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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1817B it is the complementary color #2E7E84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1817B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1817B shade: #D68176, #E79389, #F8A59C, #FFB7AF and #FFC9C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1817B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1817B shade: #D1817B, #C06F68, #AF5D55, #9E4B42 and #8D392F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1817B shade: #D1817B and #D17B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1817B shade: #D1817B, #D1987B, #D1AF7B, #D1C67B and #C4D17B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1817B shade matches the following richer shades: #D1817B, #DF746C, #ED685E and #FC5C50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1817B shade: #D1817B, #C28D89, #B49A98, #A5A6A6 and #97B3B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1817B shade: #D17BA3, #D17B8C, #D1817B, #D1977B and #D1AE7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1817B shade: #B84941, #C6645C, #D1817B, #DB9E99 and #E6BBB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1817B shade: #D1817B, #BAD17B and #7B97D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1817B shade: #D1817B, #7BD181 and #817BD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1817B shade: #D1817B, #BAD17B, #7BCBD1 and #927BD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1817B shade: #D1817B, #A0D17B, #7BCBD1 and #AB7BD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 41 / 18

HEX #D1817B

RGB 209 129 123

HSL 4.19, 0.48%, 0.65%

LAB 62.24, 30.19, 16.35

 

Complementary color

CMYK 65 / 5 / 0 / 48

HEX #2E7E84

RGB 46 126 132

HSL 184.19, 0.48%, 0.35%

LAB 48.47, -21.93, -10.44

 

CMYK 0 / 40 / 45 / 16

HEX #D68176

RGB 214 129 118

HSL 6.87, 0.54%, 0.65%

LAB 62.76, 31.57, 20

 

CMYK 0 / 36 / 41 / 9

HEX #E79389

RGB 231 147 137

HSL 6.38, 0.66%, 0.72%

LAB 69.23, 30.54, 18.57

 

CMYK 0 / 33 / 37 / 3

HEX #F8A59C

RGB 248 165 156

HSL 5.87, 0.87%, 0.79%

LAB 75.62, 29.6, 17.28

 

CMYK 0 / 28 / 31 / 0

HEX #FFB7AF

RGB 255 183 175

HSL 6, 1%, 0.84%

LAB 80.86, 25.06, 14.45

 

CMYK 0 / 21 / 24 / 0

HEX #FFC9C2

RGB 255 201 194

HSL 6.89, 1%, 0.88%

LAB 85.47, 18.15, 10.82

 

CMYK 0 / 38 / 41 / 18

HEX #D1817B

RGB 209 129 123

HSL 4.19, 0.48%, 0.65%

LAB 62.24, 30.19, 16.35

 

CMYK 0 / 42 / 46 / 25

HEX #C06F68

RGB 192 111 104

HSL 4.77, 0.41%, 0.58%

LAB 55.66, 31.26, 17.86

 

CMYK 0 / 47 / 51 / 31

HEX #AF5D55

RGB 175 93 85

HSL 5.33, 0.36%, 0.51%

LAB 49.01, 32.43, 19.59

 

CMYK 0 / 53 / 58 / 38

HEX #9E4B42

RGB 158 75 66

HSL 5.87, 0.41%, 0.44%

LAB 42.3, 33.7, 21.65

 

CMYK 0 / 60 / 67 / 45

HEX #8D392F

RGB 141 57 47

HSL 6.38, 0.5%, 0.37%

LAB 35.59, 35.01, 24.14

 

CMYK 0 / 38 / 41 / 18

HEX #D1817B

RGB 209 129 123

HSL 4.19, 0.48%, 0.65%

LAB 62.24, 30.19, 16.35

 

CMYK 0 / 41 / 41 / 18

HEX #D17B7B

RGB 209 123 123

HSL 0, 0.48%, 0.65%

LAB 60.91, 33.4, 14.51

 

CMYK 0 / 38 / 41 / 18

HEX #D1817B

RGB 209 129 123

HSL 4.19, 0.48%, 0.65%

LAB 62.24, 30.19, 16.35

 

CMYK 0 / 27 / 41 / 18

HEX #D1987B

RGB 209 152 123

HSL 20.23, 0.48%, 0.65%

LAB 67.61, 17.72, 23.67

 

CMYK 0 / 16 / 41 / 18

HEX #D1AF7B

RGB 209 175 123

HSL 36.28, 0.48%, 0.65%

LAB 73.31, 5.3, 31.25

 

CMYK 0 / 5 / 41 / 18

HEX #D1C67B

RGB 209 198 123

HSL 52.33, 0.48%, 0.65%

LAB 79.26, -6.79, 38.91

 

CMYK 6 / 0 / 41 / 18

HEX #C4D17B

RGB 196 209 123

HSL 69.07, 0.48%, 0.65%

LAB 81.16, -17.51, 41.11

 

CMYK 0 / 38 / 41 / 18

HEX #D1817B

RGB 209 129 123

HSL 4.19, 0.48%, 0.65%

LAB 62.24, 30.19, 16.35

 

CMYK 0 / 48 / 52 / 13

HEX #DF746C

RGB 223 116 108

HSL 4.17, 0.64%, 0.65%

LAB 61.01, 40.81, 23.5

 

CMYK 0 / 56 / 60 / 7

HEX #ED685E

RGB 237 104 94

HSL 4.2, 0.8%, 0.65%

LAB 60.53, 50.66, 31.18

 

CMYK 0 / 63 / 68 / 1

HEX #FC5C50

RGB 252 92 80

HSL 4.19, 0.97%, 0.65%

LAB 60.72, 60.22, 39.75

 

CMYK 0 / 38 / 41 / 18

HEX #D1817B

RGB 209 129 123

HSL 4.19, 0.48%, 0.65%

LAB 62.24, 30.19, 16.35

 

