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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D18218CE it is the complementary color #2E7DE7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D18218CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D18218CE shade: #D68213CE, #E79426CE, #F8A639CE, #FFB84CCE and #FFCA5FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D18218CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D18218CE shade: #D18218CE, #C07005CE, #AF5E00CE, #9E4C00CE and #8D3A00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D18218CE shade: #D28319, #D25119, #D21F19 and #D21919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D18218CE shade: #D28319, #D2B519, #BDD219, #8BD219 and #59D219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D18218CE shade matches the following richer shades: #D28319 and #E58606

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D18218CE shade: #D28319, #BF802C, #AC7D3F, #997B52 and #867865

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D18218CE shade: #D21F19, #D25019, #D28219, #D2B319 and #BFD219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D18218CE shade: #885510, #AD6C14, #D28319, #E6972D and #EBAA52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D18218CE shade: #D18218, #44D219 and #3819D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D18218CE shade: #D18218, #19D282 and #8219D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D18218CE shade: #D18218, #44D219, #1969D2 and #A719D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D18218CE shade: #D18218, #19D225, #1969D2 and #D219C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 72 / 15

HEX #D18218CE

RGBA 209 130 24 0.81

HSLA 34.38, 0.79%, 0.46%, 0.81

LABA 61.3, 23.3, 62.82, 0.81

 

Complementary color

CMYK 65 / 37 / 0 / 8

HEX #2E7DE7CE

RGBA 46 125 231 0.81

HSLA 214.38, 0.79%, 0.54%, 0.81

LABA 52.97, 13.77, -60.39, 0.81

 

CMYK 0 / 32 / 74 / 13

HEX #D68213CE

RGBA 214 130 19 0.81

HSLA 34.15, 0.84%, 0.46%, 0.81

LABA 61.92, 25.34, 64.8, 0.81

 

CMYK 0 / 29 / 68 / 8

HEX #E79426CE

RGBA 231 148 38 0.81

HSLA 34.2, 0.8%, 0.53%, 0.81

LABA 68.25, 23.35, 65.46, 0.81

 

CMYK 0 / 27 / 62 / 2

HEX #F8A639CE

RGBA 248 166 57 0.81

HSLA 34.24, 0.93%, 0.6%, 0.81

LABA 74.52, 21.58, 65.11, 0.81

 

CMYK 0 / 23 / 57 / 0

HEX #FFB84CCE

RGBA 255 184 76 0.81

HSLA 36.2, 1%, 0.65%, 0.81

LABA 79.65, 15.88, 62.75, 0.81

 

CMYK 0 / 17 / 51 / 0

HEX #FFCA5FCE

RGBA 255 202 95 0.81

HSLA 40.13, 1%, 0.69%, 0.81

LABA 84.14, 7.6, 59.25, 0.81

 

CMYK 0 / 31 / 72 / 15

HEX #D18218CE

RGBA 209 130 24 0.81

HSLA 34.38, 0.79%, 0.46%, 0.81

LABA 61.3, 23.3, 62.82, 0.81

 

CMYK 0 / 34 / 79 / 20

HEX #C07005CE

RGBA 192 112 5 0.81

HSLA 34.33, 0.95%, 0.39%, 0.81

LABA 54.87, 25.46, 61.17, 0.81

 

CMYK 0 / 37 / 81 / 25

HEX #AF5E00CE

RGBA 175 94 0 0.81

HSLA 32.23, 1%, 0.34%, 0.81

LABA 48.41, 27.88, 56.9, 0.81

 

CMYK 0 / 42 / 81 / 31

HEX #9E4C00CE

RGBA 158 76 0 0.81

HSLA 28.86, 1%, 0.31%, 0.81

LABA 41.9, 30.38, 51.66, 0.81

 

CMYK 0 / 48 / 81 / 36

HEX #8D3A00CE

RGBA 141 58 0 0.81

HSLA 24.68, 1%, 0.28%, 0.81

LABA 35.38, 32.8, 46.44, 0.81

 

