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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D18644 it is the complementary color #2E79BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D18644. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D18644: #D6863F, #E79852, #F8AA65, #FFBC78 and #FFCE8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D18644. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D18644: #D18644, #C07431, #AF621E, #9E500B and #8D3E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 67 / 18

HEX #D18644

RGB 209 134 68

HSL 28.09, 0.61%, 0.54%

LAB 62.53, 22.83, 46.48

 

Complementary color

CMYK 75 / 35 / 0 / 27

HEX #2E79BB

RGB 46 121 187

HSL 208.09, 0.61%, 0.46%

LAB 49.31, -0.14, -41.26

 

CMYK 0 / 37 / 71 / 16

HEX #D6863F

RGB 214 134 63

HSL 28.21, 0.65%, 0.54%

LAB 63.1, 24.65, 49.7

 

CMYK 0 / 34 / 65 / 9

HEX #E79852

RGB 231 152 82

HSL 28.19, 0.76%, 0.61%

LAB 69.51, 23.16, 48.18

 

CMYK 0 / 31 / 59 / 3

HEX #F8AA65

RGB 248 170 101

HSL 28.16, 0.91%, 0.68%

LAB 75.85, 21.84, 46.66

 

CMYK 0 / 26 / 53 / 0

HEX #FFBC78

RGB 255 188 120

HSL 30.22, 1%, 0.74%

LAB 81.06, 16.69, 43.62

 

CMYK 0 / 19 / 45 / 0

HEX #FFCE8B

RGB 255 206 139

HSL 34.66, 1%, 0.77%

LAB 85.64, 9.03, 39.78

 

CMYK 0 / 36 / 67 / 18

HEX #D18644

RGB 209 134 68

HSL 28.09, 0.61%, 0.54%

LAB 62.53, 22.83, 46.48

 

CMYK 0 / 40 / 74 / 25

HEX #C07431

RGB 192 116 49

HSL 28.11, 0.59%, 0.47%

LAB 56.01, 24.44, 47.96

 

CMYK 0 / 44 / 83 / 31

HEX #AF621E

RGB 175 98 30

HSL 28.14, 0.71%, 0.4%

LAB 49.43, 26.28, 49.11

 

CMYK 0 / 49 / 93 / 38

HEX #9E500B

RGB 158 80 11

HSL 28.16, 0.87%, 0.33%

LAB 42.81, 28.39, 49.21

 

CMYK 0 / 56 / 100 / 45

HEX #8D3E00

RGB 141 62 0

HSL 26.38, 1%, 0.28%

LAB 36.19, 30.7, 46.9

 

CMYK 0 / 36 / 67 / 18

HEX #D18644

RGB 209 134 68

HSL 28.09, 0.61%, 0.54%

LAB 62.53, 22.83, 46.48

 

CMYK 0 / 25 / 68 / 18

HEX #D19C42

RGB 209 156 66

HSL 37.76, 0.61%, 0.54%

LAB 67.82, 10.79, 53.17

 

CMYK 0 / 14 / 68 / 18

HEX #D1B442

RGB 209 180 66

HSL 47.83, 0.61%, 0.54%

LAB 73.93, -2.01, 59.56

 

CMYK 0 / 2 / 68 / 18

HEX #D1CC42

RGB 209 204 66

HSL 57.9, 0.61%, 0.54%

LAB 80.26, -14.33, 65.97

 

CMYK 9 / 0 / 68 / 18

HEX #BED142

RGB 190 209 66

HSL 67.97, 0.61%, 0.54%

LAB 80.15, -24.67, 65.38

 

CMYK 0 / 36 / 67 / 18

HEX #D18644

RGB 209 134 68

HSL 28.09, 0.61%, 0.54%

LAB 62.53, 22.83, 46.48

 

CMYK 0 / 40 / 60 / 98

HEX #050302

RGB 5 3 2

HSL 20, 0.43%, 0.01%

LAB 0.92, 0.38, 0.56

 

CMYK 0 / 36 / 68 / 78

HEX #382412

RGB 56 36 18

HSL 28.42, 0.51%, 0.15%

LAB 16.24, 7.14, 15.67

 

CMYK 0 / 36 / 67 / 58

HEX #6B4523

RGB 107 69 35

HSL 28.33, 0.51%, 0.28%

LAB 32.93, 12.66, 26.83

 

CMYK 0 / 36 / 68 / 38

HEX #9E6533

RGB 158 101 51

HSL 28.04, 0.51%, 0.41%

LAB 48.03, 18.17, 37.1

 

CMYK 0 / 36 / 67 / 18

HEX #D18644

RGB 209 134 68

HSL 28.09, 0.61%, 0.54%

LAB 62.53, 22.83, 46.48

 

CMYK 46 / 0 / 68 / 18

HEX #71D142

RGB 113 209 66

HSL 100.28, 0.61%, 0.54%

LAB 75.76, -52.87, 59.49

 

CMYK 64 / 68 / 0 / 18

HEX #4B42D1

RGB 75 66 209

HSL 243.78, 0.61%, 0.54%

LAB 37.83, 46.08, -72.41

 

CMYK 0 / 36 / 67 / 18

HEX #D18644

RGB 209 134 68

HSL 28.09, 0.61%, 0.54%

LAB 62.53, 22.83, 46.48

 

CMYK 68 / 0 / 37 / 18

HEX #42D184

RGB 66 209 132

HSL 147.69, 0.61%, 0.54%

LAB 75.09, -55.21, 27.44

 

CMYK 37 / 68 / 0 / 18

HEX #8442D1

RGB 132 66 209

HSL 267.69, 0.61%, 0.54%

LAB 43.37, 55.56, -63.14

 

CMYK 0 / 36 / 67 / 18

HEX #D18644

RGB 209 134 68

HSL 28.09, 0.61%, 0.54%

LAB 62.53, 22.83, 46.48

 

CMYK 46 / 0 / 68 / 18

HEX #71D142

RGB 113 209 66

HSL 100.28, 0.61%, 0.54%

LAB 75.76, -52.87, 59.49

 

CMYK 68 / 32 / 0 / 18

HEX #428ED1

RGB 66 142 209

HSL 208.11, 0.61%, 0.54%

LAB 57.18, -1.93, -41.3

 

CMYK 23 / 68 / 0 / 18

HEX #A142D1

RGB 161 66 209

HSL 279.86, 0.61%, 0.54%

LAB 47.08, 61.43, -56.97

 

CMYK 0 / 36 / 67 / 18

HEX #D18644

RGB 209 134 68

HSL 28.09, 0.61%, 0.54%

LAB 62.53, 22.83, 46.48

 

CMYK 67 / 0 / 68 / 18

HEX #46D142

RGB 70 209 66

HSL 118.32, 0.61%, 0.54%

LAB 74.38, -63.71, 57.61

 

CMYK 68 / 32 / 0 / 18

HEX #428ED1

RGB 66 142 209

HSL 208.11, 0.61%, 0.54%

LAB 57.18, -1.93, -41.3

 

CMYK 2 / 68 / 0 / 18

HEX #CC42D1

RGB 204 66 209

HSL 297.9, 0.61%, 0.54%

LAB 53.32, 70.72, -46.63

 

Description

Color code: HEX #D18644 | qconv.com Color code: HEX #D18644 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 134 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 134 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 67 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 67% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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