CMYK 0 / 27 / 29 / 24

HEX #C28D89

RGB 194 141 137

HSL 4.21, 0.32%, 0.65%

LAB 63.61, 19.58, 10.09

 

CMYK 0 / 14 / 16 / 29

HEX #B49A98

RGB 180 154 152

HSL 4.29, 0.16%, 0.65%

LAB 65.81, 9.28, 4.61

 

CMYK 1 / 0 / 0 / 35

HEX #A5A6A6

RGB 165 166 166

HSL 180, 0.01%, 0.65%

LAB 68.04, -0.35, -0.13

 

CMYK 17 / 1 / 0 / 29

HEX #97B3B5

RGB 151 179 181

HSL 184, 0.17%, 0.65%

LAB 70.98, -9.09, -4.23

 

CMYK 0 / 41 / 22 / 18

HEX #D17BA3

RGB 209 123 163

HSL 332.09, 0.48%, 0.65%

LAB 61.97, 38.59, -6.88

 

CMYK 0 / 41 / 33 / 18

HEX #D17B8C

RGB 209 123 140

HSL 348.14, 0.48%, 0.65%

LAB 61.32, 35.42, 5.35

 

CMYK 0 / 38 / 41 / 18

HEX #D1817B

RGB 209 129 123

HSL 4.19, 0.48%, 0.65%

LAB 62.24, 30.19, 16.35

 

CMYK 0 / 28 / 41 / 18

HEX #D1977B

RGB 209 151 123

HSL 19.53, 0.48%, 0.65%

LAB 67.37, 18.26, 23.35

 

CMYK 0 / 17 / 41 / 18

HEX #D1AE7B

RGB 209 174 123

HSL 35.58, 0.48%, 0.65%

LAB 73.06, 5.83, 30.92

 

CMYK 0 / 60 / 65 / 28

HEX #B84941

RGB 184 73 65

HSL 4.03, 0.48%, 0.49%

LAB 46.09, 44.41, 27.93

 

CMYK 0 / 49 / 54 / 22

HEX #C6645C

RGB 198 100 92

HSL 4.53, 0.48%, 0.57%

LAB 53.91, 38.24, 22.61

 

CMYK 0 / 38 / 41 / 18

HEX #D1817B

RGB 209 129 123

HSL 4.19, 0.48%, 0.65%

LAB 62.24, 30.19, 16.35

 

CMYK 0 / 28 / 30 / 14

HEX #DB9E99

RGB 219 158 153

HSL 4.55, 0.48%, 0.73%

LAB 70.74, 22.03, 11.62

 

CMYK 0 / 19 / 20 / 10

HEX #E6BBB8

RGB 230 187 184

HSL 3.91, 0.48%, 0.81%

LAB 79.51, 14.96, 7.34

 

CMYK 0 / 38 / 41 / 18

HEX #D1817B

RGB 209 129 123

HSL 4.19, 0.48%, 0.65%

LAB 62.24, 30.19, 16.35

 

CMYK 11 / 0 / 41 / 18

HEX #BAD17B

RGB 186 209 123

HSL 76.05, 0.48%, 0.65%

LAB 80.44, -21.37, 40.05

 

CMYK 41 / 28 / 0 / 18

HEX #7B97D1

RGB 123 151 209

HSL 220.47, 0.48%, 0.65%

LAB 62.46, 5.02, -32.84

 

CMYK 0 / 38 / 41 / 18

HEX #D1817B

RGB 209 129 123

HSL 4.19, 0.48%, 0.65%

LAB 62.24, 30.19, 16.35

 

CMYK 41 / 0 / 38 / 18

HEX #7BD181

RGB 123 209 129

HSL 124.19, 0.48%, 0.65%

LAB 76.92, -42.36, 31.75

 

CMYK 38 / 41 / 0 / 18

HEX #817BD1

RGB 129 123 209

HSL 244.19, 0.48%, 0.65%

LAB 55.52, 23.01, -43.69

 

CMYK 0 / 38 / 41 / 18

HEX #D1817B

RGB 209 129 123

HSL 4.19, 0.48%, 0.65%

LAB 62.24, 30.19, 16.35

 

CMYK 11 / 0 / 41 / 18

HEX #BAD17B

RGB 186 209 123

HSL 76.05, 0.48%, 0.65%

LAB 80.44, -21.37, 40.05

 

CMYK 41 / 3 / 0 / 18

HEX #7BCBD1

RGB 123 203 209

HSL 184.19, 0.48%, 0.65%

LAB 77, -22.96, -10.7

 

CMYK 30 / 41 / 0 / 18

HEX #927BD1

RGB 146 123 209

HSL 256.05, 0.48%, 0.65%

LAB 56.96, 27.63, -41.32

 

CMYK 0 / 38 / 41 / 18

HEX #D1817B

RGB 209 129 123

HSL 4.19, 0.48%, 0.65%

LAB 62.24, 30.19, 16.35

 

CMYK 23 / 0 / 41 / 18

HEX #A0D17B

RGB 160 209 123

HSL 94.19, 0.48%, 0.65%

LAB 78.76, -31.03, 37.56

 

CMYK 41 / 3 / 0 / 18

HEX #7BCBD1

RGB 123 203 209

HSL 184.19, 0.48%, 0.65%

LAB 77, -22.96, -10.7

 

CMYK 18 / 41 / 0 / 18

HEX #AB7BD1

RGB 171 123 209

HSL 273.49, 0.48%, 0.65%

LAB 59.37, 34.83, -37.37

 

Description

Color code: HEX #D1817B | qconv.com Color code: HEX #D1817B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 129 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 129 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 41 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 41% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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