CMYK 0 / 38 / 88 / 18

HEX #D28319

RGB 210 131 25

HSL 34.38, 0.79%, 0.46%

LAB 61.66, 23.21, 62.88

 

CMYK 0 / 61 / 88 / 18

HEX #D25119

RGB 210 81 25

HSL 18.16, 0.79%, 0.46%

LAB 51.45, 48.56, 54.9

 

CMYK 0 / 85 / 88 / 18

HEX #D21F19

RGB 210 31 25

HSL 1.95, 0.79%, 0.46%

LAB 45.29, 65.48, 50.14

 

CMYK 0 / 88 / 88 / 18

HEX #D21919

RGB 210 25 25

HSL 0, 0.79%, 0.46%

LAB 44.9, 66.61, 49.84

 

CMYK 0 / 38 / 88 / 18

HEX #D28319

RGB 210 131 25

HSL 34.38, 0.79%, 0.46%

LAB 61.66, 23.21, 62.88

 

CMYK 0 / 14 / 88 / 18

HEX #D2B519

RGB 210 181 25

HSL 50.59, 0.79%, 0.46%

LAB 74.07, -3.59, 72.68

 

CMYK 10 / 0 / 88 / 18

HEX #BDD219

RGB 189 210 25

HSL 66.81, 0.79%, 0.46%

LAB 80.17, -27.12, 76.83

 

CMYK 34 / 0 / 88 / 18

HEX #8BD219

RGB 139 210 25

HSL 83.03, 0.79%, 0.46%

LAB 77.07, -46.69, 73.01

 

CMYK 58 / 0 / 88 / 18

HEX #59D219

RGB 89 210 25

HSL 99.24, 0.79%, 0.46%

LAB 75.01, -62.2, 70.44

 

CMYK 0 / 38 / 88 / 18

HEX #D28319

RGB 210 131 25

HSL 34.38, 0.79%, 0.46%

LAB 61.66, 23.21, 62.88

 

CMYK 0 / 41 / 97 / 10

HEX #E58606

RGB 229 134 6

HSL 34.44, 0.95%, 0.46%

LAB 64.74, 29.37, 69.92

 

CMYK 0 / 38 / 88 / 18

HEX #D28319

RGB 210 131 25

HSL 34.38, 0.79%, 0.46%

LAB 61.66, 23.21, 62.88

 

CMYK 0 / 33 / 77 / 25

HEX #BF802C

RGB 191 128 44

HSL 34.29, 0.63%, 0.46%

LAB 58.69, 17.19, 52.79

 

CMYK 0 / 27 / 63 / 33

HEX #AC7D3F

RGB 172 125 63

HSL 34.13, 0.46%, 0.46%

LAB 55.88, 11.55, 40.29

 

CMYK 0 / 20 / 46 / 40

HEX #997B52

RGB 153 123 82

HSL 34.65, 0.3%, 0.46%

LAB 53.54, 6.04, 26.77

 

CMYK 0 / 10 / 25 / 47

HEX #867865

RGB 134 120 101

HSL 34.55, 0.14%, 0.46%

LAB 51.2, 2.17, 12.41

 

CMYK 0 / 85 / 88 / 18

HEX #D21F19

RGB 210 31 25

HSL 1.95, 0.79%, 0.46%

LAB 45.29, 65.48, 50.14

 

CMYK 0 / 62 / 88 / 18

HEX #D25019

RGB 210 80 25

HSL 17.84, 0.79%, 0.46%

LAB 51.28, 49.01, 54.77

 

CMYK 0 / 38 / 88 / 18

HEX #D28219

RGB 210 130 25

HSL 34.05, 0.79%, 0.46%

LAB 61.43, 23.74, 62.7

 

CMYK 0 / 15 / 88 / 18

HEX #D2B319

RGB 210 179 25

HSL 49.95, 0.79%, 0.46%

LAB 73.55, -2.54, 72.27

 

