E5600

RGB 158 86 0

HSL 32.66, 1%, 0.31%

LAB 44.12, 24.9, 53.01

 

CMYK 0 / 52 / 100 / 45

HEX #8D4400

RGB 141 68 0

HSL 28.94, 1%, 0.28%

LAB 37.48, 27.46, 47.65

 

CMYK 0 / 33 / 91 / 17

HEX #D38D12

RGB 211 141 18

HSL 38.24, 0.84%, 0.45%

LAB 64.11, 18.1, 66.47

 

CMYK 0 / 58 / 91 / 17

HEX #D35912

RGB 211 89 18

HSL 22.07, 0.84%, 0.45%

LAB 52.99, 45.11, 58.39

 

CMYK 0 / 82 / 91 / 17

HEX #D32612

RGB 211 38 18

HSL 6.22, 0.84%, 0.45%

LAB 46.01, 64.07, 53.6

 

CMYK 0 / 91 / 91 / 17

HEX #D31212

RGB 211 18 18

HSL 0, 0.84%, 0.45%

LAB 44.7, 67.83, 52.73

 

CMYK 0 / 33 / 91 / 17

HEX #D38D12

RGB 211 141 18

HSL 38.24, 0.84%, 0.45%

LAB 64.11, 18.1, 66.47

 

CMYK 0 / 9 / 91 / 17

HEX #D3C112

RGB 211 193 18

HSL 54.4, 0.84%, 0.45%

LAB 77.3, -9.47, 76.44

 

CMYK 16 / 0 / 91 / 17

HEX #B1D312

RGB 177 211 18

HSL 70.57, 0.84%, 0.45%

LAB 79.6, -32.65, 77.11

 

CMYK 41 / 0 / 91 / 17

HEX #7DD312

RGB 125 211 18

HSL 86.74, 0.84%, 0.45%

LAB 76.67, -52.13, 73.52

 

CMYK 65 / 0 / 91 / 17

HEX #49D312

RGB 73 211 18

HSL 102.9, 0.84%, 0.45%

LAB 74.86, -66.42, 71.28

 

CMYK 0 / 33 / 91 / 17

HEX #D38D12

RGB 211 141 18

HSL 38.24, 0.84%, 0.45%

LAB 64.11, 18.1, 66.47

 

CMYK 0 / 33 / 91 / 17

HEX #D38D12

RGB 211 141 18

HSL 38.24, 0.84%, 0.45%

LAB 64.11, 18.1, 66.47

 

CMYK 0 / 30 / 81 / 24

HEX #C18825

RGB 193 136 37

HSL 38.08, 0.68%, 0.45%

LAB 60.85, 13.4, 57.59

 

CMYK 0 / 25 / 68 / 32

HEX #AE8337

RGB 174 131 55

HSL 38.32, 0.52%, 0.45%

LAB 57.57, 8.56, 46.14

 

CMYK 0 / 19 / 52 / 39

HEX #9B7E4A

RGB 155 126 74

HSL 38.52, 0.35%, 0.45%

LAB 54.43, 4.4, 32.33

 

CMYK 0 / 12 / 32 / 46

HEX #89795D

RGB 137 121 93

HSL 38.18, 0.19%, 0.45%

LAB 51.59, 1.67, 17.64

 

CMYK 0 / 82 / 91 / 17

HEX #D32612

RGB 211 38 18

HSL 6.22, 0.84%, 0.45%

LAB 46.01, 64.07, 53.6

 

CMYK 0 / 58 / 91 / 17

HEX #D35912

RGB 211 89 18

HSL 22.07, 0.84%, 0.45%

LAB 52.99, 45.11, 58.39

 

CMYK 0 / 34 / 91 / 17

HEX #D38C12

RGB 211 140 18

HSL 37.93, 0.84%, 0.45%

LAB 63.88, 18.65, 66.3

 

CMYK 0 / 9 / 91 / 17

HEX #D3C012

RGB 211 192 18

HSL 54.09, 0.84%, 0.45%

LAB 77.04, -8.96, 76.24

 

