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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D18B05 it is the complementary color #2E74FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D18B05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D18B05 shade: #D68B00, #E79D13, #F8AF26, #FFC139 and #FFD34C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D18B05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D18B05 shade: #D18B05, #C07900, #AF6700, #9E5500 and #8D4300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D18B05 shade: #D18B05, #D15405, #D11D05 and #D10505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D18B05 shade: #D18B05, #D1C205, #A9D105, #72D105 and #3BD105

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D18B05 shade matches the following richer shades: #D18B05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D18B05 shade: #D18B05, #C08617, #AE8028, #9D7B39 and #8C754B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D18B05 shade: #D11D05, #D15305, #D18A05, #D1C005 and #ACD105

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D18B05 shade: #805503, #A97004, #D18B05, #F9A607 and #FAB42F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D18B05 shade: #D18B05, #24D105 and #3805D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D18B05 shade: #D18B05, #05D18A and #8A05D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D18B05 shade: #D18B05, #24D105, #054DD1 and #B205D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D18B05 shade: #D18B05, #05D124, #054DD1 and #D105B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 98 / 18

HEX #D18B05

RGB 209 139 5

HSL 39.41, 0.95%, 0.42%

LAB 63.37, 18.16, 67.94

 

Complementary color

CMYK 82 / 54 / 0 / 2

HEX #2E74FA

RGB 46 116 250

HSL 219.41, 0.95%, 0.58%

LAB 51.81, 26.49, -72.85

 

CMYK 0 / 35 / 100 / 16

HEX #D68B00

RGB 214 139 0

HSL 38.97, 1%, 0.42%

LAB 63.97, 20.28, 69.37

 

CMYK 0 / 32 / 92 / 9

HEX #E79D13

RGB 231 157 19

HSL 39.06, 0.85%, 0.49%

LAB 70.28, 18.17, 71.9

 

CMYK 0 / 29 / 85 / 3

HEX #F8AF26

RGB 248 175 38

HSL 39.14, 0.94%, 0.56%

LAB 76.53, 16.27, 73.18

 

CMYK 0 / 24 / 78 / 0

HEX #FFC139

RGB 255 193 57

HSL 41.21, 1%, 0.61%

LAB 81.67, 10.4, 72.05

 

CMYK 0 / 17 / 70 / 0

HEX #FFD34C

RGB 255 211 76

HSL 45.25, 1%, 0.65%

LAB 86.19, 1.92, 69.43

 

CMYK 0 / 33 / 98 / 18

HEX #D18B05

RGB 209 139 5

HSL 39.41, 0.95%, 0.42%

LAB 63.37, 18.16, 67.94

 

CMYK 0 / 37 / 100 / 25

HEX #C07900

RGB 192 121 0

HSL 37.81, 1%, 0.38%

LAB 56.96, 20.48, 63.46

 

CMYK 0 / 41 / 100 / 31

HEX #AF6700

RGB 175 103 0

HSL 35.31, 1%, 0.34%

LAB 50.47, 22.93, 58.18

 

CMYK 0 / 46 / 100 / 38

HEX #9E5500

RGB 158 85 0

HSL 32.28, 1%, 0.31%

LAB 43.9, 25.46, 52.87

 

CMYK 0 / 52 / 100 / 45

HEX #8D4300

RGB 141 67 0

HSL 28.51, 1%, 0.28%

LAB 37.26, 28.01, 47.52

 

CMYK 0 / 33 / 98 / 18

HEX #D18B05

RGB 209 139 5

HSL 39.41, 0.95%, 0.42%

LAB 63.37, 18.16, 67.94

 

CMYK 0 / 60 / 98 / 18

HEX #D15405

RGB 209 84 5

HSL 23.24, 0.95%, 0.42%

LAB 51.73, 46.55, 60.46

 

CMYK 0 / 86 / 98 / 18

HEX #D11D05

RGB 209 29 5

HSL 7.06, 0.95%, 0.42%

LAB 44.86, 65.37, 56.77

 

CMYK 0 / 98 / 98 / 18

HEX #D10505

RGB 209 5 5

HSL 0, 0.95%, 0.42%

LAB 43.76, 68.53, 56.26

 

CMYK 0 / 33 / 98 / 18

HEX #D18B05

RGB 209 139 5

HSL 39.41, 0.95%, 0.42%

LAB 63.37, 18.16, 67.94

 

CMYK 0 / 7 / 98 / 18

HEX #D1C205

RGB 209 194 5

HSL 55.59, 0.95%, 0.42%

LAB 77.37, -11, 77.9

 

CMYK 19 / 0 / 98 / 18

HEX #A9D105

RGB 169 209 5

HSL 71.76, 0.95%, 0.42%

LAB 78.49, -35.13, 77.4

 

CMYK 45 / 0 / 98 / 18

HEX #72D105

RGB 114 209 5

HSL 87.94, 0.95%, 0.42%

LAB 75.57, -55.14, 73.87

 

CMYK 72 / 0 / 98 / 18

HEX #3BD105

RGB 59 209 5

HSL 104.12, 0.95%, 0.42%

LAB 73.9, -68.7, 71.83

 

CMYK 0 / 33 / 98 / 18

HEX #D18B05

RGB 209 139 5

HSL 39.41, 0.95%, 0.42%

LAB 63.37, 18.16, 67.94

 

CMYK 0 / 33 / 98 / 18

HEX #D18B05

RGB 209 139 5

HSL 39.41, 0.95%, 0.42%

LAB 63.37, 18.16, 67.94

 