CMYK 9 / 0 / 88 / 18

HEX #BFD219

RGB 191 210 25

HSL 66.16, 0.79%, 0.46%

LAB 80.31, -26.29, 77.01

 

CMYK 0 / 38 / 88 / 47

HEX #885510

RGB 136 85 16

HSL 34.5, 0.79%, 0.3%

LAB 40.85, 15.82, 44.8

 

CMYK 0 / 38 / 88 / 32

HEX #AD6C14

RGB 173 108 20

HSL 34.51, 0.79%, 0.38%

LAB 51.45, 19.58, 54.2

 

CMYK 0 / 38 / 88 / 18

HEX #D28319

RGB 210 131 25

HSL 34.38, 0.79%, 0.46%

LAB 61.66, 23.21, 62.88

 

CMYK 0 / 34 / 80 / 10

HEX #E6972D

RGB 230 151 45

HSL 34.38, 0.79%, 0.54%

LAB 68.86, 21.54, 63.56

 

CMYK 0 / 28 / 65 / 8

HEX #EBAA52

RGB 235 170 82

HSL 34.51, 0.79%, 0.62%

LAB 74.2, 15.25, 53.59

 

CMYK 0 / 38 / 89 / 18

HEX #D18218

RGB 209 130 24

HSL 34.38, 0.79%, 0.46%

LAB 61.3, 23.3, 62.82

 

CMYK 68 / 0 / 88 / 18

HEX #44D219

RGB 68 210 25

HSL 106.05, 0.79%, 0.46%

LAB 74.44, -66.9, 69.73

 

CMYK 73 / 88 / 0 / 18

HEX #3819D2

RGB 56 25 210

HSL 250.05, 0.79%, 0.46%

LAB 29.88, 63.81, -86.17

 

CMYK 0 / 38 / 89 / 18

HEX #D18218

RGB 209 130 24

HSL 34.38, 0.79%, 0.46%

LAB 61.3, 23.3, 62.82

 

CMYK 88 / 0 / 38 / 18

HEX #19D282

RGB 25 210 130

HSL 154.05, 0.79%, 0.46%

LAB 74.77, -60.64, 27.94

 

CMYK 38 / 88 / 0 / 18

HEX #8219D2

RGB 130 25 210

HSL 274.05, 0.79%, 0.46%

LAB 38.01, 70.36, -72.47

 

CMYK 0 / 38 / 89 / 18

HEX #D18218

RGB 209 130 24

HSL 34.38, 0.79%, 0.46%

LAB 61.3, 23.3, 62.82

 

CMYK 68 / 0 / 88 / 18

HEX #44D219

RGB 68 210 25

HSL 106.05, 0.79%, 0.46%

LAB 74.44, -66.9, 69.73

 

CMYK 88 / 50 / 0 / 18

HEX #1969D2

RGB 25 105 210

HSL 214.05, 0.79%, 0.46%

LAB 45.58, 16.74, -60.44

 

CMYK 20 / 88 / 0 / 18

HEX #A719D2

RGB 167 25 210

HSL 286.05, 0.79%, 0.46%

LAB 43.6, 75.46, -63.12

 

CMYK 0 / 38 / 89 / 18

HEX #D18218

RGB 209 130 24

HSL 34.38, 0.79%, 0.46%

LAB 61.3, 23.3, 62.82

 

CMYK 88 / 0 / 82 / 18

HEX #19D225

RGB 25 210 37

HSL 123.89, 0.79%, 0.46%

LAB 73.83, -72.11, 66.29

 

CMYK 88 / 50 / 0 / 18

HEX #1969D2

RGB 25 105 210

HSL 214.05, 0.79%, 0.46%

LAB 45.58, 16.74, -60.44

 

CMYK 0 / 88 / 6 / 18

HEX #D219C6

RGB 210 25 198

HSL 303.89, 0.79%, 0.46%

LAB 50.07, 80.71, -45.41

 

Description

Color code: HEX #D18218CE | qconv.com Color code: HEX #D18218CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 130 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 130 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 72 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 72% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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