CMYK 15 / 0 / 91 / 17

HEX #B3D312

RGB 179 211 18

HSL 69.95, 0.84%, 0.45%

LAB 79.74, -31.84, 77.27

 

CMYK 0 / 33 / 91 / 47

HEX #875B0C

RGB 135 91 12

HSL 38.54, 0.84%, 0.29%

LAB 42.25, 11.73, 47.1

 

CMYK 0 / 33 / 91 / 32

HEX #AD740F

RGB 173 116 15

HSL 38.35, 0.84%, 0.37%

LAB 53.39, 14.99, 57.02

 

CMYK 0 / 33 / 91 / 17

HEX #D38D12

RGB 211 141 18

HSL 38.24, 0.84%, 0.45%

LAB 64.11, 18.1, 66.47

 

CMYK 0 / 31 / 85 / 7

HEX #ECA323

RGB 236 163 35

HSL 38.21, 0.84%, 0.53%

LAB 72.33, 17.43, 70.01

 

CMYK 0 / 25 / 69 / 6

HEX #EFB349

RGB 239 179 73

HSL 38.31, 0.84%, 0.61%

LAB 76.72, 11.67, 60.45

 

CMYK 0 / 33 / 91 / 18

HEX #D18C12

RGB 209 140 18

HSL 38.32, 0.84%, 0.45%

LAB 63.64, 17.78, 66.01

 

CMYK 76 / 0 / 91 / 17

HEX #32D312

RGB 50 211 18

HSL 110.05, 0.84%, 0.45%

LAB 74.39, -70.45, 70.7

 

CMYK 70 / 91 / 0 / 17

HEX #3F12D3

RGB 63 18 211

HSL 253.99, 0.84%, 0.45%

LAB 29.89, 66.39, -86.72

 

CMYK 0 / 33 / 91 / 18

HEX #D18C12

RGB 209 140 18

HSL 38.32, 0.84%, 0.45%

LAB 63.64, 17.78, 66.01

 

CMYK 91 / 0 / 34 / 17

HEX #12D38C

RGB 18 211 140

HSL 157.93, 0.84%, 0.45%

LAB 75.21, -59.35, 23.32

 

CMYK 34 / 91 / 0 / 17

HEX #8C12D3

RGB 140 18 211

HSL 277.93, 0.84%, 0.45%

LAB 39.09, 73.17, -71.23

 

CMYK 0 / 33 / 91 / 18

HEX #D18C12

RGB 209 140 18

HSL 38.32, 0.84%, 0.45%

LAB 63.64, 17.78, 66.01

 

CMYK 76 / 0 / 91 / 17

HEX #32D312

RGB 50 211 18

HSL 110.05, 0.84%, 0.45%

LAB 74.39, -70.45, 70.7

 

CMYK 91 / 58 / 0 / 17

HEX #1259D3

RGB 18 89 211

HSL 217.93, 0.84%, 0.45%

LAB 41.18, 27.18, -68.18

 

CMYK 15 / 91 / 0 / 17

HEX #B312D3

RGB 179 18 211

HSL 290.05, 0.84%, 0.45%

LAB 45.25, 78.56, -60.93

 

CMYK 0 / 33 / 91 / 18

HEX #D18C12

RGB 209 140 18

HSL 38.32, 0.84%, 0.45%

LAB 63.64, 17.78, 66.01

 

CMYK 91 / 0 / 79 / 17

HEX #12D32C

RGB 18 211 44

HSL 128.08, 0.84%, 0.45%

LAB 74.13, -72.45, 64.64

 

CMYK 91 / 58 / 0 / 17

HEX #1259D3

RGB 18 89 211

HSL 217.93, 0.84%, 0.45%

LAB 41.18, 27.18, -68.18

 

CMYK 0 / 91 / 12 / 17

HEX #D312B9

RGB 211 18 185

HSL 308.08, 0.84%, 0.45%

LAB 49.23, 80.04, -39.15

 

Description

Color code: HEX #D18C12 | qconv.com Color code: HEX #D18C12 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 140 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 140 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 91 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 91% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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