CMYK 0 / 30 / 88 / 25

HEX #C08617

RGB 192 134 23

HSL 39.41, 0.79%, 0.42%

LAB 60.18, 13.66, 61.31

 

CMYK 0 / 26 / 77 / 32

HEX #AE8028

RGB 174 128 40

HSL 39.4, 0.63%, 0.42%

LAB 56.67, 9.47, 51.79

 

CMYK 0 / 22 / 64 / 38

HEX #9D7B39

RGB 157 123 57

HSL 39.6, 0.47%, 0.42%

LAB 53.63, 5.58, 40.31

 

CMYK 0 / 16 / 46 / 45

HEX #8C754B

RGB 140 117 75

HSL 38.77, 0.3%, 0.42%

LAB 50.46, 3.02, 26.46

 

CMYK 0 / 86 / 98 / 18

HEX #D11D05

RGB 209 29 5

HSL 7.06, 0.95%, 0.42%

LAB 44.86, 65.37, 56.77

 

CMYK 0 / 60 / 98 / 18

HEX #D15305

RGB 209 83 5

HSL 22.94, 0.95%, 0.42%

LAB 51.56, 47.01, 60.35

 

CMYK 0 / 34 / 98 / 18

HEX #D18A05

RGB 209 138 5

HSL 39.12, 0.95%, 0.42%

LAB 63.13, 18.7, 67.78

 

CMYK 0 / 8 / 98 / 18

HEX #D1C005

RGB 209 192 5

HSL 55, 0.95%, 0.42%

LAB 76.84, -9.98, 77.51

 

CMYK 18 / 0 / 98 / 18

HEX #ACD105

RGB 172 209 5

HSL 70.88, 0.95%, 0.42%

LAB 78.68, -33.92, 77.64

 

CMYK 0 / 34 / 98 / 50

HEX #805503

RGB 128 85 3

HSL 39.36, 0.95%, 0.26%

LAB 39.74, 11.75, 47.25

 

CMYK 0 / 34 / 98 / 34

HEX #A97004

RGB 169 112 4

HSL 39.27, 0.95%, 0.34%

LAB 51.87, 15.26, 57.9

 

CMYK 0 / 33 / 98 / 18

HEX #D18B05

RGB 209 139 5

HSL 39.41, 0.95%, 0.42%

LAB 63.37, 18.16, 67.94

 

CMYK 0 / 33 / 97 / 2

HEX #F9A607

RGB 249 166 7

HSL 39.42, 0.95%, 0.5%

LAB 74.46, 20.95, 77.5

 

CMYK 0 / 28 / 81 / 2

HEX #FAB42F

RGB 250 180 47

HSL 39.31, 0.95%, 0.58%

LAB 77.98, 14.74, 71.83

 

CMYK 0 / 33 / 98 / 18

HEX #D18B05

RGB 209 139 5

HSL 39.41, 0.95%, 0.42%

LAB 63.37, 18.16, 67.94

 

CMYK 83 / 0 / 98 / 18

HEX #24D105

RGB 36 209 5

HSL 110.88, 0.95%, 0.42%

LAB 73.54, -71.87, 71.39

 

CMYK 73 / 98 / 0 / 18

HEX #3805D1

RGB 56 5 209

HSL 255, 0.95%, 0.42%

LAB 28.25, 68.14, -88.3

 

CMYK 0 / 33 / 98 / 18

HEX #D18B05

RGB 209 139 5

HSL 39.41, 0.95%, 0.42%

LAB 63.37, 18.16, 67.94

 

CMYK 98 / 0 / 34 / 18

HEX #05D18A

RGB 5 209 138

HSL 159.12, 0.95%, 0.42%

LAB 74.49, -59.53, 23.38

 

CMYK 34 / 98 / 0 / 18

HEX #8A05D1

RGB 138 5 209

HSL 279.12, 0.95%, 0.42%

LAB 38.05, 74.23, -71.79

 

CMYK 0 / 33 / 98 / 18

HEX #D18B05

RGB 209 139 5

HSL 39.41, 0.95%, 0.42%

LAB 63.37, 18.16, 67.94

 

CMYK 83 / 0 / 98 / 18

HEX #24D105

RGB 36 209 5

HSL 110.88, 0.95%, 0.42%

LAB 73.54, -71.87, 71.39

 

CMYK 98 / 63 / 0 / 18

HEX #054DD1

RGB 5 77 209

HSL 218.82, 0.95%, 0.42%

LAB 37.74, 33.82, -72.66

 

CMYK 15 / 98 / 0 / 18

HEX #B205D1

RGB 178 5 209

HSL 290.88, 0.95%, 0.42%

LAB 44.49, 79.43, -61.02

 

CMYK 0 / 33 / 98 / 18

HEX #D18B05

RGB 209 139 5

HSL 39.41, 0.95%, 0.42%

LAB 63.37, 18.16, 67.94

 

CMYK 98 / 0 / 83 / 18

HEX #05D124

RGB 5 209 36

HSL 129.12, 0.95%, 0.42%

LAB 73.39, -72.91, 66.11

 

CMYK 98 / 63 / 0 / 18

HEX #054DD1

RGB 5 77 209

HSL 218.82, 0.95%, 0.42%

LAB 37.74, 33.82, -72.66

 

CMYK 0 / 98 / 15 / 18

HEX #D105B2

RGB 209 5 178

HSL 309.12, 0.95%, 0.42%

LAB 48.11, 79.95, -36.85

 

Description

Color code: HEX #D18B05 | qconv.com Color code: HEX #D18B05 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 139 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 139 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 98 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 98% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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